{"id":3973,"date":"2019-03-21T14:01:45","date_gmt":"2019-03-21T12:01:45","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=3973"},"modified":"2019-03-21T14:01:45","modified_gmt":"2019-03-21T12:01:45","slug":"choreografes-s-scarlat-scenoje-smelio-piliu-miestas-ir-sokis-apie-destrukcijos-svarba","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/03\/21\/choreografes-s-scarlat-scenoje-smelio-piliu-miestas-ir-sokis-apie-destrukcijos-svarba\/","title":{"rendered":"Choreograf\u0117s S.Scarlat scenoje \u2013 sm\u0117lio pili\u0173 miestas ir \u0161okis apie destrukcijos svarb\u0105"},"content":{"rendered":"

Psichologijos studijos Briuselyje, darbas psichoterapijos kabinete, vadovavimas jaun\u0173j\u0173 scenos meninink\u0173 organizacijai, \u0161okio spektakli\u0173 k\u016brimas ir atlikimas \u2013 tikriausiai retai gal\u0117tume visa tai i\u0161vysti vieno \u017emogaus biografijoje. Ta\u010diau b\u016btent taip atrodo \u012f \u201eNauj\u0105j\u012f Baltijos \u0161ok\u012f\u201c \u0161iemet atvykstan\u010dios Sabinos Scarlat gyvenimo apra\u0161ymas. Gegu\u017e\u0117s 4 d. choreograf\u0117 Vilniuje pristatys \u0161okio spektakl\u012f \u201eUniforma\u201c.<\/span><\/em><\/p>\n

Scenoje, kuri virsta \u012fsp\u016bdingu sm\u0117lio pili\u0173 miestu, S. Scarlat \u0161oka drauge su Irene Russolillo. \u0160is spektaklis yra pirmoji k\u016br\u0117jos asmenin\u0117 choreografija, kalbanti apie nei\u0161vengiam\u0105 k\u016brimo ir naikinimo cikl\u0105 bei beprasmius \u017emonijos tro\u0161kimus. Apie \u201eUniform\u0105\u201c ir svarbius gyvenimo pos\u016bkius \u2013 pokalbyje su S. Scarlat.<\/span><\/em><\/p>\n

\"\"<\/p>\n

Hichemo Daheso nuotrauka<\/em><\/p>\n

\u2013<\/span> Tikriausiai da\u017enai sulaukiate klausim\u0173 \u0161ia tema, ta\u010diau kaip psichologija ir \u0161okis j\u016bs\u0173 gyvenime \u0117m\u0117 veikti kartu?<\/b><\/span><\/span><\/p>\n

\u2013<\/span> Psichologija, o ypa\u010d \u2013 psichoanaliz\u0117, yra esminis mano m\u0105stymo b\u016bdas. Per j\u0105 a\u0161 suprantu \u017emones ir net gamt\u0105. \u0160okis man tapo \u012frankiu, kur\u012f naudoju \u0161ia savo psichoanalitine vizija dalytis su kitais.<\/span><\/span><\/p>\n

\u2013<\/span> Savo biografijoje minite esmin\u012f gyvenimo l\u016b\u017e\u012f, kai supratote, kad trok\u0161tate b\u016btent \u0161okti. K\u0105 prisimenate i\u0161 \u0161ios \u0161okio kelion\u0117s prad\u017eios?<\/b><\/span><\/span><\/p>\n

\u2013<\/span> Puikiai prisimenu dien\u0105, kai po paskait\u0173 eidama gatve staiga pasijutau tokia lengva, lyg tuoj pakilsiu nuo \u017eem\u0117s. Tai buvo toks stiprus jausmas, kad negal\u0117jau jo pasilikti tik sau. Pamenu, i\u0161kart apie tai para\u0161iau \u017einut\u0119 savo vaikinui. Tai buvo mano \u0161okio kelio prad\u017eia.<\/span><\/span><\/p>\n

\u2013<\/span> Kaip manote, kokiems \u017emon\u0117ms geriausiai pasiseka \u012fvaldyti dvigubas ar net trigubas profesijas?<\/b><\/span><\/span><\/p>\n

\u2013<\/span> Nors dviguba ar triguba profesija gali nuskamb\u0117ti \u0161iek tiek nerealiai, susiduriu su vis daugiau \u012fvairi\u0173 \u017emoni\u0173, kurie dirba ne vien\u0105 ir ne du darbus. Manau, visi \u017emon\u0117s nori patirti kiek \u012fmanoma daugiau gyvenim\u0173, o \u0161iam tikslui pasiekti \u0161iandien turime daug galimybi\u0173. \u017dinoma, keleto profesij\u0173 i\u0161manymas gal\u0173 gale veda prie vis\u0173 j\u0173 sumai\u0161ymo \u012f vien\u0105. Tai \u2013 pati svarbiausia dalis, nes vis\u0173 turim\u0173 \u012fg\u016bd\u017ei\u0173 sintez\u0117 nulemia tavo i\u0161skirtinum\u0105, tavo stili\u0173! A\u0161 pati kitame savo gyvenimo etape svajoju b\u016bti \u016bkininke, auginan\u010dia psichodelinius spalvot\u0173 gr\u016bd\u0173 laukus…<\/span><\/span><\/p>\n

\u2013<\/span> \u012e Vilni\u0173 atvykstate su k\u016briniu, kalban\u010diu apie nenutr\u016bkstam\u0105 destrukcijos ir atstatymo ritm\u0105. Kas jus \u012fkv\u0117p\u0117 sukurti \u0161okio spektakl\u012f \u0161ia tema?<\/b><\/span><\/span><\/p>\n

\u2013<\/span> Kai pirm\u0105 kart\u0105 atsive\u017eiau sm\u0117l<\/span><\/span>io<\/span><\/span><\/span> \u012f savo studij\u0105, pirmiausia \u0117miau daryti tai, k\u0105 daryt\u0173 kiekvienas, \u2013 \u0117miau statyti sm\u0117lio pil\u012f. Statyti prad\u0117jau automati\u0161kai. Kai pilis buvo pastatyta, a\u0161 taip pat automati\u0161kai padariau tai, k\u0105 padaryt\u0173 kiekvienas vaikas, \u2013 j\u0105 sugrioviau. T\u0105 akimirk\u0105 supratau, apie k\u0105 bus \u0161is k\u016brinys. Aplink save, gamtoje ir kult\u016broje prad\u0117jau ie\u0161koti pavyzd\u017ei\u0173, kalban\u010di\u0173 apie k\u016brimo ir naikinimo cikl\u0105. Paai\u0161k\u0117jo, kad toki\u0173 pavyzd\u017ei\u0173 yra labai daug.<\/span><\/span><\/p>\n

\"\"<\/p>\n

Giulios Ferrando nuotrauka<\/em><\/p>\n

\u2013<\/span> Spektaklio \u201eUniforma\u201c fotografijos ver\u010dia nekantriai laukti unikali\u0173 sm\u0117lio objekt\u0173 scenografijos. Kaip jums kilo id\u0117ja spektaklyje panaudoti sm\u0117l\u012f?<\/b><\/span><\/span><\/p>\n

\u2013<\/span> Sm\u0117l\u012f pasirinkau, nes \u017eaviuosi \u012fvairiomis med\u017eiagomis, <\/span><\/span>tekst\u016bromis<\/span><\/span><\/span>, grynomis \u017ealiavomis ir poj\u016b\u010diais, kuriuos mums suteikia t\u0173 med\u017eiag\u0173 lyt\u0117jimas. Socialiniame gyvenime da\u017eniausiai svarbesniais u\u017e lyt\u0117jim\u0105 laikome reg\u0117jim\u0105, gird\u0117jim\u0105 ar net skonio poj\u016bt\u012f. Mes nesilie\u010diame vie\u0161ose vietose. I\u0161skyrus skaitmeninius ekranus, kuriuos lie\u010diame gerokai per da\u017enai. \u0160okis man yra lyt\u0117jimas visomis prasm\u0117mis.<\/span><\/span><\/p>\n

\u2013<\/span> Sm\u0117lio pilys daugeliui asocijuojasi su ner\u016bpestinga vaikyste prie j\u016bros. K\u0105 jos reprezentuoja j\u016bs\u0173 scenoje?<\/b><\/span><\/span><\/p>\n

\u2013<\/span> Mano tikslas buvo perteikti \u017emogaus manij\u0105 statyti, tod\u0117l kuriant scenografij\u0105 nor\u0117josi ko nors masyvaus, architekt\u016bri\u0161ko, matemati\u0161ko. Tuo pa\u010diu nor\u0117jau t\u0105 statymo manij\u0105 suma\u017einti iki sm\u0117lio pilies, miniati\u016brinio miesto dyd\u017eio. Scenografijoje pilis supaprastinome iki abstrak\u010di\u0173 fig\u016br\u0173, kurioms pastatyti prireikia visos dienos, \u0161e\u0161i\u0173 \u017emoni\u0173 ir septyni\u0173 ton\u0173 sm\u0117lio. <\/span><\/span><\/p>\n

\u2013<\/span> Ar destrukcijos ir atstatymo ritmas nat\u016bralus ir nei\u0161vengiamas? <\/b><\/span><\/span><\/p>\n

\u2013<\/span> Taip, destrukcija ir atstatymas yra nat\u016bralus procesas, pastebimas gamtoje. Net \u0161imtametis mi\u0161kas, per vien\u0105 dien\u0105 suple\u0161k\u0117j\u0119s liepsnose, sugeba atgimti. Tik mes, \u017emon\u0117s, ka\u017ekod\u0117l labai daug d\u0117mesio skiriame destrukcijos vengimui \u2013 daikt\u0173 konservavimui muziejuose.<\/span><\/span><\/p>\n

\u2013<\/span> Koki\u0105 \u017einut\u0119 ne\u0161ate \u0161iuo darbu? <\/b><\/span><\/span><\/p>\n

\u2013<\/span> Spektakliu \u201eUniforma\u201c noriu kalb\u0117ti apie destrukcijos, naikinimo svarb\u0105, kuri\u0105 pamir\u0161o m\u016bs\u0173 kapitalistin\u0117 sistema. \u0160iandien vyrauja po\u017ei\u016bris, kad privalome statyti, augti, pl\u0117stis. Bet iki kur? \u0160io hiperaugimo neabejotinai laukia gri\u016btis. Ta\u010diau jei sugeb\u0117tume \u0161velnesniais b\u016bdais destrukcij\u0105 integruoti \u012f savo kasdienius gyvenimus ir mintis, sulauktume daugyb\u0117s <\/span><\/span>prana\u0161um\u0173<\/span><\/span><\/span>: atsinaujinimo, atgimimo, i\u0161silaisvinimo. Taigi mano spektaklio tikslas \u2013 parodyti d\u017eiaugsming\u0173 destrukcijos b\u016bd\u0173!<\/span><\/span><\/p>\n

\"\"<\/p>\n

Giulios Ferrando nuotrauka<\/em><\/p>\n

\u2013<\/span> Kaip jums pavyko atrasti gro\u017e\u012f \u0161iuose procesuose, kurie ma\u017eai kam asocijuojasi su gro\u017eiu? <\/b><\/span><\/span><\/p>\n

\u2013<\/span> \u0160okdama tarp sm\u0117lio pili\u0173 tiesiog supratau, kad pa\u017eeistos ir apgriuvusios pilys man daug gra\u017eesn\u0117s nei nepaliestos. Netobuli dalykai apskritai yra daug \u012fdomesni. Pa\u017evelkite \u012f Milo Vener\u0105 be rank\u0173 \u2013 ka\u017eko tr\u016bksta, ta\u010diau tai mums leid\u017eia \u012fsivaizduoti, mintyse projektuoti savo paveiksl\u0105. Tod\u0117l \u0161okis sm\u0117lio pili\u0173 mieste leido suprasti, kad a\u0161 negriaunu scenografijos \u2013 a\u0161 j\u0105 tiesiog sukuriu i\u0161 naujo. Lygiai kaip v\u0117jas ir lietus, kurie per t\u016bkstan\u010dius met\u0173 i\u0161 naujo kuria ir formuoja kra\u0161tovaizd\u012f. <\/span><\/span><\/p>\n

\u2013<\/span> Kokius jausmus siekiate su\u017eadinti auditorijai? <\/b><\/span><\/span><\/p>\n

\u2013<\/span> Labiausiai noriu \u012fkv\u0117pti \u017ei\u016brovus u\u017elipti \u012f scen\u0105 ir pad\u0117ti mums pastatyti pilis i\u0161 naujo!<\/span><\/span><\/p>\n

\u00a0<\/span><\/span><\/span><\/span><\/p>\n


\n<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Psichologijos studijos Briuselyje, darbas psichoterapijos kabinete, vadovavimas jaun\u0173j\u0173 scenos meninink\u0173 organizacijai, \u0161okio spektakli\u0173 k\u016brimas ir atlikimas \u2013 tikriausiai retai gal\u0117tume …<\/p>\n","protected":false},"author":2,"featured_media":3976,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\nChoreograf\u0117s S.Scarlat scenoje \u2013 sm\u0117lio pili\u0173 miestas ir \u0161okis apie destrukcijos svarb\u0105 - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/03\/21\/choreografes-s-scarlat-scenoje-smelio-piliu-miestas-ir-sokis-apie-destrukcijos-svarba\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Choreograf\u0117s S.Scarlat scenoje \u2013 sm\u0117lio pili\u0173 miestas ir \u0161okis apie destrukcijos svarb\u0105 - 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