{"id":3592,"date":"2018-12-19T09:05:45","date_gmt":"2018-12-19T07:05:45","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=3592"},"modified":"2021-01-27T14:19:35","modified_gmt":"2021-01-27T12:19:35","slug":"marginalo-ir-kurmiu-bendruomenes-duetas","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2018\/12\/19\/marginalo-ir-kurmiu-bendruomenes-duetas\/","title":{"rendered":"Marginalo ir kurmi\u0173 bendruomen\u0117s duetas"},"content":{"rendered":"

Gruod\u017eio 12 dien\u0105 Men\u0173 spaustuv\u0117s<\/em> Juodojoje sal\u0117je \u012fvyko \u201eMigl\u0117s Praniauskait\u0117s Dance Company\u201c \u0161okio spektaklio \u201eKurmis\u201c pristatymas. \u0160ioje patobulintoje spektaklio versijoje choreograf\u0117 ir \u0161ok\u0117ja Migl\u0117 Praniauskait\u0117 t\u0119sia humanizmo ir egzistencijos paie\u0161kas schematizuotoje visuomen\u0117je.<\/p>\n

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Nuotraukos:<\/em> Glasses\u2019n beard photography<\/em><\/a><\/p>\n

Ankstesniuoju \u0161okio spektakliu \u201eRekonstruoti\u201c (2015) atlik\u0117ja atsuko veidrod\u012f \u012f \u017ei\u016brovus, kuriame jie pamat\u0117 save siekiant i\u0161gyventi, kai gyvenimas paver\u010diamas mechanini\u0173 funkcij\u0173 rinkiniu. Realyb\u0117 tarsi susiskaid\u0117 \u012f atskiras sritis, kurios vaizduojamos \u0161altai, be emocij\u0173. O judesi\u0173 precizi\u0161kumas ir puiki sinchronija dar labiau sustiprino \u012fsp\u016bd\u012f, kad \u017emogus t\u0117ra did\u017eiul\u0117s ma\u0161inos dalis. \u0160ok\u0117jos kaip robotai atsitraukdavo ir v\u0117l \u012fsijungdavo \u012f judesi\u0173 atlikim\u0105, tarsi ma\u0161inin\u0117s skruzd\u0117l\u0117s d\u0117liojo ir formavo m\u016bs\u0173 emoci\u0161kai sunykusios visuomen\u0117s portret\u0105. Pasibaigus spektakliui likai su mintimi: ar kas pasikeist\u0173, jei i\u0161eitum i\u0161 visuomen\u0117s ma\u0161inos? Ar \u012fmanoma nuo jos atsiriboti? Gal\u0173 gale mintyse lieka M. Praniauskait\u0117s solo, kaip besibla\u0161kantis mira\u017eas, d\u0117liojantis min\u010di\u0173, klausim\u0173 ir vaizdini\u0173 mikroschem\u0105.<\/p>\n

Tuo tarpu spektakliu \u201eKurmis\u201c gr\u012f\u017etama \u012f gamt\u0105 ir neriama \u012f \u017eem\u0117je esan\u010dius labirintus. \u0160io gyv\u016bno simbolika pasirinkta taikliai, nes kurmis atspindi daugelio \u017emoni\u0173 baim\u0119 patirti ka\u017ek\u0105 ne\u017einomo, siek\u012f gyventi komfortabiliai ir saugiai. Nors kurmis atlieka ekosistemai b\u016btinas funkcijas, jis simbolizuoja bail\u0173, savanaudi\u0161k\u0105 ir saugum\u0105 m\u0117gstant\u012f padar\u0105. Jis save kei\u010dia tiek, kiek tai jam yra naudinga. K\u016brybin\u0117 komanda v\u0117l atsuka mums veidrod\u012f, kad pamatytume savo u\u017edarum\u0105 ir bailum\u0105.<\/p>\n

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Spektaklio pagrindinis aspektas yra kompleksi\u0161ki santykiai tarp grup\u0117s ir individo, bendruomen\u0117s ir marginalo. M. Praniauskait\u0117 did\u017ei\u0105j\u0105 dal\u012f spektaklio praleid\u017eia b\u016bdama atokiau nuo kurmi\u0173 bendruomen\u0117s (Karolina Indr\u0117 \u017dvinyt\u0117, Vincenta Gurauskait\u0117, Paulina Garbauskait\u0117, Viktorija Praninskait\u0117), ji taip ir netampa pilnaverte jos nare. \u012eeinant ir i\u0161einant i\u0161 grup\u0117s choreografijos, \u0161ok\u0117jos plasti\u0161ki ir kartais ilgesingi judesiai kontrastuoja su grup\u0117s mechani\u0161ku ir a\u0161triu judesi\u0173 stiliumi. Atsiribodama nuo bendruomen\u0117s ji bando atrasti savo identitet\u0105 per judesi\u0173 paie\u0161kas ir ka\u017ek\u0105 atradusi ji gr\u012f\u017eta \u012f grup\u0119 bei pakei\u010dia jos dinamik\u0105. Tokiu b\u016bdu parodoma, kad marginalas gali tapti visuomen\u0117s sistem\u0173, norm\u0173 ir taisykli\u0173 poky\u010di\u0173 katalizatoriumi.<\/p>\n

Kurmio \u012fvaizdis spektaklyje yra itin abstraktus. \u0160ok\u0117jos vaizduoja kurmius kaip susilenkusius, atsargiai ir mechani\u0161kai erdv\u0117je judan\u010dius gyvius, kuri\u0173 reg\u0117jimo periferija siekia iki j\u0173 prie\u0161 veid\u0105 sulenkt\u0173 rank\u0173. Nors spektaklio metu per \u0161ok\u0117j\u0173 kompozicij\u0105 buvo kuriama grup\u0117s ir marginalo prie\u0161prie\u0161a, da\u017eniau u\u017e individo sav\u0119s paie\u0161kas d\u0117mes\u012f patraukia keturi\u0173 \u0161ok\u0117j\u0173 geb\u0117jimas palaikyti sinchronij\u0105 ir judesiais atliepti muzikos ritmui. Jud\u0117damos itin tiksliai ir mechani\u0161kai, d\u0117v\u0117damos tuos pa\u010dius neutrali\u0173 spalv\u0173 kostiumus, bei vienodai susiri\u0161usios plaukus, jos kuria vieningos furij\u0173 bendruomen\u0117s \u012fsp\u016bd\u012f. \u0160ios patrauklios, ta\u010diau grie\u017etos, kovingos ir akylai M. Praniauskait\u0117s persona\u017e\u0105 stebin\u010dios merginos sukuria taisykles ir elgesio schemas \u012fk\u016bnijan\u010dias b\u016btybes. Daugiausia \u0161okdamos grup\u0117je, scenos kampe, jos, b\u016bdamos savo komforto zonoje, bando atkartoti individualist\u0119, v\u0117liau tarsi nori j\u0105 \u012fbauginti, nubr\u0117\u017eti elgesio r\u0117mus kuriuose ji tur\u0117t\u0173 b\u016bti. \u0160ios grupel\u0117s santykis su marginalu yra sud\u0117tingas, kadangi analizuodama i\u0161siskiriant\u012f asmen\u012f, grup\u0117 individ\u0105 vienu metu priima ir atstumia, pilnai neintegruoja \u012f savo bendruomen\u0119. Tuo tarpu M. Praniauskait\u0117s persona\u017eas juda pagal savo vidin\u012f ritm\u0105, ie\u0161ko sav\u0119s, atradimus \u012fkomponuoja \u012f grupin\u0119 choreografij\u0105, bet stengiasi i\u0161saugoti savo individualum\u0105.<\/p>\n

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Scenos erdv\u0117 \u2013 paversta po\u017eeminiais labirintais, o metafori\u0161k\u0105 saul\u0117s \u0161viesos \u012fvaizd\u012f kuria \u012fstri\u017ea pro\u017eektori\u0173 linija (\u0161vies\u0173 dailininkas Yaronas Abulafia), persmelkianti scenoje esan\u010di\u0105 rud\u0105 dulksn\u0105, raudon\u0173 bei \u017eali\u0173 \u0161vies\u0173 \u017eaism\u0119. Ta\u010diau saul\u0117s \u0161viesa n\u0117ra kurmi\u0173 siekiamyb\u0117 ar svajoni\u0173 simbolis. \u0160viesos spinduliai tik suteikia spalvin\u012f ir simbolin\u012f fon\u0105, kuriame \u0161ok\u0117jos egzistuoja, tyrin\u0117ja save ir savo egzistencij\u0105 bendruomen\u0117je.<\/p>\n

Stebint \u0161\u012f k\u016brin\u012f sunku jo nelyginti su \u201eRekonstruoti\u201c. Abiejuose k\u016briniuose yra pasikartojantys judesiai, j\u0173 junginiai ir kompozicijos, yra pana\u0161us erdv\u0117s i\u0161naudojimas ir id\u0117j\u0173 vaizdavimo b\u016bdai. Pagrindinis spektakli\u0173 skirtumas pasirei\u0161kia per jausminius niuansus, nes M. Praniauskait\u0117 savo \u0161ok\u0117jas spektaklyje \u201eKurmis\u201c pri\u017ei\u016bri kaip mama, ai\u0161kiau jau\u010diamas tarpusavio ry\u0161ys, tod\u0117l judesi\u0173 stilistika tampa truput\u012f mink\u0161tesn\u0117. \u0160\u012f spektakl\u012f malonu steb\u0117ti d\u0117l puikiai paruo\u0161t\u0173 \u0161ok\u0117j\u0173, ai\u0161kios choreograf\u0117s stilistikos, racionalaus po\u017ei\u016brio \u012f k\u016bryb\u0105, judesi\u0173 tikslumo bei M. Praniauskait\u0117s d\u0117mesio savo \u0161ok\u0117joms. Kaip ir spektaklyje \u201eRekonstruoti\u201c, \u0161iame k\u016brinyje svarbu yra ne pamokymai, moralas ar drama, bet choreograf\u0117s talentas ir k\u016brybin\u0117s vizijos ai\u0161kumas. M. Praniauskait\u0117 savo k\u016bryba nesiekia kritikuoti, bet subtiliai vaizduoja m\u016bs\u0173 bandymus prisitaikyti prie konkre\u010dios bendruomen\u0117s, tuo pat metu formuojant savo individualum\u0105. Belieka tik\u0117tis, kad k\u016br\u0117ja toliau vystys savo unikalum\u0105, vis tvir\u010diau \u012fsiliedama \u012f kurmi\u0173 (\u0161okio) bendruomen\u0119.<\/p>\n

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Gruod\u017eio 12 dien\u0105 Men\u0173 spaustuv\u0117s Juodojoje sal\u0117je \u012fvyko \u201eMigl\u0117s Praniauskait\u0117s Dance Company\u201c \u0161okio spektaklio \u201eKurmis\u201c pristatymas. \u0160ioje patobulintoje spektaklio versijoje …<\/p>\n","protected":false},"author":2,"featured_media":3546,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nMarginalo ir kurmi\u0173 bendruomen\u0117s duetas - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2018\/12\/19\/marginalo-ir-kurmiu-bendruomenes-duetas\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marginalo ir kurmi\u0173 bendruomen\u0117s duetas - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Gruod\u017eio 12 dien\u0105 Men\u0173 spaustuv\u0117s Juodojoje sal\u0117je \u012fvyko \u201eMigl\u0117s Praniauskait\u0117s Dance Company\u201c \u0161okio spektaklio \u201eKurmis\u201c pristatymas. \u0160ioje patobulintoje spektaklio versijoje ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2018\/12\/19\/marginalo-ir-kurmiu-bendruomenes-duetas\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2018-12-19T07:05:45+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-01-27T12:19:35+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/12\/C_Glassesn-beard-photography_Kurmis3-1100x688.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1100\" \/>\n\t<meta property=\"og:image:height\" content=\"688\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2018\/12\/19\/marginalo-ir-kurmiu-bendruomenes-duetas\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/12\/C_Glassesn-beard-photography_Kurmis3.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/12\/C_Glassesn-beard-photography_Kurmis3.jpg\",\"width\":2880,\"height\":1800},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2018\/12\/19\/marginalo-ir-kurmiu-bendruomenes-duetas\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2018\/12\/19\/marginalo-ir-kurmiu-bendruomenes-duetas\/\",\"name\":\"Marginalo ir kurmi\\u0173 bendruomen\\u0117s duetas - 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