{"id":2299,"date":"2017-11-16T10:29:24","date_gmt":"2017-11-16T10:29:24","guid":{"rendered":"http:\/\/dance.lt\/new\/2017\/11\/16\/kalbantys-kunai\/"},"modified":"2017-11-16T10:29:24","modified_gmt":"2017-11-16T10:29:24","slug":"kalbantys-kunai","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2017\/11\/16\/kalbantys-kunai\/","title":{"rendered":"Kalbantys k\u016bnai"},"content":{"rendered":"

K\u016bni\u0161kumas ir jo pasirei\u0161kimas gyvenimo kasdienyb\u0117je arba svarstymas, kaip k\u016bnas tampa meno k\u016briniu, gal\u0117t\u0173 b\u016bti kertinis sakinys, po kuriuo sutalpin\u010diau tarptautinio \u0161okio festivalio \u201eAura27\u201c k\u016brinius \u201eTwister\u201c (chor.Salvo Lombardo) bei \u201eTordre\u201c(chor. Rachidas Ouramdane\u2018as). K\u016br\u0117jai, skirtingomis estetin\u0117mis formomis \u0161\u012fkart \u012f \u017ei\u016brovus prabilo klausim\u0173-atsakym\u0173 virtine \u2013 kaip galime perprasti save ir pasaul\u012f \u017eaid\u017eiant ar manipuliuojant savaisiais k\u016bnais.<\/p>\n

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\nNuotrauk\u0173 autor\u0117: Svetlana Batura<\/p>\n

\u201eTwister\u201c atveju, pats pavadinimas suponuoja \u012f visame pasaulyje (arba bent jau did\u017eiojoje jo dalyje) \u017einom\u0105 \u017eaidim\u0105, gr\u012fst\u0105 fiziniu jud\u0117jimu bei buvimu vienas \u0161alia kito. Kaskart asmuo, m\u0117ginantis \u012fveikti atsuktos str\u0117lyt\u0117s ir spalvos u\u017eduot\u012f, turi atrasti savojo k\u016bno pozicij\u0105 ir j\u0105 \u201e\u012ftalpinti\u201c \u0161alia kito k\u016bno. \u0160iandienos artumo stokos pasaulyje tai yra itin daug intymumo reikalaujanti vakaro pramoga. \u0160\u012fkart, id\u0117jos autorius, choreografas ir re\u017eisierius S. Lombardio bendradarbiaudamas su \u0161vies\u0173 dailininke Luca Giovagnoli, kosiumt\u0173 dailininke Kristina Sviderskaite, garso re\u017eiesieriusFabricio Alviti ir tarptautine \u0161ok\u0117j\u0173 komanda \u2013 Lucia Cammalleri, Mei Chen, Daria Greco, Oskana Griaznova, Abeliu Hernandezu bei Evgenijumi Kalachevu \u2013prie\u0161 m\u016bs\u0173 akis sukuria vieno vakaro twisterio fiest\u0105. <\/p>\n

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Kiekvienas \u0161ok\u0117jas sukuria ir (arba) papasakoja savo mini istorij\u0105 twisterio \u017eaidimo r\u0117muose, kuriuos pasirodo galima prapl\u0117sti iki tikrojo gyvenimo parafrazi\u0173. Visi atlik\u0117jai patraukl\u016bs, \u017eav\u016bs, visi turintys savo specifin\u012f judes\u012f, visi prikaustantys d\u0117mes\u012f, ie\u0161kantys fizinio artumo (o gal atitolimo?) vienas su kitu. Nors atrodyt\u0173, jei\u0161\u012fkart giliaminti\u0161kumo neb\u016bt\u0173 tiek daug, nebesikankintume su \u012fvairiais filosofiniais i\u0161ved\u017eiojimais, nors mano akiai ir ausiai tai buvo vienas patraukliausi\u0173 vakaro k\u016brini\u0173. Pavyzd\u017eiui, spektaklyje \u201e.Stalking Paradise..\u201c buvo pateti\u0161kai kalbama apie geb\u0117jim\u0105 b\u016bti naiviais it vaikai ir nor\u0105, kad \u0161is naivumas arba silpnumas netapt\u0173 sustabar\u0117jusiubei neb\u016bt\u0173 atimamas i\u0161 \u017emogaus per jo brendimo ir gyvenimo laikotarp\u012f. Rodos \u201eTwister\u201c k\u016brinio atveju, tok\u012f \u017eaid\u017eiant\u012f \u017emog\u0173 pavyko atskleisti. \u017dinoma, suvokiant, jog \u017eaidimas ne visada, o suaugusi\u0173 pasaulyje prakti\u0161kai niekada, n\u0117ra naivumo aprai\u0161ka. Suaug\u0119s \u017eaid\u017eiantis \u017emogus da\u017enai i\u0161lieka ironi\u0161kas, kartais kiek pagie\u017eingas ar pasimet\u0119s, ta\u010diau b\u016btent tokio \u017eaidimo d\u0117ka kuriantis sav\u0105j\u0105 aplink\u0105 \u2013 gra\u017ei\u0105, blizgan\u010di\u0105, \u017eavin\u010di\u0105, \u0161iek tiek eroti\u0161k\u0105. Ne\u017einia, ar toks gyvenimas yra siekiamyb\u0117, bet neabejotina, jog toks gyvenimas da\u017enai tiesiog yra. Kaip ka\u017ekada pasaul\u012f ap\u017eav\u0117j\u0119s filmas \u201eDidis gro\u017eis\u201c ir jame slypinti gyvenimo (be)prasmyb\u0117, taip ir \u201eTwister\u201c blizg\u0117jo ir raibo prie\u0161 m\u016bs\u0173 akis \u2013 kaip po gero vakar\u0117lio prisimenant, kad rytoj laukia pagyrios. Tad nusi\u0117mus kostiumus, i\u0161jungus muzik\u0105 bei pad\u0117jus twister\u012f \u012f lentyn\u0105, gyvenimo \u017eaidimas gali pasirodyti nebe toks \u017eavus ir blizgantis, o kasdienyb\u0117 visai nesipra\u0161o asmenuki\u0173 ir j\u0173 demonstravimo socialini\u0173 tinkl\u0173 paskyrose. <\/p>\n

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Geb\u0117jimas save atrasti per k\u016bno prizm\u0119, tik \u0161iuokart vidinio savojo \u201eA\u0161\u201c paie\u0161kos, o ne sav\u0119s identifikavimas ir reprezentavimas minioje, buvo viena kertini\u0173 tem\u0173 ir Rachido Ouramdane\u2018o k\u016brinyje \u201eTordre\u201c. Spektaklio prad\u017eia \u2013 apgaulingai brodv\u0117ji\u0161ka. Skambant amerikieti\u0161ko miuziklo \u201eFunny Girl\u201c muzikai dvi \u0161ok\u0117jos (Annie Hanauer ir Lora Juodkait\u0117) i\u0161taigingai nusilenkia. Kartoja. Ir v\u0117l viskas i\u0161 naujo. Visgi \u0161iuo atveju scenoje brodv\u0117ji\u0161ka yra tik pati muzika, nes nei \u0161ok\u0117jos, nei minimali scenografija ir, it Damoklo kardai besisukan\u010dios lygiagre\u010dios konstrukcijos, visi\u0161kai neprimena blizgan\u010dio Brodv\u0117jaus \u017eavesio. <\/p>\n

Po \u017eaving\u0173 nusilenkim\u0173, kurie apgaulingai suponuoja pabaig\u0105, o ne prad\u017ei\u0105, suvokiame, jog tai blizgan\u010dios i\u0161or\u0117s pabaiga. Toliau spektaklio audinyje duetas i\u0161siskiria ir kiekviena \u0161ok\u0117ja savo k\u016bnais, minimaliomis papildomomis scenografijos priemon\u0117mis perpasakoja, o gal sukuria ir papasakoja savo istorij\u0105. Intymi\u0105, galb\u016bt kiek skaud\u017ei\u0105, bet svarbu unikali\u0105. Laviruodamos tarp savojo vidinio jautraus \u201ea\u0161\u201c ir fasadinio moteri\u0161kumo \u2013 \u010dia daili, besi\u0161ypsanti, neverkianti \u2013 meninink\u0117s tarsi per savianaliz\u0117s arba labiau dvasi\u0161k\u0105 i\u0161pa\u017einties seans\u0105 apsinuogina prie\u0161 m\u016bs\u0173 akis.<\/p>\n

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Arba transformuojasi atskleisdamos visus savo kuriamus ir pasauliui pristatomus veidus. Neder\u0117t\u0173 suprasti klaidingai, \u0161is sav\u0119s apnuoginimo ir (arba) transformavimo procesas jokiais b\u016bdais n\u0117ra tiesioginis ir banalus. Nepasikei\u010dia \u0161ok\u0117j\u0173 kostiumai, juodos b\u016btyb\u0117s i\u0161ry\u0161k\u0117ja aitrioje baltoje medicini\u0161koje \u0161viesoje, o mes tampame tais chirurgais, kurie \u0161altais \u017evilgsniais be joki\u0173 skrupul\u0173 pasiruo\u0161ia prapjauti prie\u0161 juos gulint\u012f k\u016bn\u0105 ir atrasti visus \u012fmanomus sluoksnius ir negalavimus. Tik ne\u017einia, ar mes turime galios, k\u0105 nors pagydyti. <\/p>\n

Paskutin\u012fj\u012f para\u0161\u0105 spektaklio audinyje \u201eu\u017ed\u0117jo\u201c L. Juodkait\u0117 ir jos garsusis sukinys. \u0160ok\u0117jos geb\u0117jimas nuolat suktis net stebint\u012f (bent jau mane) priver\u010dia jaustis tarsi nesvarumo b\u016bsenoje. \u201eTordre\u201c r\u0117muose i\u0161girdome ir \u0161io specifinio talento \u0161aknis, k\u016br\u0117ja atskleid\u0117 nuolatin\u012f sukimas\u012f kaip sav\u0119s identifikavimo ir \u012fprasminimo rei\u0161kin\u012f. B\u016btent tokioje fizin\u0117je b\u016bsenoje, kuomet viskas sukasi aplinkui, ji pamato pasaul\u012f, kitok\u012f nei jis yra (galb\u016bt tikr\u0105j\u012f?), tada ji jau\u010diasi saugi, rami arba tiesiog jau\u010diasi savimi. Sukdamasi L. Juodkait\u0117 papasakoja savo vaikyst\u0117s istorijas, persipinan\u010dias su dabartimi, atskleid\u017eian\u010dias, kokia asmenyb\u0117 buvo sutverta per jos gyvenimo proces\u0105 meno ir gyvenimo d\u0117ka. Transformuota ir pertransformuota, galb\u016bt kartais \u017eaid\u017eianti ar \u017eaid\u017eiama, bet visada rimtai u\u017esiimanti \u017eaidimo menu, kaip kad vaikai rimtai \u017eaid\u017eia savo \u017eaidimus, negalvodami, kad atrodo juokingai arba patys pok\u0161tauja. Vaikams \u017eaidimas yra rimtas u\u017esi\u0117mimas, o ironi\u0161ki ir kvailai besielgiantys yra tik \u017eaid\u017eiantys suaugusieji. Gyvenimo rimtumas per \u017eaidim\u0105, per fizin\u012f jud\u0117jim\u0105 ir pasikeitimus, atsiskleid\u017eia abiej\u0173 \u0161ok\u0117j\u0173 b\u016btyje scenoje, nes spektaklis pasibaigia k\u016brinio prad\u017eioje kuomet \u0161ok\u0117jos nusilenkia. O vis\u0105 likus\u012f laik\u0105 mes drauge pasineriame \u012f b\u016bt\u012f, \u012f gyvenim\u0105. <\/p>\n

\"\"<\/p>\n

Spektaklio r\u0117muose dviej\u0173 k\u016brini\u0173 pagalba atradome ir perpratome, kokie skirtingi gali b\u016bti \u017eaidimai, kiek skirting\u0173 patir\u010di\u0173 galime i\u0161gyventi per k\u016bn\u0105 ir per fizin\u0119 b\u016bt\u012f bei kaip \u0161i mus nuolatos kuria ir perkuria gyvenimo kasdienyb\u0117je. Visgi, nors ak\u012f labiausiai trauk\u0117 \u201eTwisteris\u201c, bet asmeni\u0161kai nor\u0117\u010diau patirti ir b\u016bti rimtai \u017eaid\u017eian\u010diu vaiku, o ne pagiringu prisi\u017eaidusiu suaugusiuoju. Kaip ten beb\u016bt\u0173, abiej\u0173 \u017eaidim\u0173 formas pa\u017e\u012fstame ir esame patyr\u0119 daugelis. O kartais, vedini k\u016brybini\u0173 u\u017emoj\u0173, jas galime i\u0161gyventi i\u0161 naujo. <\/p>\n

\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas. <\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

K\u016bni\u0161kumas ir jo pasirei\u0161kimas gyvenimo kasdienyb\u0117je arba svarstymas, kaip k\u016bnas tampa meno k\u016briniu, gal\u0117t\u0173 b\u016bti kertinis sakinys, po kuriuo sutalpin\u010diau …<\/p>\n","protected":false},"author":1,"featured_media":2300,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nKalbantys k\u016bnai - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2017\/11\/16\/kalbantys-kunai\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kalbantys k\u016bnai - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"K\u016bni\u0161kumas ir jo pasirei\u0161kimas gyvenimo kasdienyb\u0117je arba svarstymas, kaip k\u016bnas tampa meno k\u016briniu, gal\u0117t\u0173 b\u016bti kertinis sakinys, po kuriuo sutalpin\u010diau ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2017\/11\/16\/kalbantys-kunai\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2017-11-16T10:29:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2299_3_40.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"960\" \/>\n\t<meta property=\"og:image:height\" content=\"640\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"maksimas\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2017\/11\/16\/kalbantys-kunai\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2299_3_40.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/2299_3_40.jpg\",\"width\":960,\"height\":640},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2017\/11\/16\/kalbantys-kunai\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2017\/11\/16\/kalbantys-kunai\/\",\"name\":\"Kalbantys k\\u016bnai - 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