{"id":3516,"date":"2018-12-03T16:35:03","date_gmt":"2018-12-03T14:35:03","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=3516"},"modified":"2021-01-27T14:20:19","modified_gmt":"2021-01-27T12:20:19","slug":"tyrinejimai-platformoje-bites-erika-iii","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2018\/12\/03\/tyrinejimai-platformoje-bites-erika-iii\/","title":{"rendered":"Tyrin\u0117jimai platformoje \u201eBit\u0117s\u201c: Erika (III)"},"content":{"rendered":"

Lietuvi\u0173 mitologijoje chaosas, i\u0161 kurio gimdavo tvarka da\u017eniausiai b\u016bdavo vaizduojamas vandens pavidalu. I\u0161 prad\u017ei\u0173 buvo vanduo ir tik tada Dievas, da\u017enai vienokiu ar kitokiu b\u016bdu \u017eaismingai apgaudav\u0119s velni\u0105 ir sutverdav\u0119s tai, kas tveriasi. Ta\u010diau siekiant sukurti pasaulio tvark\u0105, pirmiausia mums reikia chaoso, o tas chaosas da\u017eniausiai b\u016bdavo pavadinamas vandeniu. Visgi, egzistuoja tokia gan\u0117tinai \u012fdomi, bet ir painoka chaoso teorija. Anot \u0161ios teorijos, taip yra apibr\u0117\u017eiamos dinamin\u0117s sistemos, kurios yra itin jautrios pradin\u0117ms s\u0105lygoms, o \u0161is jautrumas vadinamas drugelio efektu. Tad vienas drugelio sparno plastel\u0117jimas \u2013 ir mes turime visi\u0161kai neprognozuojam\u0105 ateities rezultat\u0105. Nenuostabu, kad mitologijoje \u0161is chaosas tvyrojo vandens pavidalu, savoti\u0161kai ataidint evoliucijos teorijai. Mes ne\u017einome, kas i\u0161lips i\u0161 vandens ir kod\u0117l gal\u0173 gale taps \u017emogumi, bet drugelio sparnai taip plastel\u0117jo, kad mes tapome sukurtaisiais.<\/p>\n

Erikos Vizbarait\u0117s tiriamasis darbas \u201eBi\u010di\u0173\u201c platformoje pavadinimu \u201eTransparent\u201c apsiima nagrin\u0117ti gyvyb\u0119 suteikian\u010dio vandens savybes, be kuri\u0173 \u017emonija mirt\u0173 arba jos tiesiog neb\u016bt\u0173. Simboli\u0161kos, vis\u0105 apiman\u010dios, \u012ftraukian\u010dios ramyb\u0117s, kuri \u012fprasmina gyvyb\u0117s rat\u0105. Visi\u0161kos pilnos b\u016bties, kuomet tavasis chaosas nurimsta, kuomet neb\u0117ra nei vir\u0161aus, nei apa\u010dios, prad\u017eios ar pabaigos, o tik tyli egzistencija. I\u0161 esm\u0117s, vanduo mums gali asocijuotis su k\u016bryba pla\u010di\u0105ja prasme, su ta k\u016bryba, kuri tveria bei yra i\u0161gyvenama\/pajau\u010diama nuo gimimo iki paskutinio atod\u016bsio, ir tai telpa vienoje akimirkoje. Kaip kad Hayao Miyazaki fantastiniame animaciniame filme \u201ePrinces\u0117 Mononok\u0117\u201c rodoma keliaujanti mi\u0161ko dvasia. \u0160iai \u017eengiant, jos \u017eingsnyje sp\u0117davo i\u0161dygti, u\u017eaugti, pra\u017eysti ir nuvysti g\u0117l\u0117s bei \u017eolynai. Tv\u0117rimas susideda i\u0161 gyvyb\u0117s ir \u0161ios b\u016bties akto, kaip ir mes pl\u016bduriuojame dar negim\u0119, bet jau esantys.<\/p>\n

\"\"<\/p>\n

Nuotrauk\u0173 autor\u0117 – Laura Vansevi\u010dien\u0117<\/em><\/p>\n

Kol kas, m\u016bs\u0173 \u017einiomis, vienintel\u0117 planeta saul\u0117s sistemoje apdovanota vandeniu, o tai rei\u0161kia ir gyvybe, yra \u017dem\u0117. Tad mes gyvename, mir\u0161tame, ter\u0161iame ir baigiame nugaluoti savo vienintelius namus (dar vienas drugelio sparno plastel\u0117jimas?). Ta\u010diau E. Vizbarait\u0117s darbas ne tik apie tai. Apie vanden\u012f ir jo esat\u012f choreograf\u0117 \u0117m\u0117 svarstyti prie\u0161 kelet\u0105 met\u0173, kuomet gim\u0117 \u0161okio miniati\u016bra \u201eVandenyje\u201c. \u0160iame trumpame darbe buvo gilinamasi \u012f tarpusavio santyki\u0173 tem\u0105, kuri\u0105 sul\u0117tino vandens cirkuliavimo ritmas, b\u016bvimas vandenyje, it tyli meditacija cirkuliuojant vandeniui. Id\u0117ja buvo pas\u0117ta ir \u012fleido \u0161aknis po keleri\u0173 met\u0173 platformoje \u201eBit\u0117s\u201c E. Vizbarait\u0117 apsiima t\u0119sti j\u0105 u\u017evald\u017eiusi\u0105 vandens tem\u0105. \u0160\u012fkart ji \u017evelgdama kiek kitu kampu, ne tiek atsitraukdama, kiek prapl\u0117sdama santyki\u0173 tem\u0105 ir \u012f \u0161i\u0105 \u017ei\u016br\u0117dama ne tik kaip esan\u010di\u0105 tarp vyro ir moters, ta\u010diau \u012f santyk\u012f su pa\u010diu savimi, geb\u0117jim\u0105 sul\u0117t\u0117ti vandenyje ir tiesiog b\u016bti. K\u016br\u0117j\u0105 domina skirting\u0173 sfer\u0173 santykis \u2013 oro, vandens ir k\u016bno, kaip k\u016bnas gali ne tik b\u016bti, ta\u010diau ir \u0161okti vandenyje. Ar tokiu b\u016bdu gali gimti choreografija, ar \u0161okis ar v\u0117lgi \u2013 tik drugelio plastel\u0117jimas sparnais, kuris nuveda prie netik\u0117tos atomazgos?<\/p>\n

E. Vizbarait\u0117 linkusi savo tyrimuose atskleisti ne tik techninius m\u0117ginimus, paie\u0161kas ir sprendimus, ta\u010diau taip pat svarstyti ko reikia, norint panerti, pajusti pirmin\u012f jausm\u0105, kuomet tu\u0161tuma ir pilnatv\u0117 tampa vieniu. Choreograf\u0117 pastebi, kad tyrime susijung\u0117 praktika ir mintis, pavyzd\u017eiui, norint panerti \u012f gyl\u012f, reikalingas papildomas svoris \u2013 pasiri\u0161amas \u0161vinas ir tik tuomet pavyksta nebepl\u016bduriuoti pavir\u0161iuje. Ar n\u0117ra taip pat ir su mintimis, id\u0117jomis, kuri\u0173 atradimui reikia svorio, gramzdinan\u010dios mas\u0117s, o ne lengvo pl\u016bduriavimo.<\/p>\n

\"\"<\/p>\n

Gal\u0173 gale, egzistuoja ir stovintis\/nedrums\u010diamas vanduo. O kada \u017emogus ima pelk\u0117ti savame neveiksnume? B\u016bti sustojusiam arba plaukti pasroviui pavir\u0161iuje, kuomet i\u0161 pa\u010dio \u017emogaus telieka neveiksni pl\u016bd\u0117. Ar tai galime prilyginti mir\u010diai? Bent jau socialinei? Ar yra b\u016bd\u0173 prikelti tok\u012f pl\u016bduriuojant\u012f asmen\u012f ar vis\u0105 \u017emonij\u0105? Koki\u0105 \u017eal\u0105 patiriame kaip sociumas ar kaip asmuo, kuomet tiesiog apmir\u0161tame? Jei smegenys vandenyje pa\u017eeid\u017eiamos gana greitai, ar pavir\u0161inis pl\u016bduriavimas mirusiame vandenyje mus veikia u\u017eli\u016bliuodamas apati\u0161ka savidestrukcija? Ar n\u0117ra taip, kad stovintis vanduo paskleid\u017eia smarv\u0119 tik tada, kai ka\u017ekas i\u0161dr\u012fsta j\u012f pajudinti?<\/p>\n

Klausim\u0173, kaip ir atsakym\u0173 E. Vizbarait\u0117s tiriamajame darbe keliama bei ie\u0161koma daug. Tad nenuostabu, kad choreografija nepretenduoja tapti ai\u0161kiai apibr\u0117\u017eto \u0161okio k\u016brinio dalimi. \u0160\u012fkart laukiama instaliacin\u0117s poezijos, kurioje vienas kit\u0105 veikia bei vienas su kit\u0173 s\u0105veikauja vaizdas, garsas ir k\u016bnas, o paraleliai dar tur\u0117tume reg\u0117ti dokumentinius tyrimo momentus. Stebint k\u016brin\u012f gyvai, \u017eadama ne tik apsvarstyti visas saviegzistencin\u0117s b\u016bties galimybes, ta\u010diau ir m\u0117ginti pateikti atsakymus \u012f prie\u0161 tai keltus, o gal dar net ir nekilusius klausimus. \u012esitrauk\u0119 \u012f E. Vizbarait\u0117s kuriam\u0105 poj\u016b\u010di\u0173 \u017eem\u0117lap\u012f, tur\u0117tume rasti keli\u0105 atsakym\u0173, o taip pat ir klausim\u0173 link. Ir jud\u0117ti link ka\u017eko<\/em>. Gal visgi yra kelias link giluminio patyrimo, atsisakant bet koki\u0173 lingvistini\u0173 ar laiko suvokimo skirtum\u0173, panyrant \u012f absoliu\u010di\u0105 vienov\u0119? O gal i\u0161gyti net n\u0117ra tikslas, svarbu pajausti ir meditatyviai i\u0161gyventi savosios kasdienyb\u0117s ir b\u016bties transparenti\u0161kum\u0105. \u0160\u012fkart atsakymus pateiksiu ne a\u0161, o E. Vizbarait\u0117s k\u016bryba ir jos darbas \u201eTransparent\u201c, kur\u012f esate kvie\u010diami i\u0161gyventi gruod\u017eio 4 d. galerijoje \u201eTsekh\u201c.<\/p>\n

\"\"<\/p>\n

Su \u0161iuo tekstu prie\u0161premjeriniai \u201eBi\u010di\u0173\u201c lingvistiniai intarpai baig\u0117si. Ateityje gal nersime \u012f tyrin\u0117jim\u0173 vandenyn\u0105, prisiri\u0161\u0119 \u0161vino dir\u017e\u0105, o gal patogiai plaukiosime pavir\u0161iuje, bet kol kas vadovaukim\u0117s tik\u0117jimu, kad \u201eQuod hodie non est, cras erit\u201c (\u201eKo \u0161iandien n\u0117ra, rytoj bus\u201c).<\/p>\n","protected":false},"excerpt":{"rendered":"

Lietuvi\u0173 mitologijoje chaosas, i\u0161 kurio gimdavo tvarka da\u017eniausiai b\u016bdavo vaizduojamas vandens pavidalu. I\u0161 prad\u017ei\u0173 buvo vanduo ir tik tada Dievas, …<\/p>\n","protected":false},"author":2,"featured_media":3517,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nTyrin\u0117jimai platformoje \u201eBit\u0117s\u201c: Erika (III) - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2018\/12\/03\/tyrinejimai-platformoje-bites-erika-iii\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tyrin\u0117jimai platformoje \u201eBit\u0117s\u201c: Erika (III) - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Lietuvi\u0173 mitologijoje chaosas, i\u0161 kurio gimdavo tvarka da\u017eniausiai b\u016bdavo vaizduojamas vandens pavidalu. 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