{"id":4018,"date":"2019-03-26T18:26:04","date_gmt":"2019-03-26T16:26:04","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=4018"},"modified":"2021-01-27T14:04:01","modified_gmt":"2021-01-27T12:04:01","slug":"islankstytas-miesto-origamis","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/03\/26\/islankstytas-miesto-origamis\/","title":{"rendered":"I\u0161lankstytas miesto origamis"},"content":{"rendered":"

\u0160imtme\u010dius skai\u010diuojan\u010diam popieriaus lankstymo menui \u2013 origamiui \u2013 Pranc\u016bzijoje gimusi choreograf\u0117 ir \u0161ok\u0117ja Satchie Noro suteik\u0117 \u0161iuolaikin\u012f kv\u0117pavim\u0105. Ji tradicin\u012f popieri\u0173 ir jo lankstym\u0105 kei\u010dia sunkiu metalu ir jo karpymu \u2013 taip 40 p\u0117d\u0173 krovininis konteineris virsta pasirodymo erdve. \u201eOrigamis\u201c, \u0161iuolaikinio \u0161okio ir cirko pasirodymas po atviru dangumi, baland\u017eio pabaigoje \u2013 gegu\u017e\u0117s prad\u017eioje apkeliaus did\u017eiuosius Lietuvos miestus festivalio \u201eNaujasis Baltijos \u0161okis\u201c metu. Nemokami pasirodymai vyks Vilniuje, Kaune, Panev\u0117\u017eyje ir \u0160iauliuose.<\/strong><\/p>\n

\"\"<\/p>\n

(c) Karine de Barbarin<\/p>\n

Ry\u0161kiai raudonas mil\u017eini\u0161kas konteineris pama\u017eu i\u0161 sta\u010diakamp\u0117s d\u0117\u017e\u0117s i\u0161silanksto \u012f trikamp\u012f ir kvadrat\u0105. Tarp metalo lak\u0161t\u0173 ore nardo trapus Satcie k\u016bnas. \u0160is kontrastas kuria industrin\u0119 romantik\u0105 ir transformuoja miesto, kuriame atliekamas pasirodymas, kra\u0161tovaizd\u012f. Ma\u0161inos ir \u017emogaus \u0161okio duet\u0105 papildo architekt\u016br\u0105 atliepiantis garso takelis ir \u017ei\u016brov\u0173 minia, kuri prakti\u0161kai tampa pasirodymo dalimi. Apie \u0161\u012f ne\u012fprast\u0105 regin\u012f kalbam\u0117s su pasirodymo sumanytoja ir atlik\u0117ja S.Noro.<\/p>\n

\u2013 <\/strong>Did\u017eiausias \u201eOrigamio\u201c d\u017eiaugsmas \u2013 bendra \u017ei\u016br\u0117jimo ir dalyvavimo patirtis. Nuo <\/strong>2015<\/strong> m., kai <\/strong>\u012fvyko premjera, apkeliavote bema\u017e visus pasaulio \u017eemynus, pasirod\u0117te daugyb\u0117je skirting\u0173 viet\u0173. Kaip kiekviena vieta paveikia pat\u012f pasirodym\u0105? <\/strong><\/p>\n

\u00a0<\/strong>\u2013 \u201eOrigamis\u201c yra klajokli\u0161kas objektas, vis\u0105 savo kelioni\u0173 patirt\u012f besive\u017eantis kartu. Tai kaip prisiminim\u0173 d\u0117\u017eut\u0117, kuri kaskart atsiveria sugerti nauj\u0105 kra\u0161tovaizd\u012f, architekt\u016br\u0105, spalvas, \u017emones, atmosfer\u0105.<\/p>\n

Turiu stipri\u0173 prisiminim\u0173, kai vidury pasirodymo u\u017eeidavo begalinis noras tiesiog sustoti, sustingti kelioms minut\u0117ms ir sugerti nuostabi\u0105 aplink\u0105. Judesys pasirodyme yra gana l\u0117tas, sum\u0105stytas taip, kad \u017ei\u016brovui leist\u0173 \u012fsijausti \u012f aplink\u0105, pamatyti nauj\u0173 kamp\u0173 gerai pa\u017e\u012fstamoje erdv\u0117je. Gal\u0173 gale, stebint did\u012fj\u012f konteiner\u012f dekonstruojantis, subalansuoji ir savo paties mintis bei k\u016bn\u0105.<\/p>\n

Kiekvienas pasirodymas kitame mieste ir man, kaip \u0161ok\u0117jai, suteikia kit\u0105 jausm\u0105. \u0160okti \u0161alia XII a. Sen Deni bazilikos, kur palaidoti Pranc\u016bzijos karaliai, did\u017eiul\u0117s plieno gamyklos \u0161e\u0161\u0117lyje Ostravoje, \u010cekijoje, ir dykumoje \u010cil\u0117je yra visi\u0161kai kitokios patirtys. Kaskart atsiveria vis kitas istorijos ir teritorijos rakursas.<\/p>\n

\"\"<\/p>\n

(c) Fr\u00e9d\u00e9ric David<\/p>\n

\u2013<\/strong> Koki\u0173 reakcij\u0173 \u012f<\/strong>vairiose <\/strong>\u0161alyse sulaukia \u201eOrigamis\u201c?<\/strong><\/p>\n

\u00a0<\/strong>\u2013 \u017dmon\u0117ms da\u017enai \u012fsp\u016bd\u012f daro pats objektas ir \u0161okis aplink j\u012f keli\u0173 metr\u0173 auk\u0161tyje. Kadangi konteineris yra netik\u0117tai atsirad\u0119s objektas \u017ei\u016brovams \u012fprastoje (pavyzd\u017eiui, miesto aik\u0161t\u0117je) arba itin kontrastuojan\u010dioje aplinkoje (pavyzd\u017eiui, dykumoje), \u017ei\u016brovus greitai pagauna \u0161okio ir poeti\u0161kumo jausmas. Apskritai reakcijos visur yra pana\u0161ios, nes tai bendra\u017emogi\u0161ki dalykai.<\/p>\n

\u2013<\/strong> Esate Pranc\u016b<\/strong>zijos piliet<\/strong>\u0117, ta\u010diau vaikyst\u0119 <\/strong>praleido<\/strong>te savo t\u0117vo japono \u2013 aikido meistro dojo<\/em> (japoni\u0161ka mokymosi erdv\u0117 <\/strong>\u2013 red. past). V\u0117liau studijavote klasikin\u012f \u0161ok\u012f, paskui pasidav\u0117te Berlyno andergraundo<\/em> kult\u016bros traukai. Kaip visos \u0161ios patirtys atsispindi j\u016bs\u0173 k\u016bryboje?<\/strong><\/p>\n

\u00a0<\/strong>\u2013 Japon\u0173 kult\u016bra yra dalis mano judesio, tai stipri mano identiteto dalis. U\u017eaugau su japoni\u0161ku ritmu. \u0160alia to \u2013 europieti\u0161kas kontekstas. \u201eOrigamis\u201c puikiai atspindi man\u0105j\u0105 kult\u016brin\u0119 sanklod\u0105.<\/p>\n

\"\"<\/p>\n

(c) Johnny Stephens<\/p>\n

\u2013<\/strong> Papasakokite daugiau apie pat\u012f pasirodym\u0105. Tai didel\u0117s rizikos pasirodymas lauke, kurio metu gali ir lyti, ir \u0161alti. Kartais \u0161altuosiuose kra\u0161tuose \u0161okate net su keliais drabu\u017ei\u0173 sluoksniais. Kiek treniruo\u010di\u0173 prireik\u0117, kol galutinai nu\u0161lifavote pasirodym\u0105?<\/strong><\/p>\n

\u00a0<\/strong>\u2013 Su Silvainu, mano k\u016brybos partneriu, kuris ir supjaust\u0117 did\u012fj\u012f konteiner\u012f \u012f origamio gabalus, repeticijas lauke prad\u0117jome \u017eiem\u0105, buvo labai \u0161alta. Buvo labai skausminga, ta\u010diau repeticijose u\u017esigr\u016bdinau \u0161okti bet kokiomis oro s\u0105lygomis.<\/p>\n

\"\"<\/p>\n

(c) Kalimba<\/p>\n

\u201eOrigamis\u201c suplaka \u0161okio ir cirko elementus. Oro cirku pati susi\u017eav\u0117jau daugiau nei prie\u0161 penkiolika met\u0173. Tiek \u0161okis, tiek akrobatika yra susijusi su judesiu, \u010dia irgi ne tik \u0161oku ant plok\u0161tum\u0173, bet ir atlieku triukus ant lyn\u0173. Visa pasirodymo choreografija yra itin kruop\u0161\u010diai apm\u0105styta, kad \u017ei\u016brovai pajust\u0173 kuo daugiau lengvumo, netik\u0117tumo ir harmonijos.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0160imtme\u010dius skai\u010diuojan\u010diam popieriaus lankstymo menui \u2013 origamiui \u2013 Pranc\u016bzijoje gimusi choreograf\u0117 ir \u0161ok\u0117ja Satchie Noro suteik\u0117 \u0161iuolaikin\u012f kv\u0117pavim\u0105. 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