{"id":3239,"date":"2018-10-09T20:08:09","date_gmt":"2018-10-09T17:08:09","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=3239"},"modified":"2018-10-09T20:08:09","modified_gmt":"2018-10-09T17:08:09","slug":"viskas-vis-tiek-bus-kitaip","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2018\/10\/09\/viskas-vis-tiek-bus-kitaip\/","title":{"rendered":"Viskas vis tiek bus kitaip"},"content":{"rendered":"

Kurios valstyb\u0117s pilie\u010diai suvokia kar\u0105 racionaliau nei Izraelio? Klausimas, \u017einoma, apeliuoja ne \u012f konkre\u010dius ginkluotus susir\u0117mimus, bet \u012f valstyb\u0117je veikian\u010di\u0105 sistem\u0105 \u2013 vaikai nuo gimimo \u017eino, kad egzistuoja valstyb\u0117s prie\u0161as, kiekvienam (nepriklausomai nuo lyties) \u0161alies pilie\u010diui privaloma atlikti karin\u0119 tarnyb\u0105, o u\u017esienie\u010dius \u0161iurpinantys gatv\u0117se patruliuojantys ginkluoti kariai Izraelio gyventoj\u0173 grei\u010diausiai priimami kaip nepakei\u010diami valstyb\u0117s saugumo serg\u0117tojai.<\/p>\n

Turb\u016bt juokingai skamba europie\u010dio bandymas \u012fsivaizduoti Izraelio gyventoj\u0173 kasdienyb\u0119. Ta\u010diau tik tai ir galime daryti, steb\u0117dami de\u0161imtme\u010dius vykstant\u012f konflikt\u0105, kurio nei prie\u017eas\u010di\u0173, nei eigos, nei istorijos daug kas nebepamena. O ir gilintis atrodo pernelyg sud\u0117tinga \u2013 \u0161iandien jokiais b\u016bdais nebegalima kaltinti tik vienos pus\u0117s, be to, pa\u0161alin\u0117s \u0161alys Izraelio ir Palestinos konflikte taip pat vaidina ne paskutinius vaidmenis, prireikus pakurstydamos \u201epernelyg nurimusius\u201c nesutarimus. Tod\u0117l kyla klausimas \u2013 ar mes, lietuviai, jau\u010diantys karo gr\u0117sm\u0119, bet dauguma jo, laim\u0117, neragav\u0119, galime suvokti t\u0105 ironij\u0105, per kuri\u0105 \u012f karo tem\u0105 \u017evelgia Yossi Bergo ir Odedo Grafo \u0161okio teatras? Turiu teis\u0119 atsakyti tik u\u017e save \u2013 ne, negaliu. Manau, kad \u201ekar\u0161tasis\u201c karas vis dar n\u0117ra lietuvi\u0173 tema (prie\u0161ingai nei jo baim\u0117 ar hibridinis karas), tad \u0161ia tematika \u0161alyje rodomi spektakliai pasmerkti b\u016bti suprasti pavir\u0161utini\u0161kai. Ir neapleid\u017eia poj\u016btis, kad tarptautiniame \u0161okio festivalyje \u201eAura 28\u201c parodyto min\u0117to teatro spektaklis \u201e\u0160ventasis pavasaris\u201c skendo ovacijose d\u0117l smagios ironijos, atpa\u017e\u012fstam\u0173 intarp\u0173 ir puikios \u0161ok\u0117j\u0173 technikos, bet ne d\u0117l paveikios id\u0117jos.<\/p>\n

\"\"<\/p>\n

Nuotraukos: Tamar Lam, YOSSIODED.COM<\/em><\/p>\n

Scenoje dominuoja trys spalvos \u2013 balta (taikos), geltona (neapykantos) ir raudona (kraujo ir meil\u0117s). \u0160ioje gamoje veikia keturi vyrai \u2013 Yossi Bergas \u012fk\u016bnija dram\u0105 \u017emogaus, atsid\u016brusio prie\u0161 Odedo Grafo, Talio Adlerio Arieli ir Avshalomo Latuchos mini\u0105, nebeturin\u010di\u0105 individuali\u0173 istorij\u0173. \u012edomu, kad spektaklyje nesunkiai galima u\u017e\u010diuopti siu\u017eeto linij\u0105 \u2013 kariuomen\u0117 vykdo pratybas, mokosi \u0161audyti, gaudyti krentan\u010dius, pasir\u016bpinti savo kovotojais, nepaliauti pulti; po kurio laiko \u0161ie \u017emon\u0117s i\u0161 ties\u0173 patenka \u012f kar\u0105, tik jame viskas nutinka ne taip, kaip buvo tik\u0117tasi ir re\u017eisuota. Kare tai, kas repetuota, tampa besikartojan\u010dia ma\u0161ina, kurioje kaskart lieka vis ma\u017eiau \u017emoni\u0173, ir kuri sustoja tik \u017emogui mirus. I\u0161skirtin\u0117 \u010dia Y. Bergo persona\u017eo pozicija \u2013 kareivin\u0117se jis vadovauja, tuo tarpu susid\u016br\u0119s su realiu karu nesugeba koja kojon eiti su komanda ir sistema. \u201eViercho\u201c, kuris suskysta susid\u016br\u0119s su realiu pavojumi, interpretacija skamba \u017eaviai, nors gali b\u016bti, kad patys k\u016br\u0117jai Y. Berg\u0105 suvok\u0117 kaip ma\u017e\u0105 \u017emog\u0173, negalint\u012f kovoti prie\u0161 sistem\u0105 \u2013 jis nuolat atsiskiria nuo smurtaujan\u010dios minios, o jo \u0161\u016bksniai hey<\/em>, u\u017ego\u017eiami galingos I. Stravinskio muzikos, \u017ei\u016brov\u0173 sal\u0117s nepasiekia.<\/p>\n

\"\"<\/p>\n

\u0160iandien (kaip ir spektaklyje) karas yra ne tik tragedija \u2013 tai taip pat ir pop kult\u016bra, \u0161ou, kur\u012f \u017emon\u0117ms \u012fdomu steb\u0117ti ir spr\u0119sti, kurie yra teis\u016bs, o kurie \u2013 blogie\u010diai u\u017epuolikai. Barstant geltonus neapykantos konfeti (kurie nei\u0161vengiamai primena broli\u0173 Coen\u0173 film\u0105 \u201eFargo\u201c ir i\u0161 \u017emoni\u0173 pjaustykl\u0117s tryk\u0161tan\u010dius raudonus blizgu\u010dius) karas pristatomas tarsi smagi \u0161vent\u0117, o \u017euvus konfeti lieka mel\u0105 liudijan\u010diomis \u0161iuk\u0161l\u0117mis. Vis\u0105 spektakl\u012f lydi ironija, kuri karo nepa\u017e\u012fstan\u010dio \u017emogaus s\u0105mon\u0117je dominuoja kit\u0173 prasmi\u0173 at\u017evilgiu ir kurios neatsveria nei \u0161ok\u0117j\u0173 k\u016bnuose atsirandantys bej\u0117gyst\u0117s motyvai, nei tekstu \u012fvardijami karo absurdai ar \u0161ok\u0117j\u0173 \u2013 \u201e\u017euvusi\u0173 kari\u0173\u201c \u2013 pavard\u017ei\u0173 min\u0117jimai, bandant suasmeninti kiekvien\u0105 kritus\u012f \u017emog\u0173. Tod\u0117l i\u0161lieka jausmas, kad ironijai, kuri karo s\u0105lygomis tampa svarbiausiu individo ginklu prie\u0161 pa\u017eeminimus ir beprasmyb\u0119 (t\u0105 su\u017einojome dar mokykloje, skaitydami E. M. Remarque\u2018o \u201eVakar\u0173 fronte nieko naujo\u201c ir B. Sruogos \u201eDiev\u0173 mi\u0161k\u0105\u201c), sunkiai sekasi pasiekti problemos svorio nejuntant\u012f \u017emog\u0173.<\/p>\n

\"\"<\/p>\n

Pop kult\u016br\u0105, o tiksliau \u2013 jos i\u0161populiarintas kli\u0161es \u201e\u0160ventojo pavasario\u201c k\u016br\u0117jai sieja ir su lyti\u0161kumu. Vyras \u2013 tas, kuris stiprus, nejautrus, neverkiantis. O jei jis praskysta<\/em>, vadinasi, yra boba<\/em> \u2013 ir \u010dia k\u016br\u0117jai pradeda nauj\u0105 scen\u0105, kurioje geltonas med\u017eiagas tarsi sijonus apsivynioj\u0119 atlik\u0117jai jud\u0117dami sinchroni\u0161kai pristato puok\u0161t\u0119 moteri\u0161kumo stereotip\u0173 \u2013 s\u016bpuoja vaikus, lieja ir skai\u010diuoja a\u0161aras, kopijuoja Beyonce klipo \u201eSingle ladies\u201c (scenos menuose tai jau tampa klasika) judesius, prieina ir Pinos Bausch \u201e\u0160ventojo pavasario\u201c motyvus (nereikia pamir\u0161ti, kad ir pati I. Stravinskio \u201e\u0160ventojo pavasario\u201c koncepcija koduoja ly\u010di\u0173 konflikt\u0105). Pana\u0161\u0173 \u012fsp\u016bd\u012f atsimename i\u0161 lietuvi\u0173 liaudies dain\u0173, kur moterys tegali verkdamos ir augindamos vaikus laukti i\u0161 karo sugr\u012f\u017etan\u010di\u0173 vyr\u0173, broli\u0173, s\u016bn\u0173 ir galiausiai lieka single ladies<\/em>, o kartais nesulaukdamos gr\u012f\u017etan\u010di\u0173 tiesiog pradeda nauj\u0105 gyvenim\u0105 su kitais \u017emon\u0117mis. \u010cia reikia prisiminti, kad Izraelio situacija kitokia \u2013 ten moteri\u0161ka lytis n\u0117ra pretekstas karo s\u0105lygomis likti namie, vadinasi, net ir moterys negali moteri\u0161kai praskysti<\/em>.<\/p>\n

\"\"<\/p>\n

\u0160iandien banaliai skamba simboli\u0173 paie\u0161kos, ta\u010diau nuo pirm\u0173 spektaklio minu\u010di\u0173 akis tiesiog bado geltona spalva, kurios ne\u012fmanoma atsieti nuo neapykantos simbolikos. \u0160ok\u0117jai ant veid\u0173 i\u0161sipie\u0161\u0119 geltonas kaukes \u2013 tarsi neapykanta u\u017esideng\u0119 akis. Min\u0117ti geltoni konfeti, sijonai, galiausiai \u2013 geltonomis med\u017eiagomis u\u017eklojami mirusieji, nes juos paguld\u0117 b\u016btent neapykanta. O tuomet nuskamba dainos \u017eod\u017eiai \u201eWe\u2019re all gonna die<\/em>\u201c \u2013 visi mes mirsime, tik ne\u017einome nei kur, nei kada. Juokiam\u0117s, nes makabri\u0161ki \u017eod\u017eiai dainuojami pagal labai lengv\u0105, atpalaiduojan\u010di\u0105 melodij\u0105. Dar juokingiau, kai mir\u0119 kariai trumpam pakyla, kad sudainuot\u0173 pora eilu\u010di\u0173, o tuomet v\u0117l lenda po mar\u0161komis.<\/p>\n

\"\"<\/p>\n

Steb\u0117damas paskutin\u0119 spektaklio scen\u0105 jautiesi i\u0161ties pakiliai \u2013 gera ironizuoti d\u0117sn\u012f, kurio b\u016bdingiau bijoti. Ta\u010diau trys dainos eilut\u0117s kartojamos pakankamai da\u017enai, kad prad\u0117tum svarstyti, k\u0105 jos vis d\u0117lto rei\u0161kia \u2013 raginim\u0105 prasmingai i\u0161naudoti turim\u0105 laik\u0105, kuris gali baigtis bet kuri\u0105 akimirk\u0105 (li\u016bdnas sutapimas \u2013 t\u0105 vakar\u0105 gr\u012f\u017etant traukiniu \u012f Vilni\u0173 teko valandai sustoti vidury kelio, nes perva\u017eoje \u017euvo moteris), ar ka\u017ekelinto sluoksnio ironij\u0105 \u2013 koks skirtumas, kiek \u017emoni\u0173 nusi\u0173sime \u012f kar\u0105 \u2013 vis tiek vis\u0173 m\u016bs\u0173 laukia tas pats galas.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kurios valstyb\u0117s pilie\u010diai suvokia kar\u0105 racionaliau nei Izraelio? Klausimas, \u017einoma, apeliuoja ne \u012f konkre\u010dius ginkluotus susir\u0117mimus, bet \u012f valstyb\u0117je veikian\u010di\u0105 …<\/p>\n","protected":false},"author":2,"featured_media":3243,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nViskas vis tiek bus kitaip - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2018\/10\/09\/viskas-vis-tiek-bus-kitaip\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Viskas vis tiek bus kitaip - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Kurios valstyb\u0117s pilie\u010diai suvokia kar\u0105 racionaliau nei Izraelio? 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