{"id":346,"date":"2018-03-12T17:24:22","date_gmt":"2018-03-12T15:24:22","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=346"},"modified":"2018-03-12T17:25:21","modified_gmt":"2018-03-12T15:25:21","slug":"choreografas-vytis-jankauskas-siandien-siuolaikinis-sokis-is-naujo-iesko-savo-balso","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2018\/03\/12\/choreografas-vytis-jankauskas-siandien-siuolaikinis-sokis-is-naujo-iesko-savo-balso\/","title":{"rendered":"Choreografas Vytis Jankauskas: \u0161iandien \u0161iuolaikinis \u0161okis i\u0161 naujo ie\u0161ko savo balso"},"content":{"rendered":"

Lapkrit\u012f Vy\u010dio Jankausko \u0161okio teatras at\u0161vent\u0117 20-iesmet\u0173 k\u016brybinio darbo jubiliej\u0173 ir \u0161ventiniuose \u0161okio vakaruose pristat\u0117 i\u0161traukas i\u0161 geriausi\u0173 savo sukurt\u0173 spektakli\u0173. Jas \u0161oko jaunosios karto \u0161ok\u0117jai, seniems darbams atne\u0161dami nauj\u0173 spalv\u0173. Anot choreografo Vy\u010dio Jankausko, spektaklis \u201eLiepsnos vir\u0161 \u0161altojo kalno\u201c, atliktas Mariaus Pinigio, Linos Puod\u017eiukait\u0117s-Lanauskien\u0117s ir Giedr\u0117s Kirkilyt\u0117s, suskamb\u0117jo ypatingai, tad buvo nuspr\u0119sta gr\u0105\u017einti j\u012f \u012f repertuar\u0105 su nauja sud\u0117timi. Atgim\u0119s spektaklis pirm\u0105 kart\u0105 bus rodomas Men\u0173 spaustuv\u0117je kovo 13 dien\u0105. Su V. Jankausku kalbam\u0117s apie tai, kod\u0117l ry\u017eosi spektakl\u012f atgaivinti, kuo jis bus kitoks ir kaip kei\u010diasi \u0161iandieninis \u0161okio pasaulis.<\/em><\/p>\n

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– \u012e repertuar\u0105 gr\u012f\u017etantis \u0161okio spektaklis – gana retas rei\u0161kinys Lietuvoje. Kaip kilo id\u0117ja atgaivinti \u201eLiepsnas vir\u0161 \u0161altojo kalno\u201c?<\/em><\/p>\n

Vytis Jankauskas<\/strong>: Taip, tai retas rei\u0161kinys, manau, jis labai naudingas. Tikiu, kad mano kolegos, ypa\u010d vyresnio am\u017eiaus choreografai, praeityje yra pastat\u0119 daug puiki\u0173 spektakli\u0173, ta\u010diau d\u0117l tam tikr\u0173 aplinkybi\u0173 parod\u0117 juos vos por\u0105 kart\u0173. \u017dinau ne vien\u0105 puik\u0173 darb\u0105, kuris gal\u0117t\u0173 b\u016bti rodomas i\u0161 naujo. Konkre\u010diai mano atveju \u2013 viskas prasid\u0117jo nuo m\u016bs\u0173 jubiliejinio \u0161okio vakaro, kurio metu i\u0161traukas i\u0161 sen\u0173 m\u016bs\u0173 spektakli\u0173 \u0161oko jaunosios kartos \u0161ok\u0117jai. B\u016btent\u00a0\u201eLiepsnos vir\u0161 \u0161altojo kalno\u201c suskamb\u0117jo ypatingai \u2013 labai gyvai, naujai, \u012fdomiai. Tai pasteb\u0117jau ir a\u0161, ir kolegos i\u0161 \u0161okio lauko, kritikai, net \u017ei\u016brovai, tad nusprend\u0117me rizikuoti ir prikelti spektakl\u012f naujam gyvenimui.<\/p>\n

– Atgimus\u012f spektakl\u012f \u0161oks nauji \u0161ok\u0117jai \u2013 koki\u0173 nauj\u0173 v\u0117j\u0173 jie \u012fne\u0161\u0117? Kaip jie pakeis pat\u012f spektakl\u012f?<\/em><\/p>\n

V. J.:<\/strong> Galutin\u012f, visi\u0161kai pabaigt\u0105 variant\u0105 a\u0161 ir pats pamatysiu tik kovo 13-t\u0105j\u0105 kartu su \u00a0\u017ei\u016brovais, tad ir man pa\u010diam labai \u012fdomu, kaip viskas atrodys. \u017dinoma, kiekvienas \u0161ok\u0117jas visas id\u0117jas transliuoja per savo asmenines patirtis, tad spektaklis tikrai suskamb\u0117s kitaip negu tada, kai jame dar \u0161okau a\u0161 pats. Kiek matau i\u0161 repeticij\u0173 \u2013 \u0161ok\u0117jai puikiai dirba kartu, tad labai d\u017eiaugiuosi pasirink\u0119s b\u016btent juos.<\/p>\n

\"\"<\/p>\n

– Spektaklyje \u0161\u012fkart bus daugiau moter\u0173. Ar tai rei\u0161kia, kad vaidmenys tokie universal\u016bs lyties at\u017evilgiu, o gal tiesiog tr\u016bksta \u0161ok\u0117j\u0173 vyr\u0173?<\/em><\/p>\n

V. J.:<\/strong> I\u0161 ties\u0173, tai abi prie\u017eastys. Trio s\u0105statas leid\u017eia varijuoti ly\u010di\u0173 rol\u0117mis, bet visgi norisi, kad tai b\u016bt\u0173 mir\u0161us spektaklis. Manau, su \u0161iek tiek pakitusia sud\u0117timi atrasime nauj\u0173 akcent\u0173 \u0161ok\u0117j\u0173 s\u0105veikose, naujai suskamb\u0117s duetai.<\/p>\n

– \u0160io spektaklio nerodote jau septynerius metus, galb\u016bt keit\u0117si jo transliuojamos id\u0117jos? Apie k\u0105 spektaklis kalba \u0161iandienos \u017ei\u016brovui?<\/em><\/p>\n

V. J.:<\/strong> Pa\u010dios id\u0117jos turb\u016bt i\u0161liko tos pa\u010dios, did\u017eiausia kaita \u012fvyksta verbalizuojant id\u0117jas, jas pristatant \u017ei\u016brovui. B\u0117gant metams kei\u010diasi id\u0117j\u0173 i\u0161rai\u0161kos b\u016bdai, ta\u010diau esm\u0117 lieka ta pati. Visgi dirbame su fiziniu judesiu, nenaudojame nauj\u0173j\u0173 medij\u0173, dominuoja choreografin\u0117 kalba, o ji visada gali b\u016bti interpretuojama skirtingai. Nors spektaklio id\u0117jos ir nesikeit\u0117,\u00a0kiekvienos kartos \u017ei\u016brovas atras jas skirtingai.<\/p>\n

-Visai neseniai su\u017einojau, kad prie\u0161 pasukdamas \u012f \u0161iuolaikin\u012f \u0161ok\u012f, buvote breiko \u0161ok\u0117jas ir net tuometin\u0117s Soviet\u0173 s\u0105jungos breiko \u010dempionas. Galb\u016bt m\u0105stote ne tik apie spektaklio, bet ir apie \u017eanro atgaivinim\u0105?<\/em><\/p>\n

V. J.:<\/strong> \u012e breik\u0105 gr\u012f\u017eti tikrai negalvoju (\u0161ypsosi \u2013 M. K.). Taip, kadaise prad\u0117jau nuo jo, bet visgi pri\u0117jau moment\u0105, kai gatv\u0117s \u0161okis prad\u0117jo mane, kaip k\u016br\u0117j\u0105, var\u017eyti, \u012fstat\u0117 \u012f tam tikrus r\u0117mus. Taip nutiko, kad tuo metu \u012f Lietuv\u0105 atkeliavo \u0161iuolaikinis \u0161okis, kuris prapl\u0117t\u0117 ribas ir leido man naujai atsiskleisti. Manau, kad \u0161iandien gatv\u0117s \u0161okis \u012fdomiausias, kai yra jungiamas su kitais \u017eanrais \u2013 \u0161iuolaikiniu \u0161okiu, vogue<\/em> akcentais.\u00a0Jis labai \u012fdomus ir aktualus jauniausiai kartai \u2013 paaugliams.<\/p>\n

-Tiek naujai atgim\u0119s spektaklis, tiek nauji \u0161ok\u0117jai atsives ir naujus \u017ei\u016brovus. Kaip pristatytum\u0117te Vy\u010dio Jankausko \u0161okio teatr\u0105 naujam \u017ei\u016brovui, su juo susipa\u017einusiam \u0161iandien?<\/em><\/p>\n

V.J.:<\/strong> I\u0161 ties\u0173 a\u0161 visada gyvenime kei\u010diausi \u2013 prad\u0117jau nuo breiko, tada atsirado \u0161iuolaikinis \u0161okis, ka\u017ekada buvome vieni pirm\u0173j\u0173 Lietuvoje prad\u0117j\u0119 kontaktin\u0119 improvizacij\u0105, darb\u0105 ant grind\u0173 \u2013 Lietuvoje tuo metu to nebuvo. \u00a0Vis\u0105 laik\u0105 keit\u0117m\u0117s kaip teatras. Dabar, ypa\u010d at\u0161vent\u0119 teatro dvide\u0161imtmet\u012f, jau\u010diu, kad irgi esame ant slenks\u010dio, prie\u0161 \u017eengiant nauj\u0105 \u017eingsn\u012f pirmyn. Rodos tai, k\u0105 dar\u0117me seniau, dabar nebe\u012fdomu, o k\u0105 daryti toliau \u2013 kol kas dar ne\u017einome. Kiekvienas \u017ei\u016brovas turb\u016bt turi savo vizij\u0105, kiekvienas mus mato kitaip, ta\u010diau pats \u0161iuo metu dar ne\u017einau tikslaus \u0161iandieninio Vy\u010dio Jankausko \u0161okio teatro apib\u016bdinimo.<\/p>\n

\"\"<\/p>\n

-Sakote, kad esate ant tam tikro slenks\u010dio. Galb\u016bt \u012fsivaizduojate, kaip atrodys kitas j\u016bs\u0173 \u017eingsnis? Kas laukia Vy\u010dio Jankausko \u0161okio teatro?<\/em><\/p>\n

V. J.:<\/strong> Man pa\u010diam pastaruoju metu \u0161iuolaikinis \u0161okis atrodo kiek i\u0161sis\u0117m\u0119s, spektakliuose kartojasi tos pa\u010dios priemon\u0117s. Atei\u010diai norisi ka\u017eko \u0161vie\u017eio, gyvybingo, ta\u010diau \u010dia u\u017eduodu sau klausim\u0105 \u2013 kas \u0161iandien yra \u0161vie\u017eia ir gyva? Manau, tiek mes, tiek apskritai \u0161iuolaikinis menas \u0161iandien labai daug ie\u0161ko, i\u0161 naujo bando atrasti, k\u0105 jis \u0161iandien rei\u0161kia \u017emon\u0117ms. A\u0161 taip pat ie\u0161kau \u012fkv\u0117pimo atsakymams \u012f \u0161iuos klausimus, nuo to priklausys ir m\u016bs\u0173 teatro ateitis.<\/p>\n

-J\u016bs spektakl\u012f i\u0161 praeities jungiate su naujais \u0161ok\u0117jais, kiti teatrai senas pjeses atgaivina jungdami su \u0161iuolaikin\u0117mis technologijomis, \u0161iuolaikinis baletas statomas pagal sen\u0105 roman\u0105. Galb\u016bt \u0161iandien menas \u012fkv\u0117pimo ie\u0161ko praeityje? O gal pastebite kitokias meno, \u0161iuolaikinio \u0161okio tendencijas?<\/em><\/p>\n

V. J.:<\/strong> Manau, \u0161ita praeities atgaivinimo banga \u0161iuo metu vilnija tik Lietuvoje \u2013 u\u017esienyje ji, atrodo, jau senokai pra\u0117jo. Kur link juda \u0161okis? \u0160iandien \u0161okis tampa visai ne \u0161okiu, grynojo \u0161okio da\u017eniausiai ma\u017e\u0117ja, juo ma\u017eiau domimasi. Jis ima vis labiau tyrin\u0117ti tam tikras socialines temas ir kiek u\u017esimerkti \u012f paties \u0161okio kokyb\u0119 ir kiek\u012f \u2013 svarbesnis tampa pats socialinis tyrimas, jo aktualijos. Taip pat da\u017enas tas vadinamasis konceptualusis \u0161okis, naikinantis ribas, choreografijos s\u0105vokas. Tai tik patvirtina, k\u0105 min\u0117jau anks\u010diau \u2013 kad \u0161okis \u0161iandien yra pasimet\u0119s ir ie\u0161ko savo naujo balso.<\/p>\n

\"\"<\/p>\n

-Tai visgi kurioje vietoje, \u0161iame pasimetusiame \u0161okio pasaulyje stovi j\u016bs\u0173 atgim\u0119s spektaklis?<\/em><\/p>\n

V.J.:<\/strong> Jame dominuoja choreografin\u0117 rai\u0161ka, daug \u0161okio, ma\u017eai papildom\u0173 priemoni\u0173. Jis atstovauja t\u0105 min\u0117t\u0105 grynojo \u0161okio form\u0105, taip pat turi didel\u012f emocin\u012f u\u017etais\u0105. Manau, b\u016btent emocijos geriausiai i\u0161lieka laike \u2013 kaip besikeist\u0173 formos, baim\u0117 visada liks baime, pyktis visada liks pyk\u010diu ir \u017ei\u016brov\u0105 gal\u0117s paliesti bet kuriuo metu.<\/p>\n

Interviu autor\u0117: Migl\u0117 Kolinyt\u0117<\/p>\n

Nuotrauk\u0173 autorius: Dmitrijus Matvejevas<\/p>\n

 <\/p>\n

\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Lapkrit\u012f Vy\u010dio Jankausko \u0161okio teatras at\u0161vent\u0117 20-iesmet\u0173 k\u016brybinio darbo jubiliej\u0173 ir \u0161ventiniuose \u0161okio vakaruose pristat\u0117 i\u0161traukas i\u0161 geriausi\u0173 savo sukurt\u0173 …<\/p>\n","protected":false},"author":2,"featured_media":347,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nChoreografas Vytis Jankauskas: \u0161iandien \u0161iuolaikinis \u0161okis i\u0161 naujo ie\u0161ko savo balso - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2018\/03\/12\/choreografas-vytis-jankauskas-siandien-siuolaikinis-sokis-is-naujo-iesko-savo-balso\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Choreografas Vytis Jankauskas: \u0161iandien \u0161iuolaikinis \u0161okis i\u0161 naujo ie\u0161ko savo balso - 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