{"id":3246,"date":"2018-10-10T20:08:58","date_gmt":"2018-10-10T17:08:58","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=3246"},"modified":"2018-10-10T20:08:58","modified_gmt":"2018-10-10T17:08:58","slug":"jautri-architekturos-ir-archetipu-dekonstrukcija","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2018\/10\/10\/jautri-architekturos-ir-archetipu-dekonstrukcija\/","title":{"rendered":"Jautri architekt\u016bros ir archetip\u0173 dekonstrukcija"},"content":{"rendered":"

Keliaujant ir stebint miest\u0173 infrastrukt\u016br\u0105 ai\u0161kiai juntama, kaip architekt\u016bra atspindi tam tikro miesto politin\u0119, kult\u016brin\u0119 ir socialin\u0119 aplink\u0105. Vienuose miestuose nuo pirm\u0173j\u0173 \u017eingsni\u0173 jautiesi jaukiai ir saugiai, o kituose jauti emocin\u012f \u0161altum\u0105 ir atskirt\u012f. Pavyzdys yra \u0160vedijos sostin\u0117 Stokholmas. Vaik\u0161\u010diodama tarp did\u017eiuli\u0173 pilk\u0173 pastat\u0173 storomis sienomis ir jausdama skandinavi\u0161k\u0105 v\u0117sum\u0105, pasijuntu kaip ma\u017ea ir vieni\u0161a pasiklydusi b\u016btyb\u0117. Architekt\u016bros diktuojama emocin\u0117 \u012ftaiga suformuoja tavo vaidmen\u012f ir elgesio model\u012f, kuriam tu neturi galimyb\u0117s pasiprie\u0161inti.<\/p>\n

Pana\u0161ias atskirties temas analizuoja Shamelio Pittso ir Mirelle Martins \u0161okio ir tarpdisciplininio meno spektaklis \u201eBlack Velvet\u201c. Jame tyrin\u0117jama, kaip visuomen\u0117je egzistuojantys ir primetami idealai, strukt\u016bros veikia m\u016bs\u0173 egzistencij\u0105. Kaip po\u017ei\u016briai ir stereotipai, susij\u0119 su lytimi, rase ir tarpusavio santykiais, formuojami per architekt\u016br\u0105 ir archetipus. \u0160ok\u0117jai, pasinaudodami savo i\u0161rai\u0161kingumu, i\u0161treniruotais k\u016bnais ir ai\u0161ki\u0173 form\u0173 choreografija, dekonstruoja socialines strukt\u016bras ir panaudoja jas tam, kad atrast\u0173 savo dvasin\u0119 laisv\u0119.<\/p>\n

\"\"<\/p>\n

Nuotraukos: Laura Vansevi\u010dien\u0117<\/em><\/p>\n

K\u016br\u0117jai sugretina architekt\u016br\u0105 ir archetipus, atskleid\u017eia mus supan\u010dias socialines, politines, kult\u016brines konstrukcijas. Kaip architekt\u016broje egzistuoja skirtingi erdv\u0117s formavimo modeliai, pritaikomi skirting\u0173 paskir\u010di\u0173 \u017emoni\u0173 veikloms, taip archetipai formuoja \u017emogaus elgesio strukt\u016bras ir modelius. M\u016bs\u0173 realyb\u0117 yra fizini\u0173 ir mentalini\u0173 konstrukcij\u0173 mi\u0161inys, kuris vienaip ar kitaip formuoja m\u016bs\u0173 b\u016bt\u012f. Spektakliu klausiama: ar tokioje realyb\u0117je galima tur\u0117ti kokios nors laisv\u0117s, ar\u00a0 m\u016bs\u0173 elgesys yra vienas i\u0161 suformuot\u0173 archetipo veiksm\u0173?<\/p>\n

Spektaklio k\u016br\u0117jai \u0161iuos apm\u0105stymus perkelia \u012f scen\u0105, kur architekt\u016bros modelius ir funkcijas reprezentuoja metalin\u0117s kop\u0117\u010dios. Spektaklio prad\u017eioje ant j\u0173 s\u0117di nuoga, moteri\u0161kos lyties b\u016btyb\u0117, kuri, skambant lop\u0161in\u0117s melodijai, s\u016bpuoja nematom\u0105 vaik\u0105. Numetus ilg\u0105, juod\u0105 skraist\u0119 atidengiamos kop\u0117\u010dios. Tai simbolizuoja \u012fsivaizduojam\u0105 stipryb\u0119, kuri\u0105 mums suteikia fizin\u0117 konstrukcija. V\u0117liau jos virsta grotomis, kurias nuvertus i\u0161silaisviname i\u0161 sukurt\u0173 ir mus \u012fkalinan\u010di\u0173 r\u0117m\u0173. Tuo tarpu archetipai spektaklyje vaizduojami per \u0161ok\u0117j\u0173 k\u016bnus, choreografines kompozicijas ir jautr\u0173 atlik\u0117j\u0173 tarpusavio ry\u0161\u012f. Socialin\u0117s taisykl\u0117s per j\u0173 duet\u0105 keliauja skland\u017eiai ir jautriai, tarsi jie b\u016bt\u0173 gyvi archetip\u0173 \u012fk\u016bnijimai.<\/p>\n

\"\"<\/p>\n

S. Pittsas ir M. Martins \u012fk\u016bnija dvi prie\u0161prie\u0161as, kurios idealiai viena kit\u0105 papildo. Jis yra su vyri\u0161kumo archetipais kovojantis juodaodis \u0161ok\u0117jas. Ji \u2013 performans\u0173 atlik\u0117ja, kurios k\u016bne persipina juodaod\u0117s moters problematika \u0161iandienos socialiniame kontekste. Kartu jie yra pas\u0105mon\u0117s po\u017eemiuose besislepian\u010dios b\u016btyb\u0117s, bandan\u010dios pasiekti \u0161vies\u0105 \u2013 pritapti prie visuomenini\u0173 norm\u0173.<\/p>\n

S. Pittso solo yra labiausiai id\u0117ji\u0161kai koncentruotas judesio k\u016brinys, kur\u012f teko matyti. Jis \u012fk\u016bnija jautr\u0173 vyro vidin\u012f konflikt\u0105 d\u0117l jam primest\u0173 socialini\u0173 stereotip\u0173. Visos problemos, kurias i\u0161gyvena vyrai, yra sukaupiamos ir vizualiai perteikiamos per \u0161io \u0161ok\u0117jo tobulai i\u0161treniruot\u0105 k\u016bn\u0105. Judesiuose atsispindi visas vyro egzistencijos sud\u0117tingumas. Kontaktuodamas su kita b\u016btybe, jis \u012fk\u016bnija vyri\u0161k\u0105 prad\u0105, kuris bando \u012f santykius \u012fvesti tvark\u0105, racionalum\u0105. Galiausiai jis virsta mechanine b\u016btybe, kuri sugenda ir skausmingai \u0161aukia.<\/p>\n

\"\"<\/p>\n

Tuo tarpu M. Martins yra moteri\u0161ka atsvara. Ji scenoje juda minimaliai, bet jos nat\u016bralus i\u0161rai\u0161kingumas ir sceni\u0161kumas yra atsvara partnerio geb\u0117jimams. Atlik\u0117ja yra ir partner\u0117, ir draug\u0117, b\u0117ganti link \u0161viesos greta jo, j\u012f palaikanti, nuraminanti bei \u012fkvepianti jam gyvyb\u0117s. Nuda\u017eant jos k\u016bn\u0105 purvo spalvos da\u017eais, akcentuojamos tamsi\u0173 spalv\u0173 prasm\u0117s ir su tamsiaod\u0117mis moterimis susijusi simbolika. \u0160ok\u0117jos k\u016bne slypi pirmapradi\u0161kas moteri\u0161kumas, stipryb\u0117 ir jautrumas. Ji yra \u017eemi\u0161k\u0105 energij\u0105 siurbianti b\u016btyb\u0117, kuri yra kartu ir deiv\u0117, ir po\u017eemiuose besislepiantis padaras.<\/p>\n

\u0160ok\u0117j\u0173 tarpusavio ry\u0161ys \u2013 ypa\u010d jautrus ir tvirtas. Tai yra dvi po\u017eemi\u0173 b\u016btyb\u0117s, kurios desperati\u0161kai nori b\u016bti vir\u0161inio pasaulio dalimi. Jie yra m\u016bs\u0173 veidrod\u017eiai, m\u016bs\u0173 socialiniu purvu sutepti k\u016bnai. Jie abu n\u0117ra \u017emon\u0117s, ma\u0161inos ar l\u0105stel\u0117s. Tai dvi abstrak\u010dios b\u016btyb\u0117s, \u012fk\u016bnijan\u010dios m\u016bs\u0173 siek\u012f i\u0161silaisvinti i\u0161 primest\u0173 norm\u0173, nusivalyti socialin\u012f, kult\u016brin\u012f purv\u0105, kuriuo esame sutepti. Gal\u0173 gale jie suvokia, kad tik b\u016bdami kartu jie yra stipr\u016bs, kad tik j\u0173 tarpusavio ry\u0161ys skatina plakti j\u0173 \u0161irdis, skatina siekti i\u0161gyventi. Skard\u017eiai nuvirtus kop\u0117\u010dioms, jie tampa laisvi ir jud\u0117dami pagal melancholi\u0161kos muzikos aid\u0105, dingsta tamsoje, nuramindami m\u016bs\u0173 \u012fsismarkavusi\u0105 pas\u0105mon\u0119.<\/p>\n

\"\"<\/p>\n

Ap\u0161vietimas ir muzika id\u0117ji\u0161kai derinasi su \u0161ok\u0117j\u0173 judesi\u0173 kuriamomis prasm\u0117mis, suteikia jiems \u012ftaigumo. Pavyzd\u017eiui, stora \u0161viesos linija yra sukama it mal\u016bnsparnio sparnai, skambant griausmingai ir dinami\u0161kai muzikai. Tuo metu \u0161ok\u0117jams judant tarpusavyje ir tarp kop\u0117\u010di\u0173 kuriama \u012ftampa. Muzikai virpinant teatro sienas, dueto k\u016bnai tarpusavyje niveliuojasi, formuoja \u012fvairias formas.<\/p>\n

\"\"<\/p>\n

\u0160okio spektaklis \u201eBlack Velvet\u201c \u2013 unikalus meno k\u016brinys, kuriame persipina id\u0117jin\u0117s ir fizin\u0117s tekst\u016bros, \u017emoni\u0173 egzistencin\u0117 problematika. Spektaklyje linijos, a\u0161tri\u0173 kamp\u0173 formos jungiasi su plasti\u0161kais, \u017eem\u0117s spalvos da\u017eais nuda\u017eytais k\u016bnais. \u0160is tarpdisciplininis \u0161okio spektaklis derina kontrastus: grie\u017etum\u0105 su \u0161velnumu, gro\u017e\u012f su bjaurumu, skirtingas tekst\u016bras su u\u017e desperacijos slypin\u010dia j\u0117ga. Architekt\u016bra ir archetipai vizualiniame ir id\u0117jiniame sluoksnyje atspindi socialinius idealus, modelius, naudojamus kaip savojo \u201ea\u0161\u201c refleksija ir dekonstrukcija.<\/p>\n","protected":false},"excerpt":{"rendered":"

Keliaujant ir stebint miest\u0173 infrastrukt\u016br\u0105 ai\u0161kiai juntama, kaip architekt\u016bra atspindi tam tikro miesto politin\u0119, kult\u016brin\u0119 ir socialin\u0119 aplink\u0105. Vienuose miestuose …<\/p>\n","protected":false},"author":2,"featured_media":3250,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nJautri architekt\u016bros ir archetip\u0173 dekonstrukcija - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2018\/10\/10\/jautri-architekturos-ir-archetipu-dekonstrukcija\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jautri architekt\u016bros ir archetip\u0173 dekonstrukcija - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Keliaujant ir stebint miest\u0173 infrastrukt\u016br\u0105 ai\u0161kiai juntama, kaip architekt\u016bra atspindi tam tikro miesto politin\u0119, kult\u016brin\u0119 ir socialin\u0119 aplink\u0105. 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