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<\/p>\nKasmetin\u0117 Vilniaus miesto \u0161okio teatro Low Air \u017eiemos \u0161okio stovykla Nidoje – K O L O N I J A – gr\u012f\u017eta 2019.<\/p>\n
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\u0160okio K O L O N I J O S metu bus:<\/strong> \u0160okio patirtimi K O L O N I J O J E dalinsis:<\/strong><\/p>\n MOKYTOJAI:<\/strong> Apie mokytojus ir pamokas:<\/strong><\/p>\n PLAY-FIGHT<\/strong>.<\/p>\n Play-Fight pradininkas Bruno Caverna, kil\u0119s i\u0161 Rio de Janeiro. Nuo pat ma\u017eens Bruno u\u017esiimin\u0117ja \u012fvairiais jud\u0117jimo tipais – capoeira, kontaktin\u0117 improvizacija, \u0161iuolaikinis \u0161okis, akrobatika, kovos menai. Turintis gili\u0173 \u017eini\u0173 skirtingose jud\u0117jimo praktikose ir nor\u0117damas jas sujungti, Bruno suk\u016br\u0117 Play-Fight, kuris yra universaliai pritaikomas treniravimosi metodas tiek \u0161ok\u0117jams, tiek visiems, siekiantiems geriau suprasti save ir savo k\u016bn\u0105 per judes\u012f. Kaip aktyvus mokytojas ir nepavargstantis jud\u0117jimo entuziastas, Bruno jau nuo 1994, kai prad\u0117jo mokyti \u012fvairi\u0173 patir\u010di\u0173 turin\u010dius \u017emon\u0117s, besidalindamas patirtimi apkeliavo daugiau nei 30 pasaulio \u0161ali\u0173. Su\u017einok daugiau: IDF. URBAN.<\/strong><\/p>\n Patrick S. Williams taip pat \u017einomas kaip Twoface. Gim\u0119s Miunchene, Vokietijoje \u0161ok\u0117jas praktikuoja bene visas gatv\u0117s \u0161okio technikas: Hip-hop, Popping, Breaking ir Locking. Nuo 2014 m. \u0161ok\u0117jas pasirinko \u0161okio menininko profesionali\u0105 karjer\u0105. Po daugelio met\u0173 dalyvavimo kovose jis t\u0119sia savo karjer\u0105 teatro bei operos scenose. Jo CV galima rasti ne viena darb\u0105 su tokiais choreografais, kaip Malou Airoudo ir Sidi Larbi Cherkaoui. Patriko (Twoface) darbo eiga daugiausia grind\u017eiama mokymo priemoni\u0173 ir koncepcij\u0173, skirt\u0173 kiekvieno \u0161ok\u0117jo (atlik\u0117jo) individualaus stiliaus kurimu, tekst\u016br\u0173 ir judesi\u0173 variant\u0173 paie\u0161kos, mokymu.<\/p>\n Pagrindin\u0117s mintys ir id\u0117jos jo semianr\u0173 metu yra IDF \/ Illusionary Dance Forms: Esami ir ankstesni spektakliai, kuriuose Patrikas pasirodo:<\/p>\n – 2018 m. \u201eSTOIC\u201c Geteborgo operos \u0161okio kompanija \u201eGothenburg opera Danskompan\u201c ir Eastman kompanija. – https:\/\/youtu.be\/1UCSxDeKPco<\/a> GAGA.<\/strong><\/p>\n Daugiau apie Gaga \u0161okio technik\u0105 [angl\u0173 kalba]: Daugiau apie mokytoja Natalia Vik: http:\/\/gagapeople.com\/english\/team\/teachers\/natalia-vik\/<\/a><\/p>\n \u201cGaga challenges multi-layer tasks. We are aware of the connection between effort and pleasure, we are aware of the distance between our body parts, we are aware of the friction between flesh and bones, we sense the weight of our body parts, yet, our form is not shaped by gravity\u2026 We are aware of where we hold unnecessary tension, we let go only to bring life and efficient movement to where we let go\u2026 We are turning on the volume of listening to our body, we appreciate small gestures, we are measuring and playing with the texture of our flesh and skin, we might be silly, we can laugh at ourselves. We connect to the sense of \u201cplenty of time,\u201d especially when we move fast, we learn to love our sweat, we discover our passion to move and connect it to the effort, we discover both the animal we are and the power of our imagination. We are \u201cbodybuilders with a soft spine.\u201d https:\/\/www.youtube.com\/watch?v=Exo-5V04vjU<\/a> LOW AIR.<\/strong><\/p>\n LOW AIR reik\u0161m\u0119 galima rasti ka\u017ekur tarp nuolatinio paradokso (tarsi oras b\u016bt\u0173 \u017eemas) ir nuolatinio tro\u0161kulio patirti ir suprasti realyb\u0119 (tarsi oro b\u016bt\u0173 ma\u017ea). Pirmasis atspirties ta\u0161kas mus ver\u010dia i\u0161gyventi neatitikimus, kvestionuoti normas ir m\u0105stymo b\u016bdus; antrasis \u2013 visuomet jausti k\u016brybin\u012f tro\u0161kul\u012f, atsiduoti paie\u0161koms ir tuo pa\u010diu suprasti, kad esame tik laimingos am\u017eino k\u016brybinio ie\u0161kojimo dalel\u0117s.<\/p>\n Workshops led by Low Air designed to practice on the different ways of gaining flow. The flow that comes from urban styles based dance techniques and flow which can be found learning contemporary techniques. Creative exercises and tasks help to develop own personal movement, practice interesting breaking transitions and intelligent house and jazz footwork. The conceptual way of thinking leads us to the new forms of dance.<\/p>\n Low Air vedami seminarai pasi\u017eymi asmeninio jud\u0117jimo ir skirtingo \u201eflow\u201c praktikavimo b\u016bdais. \u201eFlow\u201c kylantis i\u0161 urbanistinio \u0161okio ir jud\u0117jimo technik\u0173, kuriuos jungiant su \u0161iuolaikinio \u0161okio jud\u0117jimo praktikomis kuriamas savitas \u201egatv\u0117s\u201c \u0161okio prieskonio turintis jud\u0117jimas. K\u016brybiniai pratimai ir \u201egatv\u0117s\u201c \u0161okio technik\u0173 u\u017eduotys padeda pl\u0117toti savit\u0105 jud\u0117jim\u0105, o praktikuojant nestandartinius Breiko \u0161okio \u017eem\u0117s jungimus bei House ir D\u017eiazo \u0161oki\u0173 \u201efootwork\u201c \u0161ok\u0117jai juda link konceptualaus m\u0105stymo nauj\u0173 \u0161okio form\u0173 atradimo.<\/p>\n \u0160i\u0173 met\u0173 \u017eiemos \u0161okio stovyklai Kolonija Airida ir Laurynas suburia savo k\u016brybiniu stiliumi i\u0161siskirian\u010di\u0173 Lietuvi\u0173 \u0161ok\u0117j\u0173 komand\u0105, kurie visos savait\u0117s metu dalyvius k\u016brybi\u0161kai lyd\u0117s kiekvien\u0105 dien\u0105:
\n– Intensyv\u016bs \u0161okio seminarai vis\u0105 savait\u0119 su scenos meno profesionalais i\u0161 u\u017esienio ir Lietuvos;
\n– Gaga ir Play-Fight treniruo\u010di\u0173 metodikos, \u0161iuolaikinio bei urbanistinio \u0161oki\u0173 u\u017esi\u0117mimai;
\n– Galimyb\u0117 atvykti visai savaitei arba ilgam savaitgaliui (ketvirtadienis-sekmadienis);
\n– Gyvenimas tik apie \u0161ok\u012f. Atskirti nuo civilizacijos, susikoncentruosime tam, kad nugl\u016bdintume savo \u0161ok\u012f, leistum\u0117s \u012f k\u016brybinius ie\u0161kojimus ir suformuotume naujus ry\u0161ius su bendramin\u010diais;
\n– \u0160okio film\u0173 per\u017ei\u016bros ir diskusijos.<\/p>\n
\n– PLAY-FIGHT su Bruno Caverna
\n– IDF | Illusionary Dance Forms su Patrick Williams \/ Twoface
\n– GAGA su Natalia Vik
\n– LOW AIR<\/p>\n
\nPlay-Fight praktika – tai jud\u0117jimo praktika su partneriu, paremta poliari\u0161kumu. Per Play-Fight u\u017esi\u0117mimus praktikuojantys individai vienu metu ir konfrontuoja, ir bendradarbiauja su partneriu per judes\u012f. Konfrontuojanti praktikos pus\u0117 leid\u017eia atrasti vienas kito silpnas vietas ir paprastai nepastebimas ir nes\u0105moningas vidines \u012ftampas. Bendradarbiavimo praktikos pus\u0117 leid\u017eia nagrin\u0117ti ir pabr\u0117\u017eia individo vientisum\u0105.<\/p>\n
\nhttp:\/\/play-fight.com\/about<\/a>
\nhttps:\/\/www.youtube.com\/watch?v=OIDltTrK8oE<\/a> https:\/\/www.youtube.com\/watch?v=Cptw3KHmgFM<\/a><\/p>\n
\nPer pastaruosius kelerius metus jis ir jo \u0161okio partneris ROBOZEE pl\u0117toja nauj\u0105 judesio koncepcij\u0105, kuri s\u0117kmingai pritaikoma gatv\u0117s, \u0161iuolaikinio ar teatro atlik\u0117jams – IDF \/ Illusionary dance Forms.<\/p>\n
\n– Geometrin\u0117s formos ir form\u0173 keitimas;
\n– Liquid motion;
\n– Charakterio ir individualumo dizainas;
\n– Vaizduot\u0117s ir iliuzijos \u012frankiai bei j\u0173 pritaikymas jud\u0117jimui;
\n– Kompozicija laike ir laiko kontrol\u0117.<\/p>\n
\n– 2017 m. \u201eSATYAGRAHA\u201c Operos produkcija Bazelyje ir Berlyne su Eastman kompanija.
\n– 2016 m. \u201eICON\u201c teatro produkcija su Geteborgo operos \u0161okio kompanija \u201eGothenburg opera Danskompan\u201c ir Eastman kompanija.
\n– 2015 \u201eLES INDIES GALANTES\u201c Operos produkcija Miunchene su Eastman kompanija.
\n– 2014 m. \u201eFRACTUS V\u201c teatro produkcija Antverpene su Eastman kompanija.<\/p>\n
\n– https:\/\/youtu.be\/l3mbUkh33xQ?t=36<\/a>
\n– https:\/\/youtu.be\/224o6JkhEF4?t=30<\/a><\/p>\n
\nGaga is a movement language which Ohad Naharin developed over the course of many years and which is applied in daily practice and exercises by the Batsheva Dance Company members. The Gaga\/people track was developed for everyone and at every age, and it is studied by an increasing number of people at the Suzanne Dellal Centre, in Jerusalem, and in other locations in Israel, New York, San Francisco, London, Belgium, and around the world.<\/p>\n
\nWe learn to appreciate understatement and exaggeration, we become more delicate and we recognize the importance of the flow of energy and information through our body in all directions. We learn to apply our force in an efficient way and we learn to use \u201cother\u201d forces.
\nWe discover the advantage of soft flesh and sensitive hands, we learn to connect to groove even when there is no music.
\nWe are aware of people in the room and we realize that we are not in the centre of it all. We become more aware of our form since we never look at ourselves in a mirror; there are no mirrors. We connect to the sense of the endlessness of possibilities. Yielding is constant while we are ready to snap\u2026
\nWe explore multi-dimensional movement, we enjoy the burning sensation in our muscles, we are aware of our explosive power and sometimes we use it. We change our movement habits by finding new ones, we can be calm and alert at once.
\nWe become available\u201c<\/p>\n
\nhttps:\/\/www.youtube.com\/watch?v=3_ZB-_tcWdk<\/a>
\nhttps:\/\/www.youtube.com\/watch?v=OGPG1QL1vJc<\/a><\/p>\n
\n– Brigida Gruodyt\u0117
\n– Agniet\u0117 Lisi\u010dkinait\u0117
\n– Sigita Jura\u0161kait\u0117
\n– Eivinas Dziena
\n– Marius Eidrigevi\u010dius
\n– Ana Umnova,
\nkiekvienas i\u0161 j\u0173 yra Low Air Vilniaus miesto \u0161okio teatro \u0161okio mokyklos mokytoj\u0173, kurie savo seminar\u0173 metu gilinasi \u012f urbanistinio (Hip-hop, Popping, Breaking, House, Waacking), d\u017eiazo ir \u0161iuolaikinio \u0161okio technikas.<\/p>\n