{"id":3442,"date":"2018-11-05T18:06:21","date_gmt":"2018-11-05T16:06:21","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=3442"},"modified":"2018-11-06T20:28:12","modified_gmt":"2018-11-06T18:28:12","slug":"individualizmo-eros-pabaiga","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2018\/11\/05\/individualizmo-eros-pabaiga\/","title":{"rendered":"Individualizmo eros pabaiga"},"content":{"rendered":"

Pastaruoju metu vis da\u017eniau dr\u012fstame nusikratyti postmodernistin\u012f skeps\u012f bei susivokti, kad visi savojoje egzistencijoje, o taip pat ir pasaulio kasdienyb\u0117je nesame individual\u016bs dievukai. Asmenyb\u0117s kultui po truput\u012f \u017eengiant \u012f kulisus, pasiry\u017etame nedr\u0105siai nubraukti dulkes nuo socializacijos pagrind\u0173 ir po truput\u012f m\u0117ginti atrasti bendrumo, sociumo b\u016bties d\u017eiaugsm\u0105 arba bent jau esat\u012f. Visgi keli\u0173 de\u0161im\u010di\u0173 met\u0173 Lietuvoje ir ger\u0173 keturi\u0173 de\u0161im\u010di\u0173 met\u0173 patirtis pasaulyje n\u0117ra lengvai i\u0161 gyvensenos patraukiamas atributas. Gal tod\u0117l socializacija \u0161iandien \u012fgyja i\u0161kreipt\u0105 pavidal\u0105 \u2013 mes vis daugiau turime draug\u0173 s\u0117d\u0117dami prie kompiuterio ekrano ir vis ma\u017eiau j\u0173 sutinkame gatv\u0117je. Ta\u010diau net ir \u010dia imamas pasteb\u0117ti paradoksas \u2013 i\u0161mokyti gyventi ironijos pasaulyje, \u0161ios neatsikratome ir socialini\u0173 tinkl\u0173 padanges vis da\u017eniau brai\u017eo \u0161iuolaikiniai \u0161ar\u017eai aka<\/em> vaizdo \u012fra\u0161ai, paveikslai ar pan. apie falsifikuot\u0105 kasdienyb\u0119 ir netgi b\u016btinyb\u0119 jos atsikratyti. Rodos, jau 6-ame de\u0161imtmetyje Guy\u2018us Debordas \u017einojo (\u0161iuolaikin\u0117s) visuomen\u0117s moto, kuriuo vadovavosi Situacionist\u0173 Internacionalas – \u201eMes \u017einome, kaip padaryti gyvenim\u0105 patraukl\u0173!\u201c. Ir nuo tada mes tapome papirktaisiais, su (i\u0161ori\u0161ko) patrauklumo paie\u0161komis prie\u0161aky.<\/p>\n

\"\"<\/p>\n

Nuotrauk\u0173 autorius – Luc Depreitere<\/em><\/p>\n

Ta\u010diau, pana\u0161iai kaip dvylikos \u017eingsni\u0173 programoje, gijimas prasideda nuo pripa\u017einimo. O per\u0117jimas arba liminalus procesas, kad ir koks ilgas ar s\u0105lyginai trumpas b\u016bt\u0173, niekada neb\u016bna itin lengvas. B\u016bti b\u016bsenoje \u201etarp\u201c negeb\u0117ti sav\u0119s identifikuoti dabartyje, vis \u017evelgti atgal ar pirmyn \u2013 n\u0117ra pats lengviausias kelias, kur\u012f gali pasirinkti k\u016br\u0117jas ir individas.<\/p>\n

Nepaslaptis, kad kult\u016bra, o ypa\u010d k\u016bryba, yra itin jautrus mediatorius, leid\u017eiantis atrasti t\u0105 kalb\u0105 tarp besikei\u010dian\u010dios realyb\u0117s ir individ\u0173. Galb\u016bt tod\u0117l \u0161iandienos realyb\u0117je ypa\u010d linkstame \u012f \u0161iuolaikinio ki\u010do klodus, spalvindami savo nuotraukas \u012fvairiais filtrais, ie\u0161kodami gra\u017eiausio obuolio kampo arba kurdami filmukus apie socialini\u0173 tinkl\u0173 skandinam\u0105 gyvenim\u0105. J Beuyso citat\u0105, kad \u201eKiekvienas esame menininkas, bet tik menininkai tai \u017eino\u201c, sutrumpiname iki \u0160iuolaikinio meno centro fasado ir kurdami kasdienyb\u0117s moto da\u017enai pasirenkame tik pirm\u0105j\u0105 sakinio dal\u012f.<\/p>\n

Viena i\u0161, dr\u012fs\u010diau sakyti, ne tokio ir gausaus \u0161iuolaikinio \u0161okio m\u0105stytoj\u0173 b\u016brio Lietuvoje, \u0161iuolaikinio \u0161okio k\u016br\u0117ja Liza Baliasnaja savo k\u016bryboje svarsto socialin\u0117s kaitos arba socialinio fenomeno b\u016bt\u012f, kuria nekasdienius socialinius ritualus. Choreograf\u0117 savo \u0161okio keli\u0105 prad\u0117jo Kaune, t\u0119s\u0117 Briuselyje, vis intensyviau, ta\u010diau ne vartotoji\u0161ko tempo greityje, ie\u0161ko vienoki\u0173 ar kitoki\u0173 k\u016brybini\u0173 atsakym\u0173 ir \u012f k\u016brybinius procesus gilinasi \u017evelgdama i\u0161 ilgalaik\u0117s perspektyvos. 2015 m. \u201eAnt Auros batuto\u201c Aura+ erdv\u0117je Kaunas jau gal\u0117jo susipa\u017einti su L. Baliasnajos ie\u0161kojimais apie tai, kokioje kasdienyb\u0117je gyvename. K\u016brinyje \u201eKlymaxless\u201c vis \u0161m\u0117\u017eavo klausimas \u201eo kas i\u0161 to?\u201c. Scenoje mirg\u0117jo plastikiniai zuiku\u010diai ir mes d\u017eiaug\u0117m\u0117s demonstratyvia kasdienybe, kuri ai\u0161kiai suponavo m\u016bs\u0173 vartojimo d\u017eiaugsm\u0105, pirmiausia, \u017einoma, \u201esuvartojant\u201c pa\u010dius save, parduodant kaip prek\u0119. Ir, jei tuo metu, choreograf\u0117s k\u016brybiniai ie\u0161kojimai dar apsiribojo kasdienyb\u0117s dekonstrukcija, tai nuo 2016 m. dirbdama prie k\u016brinio \u201eCommensurate to be with\u201c L. Baliasnaja nebepasitenkina kasdienyb\u0117s i\u0161narpliojimu k\u016brybin\u0117mis priemon\u0117mis.<\/p>\n

Br\u0119stanti meninink\u0117s k\u016bryba ima kelti klausimus nuo choreografijos ir \u0161iuolaikinio \u0161okio b\u016bties \u0161iandienos Lietuvos kult\u016bros lauke iki naujai atrandamos bendryst\u0117s tarp skirting\u0173 medij\u0173 k\u016brybiniame pasaulyje. K\u016br\u0117ja teigia, kad \u0161iam darbui ji buvo inspiruota id\u0117jos apie judesio sinchronizacij\u0105, kuri tapo priemone perm\u0105syti, kas yra laikas, tempas ir trukm\u0117. \u201eSuprantu sinchronizacij\u0105 ne tik kaip judesio sinchronizacij\u0105, nors j\u0105 taip pat nagrin\u0117jame, bet ir kaip bendros kolektyvin\u0117s b\u016bsenos atsiradim\u0105. Mane \u017eavi bendrumas, kolektyvas, grup\u0117, jos atsiradimas, formavimasis ir i\u0161nykimas \u0161okio d\u0117ka.\u201c<\/p>\n

\"\"<\/p>\n

Nenuostabu, kad sinchronizacija, bendrumas bei unisonin\u0117 k\u016bryba, veda savoti\u0161kos meditatyvios b\u016bsenos link ir, \u201eCommensurate to be with\u201c k\u016brinio, pasirenkama ne juoda teatro d\u0117\u017eut\u0117, ta\u010diau Kauno Mykolo \u017dilinsko dail\u0117s galerija. Vieta, kurioje, anot L. Baliasnajos, gali i\u0161gyventi ne tik skirting\u0173 meno sri\u010di\u0173 susikirtim\u0105, atrasti dail\u0119 per \u0161ok\u012f ar atvirk\u0161\u010diai, ta\u010diau taip pat pajausti architekt\u016bros monumentalum\u0105 ir geb\u0117jim\u0105 patirti ir\/ar atskleisti kolektyvin\u0117s k\u016brybos potencial\u0105 tokioje erdv\u0117je. O \u0161ios atsiradim\u0105 gali sl\u0117gti arba \u012fpareigoti erdv\u0117s, dail\u0117s k\u016brini\u0173 naratyvas arba jie gali sukurtas reik\u0161mes ir prapl\u0117sti. Kelet\u0105 met\u0173 truk\u0119s komandos ie\u0161kojimas, skatina atrasti geb\u0117jim\u0105 b\u016bti kartu, kv\u0117puoti kartu, gal\u0173 gale panirti ne \u012f vieno vakaro k\u016brybos d\u017eiaugsmo i\u0161gyvenimus, ta\u010diau pajausti keli\u0173 met\u0173 tyrimo eig\u0105. Tarptautin\u0117 komanda, kuri\u0105 sudaro L. Baliasnaja (Lietuva), Sidney\u2018us Barnesas (Did\u017eioji Britanija), Amanda Barrio Charmelo (Peru) ir Stefanas Govaartas (Nyderlandai) pasiry\u017eta tyrin\u0117ti ir \u012frodyti bendryst\u0117s svarb\u0105 ne tik k\u016bryboje, bet ir kasdienyb\u0117je. Gal\u0173 gale, intelektualiai ie\u0161koti ir m\u0117ginti identifikuoti kintan\u010dio \u0161iuolaikinio \u0161okio, o gal ir \u0161iuolaikinio meno paradigm\u0105. \u012e \u0161\u012f savoti\u0161k\u0105 \u0161amanistin\u012f ritual\u0105 k\u016br\u0117jai kvie\u010dia prisijungti Kauno Mykolo \u017dilinsko dail\u0117s galerijoje lapkri\u010dio 9, 10 ir 11 dienomis.<\/p>\n

Arthuras C. Clarke\u2018as savo k\u016brinyje \u201eVaikyst\u0117s pabaiga\u201c ra\u0161\u0117 apie \u017dem\u0117s pabaig\u0105 ir prad\u017ei\u0105, kitaip tariant apie per\u0117jim\u0105 i\u0161 vienos b\u016bsenos \u012f kit\u0105, susijungim\u0105 su Superprotu<\/em> ir tapim\u0105 ka\u017ekuo, k\u0105 suvokti paprastas \u017eemie\u010dio protas nebuvo paj\u0117gus. Tam gim\u0117 ir u\u017eaugo nauja karta, iki jos gimimo visi buvo apgyvendinti \u017eemi\u0161koje utopijoje, be karo, bado, nesantaikos, be nesusipratim\u0173, religijos, tik\u0117jimo ir mokslo. Viskas tirpo utopin\u0117je kasdienyb\u0117je, ta\u010diau netruko per ilgai, nes \u017emonijos ne\u0117m\u0117 kamuoti nuobodulys. Gim\u0117 karta, kuri sunaikino \u017dem\u0119, pati per\u017eeng\u0117 \u017emogi\u0161kumo ribas tam, kad susiliet\u0173 \u012f bendr\u0105 Superproto<\/em> gali\u0105, tam, kad geb\u0117t\u0173 tapti vieniu. Tai buvo vaikai, kuri\u0173 k\u016brybos ir destrukcijos procesas buvo tapat\u016bs ir prilygo \u017eaidimui arba \u0161okiui. Pabaigoje vienintelis lik\u0119s \u017emogus bei kita auk\u0161tesn\u0117 gyvyb\u0117s forma, m\u0117gino suvokti vykstant\u012f pokyt\u012f:<\/p>\n

\u201e\u2013 Tu ie\u0161kai to, ko daugiau \u010dia neb\u0117ra, \u2013 t\u0119s Karlinas. \u2013 Atsimink, kad juose n\u0117ra nieko individualaus, kaip nieko individualaus neturi atskira tavo k\u016bno l\u0105stel\u0117. Bet kartu jie sudaro kai k\u0105 nepalyginamai didesnio nei \u017emogus.<\/p>\n

\u2013 Kod\u0117l jie vis\u0105 laik\u0105 taip juda?<\/p>\n

\u2013 Mes tai vadiname Ilguoju \u0161okiu, \u2013 atsiliep\u0117 Karelinas. \u2013 Jie niekada nemiega, ir tai t\u0119siasi beveik metus. J\u0173 yra trys \u0161imtai milijon\u0173 ir jie sudaro grie\u017eta tvarka judant\u012f pie\u0161in\u012f\u00a0 nuo vieno \u017eemyno kra\u0161to iki kito. Mes be atvangos m\u0117giname rasti \u0161io pie\u0161inio prasm\u0119 ir vis tu\u0161\u010diai, gal tod\u0117l, kad matome tik fizin\u0119 to pus\u0119, ma\u017e\u0105 dal\u012f, tik tai, kas yra \u010dia ant \u017dem\u0117s. Galb\u016bt tai, k\u0105 mes vadiname Superprotu, dar minko juos, lipdo i\u0161 j\u0173 ka\u017ekoki\u0105 vienov\u0119, o paskui visk\u0105 \u012ftrauks \u012f save.\u201c (Arthuras C. Clarke\u2018as \u201eVaikyst\u0117s pabaiga\u201c).<\/p>\n

Tad pana\u0161u, kad L. Baliasnajos ie\u0161kojimuose judame bendryst\u0117s suk\u016brimo ir individualizmo eros pabaigos link. Tik\u0117tina, kad pasaulis nebus sunaikintas, ta\u010diau taip pat tik\u0117tina, kad \u017eengiame ka\u017ekokios kitokios prad\u017eios link.<\/p>\n","protected":false},"excerpt":{"rendered":"

Pastaruoju metu vis da\u017eniau dr\u012fstame nusikratyti postmodernistin\u012f skeps\u012f bei susivokti, kad visi savojoje egzistencijoje, o taip pat ir pasaulio kasdienyb\u0117je …<\/p>\n","protected":false},"author":2,"featured_media":3443,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nIndividualizmo eros pabaiga - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2018\/11\/05\/individualizmo-eros-pabaiga\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Individualizmo eros pabaiga - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Pastaruoju metu vis da\u017eniau dr\u012fstame nusikratyti postmodernistin\u012f skeps\u012f bei susivokti, kad visi savojoje egzistencijoje, o taip pat ir pasaulio kasdienyb\u0117je ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2018\/11\/05\/individualizmo-eros-pabaiga\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2018-11-05T16:06:21+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-11-06T18:28:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/11\/CTBW.4.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1366\" \/>\n\t<meta property=\"og:image:height\" content=\"768\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2018\/11\/05\/individualizmo-eros-pabaiga\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/11\/CTBW.4.png\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/11\/CTBW.4.png\",\"width\":1366,\"height\":768},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2018\/11\/05\/individualizmo-eros-pabaiga\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2018\/11\/05\/individualizmo-eros-pabaiga\/\",\"name\":\"Individualizmo eros pabaiga - 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