{"id":375,"date":"2018-03-26T19:09:20","date_gmt":"2018-03-26T16:09:20","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=375"},"modified":"2018-04-05T15:09:34","modified_gmt":"2018-04-05T12:09:34","slug":"santykiu-vystymas-vangelio-legakio-choreografijoje","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2018\/03\/26\/santykiu-vystymas-vangelio-legakio-choreografijoje\/","title":{"rendered":"Santyki\u0173 vystymas Vangelio Legakio choreografijoje"},"content":{"rendered":"<p>Teksto autor\u0117: Agota Bri\u010dkut\u0117<br \/>\nNuotrauk\u0173 autorius: Mi\u0161ko archyvas<\/p>\n<p><em>Laikini \u0161e\u0161\u0117liai&#8230; u\u017eslinkus tamsai, ji netrukus pasitrauks, i\u0161sisklaidys. Kaip i\u0161sisklaido debesys vir\u0161um galvos po audros&#8230;<br \/>\nLaikini \u0161e\u0161\u0117liai&#8230; \u0161m\u0117steli \u017emon\u0117s m\u016bs\u0173 gyvenimuose ir dingsta, vos ap\u010diuopiami, nesugaunami, trumpam u\u017esuk\u0119 mus aplankyti&#8230;<br \/>\nLaikini \u0161e\u0161\u0117liai&#8230; \u0161ok\u0117jai skriejantys scenoje, m\u016bs\u0173 sielos ir proto atspind\u017eiai, dirginantys giliausius poj\u016b\u010dius, sugaunantys sielos vibracijas&#8230;<\/em><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-376\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/3-710x473.jpg\" alt=\"\" width=\"710\" height=\"473\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/3-710x473.jpg 710w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/3-560x373.jpg 560w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/3-768x512.jpg 768w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/3.jpg 960w\" sizes=\"(max-width: 710px) 100vw, 710px\" \/><\/p>\n<p>2018 met\u0173 vasario 25 dien\u0105, 18 val. Vytauto Did\u017eiojo universiteto Did\u017eiojoje sal\u0117je (S. Daukanto g. 28) i\u0161vydome trap\u0173, jautr\u0173, bet sykiu itin auk\u0161to meistri\u0161kumo kupin\u0105 Kauno \u0161okio teatro \u201eAura\u201c premjerin\u012f pasirodym\u0105 \u201eLaikini \u0161e\u0161\u0117liai\u201c. Graik\u0173 choreografas Vangelis Legakis scenoje pademonstravo \u0161iuolaikinio \u0161okio praktik\u0173 bei Ryt\u0173 kult\u016bros i\u0161minties jungt\u012f. \u0160okio spektaklis tapo nuoroda \u012f \u017emogaus b\u016bties laikinum\u0105, nuolatin\u012f susid\u016brim\u0105 su kintan\u010diomis gyvenimo aplinkyb\u0117mis. Judesi\u0173 kalba \u0161ok\u0117jai atskleid\u0117 gil\u0173, betarpi\u0161k\u0105 santyk\u012f su savimi ir i\u0161ore.<\/p>\n<p><strong>Santykis<\/strong><\/p>\n<p>\u0160okio spektaklis giliai i\u0161jaustas, i\u0161gyventas, prisodrintas choreografo gyvenimo asmeni\u0161kum\u0173, i\u0161pa\u017ein\u010di\u0173. Lietuvi\u0161kas spektaklio teksto vertimas leido pajusti k\u016br\u0117jo pasaulio suvokim\u0105, vidin\u012f atskirties jausm\u0105, sumi\u0161im\u0105 \u2013 \u201e&#8230;jau\u010diausi nuo ka\u017eko atskirtas\u201c; \u201eAr a\u0161 atleidau sau?\u201c; \u201e&#8230;a\u0161 nepra\u0161iau b\u016bti pagimdytas\u201c; \u201eBuvau jaunas ir nebrandus. \u012etrauktas santyki\u0173, su kuriais negal\u0117jau susitvarkyti\u201c. B\u016btent santykio tema yra vienas esmini\u0173 \u0161io spektaklio bruo\u017e\u0173.<br \/>\nSantykis \u0161okyje n\u0117ra pateikiamas kaip butaforin\u0117 id\u0117ja, s\u0105voka, bet kaip realus, gyvas veiksmas tarp \u0161ok\u0117j\u0173, kur\u012f matome prie\u0161 savo akis. V. Legakis pasitelkia choreografo Davido Zambrano i\u0161rastas bei i\u0161vystytas \u0161okio technikas \u2013 \u201eFlying Low\u201c ir \u201ePassing Through\u201c. \u201eFlying Low\u201c \u0161okio technika pasirei\u0161kia itin greitais, plasti\u0161kais judesiais, kuomet tarsi balansuojama tarp \u017eem\u0117s ir dangaus. \u0160ok\u0117jai i\u0161laisvina vidin\u0119 energij\u0105, aktyvuoja k\u016bno centr\u0105 ir sugeba atlikti itin i\u0161rai\u0161kingus, ekspresyvius, daug fizin\u0117s i\u0161tverm\u0117s reikalaujan\u010dius judesius. Pastaroji technika vysto, atskleid\u017eia santyk\u012f tarp \u017emogaus k\u016bno ir \u017eem\u0117s, ant kurios atliekami judesiai. Sukimasis apie savo a\u0161\u012f leid\u017eia \u0161ok\u0117jui pajusti save ir pamatyti i\u0161 vis\u0173 pusi\u0173 supan\u010di\u0105 aplink\u0105, s\u0105veikauti su ja. Tuo tarpu \u201ePassing Through\u201c \u0161okio technika vysto santyk\u012f tarp \u0161ok\u0117j\u0173. \u201eLaikinuose \u0161e\u0161\u0117liuose\u201c \u0161ok\u0117jai daug improvizuoja, ypa\u010d grup\u0117se, b\u016bdami kontakte. Kontaktin\u0117 improvizacija leid\u017eia pasitik\u0117ti vienas kitu, keistis rol\u0117mis \u2013 b\u016bti vedan\u010diuoju ir tuo, kuris seka. Judesi\u0173 laisvumas derinamas su proto lankstumu, koncentracija, geb\u0117jimu greitai priimti sprendimus \u2013 kur kok\u012f \u017eingsn\u012f d\u0117lioti. Glaud\u017eiai s\u0105veikaujantys k\u016bnai yra ne kli\u016btys vienas kitam, o pagalbininkai, s\u0105jungininkai. Tai sukuria \u0161ok\u0117j\u0173 lyg vieningos judan\u010dios, besivystan\u010dios strukt\u016bros \u012fsp\u016bd\u012f. \u201eAuros\u201c trup\u0117 veikia kaip vienas protas, lyg vienas darnus k\u016bnas, s\u0105veikaujantis su i\u0161ore, ir s\u0105moningas jos at\u017evilgiu.<\/p>\n<p><img loading=\"lazy\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/2-710x473.jpg\" alt=\"\" width=\"710\" height=\"473\" class=\"alignnone size-medium wp-image-377\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/2-710x473.jpg 710w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/2-560x373.jpg 560w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/2-768x512.jpg 768w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/2.jpg 960w\" sizes=\"(max-width: 710px) 100vw, 710px\" \/><\/p>\n<p><strong>Savirealizacija<\/strong><\/p>\n<p>\u0160okis turi vedant\u012fj\u012f, kuris lyg dramaturginiame veikale suteikia veiksmui \u017eodin\u012f pavidal\u0105, komentuoja scenoje matomus judesi\u0173 junginius. Pasakotojas, gyvai \u012fsitrauk\u0119s \u012f veiksm\u0105, aktyviai gestikuliuoja, i\u0161gyvena tekst\u0105 kartu su aplink judan\u010diais \u0161ok\u0117jais. Min\u010di\u0173 srauto b\u016bdu besiliejan\u010dios mintys atvirai palie\u010dia itin jautrias bendra\u017emogi\u0161kas temas \u2013 meil\u0119, vieni\u0161um\u0105, atleidim\u0105, pykt\u012f, savimeil\u0119, brand\u0105, santyki\u0173 trapum\u0105, sud\u0117tingum\u0105, savirealizacij\u0105.<br \/>\nSavirealizacijos tema dar viena svarbi \u0161okio spektaklio sud\u0117tin\u0117 dalis. Choreografas V. Legakis pasitelkia analitin\u0117s psichologijos k\u016br\u0117jo Karlo Gustavo Jungo (1875 \u2013 1961) s\u0105vok\u0105 \u201eindividuation\u201c. Pastaroji rei\u0161kia dvasin\u012f, psichologin\u012f augim\u0105, atsiskyrim\u0105 nuo aplinkos, kolektyvin\u0117s pas\u0105mon\u0117s. Tai individualumo vystymas, kuomet \u017emogus suvienija savo k\u016bn\u0105, prot\u0105 bei dvasi\u0105 suprasdamas j\u0173 tarpusavio priklausomyb\u0119. Tai lyg gr\u012f\u017eimas \u012f sav\u0105j\u012f \u201eA\u0161\u201c. Tokiu b\u016bdu choreografas taip pat kalba apie santyk\u012f, tik \u0161\u012fkart santyk\u012f su savimi. \u0160okyje pastarosios id\u0117jos atsiskleid\u017eia per solo partijas, kuomet \u0161ok\u0117jai, regis, i\u0161gyvena vidin\u0119 kov\u0105 \u2013 konvulsi\u0161ki kupini j\u0117gos ir grei\u010dio judesiai, sklendimas ore, vikr\u016bs sukiniai. Prie\u0161 akis atsiveria \u017emogus su apnuogintu vidiniu pasauliu, \u012fgalin\u0119s vis\u0105 k\u016bn\u0105 bei prot\u0105, draskomas vidini\u0173 prie\u0161taravim\u0173.<\/p>\n<p><img loading=\"lazy\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/1-710x473.jpg\" alt=\"\" width=\"710\" height=\"473\" class=\"alignnone size-medium wp-image-378\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/1-710x473.jpg 710w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/1-560x373.jpg 560w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/1-768x512.jpg 768w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/1.jpg 960w\" sizes=\"(max-width: 710px) 100vw, 710px\" \/><\/p>\n<p><strong>Ryt\u0173 i\u0161minties integracija<\/strong><\/p>\n<p>Laisva, dinami\u0161ka, gyva judesi\u0173 plastika persipina ir su Ryt\u0173 kult\u016bros praktikomis. Choreografas V. Legakis, baig\u0119s budizmo studij\u0173 magistro laipsn\u012f, aktyviai besidomintis Ryt\u0173 kult\u016bromis, jos dvasin\u0117mis praktikomis, \u201eLaikinuose \u0161e\u0161\u0117liuose\u201c integravo \u012fgytas \u017einias. \u0160okyje pasitelkiamas \u201eChi Gong\u201c (\u010cigongas) \u2013 senov\u0117s kin\u0173 sveikatingumo ir savireguliacjos metod\u0173 sistema. Jos d\u0117ka \u0161ok\u0117jai, \u012fgij\u0119 vidin\u0119 pusiausvyr\u0105, s\u0105moningum\u0105, geba vystyti ir valdyti vidin\u0119 energij\u0105. \u017dvelgiant \u012f judan\u010dius \u0161ok\u0117jus, apima neapsakomas dvelkian\u010dio gyvybingumo jausmas, ver\u017elumas, rodos, k\u016bnas i\u0161sineria i\u0161 apribot\u0173 fizini\u0173 r\u0117m\u0173 ir \u012fgyja magi\u0161kos energijos, sud\u0117tingi, itin auk\u0161to profesionalumo reikalaujantys judesiai atrodo tokie lengvi ir grak\u0161t\u016bs.<br \/>\nApie Ryt\u0173 kult\u016bros integracij\u0105 \u0161okyje byloja ir meditacin\u0117s muzikos garsai (muzik\u0105 k\u016br\u0117 \u017eymus kompozitorius Antanas Jasenka). Pastarasis muzikinis fonas darniai s\u0105veikauja su choreografija, papildo j\u0105 mistikos \u012fsp\u016bd\u017eiu, suteikia k\u016briniui \u012ftaigumo ir gelm\u0117s. Ryt\u0173 dvasios pasirei\u0161kim\u0105 lemia ir s\u0105moningas, gilus \u0161ok\u0117j\u0173 kv\u0117pavimas, tiksl\u016bs sinchroni\u0161ki judesiai, menantys kovos menus.<\/p>\n<p><img loading=\"lazy\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/4-710x473.jpg\" alt=\"\" width=\"710\" height=\"473\" class=\"alignnone size-medium wp-image-379\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/4-710x473.jpg 710w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/4-560x373.jpg 560w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/4-768x512.jpg 768w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/4.jpg 960w\" sizes=\"(max-width: 710px) 100vw, 710px\" \/><\/p>\n<p><strong>Biografi\u0161kumo aspektas<\/strong><\/p>\n<p>Graik\u0173 choreografas V. Legakis savo k\u016bryboje \u012fpina daug asmenini\u0173 patir\u010di\u0173. \u201eLaikini \u0161e\u0161\u0117liai\u201c yra autobiografinis k\u016brinys, persmelktas asmenin\u0117s choreografo pozicijos, min\u010di\u0173, po\u017ei\u016brio. V. Legakis ne kart\u0105 interviu u\u017esimin\u0117 apie tai, kad \u0161okis jam yra pagalbin\u0117 priemon\u0117 atskleisti santykius tarp \u017emoni\u0173. Ne veltui k\u016br\u0117jas naudoja \u201ePassing Through\u201c ir \u201eFlying Low\u201c technikas, kur vystomas betarpi\u0161kas, pasitik\u0117jimo reikalaujantis santykis tarp \u0161ok\u0117j\u0173. \u0160okis \u2013 tai procesas, nenutr\u016bkstantis ry\u0161i\u0173 k\u016brimas su aplinkiniais ir aplinka, visai kaip gyvenimas. \u0160okis pateikia galimybes ir \u0161ok\u0117jas gali rinktis, kuriuo keliu eiti ir kokias pasekmes patirti. \u0160okis \u2013 kaip gyvenimas, s\u0105moningi ir nes\u0105moningi pasirinkimai, klaidos, pamokos, i\u0161\u0161\u016bkiai&#8230;<\/p>\n<p><img loading=\"lazy\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/5-710x473.jpg\" alt=\"\" width=\"710\" height=\"473\" class=\"alignnone size-medium wp-image-380\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/5-710x473.jpg 710w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/5-560x373.jpg 560w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/5-768x512.jpg 768w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/5.jpg 960w\" sizes=\"(max-width: 710px) 100vw, 710px\" \/><\/p>\n<p>Gyvas, dinami\u0161kas, dramaturgi\u0161kas \u0161okio spektaklis pademonstravo santyk\u012f \u2013 destruktyv\u0173 ir gydant\u012f. \u201eAuros\u201c \u0161ok\u0117jai glaud\u017eiai s\u0105veikavo vienas su kitu, kolektyvin\u0117 improvizacija leido pamatyti, kaip \u0161alia esantis \u017emogus sykiu gali b\u016bti ir kli\u016btis, ir savirealizacijos erdv\u0117. \u0160vies\u0173 dailininkas Vladimiras \u0160erstabojevas prisid\u0117jo prie meditatyvaus, misti\u0161ko \u012fsp\u016bd\u017eio k\u016brimo, \u0161viesos scenoje tiksliai pabr\u0117\u017e\u0117 veiksmo centr\u0105, koncentravo \u017evilgsn\u012f \u012f \u0161ok\u0117j\u0173 solo partijas. \u0160ok\u0117j\u0173 judesi\u0173 atlikimo technika \u2013 auk\u0161\u010diausio lygio, precizi\u0161kumas ir tuo pat metu lengvumo \u012fsp\u016bdis primin\u0117 balet\u0105. \u0160okio spektaklis d\u017eiugino tiek id\u0117jine prasme, nepriekai\u0161tingu turinio atskleidimu, tiek forma \u2013 profesionaliu atlikimu, pla\u010dia judesi\u0173 amplitude, veik\u0117j\u0173 \u012fvairiapusi\u0161kumu, \u012ftaiga.<\/p>\n<p>\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n<p><img loading=\"lazy\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/03\/srtrf_490x277_23_490x277.jpg\" alt=\"\" width=\"490\" height=\"277\" class=\"alignnone size-full wp-image-381\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Teksto autor\u0117: Agota Bri\u010dkut\u0117 Nuotrauk\u0173 autorius: Mi\u0161ko archyvas Laikini \u0161e\u0161\u0117liai&#8230; u\u017eslinkus tamsai, ji netrukus pasitrauks, i\u0161sisklaidys. Kaip i\u0161sisklaido debesys vir\u0161um &#8230;<\/p>\n","protected":false},"author":2,"featured_media":376,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[33],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Santyki\u0173 vystymas Vangelio Legakio choreografijoje - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2018\/03\/26\/santykiu-vystymas-vangelio-legakio-choreografijoje\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Santyki\u0173 vystymas Vangelio Legakio choreografijoje - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Teksto autor\u0117: Agota Bri\u010dkut\u0117 Nuotrauk\u0173 autorius: Mi\u0161ko archyvas Laikini \u0161e\u0161\u0117liai&#8230; u\u017eslinkus tamsai, ji netrukus pasitrauks, i\u0161sisklaidys. 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