{"id":2289,"date":"2017-10-23T01:51:57","date_gmt":"2017-10-23T01:51:57","guid":{"rendered":"http:\/\/dance.lt\/new\/2017\/10\/23\/choreografinis-epas-apie-zmonijos-istakas\/"},"modified":"2017-10-23T01:51:57","modified_gmt":"2017-10-23T01:51:57","slug":"choreografinis-epas-apie-zmonijos-istakas","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2017\/10\/23\/choreografinis-epas-apie-zmonijos-istakas\/","title":{"rendered":"Choreografinis epas apie \u017emonijos i\u0161takas"},"content":{"rendered":"

2017 m. spalio 7 d. Nacionaliniame Kauno dramos teatro Did\u017eiojoje sal\u0117je \u012fvyko vienas pagrindini\u0173, vis\u0173 lauktas ir intriguojantis tarptautinio \u0161iuolaikinio \u0161okio festivalio \u201eAura 27\u201c pasirodymas \u2013 \u0161veicar\u0173 trup\u0117s \u201eAlias\u201c spektaklis \u201eAntes\u201c. Pastar\u0105j\u012f u\u017esienio atlik\u0117j\u0173 k\u016brin\u012f gal\u0117tum\u0117me pavadinti autenti\u0161ku akibrok\u0161tu apie pamatines \u017emogaus egzistavimo s\u0105lygas, \u0161okio pavidale \u012fk\u016bnyt\u0105 metafor\u0105, perteikian\u010di\u0105 individo b\u016bt\u012f prie\u0161 \u012fsigalint globalizacijai, kolektyvin\u0119 pas\u0105mon\u0119, bet sykiu ir autonomi\u0161ko likimo formavim\u0105si. Brazil\u0173 kilm\u0117s choreografas Guilherme Botelho, jau antr\u0105 kart\u0105 pristatantis savo k\u016brinius Lietuvos publikai (2010 m. festivalyje \u201eAura 20\u201c buvo parodytas spektaklis \u201e\u0160oninis lietus\u201c), u\u017esimojo paliesti globalias, kone mokslin\u0119 fantastik\u0105 primenan\u010dias temas. Pastarasis k\u016br\u0117jas \u2013 tikras konceptualistas, judesio pagalba sieki\u0105s i\u0161reik\u0161ti id\u0117jas, mentalin\u012f bei psichologin\u012f turin\u012f. <\/p>\n

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\nNuotrauk\u0173 autorius: Gregory Batardon<\/p>\n

Spektaklio pavadinimas \u201eAntes\u201c i\u0161vertus i\u0161 portugal\u0173 kalbos rei\u0161kia \u201eiki\u201c, \u201eprie\u0161\u201c. Tai tiesiogiai susij\u0119 su pasirodymo turiniu, kuriame keliami klausimai: kas yra \u017emogus; kaip jis vyst\u0117si; kas vyko iki civilizacijos; kaip funkcionavo vyras ir moteris; kaip klost\u0117si kiekvieno i\u0161 j\u0173 likimas; kokia \u017emogaus k\u016bni\u0161koji ir gyv\u016bni\u0161koji prigimtys? B\u016btent k\u016bni\u0161kumo ir nuogumo aspektas yra dominuojantis spektaklio bruo\u017eas.
\nVisi\u0161kai nuogas \u0161ok\u0117jo k\u016bnas Lietuvos scenoje n\u0117ra da\u017enas rei\u0161kinys. D\u0117l \u0161ios prie\u017easties spektaklis traktuotinas kaip gana ne\u012fprastas kit\u0173 pasirodym\u0173 at\u017evilgiu. Tiesa, pilna teatro sal\u0117 \u017ei\u016brov\u0173 atskleid\u0117, kad \u017emon\u0117s \u017eengia sykiu su vakarieti\u0161komis tendencijomis ir \u201ejaukinasi\u201c nudizm\u0105 scenoje. Reikia pamin\u0117ti, kad da\u017eniausiai \u0161okiruoja ne pats nuogumas, o santykis su \u0161ok\u0117ju, kuris taip save pristato. \u0160\u012fkart buvo i\u0161laikyta stipri distancija tarp to, kas vyksta scenoje bei to, kas visa tai stebi. \u0160ok\u0117jai tiesiogiai \u201eneu\u017ekalbino\u201c \u017ei\u016brovo, negriov\u0117 ketvirtosios teatro sienos. Gal d\u0117l \u0161ios prie\u017easties nuogumas pernelyg netrikd\u0117, nevert\u0117 jaustis nejaukiai. \u017di\u016brovas gal\u0117jo emoci\u0161kai atsiriboti, reflektuoti ir medituoti.<\/p>\n

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\u0160okio spektaklyje \u201eAntes\u201c \u017emogaus k\u016bnas da\u017enai atrodo prarad\u0119s tapatum\u0105, individualum\u0105 bei subjektyvum\u0105. Pasirodymo prad\u017eioje gulintys k\u016bn\u0173 siluetai mena abstrak\u010dius odos, kaul\u0173, s\u0105nari\u0173 bei raumen\u0173 \u201erinkinius\u201c. Skirtingi poj\u016b\u010diai apima stebint pasirodym\u0105 i\u0161 arti ir toliau. \u017di\u016brovai, s\u0117d\u0117j\u0119 priekin\u0117se eil\u0117se, gal\u0117jo matyti net menkiausi\u0105 ir subtiliausi\u0105 raumens susitraukim\u0105, \u012fkv\u0117pim\u0105 ir i\u0161kv\u0117pim\u0105, kiekvieno \u0161ok\u0117jo unikalias fizines galimybes ir \u017emogi\u0161k\u0105 ribotum\u0105. Tie, kas \u012f veiksm\u0105 \u017evelg\u0117 i\u0161 toliau, gal\u0117jo gro\u017e\u0117tis \u201era\u0161tais\u201c, kintan\u010diomis formomis, kurios tarsi pleveno, skleid\u0117si, tek\u0117jo lyg gaivali\u0161ka gamtos energija. <\/p>\n

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Pasirodymo prad\u017eioje \u0161ok\u0117j\u0173 plastika primin\u0117 primityvi\u0173, besivystan\u010di\u0173 b\u016btybi\u0173 \u201e\u012f\u0161\u0117jim\u0105 \u012f pasaul\u012f\u201c \u2013 mat\u0117me dreban\u010dias, krutan\u010dias gal\u016bnes, intensyv\u0173 kv\u0117pavim\u0105 kr\u016btine ir pilvu, muistym\u0105s\u012f, r\u0105\u017eym\u0105s\u012f ir kitus k\u016bno ap\u0161ilimui naudojamus judesius. Kuomet atlik\u0117jai pakilo nuo \u017eem\u0117s, t. y., per\u0117jo i\u0161 pasyvios \u012f aktyvi\u0105 pozicij\u0105, jie tapo kovotojais u\u017e savo b\u016bv\u012f. I\u0161vydome veidus, kurie kaip mat suteik\u0117 k\u016bnams \u017emogi\u0161kumo, \u017evilgsniai pasklid\u0119 po scen\u0105 bylojo apie kiekvieno \u017emogaus individualum\u0105, autonomij\u0105. Choreografija \u012fgavo brai\u017e\u0105, judesiai tapo dinami\u0161kesni. \u0160ok\u0117jai aktyviai \u201emigravo\u201c po scen\u0105 lyg pirmtakai, s\u0105veikavo vienas su kitu. Nors atlik\u0117jai skirting\u0173 ly\u010di\u0173, choreografas pasirinko nuosaiki\u0105 pozicij\u0105, nepabr\u0117\u017e\u0117 ly\u010di\u0173 skirtumo \u2013 moteris seksualumas nebuvo perd\u0117m pabr\u0117\u017eiamas, o vyro tvirtyb\u0117 ir fizin\u0117s galimyb\u0117s nenurung\u0117 moters. Visi buvo lyg\u016bs, vyst\u0117si kolektyvi\u0161kai, bet sykiu ir individualiose psichologin\u0117se, dvasin\u0117se plotm\u0117se. Autenti\u0161ka buvo kiekvieno atlik\u0117jo i\u0161vaizda, judesi\u0173 plastika, k\u016bno proporcijos, raumen\u0173 galia. Masin\u0117s scenos, kuriose \u0161ok\u0117jai tur\u0117jo atlikti tuos pa\u010dius judesius, atkleid\u0117, kokie skirtingi yra \u017emon\u0117s, j\u0173 fizin\u0117s galimyb\u0117s. <\/p>\n

\"\"<\/p>\n

Kalbant apie kitas k\u016brinio sudedam\u0105sias dalis ap\u0161vietim\u0105 bei muzik\u0105, der\u0117t\u0173 pamin\u0117ti, kad pastarieji elementai nestiprino pasirodymo \u012ftaigos, nesuteik\u0117 papildom\u0173 prasmi\u0173 ar id\u0117jinio gylio. Pasirinktas Murcofo garso takelis nebuvo itin i\u0161rai\u0161kingas, jame tr\u016bko intrigos. O juk muzika da\u017enai yra lygiavertis \u0161okio d\u0117muo \u2013 jo inspiracija, prie\u017eastis, \u201ej\u0117ga\u201c. Jeano-Philippe\u2018o Roy\u2018aus ap\u0161vietimas taip pat pasi\u017eym\u0117jo statika. Be abejo, jis leido akistaton susidurti su nuogu, betarpi\u0161ku \u0161ok\u0117jo k\u016bnu, kita vertus, nek\u0117l\u0117 didesnio \u012fsp\u016bd\u017eio. Kuomet viskas taip \u201eatvira\u201c, galiausiai pradeda pabosti, nes regis neb\u0117ra vietos \u017ei\u016brovo fantazijai, nuojautoms. Ko gero, G. Botelho s\u0105moningai pasirinko tokias kuklias i\u0161rai\u0161kos priemones, atsisak\u0117 vizualini\u0173 efekt\u0173, siek\u0117 i\u0161sivaduoti nuo vizualinio ir garsinio \u201etriuk\u0161mo\u201c. <\/p>\n

\u0160okio spektaklis \u201eAntes\u201c \u017ei\u016brovui pateik\u0117 visi\u0161kai kitok\u012f po\u017ei\u016br\u012f \u012f \u017emogaus k\u016bn\u0105, atribojo nuo bet koki\u0173 i\u0161ankstini\u0173 ir reglamentuot\u0173 k\u016bno suvokimo koncepcij\u0173, leido pasinerti \u012f meditatyv\u0173 form\u0173, siluet\u0173, ra\u0161t\u0173 pasaul\u012f. Dr\u012fs\u010diau teigti, jog nudizmo estetika pa\u017eenklintas \u0161okio spektaklis \u201eAntes\u201c ne\u0161okiravo, bet sujudino prot\u0105 ir s\u0105mon\u0119, paskatino reflektuoti \u017emogaus kaip individualios bei kolektyvi\u0161kos b\u016btyb\u0117s egzistavimo s\u0105lygas.<\/p>\n

\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas.
\n\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

2017 m. spalio 7 d. Nacionaliniame Kauno dramos teatro Did\u017eiojoje sal\u0117je \u012fvyko vienas pagrindini\u0173, vis\u0173 lauktas ir intriguojantis tarptautinio \u0161iuolaikinio …<\/p>\n","protected":false},"author":1,"featured_media":2290,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nChoreografinis epas apie \u017emonijos i\u0161takas - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2017\/10\/23\/choreografinis-epas-apie-zmonijos-istakas\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Choreografinis epas apie \u017emonijos i\u0161takas - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"2017 m. spalio 7 d. Nacionaliniame Kauno dramos teatro Did\u017eiojoje sal\u0117je \u012fvyko vienas pagrindini\u0173, vis\u0173 lauktas ir intriguojantis tarptautinio \u0161iuolaikinio ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2017\/10\/23\/choreografinis-epas-apie-zmonijos-istakas\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2017-10-23T01:51:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2289_Antes_Gregory_Batardon_4-1100x733.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1100\" \/>\n\t<meta property=\"og:image:height\" content=\"733\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"maksimas\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2017\/10\/23\/choreografinis-epas-apie-zmonijos-istakas\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2289_Antes_Gregory_Batardon_4.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2289_Antes_Gregory_Batardon_4.jpg\",\"width\":5760,\"height\":3840},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2017\/10\/23\/choreografinis-epas-apie-zmonijos-istakas\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2017\/10\/23\/choreografinis-epas-apie-zmonijos-istakas\/\",\"name\":\"Choreografinis epas apie \\u017emonijos i\\u0161takas - Lithuanian Dance Centre\",\"isPartOf\":{\"@id\":\"https:\/\/dance.lt\/new\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/dance.lt\/new\/2017\/10\/23\/choreografinis-epas-apie-zmonijos-istakas\/#primaryimage\"},\"datePublished\":\"2017-10-23T01:51:57+00:00\",\"dateModified\":\"2017-10-23T01:51:57+00:00\",\"author\":{\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/ff32a20acc6cde4a766fdc2cae927a20\"},\"breadcrumb\":{\"@id\":\"https:\/\/dance.lt\/new\/2017\/10\/23\/choreografinis-epas-apie-zmonijos-istakas\/#breadcrumb\"},\"inLanguage\":\"lt-LT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/dance.lt\/new\/2017\/10\/23\/choreografinis-epas-apie-zmonijos-istakas\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/dance.lt\/new\/2017\/10\/23\/choreografinis-epas-apie-zmonijos-istakas\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/dance.lt\/new\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Choreografinis epas apie \\u017emonijos i\\u0161takas\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/ff32a20acc6cde4a766fdc2cae927a20\",\"name\":\"maksimas\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/#personlogo\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6b65a38b059816cbab90c908e3dc026b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6b65a38b059816cbab90c908e3dc026b?s=96&d=mm&r=g\",\"caption\":\"maksimas\"},\"url\":\"https:\/\/dance.lt\/new\/author\/maksimas\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Choreografinis epas apie \u017emonijos i\u0161takas - Lithuanian Dance Centre","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/dance.lt\/new\/2017\/10\/23\/choreografinis-epas-apie-zmonijos-istakas\/","og_locale":"lt_LT","og_type":"article","og_title":"Choreografinis epas apie \u017emonijos i\u0161takas - Lithuanian Dance Centre","og_description":"2017 m. spalio 7 d. 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