{"id":3120,"date":"2018-09-24T13:56:21","date_gmt":"2018-09-24T10:56:21","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=3120"},"modified":"2018-10-20T16:13:35","modified_gmt":"2018-10-20T13:13:35","slug":"sokio-pranasystes","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2018\/09\/24\/sokio-pranasystes\/","title":{"rendered":"\u0160okio prana\u0161yst\u0117s"},"content":{"rendered":"

Butoh meninink\u0117 Sakurako Men\u0173 spaustuvei prana\u0161auja nepavyd\u0117tin\u0105 ateit\u012f \u2013 pasak jos spektaklio \u201eSenseless\u201c, kurio premjera \u012fvyko rugs\u0117jo 12 d. Juodojoje sal\u0117je, po 66 met\u0173, 2084-aisiais, \u010dia tvyros \u201eklon\u0173 ir \u017emogi\u0161k\u0173j\u0173 atliek\u0173 s\u0105vartynas\u201c. B\u016btent tokiais juodame fone projektuojamais \u017eod\u017eiais \u017ei\u016brovus pasitinka naujo teatro \u201eOkarukas\u201c k\u016br\u0117jai, lyg XVII a. mokykliniame teatre tekstu \u012ftvirtindami veiksmo laik\u0105 ir viet\u0105.<\/p>\n

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Nuotrauk\u0173 autorius:\u00a0Julita Sutemose<\/a><\/em><\/p>\n

Spektaklyje ir daugiau tekstini\u0173 nuorod\u0173, kurios eilut\u0117mis greitai prab\u0117ga palube, palikdamos atmintyje tik vien\u0105 kit\u0105 prasmin\u0119 skeveldr\u0105. Tekstai \u2013 lietuvi\u0161ki, pavadinimas \u2013 angli\u0161kas. \u201eSenseless\u201c pakeitus \u201eBejausmiu\u201c (tok\u012f pavadinim\u0105 nurod\u0117 pati choreograf\u0117, po spektaklio d\u0117kodama u\u017e ovacijas) gr\u0117st\u0173 nepageidaujamos asociacijos su kokiu nors \u201eKliud\u017eiau\u201c naratyvu, o to \u0161iuolaikinio \u0161okio k\u016br\u0117jams tikrai nereikia.<\/p>\n

Akivaizdu, kad dabartiniai menininkai m\u0117gsta apsi\u0161arvuoti fraz\u0117mis, kurios, j\u0173 manymu, gerokai talpesn\u0117s u\u017e nerangius senos geros lietuvi\u0173 kalbos \u017eod\u017eius ir tarytum sukuria antr\u0105j\u012f semantin\u012f dugn\u0105 j\u0173 k\u016briniams. Tai ne tik lietuvi\u0161ko \u0161iuolaikinio \u0161okio konteksto savyb\u0117 \u2013 \u0161i\u0173metiniame Avinjono festivalyje matyti \u0161okio spektakliai, sukurti libanie\u010di\u0173, pranc\u016bz\u0173 ar i\u0161 kit\u0173 \u0161ali\u0173 kilusi\u0173 meninink\u0173, savo k\u016briniams \u012fvardinti taip pat mieliau naudoja angli\u0161kas frazes ir \u017eod\u017eius.<\/p>\n

Ta\u010diau kalba \u0161okio ir judesio spektaklyje tikrai n\u0117ra svarbiausia. Daugiau r\u016bpi pati sceninio k\u016brinio koncepcija, plastin\u0117, garsin\u0117 ir vaizdin\u0117 forma, j\u0105 kurian\u010di\u0173 meninink\u0173 darnus darbas.<\/p>\n

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Pirmasis susipa\u017einimas su Sakuraku ir jos \u0161okio bei apskritai meno samprata \u012fvykio \u0161iais metais, Vilniaus dail\u0117s akademijos Scenografijos bakalauro darb\u0173 gynimuose, kur ir ji, ir jos studentai, Lietuvos muzikos ir teatro akademijos pirmakursiai, iliustravo kelet\u0105 realizuot\u0173 k\u016brini\u0173 \u2013 Marinos Jasinskajos diplomin\u012f darb\u0105 \u2013 \u0161okio ir l\u0117li\u0173 spektaklio etiud\u0105 pagal Aristofano \u201ePauk\u0161\u010dius\u201c ir Radvil\u0117s Juozapaityt\u0117s kostium\u0105 butoh \u0161okio spektakliui \u201e\u0160okis dykumoje\u201c (abiej\u0173 diplomini\u0173 darb\u0173 vadov\u0117 Giedr\u0117 Brazyt\u0117). Tada pasirod\u0117, kad Sakurako metodas tinka ugdant \u0161ok\u0117j\u0173 psichofizin\u0119 i\u0161tverm\u0119 arba kuriant trumpus performansus, nes j\u0173 nedidel\u0117 trukm\u0117 leid\u017eia geriau suprasti, \u012fvertinti ir pajausti plastinius ir psichologinius naudojamo judesio principus, kurie, ilgiau eksponuojami, paranda \u012ftaig\u0105 ir pradeda \u012fkyr\u0117ti.<\/p>\n

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Penkiasde\u0161imties minu\u010di\u0173 trukm\u0117s \u201eSenseless\u201c su tekstin\u0117mis nuorodomis ir eklekti\u0161ka choreografine bei vizualine kalba tampa iliustratyviu futuristiniu spektakliu, kurio sumanyt\u0105 karkas\u0105 u\u017epildyti paveikiu turiniu k\u016br\u0117jai dar neatrodo pasireng\u0119. Apokaliptin\u0117s nuotaikos mene \u2013 jokia naujiena; dar XVIII a. pabaigoje pranc\u016bz\u0173 tapytojas Hubert\u2018as Robert\u2018as nutap\u0117 \u201eDid\u017eiosios Luvro galerijos griuv\u0117sius\u201c, tarp kuri\u0173 \u012fsitais\u0119s dailininkas nepaisant ni\u016brios aplinkos lygiai kaip ir prie\u0161 daugel\u012f am\u017ei\u0173 susi\u017eav\u0117j\u0119s pie\u0161ia tobul\u0105j\u0105 Belvederio Apolono skulpt\u016br\u0105. Senovini\u0173 iliuzij\u0173 apie am\u017einai i\u0161liekant\u012f gro\u017e\u012f Sakurako neturi ir savo k\u016brin\u012f u\u017epildo bejausmiais negr\u012f\u017etamai yran\u010dio pasaulio gyventojais \u2013 pusiau zombiais, pusiau automatais.<\/p>\n

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Scenoje \u2013 moralizuojantis reginys, kartojantis ilg\u0105 laik\u0105 skamban\u010dius \u012fsp\u0117jimus, kas laukia katastrofi\u0161kai i\u0161sigimstan\u010dio pasaulio. \u201eEkologija\u201c, \u201etvari aplinka\u201c, \u201etaika visame pasaulyje\u201c \u2013 \u017eod\u017eiai, skambantys ne tik meninink\u0173 k\u016briniuose, bet ir \u201eMis Pasaulis\u201c konkursuose. Kaip padaryti, kad \u0161ie labai svarb\u016bs dalykai nevirst\u0173 banaliomis kli\u0161\u0117mis, u\u017e kuri\u0173 slepiasi apsimestinis susir\u016bpinimas pasaulio likimu?<\/p>\n

Akivaizdu, kad ir Sakurako, ir jos talkininkai, naujo teatro \u201eOkarukas\u201c \u0161ok\u0117jai, neapsimetin\u0117ja \u2013 jie deda daug pastang\u0173 sukurti jiems patiems svarb\u0173 pasakojim\u0105 apie li\u016bdn\u0105 pasaulio likim\u0105. Spektakliui v\u0117luojant keliolika minu\u010di\u0173, visi atlik\u0117jai, i\u0161sid\u0117st\u0119 scenoje nepatogiausiomis pozomis, demonstruoja did\u017eiul\u0119 fizin\u0119 i\u0161tverm\u0119 ir lojalum\u0105 savo re\u017eisierei, ir \u0161is pasitik\u0117jimas b\u016btinas norint pasiekti bendr\u0105 k\u016brybin\u012f tiksl\u0105. Ta\u010diau \u017evelgiant i\u0161 \u0161alies, \u0161io tikslo menine prasme nelengva patik\u0117ti.<\/p>\n

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Pasirod\u0117, kad pasirinktai spektaklio temai ir pasakojimui (kuris n\u0117ra nei nuoseklus, nei dramaturgi\u0161kai artikuliuotas) tiesiog netinka butoh technika, labiau susijusi su kontempliatyvi\u0105ja judesio kaip b\u016bsenos koncepcija, kuri i\u0161 esm\u0117s prie\u0161inasi linijinei laiko sampratai, skatina atlik\u0117j\u0105 ignoruoti aplink\u0105 ir panirti \u012f belaik\u0119 meditacin\u0119 b\u016bsen\u0105, tod\u0117l scenoje matomo reginio naratyvas (ypa\u010d tok\u012f, kur\u012f si\u016blo \u017ei\u016brovams \u201eOkarukas\u201c) pavirsta teatrine atgyvena.<\/p>\n

Spektaklyje derinamos kelios plastin\u0117s sistemos, dominuoja konvulsyv\u016bs judesiai, kurie yra tarytum u\u017eduotis improvizacijai butoh tema ir kelia abejoni\u0173 choreografija kaip racionalia, sukurta ir atkartojama plastine konstrukcija. Choreografei apibr\u0117\u017eus veiksmo viet\u0105, \u0161ok\u0117jams nelieka nieko kito, kaip, panirus \u012f menam\u0105 trans\u0105, vaidinti tas \u017emogi\u0161k\u0105sias atliekas ar po kurio laiko imituoti bionini\u0173 fig\u016br\u0173 schemi\u0161kus judesius.<\/p>\n

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Tarp a\u0161tuoni\u0173 beveik visas penkiasde\u0161imt minu\u010di\u0173 scenoje esan\u010di\u0173 atlik\u0117j\u0173 pasirodo dvi \u0161ok\u0117jos, kuri\u0173 plastikoje akivaizd\u017eiai atpa\u017e\u012fstamos klasikinio baleto judesi\u0173 kombinacijos; \u0161ios \u0161ok\u0117jos vilki polietileniniais kostiumais lyg i\u0161 kokio mokslin\u0117s fantastikos filmo, sukurto nebyliojo kinematografo laikais; tuo tarpu s\u0105vartyno tvarkdariai po baltais kombinezonais pasirodo es\u0105 puik\u016bs Hip-Hop\u2018o \u0161ok\u0117jai. Ta\u010diau \u0161i plastin\u0117 eklektika, kaip da\u017enai b\u016bna, nesukuria naujos organi\u0161kos menin\u0117s kokyb\u0117s ir lieka kaip plok\u0161\u010dia d\u0117lion\u0117, nors j\u0105 surinkti akivaizd\u017eiai prireik\u0117 ir nema\u017eai laiko, ir \u017emogi\u0161k\u0173j\u0173 i\u0161tekli\u0173.<\/p>\n

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\u012egyvendinti savo sumanym\u0105, kurio gyslomis teka filosofinis kokteilis, sumai\u0161ytas, kaip teigiama, i\u0161 \u201eMaurice\u2018o Merleau-Ponty suvokimo fenomenologijos teorijos ir budistinio diskurso apie poj\u016b\u010di\u0173 sfer\u0105 (\u0100yatana)\u201c, Sakurako pasitelk\u0117 \u201eAmine\u201c, \u201eBoucekkine\u201c, \u201eRegard ext\u00e9rieur: Phil Von\u201c muzik\u0105. Nepaisant \u0161ok\u0117j\u0173 atsidavimo savo vadovei akivaizdu, jog kai kuriems stinga scenin\u0117s patirties ir profesionalumo. Tarp \u0161ok\u0117j\u0173 buvo ir Naujajame Baltijos \u0161okyje \u0161\u012f pavasar\u012f pasirod\u0119s Tadas Almantas, pasi\u017eymintis geru k\u016bno valdymu, fiziniu po\u017ei\u016briu nesimuliavo ir maksimaliai \u012f u\u017eduot\u0105 tem\u0105 \u012fsijaut\u0117 pranc\u016bzas Thibaut Cora, Migl\u0117 \u010caplinskyt\u0117, Valerija Gneu\u0161eva, Emilija Jaujininkait\u0117, Egl\u0117 Grigali\u016bnait\u0117, Kamil\u0117 Lebedyt\u0117, Ieva Tarejeva, R\u016bta \u0160mergelyt\u0117, \u017divil\u0117 Virkutyt\u0117, Hip-Hop atlik\u0117jai i\u0161 Pary\u017eiaus Kenj\u2019y Keass ir Adrien \u201eVexus\u201c Larrazet.<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Butoh meninink\u0117 Sakurako Men\u0173 spaustuvei prana\u0161auja nepavyd\u0117tin\u0105 ateit\u012f \u2013 pasak jos spektaklio \u201eSenseless\u201c, kurio premjera \u012fvyko rugs\u0117jo 12 d. Juodojoje …<\/p>\n","protected":false},"author":2,"featured_media":3125,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\n\u0160okio prana\u0161yst\u0117s - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2018\/09\/24\/sokio-pranasystes\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0160okio prana\u0161yst\u0117s - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Butoh meninink\u0117 Sakurako Men\u0173 spaustuvei prana\u0161auja nepavyd\u0117tin\u0105 ateit\u012f \u2013 pasak jos spektaklio \u201eSenseless\u201c, kurio premjera \u012fvyko rugs\u0117jo 12 d. 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