{"id":3905,"date":"2019-02-25T15:04:06","date_gmt":"2019-02-25T13:04:06","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=3905"},"modified":"2021-01-27T14:05:15","modified_gmt":"2021-01-27T12:05:15","slug":"sokio-vakaras-3-in-1-laikas-kunas-ir-sielos-nesekme","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/02\/25\/sokio-vakaras-3-in-1-laikas-kunas-ir-sielos-nesekme\/","title":{"rendered":"\u0160okio vakaras \u201e3 in 1\u201c: laikas, k\u016bnas ir sielos (ne)s\u0117km\u0117"},"content":{"rendered":"

Kauno miesto kameriniame teatre startavo rubrika \u201eneformatas\u201c, kurioje pristatomi \u012f tradicinius scenos meno r\u0117mus ne\u012ftelpantys k\u016briniai. Tarp j\u0173 \u2013 ir \u0161iuolaikinio \u0161okio spektakliai. Vasario 6-osios vakare \u201e3 in 1\u201c buvo galima i\u0161vysti \u0161ok\u0117jo Pauliaus Prievelio choreografin\u012f debiut\u0105 ir kitus bendrus lietuvi\u0173 ir u\u017esienio meninink\u0173 k\u016brybinius darbus. Steb\u0117dama juos dar syk\u012f \u012fsitikinau, koks svarbus \u0161iuolaikiniame mene yra \u017ei\u016brovo vaidmuo.<\/p>\n

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(c) Karolina Latvyt\u0117-Bibiano<\/span><\/em><\/p>\n

Pirmieji scenoje pasirod\u0117 audio-vizualinio performanso \u201eTvenkti\u201c atlik\u0117jai: \u0161iuo metu Kaune gyvenantis i\u0161 Meksikos kil\u0119s \u0161ok\u0117jas Adrianas Carlo Bibiano ir pasirodyme gyvai dainavusi Klaip\u0117doje aktoryst\u0117s men\u0105 studijuojanti Veronika Tarasevi\u010di\u016bt\u0117. Ne ma\u017eiau nei \u0161okis \u010dia svarbios A. C. Bibiano ir Karolinos Latvyt\u0117s-Bibiano kurtos vaizdo projekcijos, drauge su judesiu ir muzikine improvizacija leidusios pamatyti akimis neregim\u0105 bambagysl\u0119, mus maitinan\u010di\u0105 ir jungian\u010di\u0105 su pra\u0117jusiu laiku, su pirmine prie\u017eastimi, su \u0161iandien kruop\u0161\u010diai maskuojama \u017emogaus prigimtimi.<\/p>\n

Prisipa\u017einsiu, kad apie \u0161\u012f pasirodym\u0105 nesubjektyviai kalb\u0117ti negaliu. U\u017ehipnotizavo jis nuo pirm\u0173 sekund\u017ei\u0173. Tok\u012f poveik\u012f \u010dia stipriai lemia dominuojanti lietuvi\u0161ko folkloro dvasia, neatsiejama nuo m\u016bs\u0173 gamtos magi\u0161ko pasaulio, stipriai juntamo nuo ma\u017e\u0173 dien\u0173: vasaros atostog\u0173 pas senelius kaime, s\u016bpyn\u0117se, v\u0117jo \u017eaismo med\u017ei\u0173 \u0161akose steb\u0117jimo gulint sodo pav\u0117syje, melancholi\u0161kos vidurvasario popiet\u0117s pievoje ir t.t. \u201eTvenkti\u201c tapo labai artimu poj\u016b\u010diu.<\/p>\n

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(c) Tarptautinio \u0161iuolaikinio meno festivalio START|AS archyvas<\/em><\/p>\n

Performanse \u0161i\u0173 dien\u0173 \u017emogaus tapatyb\u0117 tyrin\u0117jama ne \u0161iuolaikinio dinami\u0161ko pasaulio fone, kaip kad yra \u012fprasta \u0161iuolaikiniame \u0161okyje, o prie\u0161ingai \u2013 l\u0117tame gamtos laiko re\u017eime. Vaizdo projekcijoje nat\u016bralisti\u0161kas lietuvi\u0161kas gamtovaizdis jungiasi su abstrak\u010diais gamtos objekt\u0173 \u012fvaizd\u017eiais. Paprasta vasaros kasdienyb\u0117s panorama tampa ka\u017ekuo didingu ir pirmaprad\u017eiu. \u017dali\u0173 med\u017ei\u0173 \u0161ak\u0173 si\u016bbavimas atrodo lyg i\u0161min\u010di\u0173 kalba. Pirmame plane \u0161liau\u017eiantis \u0161liu\u017eas \u2013 kaip harmonijos ir vidin\u0117s ramyb\u0117s aprai\u0161ka, tolumoje per keli\u0105 perb\u0117gantis ma\u017eytis vabal\u0117lis \u2013 kaip atsitiktinumas, taip da\u017enai pasitaikantis ir \u017emogaus gyvenimo kelion\u0117je.<\/p>\n

Greta \u012fvairius \u0161okio stilius apjungian\u010dio A. C. Bibiano k\u016bnas i\u0161tirpsta gamtos fone, susilieja su ja, leisdamas kartu ir \u017ei\u016brovams pajusti b\u016bties pilnatv\u0119. Spektaklis primena tai, kad norime to ar ne, \u017emogus i\u0161gyvena tuos pa\u010dius virsmus kaip ir organinis pasaulis. B\u016btent \u0161okis leid\u017eia tiksliausiai identifikuoti santyk\u012f tarp gamtos ir \u017emogaus, tarp pra\u0117jusio laiko ir dabarties momento. Nebejau\u010diant joki\u0173 emocij\u0173, atklydusi\u0173 i\u0161 laikinumo aprai\u0161k\u0173, nes \u010dia tokios s\u0105vokos tiesiog neb\u0117ra. Ir visai lengvai pradedi gird\u0117ti, k\u0105 tau pasakoja med\u017ei\u0173 lap\u0173 trapumas, saul\u0117s spinduli\u0173 \u0161e\u0161\u0117liai, v\u0117jo greitis, saman\u0173 dr\u0117gnas mink\u0161tumas ar akmens tyla. Ai\u0161kiai jauti, kad pirmin\u0117 ir universali kalba visatoje yra \u0161okis.<\/p>\n

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(c) Tarptautinio \u0161iuolaikinio meno festivalio START|AS archyvas<\/em><\/p>\n

Spektaklis itin taikliai, kartu subtiliai esteti\u0161kai perteik\u0117 t\u0105 nuo vaikyst\u0117s jau\u010diam\u0105 poj\u016bt\u012f stebint gamt\u0105, prot\u0117vi\u0173 pagarb\u0105 ir meil\u0119 jai. Bet tai n\u0117ra archaji\u0161kas i\u0161gyvenimas, i\u0161skirtinai m\u016bs\u0173 seneli\u0173 ir proseneli\u0173 tikrov\u0117. Tai yra ir \u0161iandien po pasaul\u012f keliaujan\u010dio, kit\u0173 \u0161ali\u0173 kra\u0161tovaizd\u017eius taip pat pamilusio (jaunojo) lietuvio identiteto dalis.<\/p>\n

Po originalaus, stipriai sujaudinusio \u201eTvenkti\u201c pasaulio teko greitai per\u0161okti \u012f kito dueto pasirodymo erdv\u0117laik\u012f. Tiksliau i\u0161trauk\u0105 i\u0161 Emos Senkuvien\u0117s ir Blake\u2019o Seidelio (JAV) \u201eAuroje\u201c kurto spektaklio \u201eX ir ateities X\u201c. Du \u0161ok\u0117jai ir choreografai tyrin\u0117ja \u0161iuolaikinio \u017emogaus tikrum\u0105. Tai, kaip veikia \u017emogaus \u017emogi\u0161kumas \u0161iandien ir kaip tai lemia ateit\u012f. Scenoje n\u0117ra nieko daugiau, i\u0161skyrus \u0161ok\u0117jus, j\u0173 k\u016bnus, vilkin\u010dius \u0161iandien bet kuriame prekybos centre galimus nusipirkti drabu\u017eius ir \u0161ok\u0117j\u0173 kuriamus persona\u017eus. Minimalistinis reginys ir tokia pat elektronin\u0117 \u201eCoH\u201c muzika leid\u017eia i\u0161imtinai susikoncentruoti ties \u017emogi\u0161k\u0173 jausm\u0173 problematika spar\u010diai tobul\u0117jan\u010diame (ar mums tik taip atrodan\u010diame) pasaulyje.<\/p>\n

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(c) Karolina Latvyt\u0117-Bibiano<\/span><\/em><\/p>\n

Siekis i\u0161rasti vis ka\u017ek\u0105 naujo ir tobulesnio yra nepasotinamas \u017emonijos tro\u0161kimas. Puikyb\u0117 ir tas keistas noras kuo labiau nutolti nuo savo \u017eemi\u0161kos prigimties mus veda \u012f virtualaus pasaulio karalyst\u0119, kuri greitu metu tiek i\u0161sipl\u0117s, kad negailestingai sunaikins visk\u0105, kas yra bent kiek susij\u0119 su tikrumu. Tarsi tai nori pasakyti \u0161is \u0161okis. Tai, kad laikui b\u0117gant mes nebemok\u0117sime ne tik gyvai i\u0161tarti \u017eod\u017eio \u201emyliu\u201c, bet ir i\u0161 ties\u0173 patirti \u0161\u012f jausm\u0105. E. Senkuvien\u0117s ir B. Seidelio realisti\u0161kai futuristinis \u0161okis i\u0161rei\u0161kia dabartinio ir b\u016bsimo \u017emogaus vidin\u012f chaos\u0105, nuolatin\u012f nepasitenkinim\u0105 savo k\u016bnu ir jausmais, negeb\u0117jim\u0105 tikrojo sav\u0119s atskirti nuo socialin\u0117se medijose kuriamo \u012fvaizd\u017eio. Ko gero, baigties scenarijus tik vienas \u2013 be reali\u0173 jausm\u0173, ypa\u010d be meil\u0117s, \u017emonijos laukia tik susinaikinimas.<\/p>\n

\u201eX ir ateities X\u201c \u2013 tarsi persp\u0117jimas. Liautis apsimetin\u0117ti. Jauti, kad \u0161ok\u0117jai siekia atspind\u0117ti tavo, s\u0117din\u010dio tamsoje, pasaul\u0117jaut\u0105 ir dabartinius vyro ir moters tarpusavio santykius kaip nesibaigian\u010di\u0105 kov\u0105. Ne vis\u0105 ties\u0105 norisi pripa\u017einti, viduje imi prie\u0161tarauti, tarsi kartu grumtis su savimi, kaip kad scenoje grumiasi ir \u0161ok\u0117jai. Tarp kuriam\u0173 persona\u017e\u0173, \u017ei\u016brov\u0173 ir, grei\u010diausiai, sav\u0119s pa\u010di\u0173 jie deda lygyb\u0117s \u017eenkl\u0105.<\/p>\n

\"\"<\/p>\n

(c) Karolina Latvyt\u0117-Bibiano<\/span><\/em><\/p>\n

Tai dinami\u0161kas, atviras, aktualus ir \u017eaismingas pasirodymas. Kaip spektaklio i\u0161trauka. Vertinant labiau kaip visum\u0105, jis nepaliko tokio stipraus poveikio kaip kad pirmasis darbas. Fizin\u0117 ekspresija ir judesi\u0173 kompozicijos kelia asociacijas su jau senokai \u0161iuolaikiniame \u0161okio mene egzistuojan\u010dia estetika. Siekiant novatori\u0161kumo ir aktualumo dar reik\u0117t\u0173 padirb\u0117ti su spektaklio forma.<\/p>\n

Vakar\u0105 vainikavo kaunie\u010dio \u0161ok\u0117jo Pauliaus Prievelio spektaklis \u201eNailed it\u201c. Nors jame \u0161oko prie\u0161 tai pasirod\u0119 A. C. Bibiano ir E. Senkuvien\u0117, o choreografas tik steb\u0117jo veiksm\u0105 \u017ei\u016brovo k\u0117d\u0117je, jame gausu \u201eprieveli\u0161kos\u201c dvasios. Tai \u2013 ironija, interaktyvumas, \u017eaism\u0117, teatrali\u0161kumas, sporto sal\u0117s kvapas, atsitiktinumas ir rib\u0173 i\u0161trynimas tarp asmeni\u0161kumo ir vie\u0161umo.<\/p>\n

Kaip ir kituose P. Prievelio darbuose, pagrindinis d\u0117mesio objektas \u2013 konkreti \u0161i\u0173 dien\u0173 jauno \u017emogaus patirtis. \u0160\u012f kart\u0105 tai \u2013 nes\u0117km\u0117. Scenoje viskas vyksta taip, tarsi \u017ei\u016brovai b\u016bt\u0173 tokie pat dalyviai kaip ir \u0161ok\u0117jai. Pastarieji apie s\u0117km\u0119 ir nes\u0117km\u0119 pirmiau kalba i\u0161 savo patirties. Kalba ir tiesiogine prasme, lyg darbuot\u0173si repeticijoje, ir k\u016bno kalba. Linksmai ir rimtai. V\u0117liau tai, kas individualu apsivelka visuotinumo drabu\u017eiais. Superheroj\u0173 ir nevyk\u0117li\u0173.<\/p>\n

\"\"<\/p>\n

(c) Karolina Latvyt\u0117-Bibiano<\/span><\/em><\/p>\n

Tai (auto)ironi\u0161kas, atpalaiduojantis, n\u0117 prie vienos konkre\u010dios reik\u0161m\u0117s nenorintis \u201eprilipti\u201c pastatymas. Ir tai yra pliusas. \u010cia \u012f daug stereotip\u0173 si\u016bloma pa\u017evelgti auk\u0161tyn kojomis, kai tai, kas gali atrodyti s\u0117kminga, i\u0161 ties\u0173 yra visi\u0161kai prie\u0161ingai. Pats kvailiausias poelgis, kaip b\u016bt\u0173 galima pasielgti \u2013 s\u0105moningai bet kokiomis priemon\u0117mis siekti s\u0117km\u0117s. Visi \u0161iandien nori b\u016bti lyderiais, kaip jais tapti prira\u0161yta begal\u0117 knyg\u0173, bet fort\u016bnos rato jie valdyti vis viena negali, net jei nu\u017eudo savo konkurent\u0105. Spektaklis \u0161aiposi i\u0161 susikurtos s\u0117km\u0117s iliuzijos, i\u0161 popkult\u016broje naudojam\u0173 s\u0117km\u0117s \u017eenkl\u0173, kurie savaime kelia \u0161ypsen\u0105. Spektaklis dr\u0105siai atspindi elgsen\u0105, i\u0161provokuot\u0105 jausmo, kai nesiseka; \u0161ia elgsena bjaurim\u0117s, ta\u010diau pripa\u017e\u012fstame, kad taip nutinka i\u0161 tikr\u0173j\u0173. Galime ir nesibjaur\u0117ti, galime garsiai juoktis ar u\u017esimerkti. \u201eNailed it\u201c sukelia \u012fvairias \u017ei\u016brov\u0173 emocines reakcijas ir jos visos yra teisingos.<\/p>\n

\"\"<\/p>\n

\u201e3 in 1\u201c \u0161okio vakaro \u012fsp\u016bd\u017eiai persipyn\u0117, palikdami vientiso spektaklio potyr\u012f, kaip ir byloja pats pavadinimas. Ir jame \u012fsimintiniausias \u2013 \u0161ok\u0117jas Adrianas Carlo Bibiano, u\u017eb\u016br\u0119s savo nesumeluota k\u016bno ir sielos charizma. Paskutiniame pasirodyme jis vilki mar\u0161kin\u0117lius, ant kuri\u0173 u\u017era\u0161yta: \u201eTalent inside\u201c. Ir tai tikra tiesa. Be jokios ironijos.<\/p>\n

Vakarui pasibaigus stovint eil\u0117je prie r\u016bbin\u0117s paslap\u010dia m\u0105stai, su kokiu u\u017era\u0161u mar\u0161kin\u0117lius nor\u0117tum apsivilkti tu pats (juos galima lengvai surasti internetin\u0117se parduotuv\u0117se): \u201eNo talent\u201c, \u201eHidden talent\u201c, \u201eBorn talent\u201c, \u201eHard work beats talent\u201c ar \u201eEgo kills talent\u201c. O gal \u201eWhen talent doesn\u2019t work\u201c?<\/p>\n","protected":false},"excerpt":{"rendered":"

Kauno miesto kameriniame teatre startavo rubrika \u201eneformatas\u201c, kurioje pristatomi \u012f tradicinius scenos meno r\u0117mus ne\u012ftelpantys k\u016briniai. Tarp j\u0173 \u2013 ir …<\/p>\n","protected":false},"author":2,"featured_media":3908,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\n\u0160okio vakaras \u201e3 in 1\u201c: laikas, k\u016bnas ir sielos (ne)s\u0117km\u0117 - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/02\/25\/sokio-vakaras-3-in-1-laikas-kunas-ir-sielos-nesekme\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0160okio vakaras \u201e3 in 1\u201c: laikas, k\u016bnas ir sielos (ne)s\u0117km\u0117 - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Kauno miesto kameriniame teatre startavo rubrika \u201eneformatas\u201c, kurioje pristatomi \u012f tradicinius scenos meno r\u0117mus ne\u012ftelpantys k\u016briniai. 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