{"id":3684,"date":"2018-12-31T13:43:44","date_gmt":"2018-12-31T11:43:44","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=3684"},"modified":"2021-01-27T14:18:58","modified_gmt":"2021-01-27T12:18:58","slug":"tapatybes-nupurtimas-nuo-banano","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2018\/12\/31\/tapatybes-nupurtimas-nuo-banano\/","title":{"rendered":"Tapatyb\u0117s nupurtymas nuo banano"},"content":{"rendered":"

Jos B&B. Jos \u0161oka. Jos kalba. Jos moterys. Jos turi k\u0105 pasakyti. Apie jas ra\u0161yti kvie\u010dia \u0161okio portalai, ta\u010diau \u0161okis \u010dia tik pretekstas. Pretekstas pasisakyti, tur\u0117ti bals\u0105. Banana Dream<\/em> atveju \u2013 pretekstas puse veido pasijuokti i\u0161 j\u016bs\u0173 \u012fnirting\u0173 tapatyb\u0117s paie\u0161k\u0173. Liaukit\u0117s. Lupkite banan\u0105, pjaukite tort\u0105, \u0161okite nesinchroni\u0161kai. B\u016bkite B, arba b\u016bkite kitas B. Ir B u\u017etenka, nereikia nieko daugiau.<\/p>\n

\"\"<\/p>\n

Nuotraukos: Vismant\u0117 Ruzgait\u0117 NONA<\/span><\/em><\/p>\n

Greta Grinevi\u010di\u016bt\u0117 ir Agniet\u0117 Lisi\u010dkinait\u0117, 2016 m. prista\u010diusios B ir B dialog\u0105<\/em>, v\u0117liau prasit\u0119sus\u012f virtualioje erdv\u0117je, 2018 m. gruod\u012f per\u0117jo prie banan\u0173 \u2013 <\/em>jaukius me\u0161kuti\u0161kus kombinezonus pakeit\u0117 gelsvais triko ir juodais kostiumais. Spektaklio #<\/em>Banana dream<\/em> afi\u0161oje Men\u0173 spaustuv\u0117 virtusi SPAustuve, afi\u0161os dizainas primena akcini\u0173 produkt\u0173 reklamas, grota\u017eym\u0117 i\u0161 karto kuria virtualaus identiteto istorij\u0105, kitaip tariant, bendras vaizdas skirtas supykinti. Vis d\u0117lto spektaklis \u2013 \u0161varus (scenograf\u0117 \u2013 Renata Val\u010dik), grynas ir trumpas. Po jo keliaudama namo prisiminiau Richard Scarry knygos K\u0105 \u017emon\u0117s dirba vis\u0105 dien\u0105?<\/em> heroj\u0173, vardu Gorila Bananas, kuris \u010dia b\u016bt\u0173 tik\u0119s \u012f kompanij\u0105 ne tik tod\u0117l, kad vien\u0105 po kito lupo bananus, bet ir tod\u0117l, kad neabejotinai pritart\u0173 min\u010diai apie sociumo primestos tapatyb\u0117s nusikratym\u0105: jis nenor\u0117jo vogti, jis TIK nor\u0117jo banan\u0173. Bet dabar jis \u2013 \u017eymiausias Darb\u0117n\u0173 vagis, ir tuo jo identitetas baigiasi.<\/p>\n

Apie tapatyb\u0117s nupurtym\u0105 nuo k\u016bno kalba ir B&B. \u0160\u012fkart jos \u2013 gerokai rimtesn\u0117s, grie\u017etesn\u0117s, negu B ir B Dialoge<\/em>, kur leido sau kvailyst\u0119, infantilum\u0105, neapibr\u0117\u017etum\u0105, \u017eaidim\u0105. Banana Dream<\/em> scenoje niekas ne\u017eaid\u017eia \u2013 tai yra rimta scena, rimtos temos, rimti bananai. Tai yra rimtas bandymas sukurti Banana Dream<\/em> \u2013 sapni\u0161kai pakrikusi\u0105 erdv\u0119, kurioje \u017emon\u0117s sul\u0117tinti, dainos ir \u0161okiai \u2013 fragmentuoti, suskaldyti. Visoje choreografin\u0117je spektaklio dalyje konstruojama sapno apie banan\u0105 atmosfera, kurioje \u2013 simboli\u0161kai \u2013 daug seksualumo, moteri\u0161kumo, lietimo (ne\u017einantiems, k\u0105 rei\u0161kia sapnuoti banan\u0105, pad\u0117s google<\/em>). Bananas \u2013 visuomen\u0117s seksualizuotas vaisi\u0173 karalius, \u010dia tampantis pirma ir paskutine primestos tapatyb\u0117s auka. Nei jis nor\u0117jo savo vakarieti\u0161ko \u012fvaizd\u017eio, nei jis d\u0117l ko nors i\u0161 esm\u0117s kaltas, tod\u0117l B&B imasi \u0161\u012f \u012fvaizd\u012f griauti. Jos gr\u016bdasi bananus vien\u0105 po kito \u012f burnas lyg m\u0117smales ir leid\u017eia banan\u0173 masei dribti ant \u017eem\u0117s negrak\u0161\u010diai. Bananais u\u017eki\u0161tos gerkl\u0117s, gomur\u012f kliudanti j\u0173 t\u0105si mas\u0117, tarytum i\u0161sprog\u0119 veidai ir seksualumo pabaiga \u2013 toks yra vizualiausias tapatyb\u0117s griovimo aktas spektaklyje. Ta\u010diau tai \u2013 jau viena i\u0161 kulminacij\u0173.<\/p>\n

Iki tol regime daug judan\u010di\u0173 k\u016bn\u0173, paskui \u2013 du judan\u010dius k\u016bnus. Balsas-robotas klausia: J\u016bs turb\u016bt galvojate, kas mes esame ir k\u0105 mes galvojame?<\/em> \u0160is klausimas, atrodo, i\u0161laisvina nuo \u0161okio turinio prasmi\u0173: ne taip svarbu, k\u0105 mes \u0161okame, svarbiau, kad j\u016bs kankinat\u0117s, galvodami, kas mes esame. \u0160iuo atveju atrodo labai reik\u0161minga, kad \u0161is klausimas keliamas \u0161okio scenoje, kurioje \u017ei\u016brovai i\u0161 ties\u0173 visada bando \u012fduoti judan\u010diam k\u016bnui koki\u0105 nors atpa\u017e\u012fstam\u0105, suprantam\u0105 tapatyb\u0119. O dar svarbiau \u2013 tai, kad \u0161is klausimas galioja ne vien \u0161iam konkre\u010diam spektakliui, bet apskritai B&B porai su visa (dar neilga, bet d\u0117mes\u012f atkreipian\u010dia, aktyvia) jos k\u016brybine prie\u0161istore. \u012edomu tai, kad, tiesiogiai keldamos tapatyb\u0117s klausim\u0105 tik dabar, jos tarytum v\u0117luoja, nesp\u0117ja pa\u010dios paskui save, \u2013 juk daug ry\u0161kiau ir subtiliau \u0161is aspektas suskamba spektaklyje B ir B dialogas<\/em>, kur i\u0161 ties\u0173 labai smalsu \u2013 kas jos, kod\u0117l jos ir apie k\u0105?<\/p>\n

\"\"<\/p>\n

Banana Dream<\/em> nekyla mintis, kas yra kas, \u2013 \u010dia daug pana\u0161i\u0173 k\u016bn\u0173, daug pana\u0161i\u0173 judesi\u0173. \u012e daugyb\u0119 jau matyt\u0173 pana\u0161i ir sapno atmosfera, ta\u010diau ji pabr\u0117\u017eia nauj\u0105 aspekt\u0105 \u2013 sapno logik\u0105, pagal kuri\u0105 nieko n\u0117ra naujo, autenti\u0161ko, viskas \u2013 tik atminties atgarsiai, kartot\u0117s. Tokie atrodo ir Banana Dream<\/em> k\u016bn\u0173 judesiai \u2013 nekuriantys savos prasm\u0117s, bet atkartojantys ka\u017ek\u0105, kas jiems primetama. Sociumo primesta visa B ir B k\u016bn\u0173 motorika \u2013 judesiais jos transliuoja tipi\u0161kus biseksualaus moteri\u0161kumo tapatyb\u0117s naratyvus.<\/p>\n

Neatrodo, kad \u0161ie k\u016bnuose \u012fspausti pasakojimai jas kankint\u0173, ar kad jos nor\u0117t\u0173 i\u0161 j\u0173 i\u0161silaisvinti. N\u0117ra ai\u0161ku, ko jos nor\u0117t\u0173, ir ar nor\u0117t\u0173. Vis d\u0117lto yra kai kas, d\u0117l ko B&B \u0161okis yra ypatingas, ir d\u0117l ko joms nereikia \u0161okan\u010di\u0173 pagalbinink\u0173 (!). Jos abi geba nesusitapatinti su savo \u0161okio istorijomis \u2013 jos \u0161oka tarsi b\u016bdamos abejingos sau, ironizuodamos save ir u\u017eb\u0117gdamos u\u017e aki\u0173 bet kokiems komentarams i\u0161samiu ir negailestingu savikomentaru. Tas i\u0161 sav\u0119s besijuokiantis k\u016bn\u0173 eksponavimas joms yra kaip b\u016bdas a priori<\/em> griauti tik\u0117tin\u0105 \u0161ok\u0117j\u0173 tapatyb\u0119 \u2013 ir i\u0161 ties\u0173 jas per ma\u017ea apibr\u0117\u017eti kaip \u0161ok\u0117jas ar kaip tarpdisciplininio meno k\u016br\u0117jas. Jos yra dvik\u016bnis \u0161okantis \/ kalbantis socialinis veik\u0117jas \u0161viesiais plaukais, turintis moteri\u0161kumo bruo\u017e\u0173, labai daug \u017eavingos dr\u0105sos ir net, saky\u010diau, pilieti\u0161kos atsakomyb\u0117s. Joms r\u016bpi, kad some of them want to use you, some of them want to get used by you<\/em> (garso kolia\u017e\u0105 k\u016br\u0117 Art\u016bras Bum\u0161teinas), bet jos nesako to tiesiai.<\/em> Jos t\u0105 \u0161oka, o kalba apie… torto ilges\u012f.<\/p>\n

Richard Scarry knyg\u0105 prisiminiau neatsitiktinai. Joje labai kruop\u0161\u010diai m\u0117ginama kiekvienam gyv\u016bnui rasti prasm\u0119 mieste \u2013 sutapatinti j\u012f su darbu, veikla, socialiniu statusu, pom\u0117giu, grupe. Paskyrimo<\/em> neturi tik Kuklusis Kirm\u0117liukas ir Peliukas Mortimeris, tod\u0117l jie tampa prisiplak\u0117liais, \u0161\u012f bei t\u0105 veikian\u010diais kiekviename puslapyje. Jiedu pakimba persona\u017e\u0173 plane kaip tie, kuri\u0173 n\u0117ra kaip apibr\u0117\u017eti, ta\u010diau kuri\u0173 visada akyliausiai ie\u0161kai. Drauge jie \u2013 visko mat\u0119 \u012f\u017evalg\u016bs komentatoriai. Atrodo, B&B misija \u2013 \u0161iek tiek pana\u0161i: ne b\u016bti ka\u017ekuo<\/em>, bet b\u016bti. Ne pasakyti ka\u017ek\u0105<\/em>, bet pasakyti. Kitaip tariant, ne \u012frodyti savo pozicij\u0105, bet patvirtinti savo buvim\u0105, kuriame ne\u012fkyriai skamba socialinis intro.<\/p>\n

\"\"<\/p>\n

\u0160okio dalyje tik imituodamos \u012fra\u0161ytus balsus (beje, m\u0117ginan\u010dius paaukl\u0117ti visuomen\u0119 benami\u0173 ir kaimyn\u0173 klausimais), galiausiai B&B nustoja \u0161okti ir pradeda kalb\u0117ti. Po trumpos \u012f\u017eang\u0117l\u0117s apie kal\u0117din\u012f giminiavimosi ir nemaloni\u0173 klausim\u0173 laikotarp\u012f, jos pereina \u012f \u017ei\u016brov\u0173 kalbinim\u0105. Agniet\u0117 \u010dia tampa \u012f\u017e\u016blia klausin\u0117toja, Greta \u2013 dr\u0105sia komentatore. Klausdamos, kas esate, kas nesate, kokia j\u016bs\u0173 svajon\u0117, kam priklausote<\/em>, jos \u010dia pat puola komentuoti atsakymus, pabr\u0117\u017edamos atsakiusi\u0173j\u0173 tapatybes \u2013 pagal profesij\u0105, orientacij\u0105, socialin\u012f status\u0105. Be galo \u012fdomu steb\u0117ti Gretos impulsyvias reakcijas \u012f atsakymus ir asmenybes \u2013 ji akimirksniu pritaiko etiketes pa\u017e\u012fstamiems veidams arba nusp\u0117ja nepa\u017e\u012fstam\u0173j\u0173 statusus ir i\u0161 to vietoje sukuria po ma\u017e\u0105, taikl\u0173, ironi\u0161k\u0105 pasakojim\u0105. \u0160ioje mizanscenoje labai tiesiogiai susiduriame su savo pa\u010di\u0173 \u2013 kaip tautos, kaip ly\u010di\u0173, kaip pareig\u0173, kaip priklausomybi\u0173 rinkini\u0173 \u2013 apibr\u0117\u017etumu.<\/p>\n

Finalinis torto pjaustymas ir dalijimas \u2013 labai nuobodus, bet ir labai simboli\u0161kas identiteto prasme. Juk tortas \u2013 tai \u0161vent\u0117, kuri ateina pas visus, nepaisant statuso. Tik gaila \u2013 labai gaila \u2013 kad tort\u0105 pjausto ne Greta, ne Agniet\u0117, k\u0105 tik i\u0161juokusios \u017ei\u016brov\u0173 tapatybes. Dvi pagalbinink\u0117s incognito nutrina galimyb\u0119 prat\u0119sti \u017ei\u016brov\u0173 gyvenimo tem\u0105 ir paprastai i\u0161dalija paprast\u0105 tort\u0105.<\/p>\n

O aplink plaukioja geltoni balionai, ir \u0161alia gulin\u0117ja banan\u0173 \u017eievel\u0117s. Ir niekas neateina nusilenkti, ir niekam nereikia g\u0117li\u0173. Kaip gerai, kad neateina. Ir kaip gerai, kad nereikia, \u2013 tai padeda stor\u0105, didel\u012f ta\u0161k\u0105 \u0161itoje trumpoje tapatyb\u0117s nusipurtymo \u0161vent\u0117je.<\/p>\n","protected":false},"excerpt":{"rendered":"

Jos B&B. Jos \u0161oka. Jos kalba. Jos moterys. Jos turi k\u0105 pasakyti. Apie jas ra\u0161yti kvie\u010dia \u0161okio portalai, ta\u010diau \u0161okis …<\/p>\n","protected":false},"author":2,"featured_media":3687,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nTapatyb\u0117s nupurtymas nuo banano - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2018\/12\/31\/tapatybes-nupurtimas-nuo-banano\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tapatyb\u0117s nupurtymas nuo banano - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Jos B&B. Jos \u0161oka. Jos kalba. Jos moterys. Jos turi k\u0105 pasakyti. 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