{"id":4028,"date":"2019-03-27T16:25:44","date_gmt":"2019-03-27T14:25:44","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=4028"},"modified":"2019-03-28T10:52:49","modified_gmt":"2019-03-28T08:52:49","slug":"naujaji-baltijos-soki-atidarys-isskirtiniai-kurejai-is-zaliojo-kysulio-ir-graikijos","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/03\/27\/naujaji-baltijos-soki-atidarys-isskirtiniai-kurejai-is-zaliojo-kysulio-ir-graikijos\/","title":{"rendered":"\u201eNauj\u0105j\u012f Baltijos \u0161ok\u012f\u201c atidarys i\u0161skirtiniai k\u016br\u0117jai i\u0161 \u017daliojo Ky\u0161ulio ir Graikijos"},"content":{"rendered":"
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Baland\u017eio <\/span><\/span><\/span><\/span>29<\/span><\/span><\/span><\/span>-\u0105j\u0105 prasid\u0117s <\/span><\/span><\/span><\/span>23-iasis <\/span><\/span><\/span><\/span><\/em>tarptautinis \u0161iuolaikinio \u0161okio festivalis \u201eNaujasis Baltijos \u0161okis\u201c. Dvi savaites penkiuose Lietuvos miestuose truksiant\u012f rengin\u012f atidarys i\u0161skirtini\u0173 \u0161iuolaikinio \u0161okio \u017evaig\u017ed\u017ei\u0173 i\u0161 \u017daliojo Ky\u0161ulio ir Graikijos darbai.<\/em> <\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

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K\u016br\u0117ja ne i\u0161 \u0161io pasaulio<\/b><\/span><\/span><\/p>\n

Vienu \u0161io festivalio perl\u0173 vadinama i\u0161 \u017daliojo Ky\u0161ulio kilusi k\u016br\u0117ja<\/span><\/span><\/span><\/span>, daugyb\u0119 presti\u017eini\u0173 apdovanojim\u0173 susi\u017e\u0117rusi Marlene Monteiro Freitas. Ji <\/span><\/span><\/span><\/span>studijavo \u0161ok\u012f P.A.R.T.S. Briuselyje ir \u201e<\/span><\/span><\/span><\/span>Escola Superior de Dan<\/span><\/span><\/span><\/span>\u00e7a\u201c bei \u201eFunda<\/span><\/span><\/span><\/span>\u00e7\u00e3<\/span><\/span><\/span><\/span>o Calouste Gulbenkian\u201c Lisabonoje. \u017daliajame Ky\u0161ulyje \u012fk\u016br\u0117 \u0161okio trup\u0119 \u201eCompass\u201c. 2017 m. Portugalijos autori\u0173 draugija Marlene skyr\u0117 \u201e<\/span><\/span><\/span><\/span>Jaguar<\/span><\/span><\/span><\/span>\u201c priz\u0105 u\u017e geriausi\u0105 choreografij\u0105. T<\/span><\/span><\/span><\/span>ais pa<\/span><\/span><\/span><\/span>\u010d<\/span><\/span><\/span><\/span>iais metais <\/span><\/span><\/span><\/span>\u017d<\/span><\/span><\/span><\/span>aliojo Ky<\/span><\/span><\/span><\/span>\u0161ulio vyriausyb\u0117 pagerb\u0117 j\u0105 u\u017e kult\u016b<\/span><\/span><\/span><\/span>ros <\/span><\/span><\/span><\/span>laim\u0117jimus, o<\/span><\/span><\/span><\/span> 2018 m. Venecijos bienal\u0117je <\/span><\/span><\/span><\/span>k\u016br\u0117ja<\/span><\/span><\/span><\/span> peln\u0117 \u0161okio \u201eSidabrin\u012f li\u016bt\u0105\u201c.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

\"\"<\/p>\n<\/div>\n

Pierre’o Planchenault nuotr<\/span>auka<\/em><\/p>\n

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Marlene \u0161okio profesional\u0173 vadinama k\u016br\u0117ja ne i\u0161 \u0161io pasaulio. Jos k\u016briniai pasi\u017eymi unikalia <\/span><\/span><\/span><\/span>choreografija<\/span><\/span><\/span><\/span> ir judesio kalba, beveik visuose spektakliuose ji pati ir \u0161oka. B\u016btent jos spektakliu \u201eI\u0161 dramblio kaulo ir m\u0117sos \u2013 skulpt\u016bros irgi ken\u010dia\u201c gegu\u017e\u0117s <\/span><\/span><\/span><\/span>2<\/span><\/span><\/span><\/span>-\u0105j\u0105 Vilniuje prasid\u0117s \u201eNaujasis Baltijos \u0161okis’<\/span><\/span><\/span><\/span>19<\/span><\/span><\/span><\/span>\u201c.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

K\u016br\u0117jos \u012f Lietuv\u0105 atve\u017eamas darbas siejasi su Ovidijaus \u201eMetamorfozi\u0173\u201c Pigmalijono istorija, kuri yra tarsi daina apie vilt\u012f prisik\u0117lime, bei <\/span><\/span><\/span><\/span>Alaino Resnais <\/span><\/span><\/span><\/span>ir Chriso Markerio k\u016briniu<\/span><\/span><\/span><\/span> \u201eStatulos irgi mir\u0161ta\u201c.<\/span><\/span><\/span><\/span> \u0160i<\/span><\/span><\/span>ame spektaklyje<\/span><\/span><\/span><\/span> k\u016bnai-statulos \u201eken\u010dia nuo prisiminim\u0173\u201c: vikrus vaidinantis k\u016bnas virsta ir <\/span><\/span><\/span>simptominiu<\/span><\/span><\/span><\/span> tvariniu, tarsi gestai tapt\u0173 atmintinais ir intensyviais. <\/span><\/span><\/span>Statulos <\/span><\/span><\/span><\/span>\u010dia <\/span><\/span><\/span><\/span>\u2013 galima ramyb\u0117<\/span><\/span><\/span><\/span>s metafora,<\/span><\/span><\/span><\/span> kamuoliai \u2013 jud\u0117jimo, o kry\u017eminimas gali b\u016bti \u017emoni\u0173 transformavimosi \u012f statulas metafora, atitinkantis \u012fsi\u0161aknijim\u0105 veiksmo vietoje. Suakmen\u0117jimas<\/span><\/span><\/span><\/span> tampa <\/span><\/span><\/span><\/span>ne\u012fprasta ir itin prie\u0161inga kamuoliuko id\u0117jai judesio metamorfoze. \u0160is spektaklis \u2013 sustingusi\u0173 statul\u0173 kamuolys.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

\"\"<\/p>\n

Pierre’o Planchenault nuotr<\/span>auka<\/em><\/p>\n

Jo spektakliuose \u201egyvena\u201c keistos b\u016btyb\u0117s<\/b><\/span><\/span><\/p>\n

Gegu\u017e\u0117s <\/span><\/span><\/span><\/span>3 ir 4 d. Lietuvos nacionaliniame dramos teatre <\/span><\/span><\/span><\/span>\u0161okio gerb\u0117jai i\u0161vys<\/span><\/span><\/span><\/span> vienu keis\u010diausi\u0173 ir teatrali\u0161kiausi\u0173 \u0161i\u0173me\u010dio festivalio spektakli\u0173 vadinam\u0105 graik\u0173 re\u017eisieriaus ir choreografo Euripid\u017eio Laskarid\u017eio darb\u0105 \u201eTitanai\u201c. <\/span><\/span><\/span><\/span><\/p>\n

L<\/span><\/span><\/span><\/span>yderiaujan\u010dioje dramos mokykloje At\u0117nuose <\/span><\/span><\/span><\/span>jis<\/span><\/span><\/span><\/span> mok\u0117si vaidybos, <\/span><\/span><\/span><\/span>Bruklino koled\u017ee Niujorke \u2013<\/span><\/span><\/span><\/span> re\u017eis\u016bros<\/span><\/span><\/span><\/span>. <\/span><\/span><\/span><\/span>Karjer\u0105 prad\u0117j\u0119s kaip atlik\u0117jas su pasaulinio garso re\u017eisieriais Dimitriu Papaioannou ir Robertu Wilsonu, E. Laskaridis suk\u016br\u0117 unikal\u0173 scenos pasaul\u012f, kuriame gyvena keistos b\u016btyb\u0117s. <\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

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Juliano Mommerto nuotr<\/span>auka<\/em><\/p>\n

\u201eTitanai\u201c \u2013 60 minu\u010di\u0173 <\/span><\/span>spektaklis<\/span><\/span><\/span> dviem. Kaip ir ankstesniame savo darbe \u201eReliktas\u201c<\/span><\/span>, <\/span><\/span><\/span>taip ir \u0161iame <\/span><\/span><\/span>per <\/span><\/span><\/span>pajuokos ir transformacijos sampratas <\/span><\/span>E. <\/span><\/span><\/span>Laskaridis tiria \u017emogaus i\u0161tverm\u0119 susiduriant su ne\u017einomybe. <\/span><\/span><\/span><\/span><\/p>\n

Nuo pat prad\u017eios, dar prie\u0161 graik\u0173 Olimpo dievus, visat\u0105 vald\u0117 titanai. Jie yra vienos ankstyviausi\u0173 \u017emogaus vaizduot\u0117s sukurt\u0173 b\u016btybi\u0173. Kod\u0117l gr\u012f\u017etama taip toli atgal? Pabandyti suprasti, kod\u0117l darome tai, k\u0105 darome. Ko mums <\/span><\/span>i\u0161ties<\/span><\/span><\/span> reikia? <\/span><\/span>E<\/span><\/span><\/span>same link\u0119 tik\u0117ti ir siekti apibr\u0117\u017et\u0173 ideal\u0173 \u2013 tiek sav\u0119s pa\u010di\u0173, tiek aplinkinio pasaulio. <\/span><\/span>Koks<\/span><\/span><\/span> skirtumas tarp idealo ir tikrumo? \u017dmogi\u0161kas silpnumas? Kuklus m\u016bs\u0173 mirtingumo ir \u017emoni\u0173, kaip r\u016b\u0161ies, rib\u0173 priminimas? Kad ir koks b\u016bt\u0173 atsakymas, \u201eTitanai\u201c auk\u0161tina kiekvien\u0105 nes\u0117kming\u0105 bandym\u0105 \u2013 asmeni\u0161k\u0105 ar bendr\u0105 \u2013 \u012fk\u016bnyti nepriekai\u0161ting\u0105 archetip\u0105, nepa\u017eeist\u0105 save, tyr\u0105j\u012f pasaul\u012f.<\/span><\/span><\/span><\/span><\/p>\n

\"\"<\/p>\n

Juliano Mommerto nuotr<\/span>auka<\/em><\/p>\n

Klasikin\u0117s muzikos ir precizi\u0161ko atlikimo gerb\u0117jams<\/b><\/span><\/span><\/span><\/span><\/p>\n

Dar vienas sve\u010dias i\u0161 Graikijos \u2013 <\/span><\/span><\/span><\/span>Christos Papadopoulos \u2013<\/span><\/span><\/span><\/span> savo spektakliu <\/span><\/span><\/span><\/span>\u201eOpus\u201c gegu\u017e\u0117s <\/span><\/span><\/span><\/span>12 d. <\/span><\/span><\/span><\/span>u\u017edarys \u0161i\u0173met\u012f \u201eNauj\u0105j\u012f Baltijos \u0161ok\u012f\u201c. <\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Jis<\/span><\/span><\/span><\/span> baig\u0117 <\/span><\/span><\/span><\/span>Naujo<\/span><\/span><\/span><\/span>jo \u0161okio pl\u0117<\/span><\/span><\/span><\/span>tros mokykl<\/span><\/span><\/span><\/span>\u0105 <\/span><\/span><\/span><\/span>Amsterdamo men<\/span><\/span><\/span><\/span>\u0173 mokykloje Nyderlanduose ir Graikijos <\/span><\/span><\/span><\/span>n<\/span><\/span><\/span><\/span>acionalinio teatro <\/span><\/span><\/span><\/span>D<\/span><\/span><\/span><\/span>ramos mokykl<\/span><\/span><\/span><\/span>\u0105.<\/span><\/span><\/span><\/span> B<\/span><\/span><\/span><\/span>uvo choreograf<\/span><\/span><\/span><\/span>\u0173 komandos, atsakingos u\u017e <\/span><\/span><\/span><\/span>Europos <\/span><\/span><\/span><\/span>\u017eaidyni\u0173 atidarymo ceremonij\u0105 2015 m. Baku ir At\u0117n\u0173 olimpini\u0173 \u017eaidyni\u0173 atidarymo ir baigimo ceremonijas 2004 m., narys. <\/span><\/span><\/span><\/span>Kaip ir E. Laskaridis, dirbo su <\/span><\/span><\/span><\/span>pasaulinio garso re\u017eisieriumi Dimitriu <\/span><\/span><\/span><\/span>Papaioannou.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

\"\"<\/p>\n

Patroklo Skafido nuotr<\/span>auka<\/em><\/p>\n

\u0160<\/span><\/span><\/span>okio spektaklis <\/span><\/span>\u201e<\/span><\/span><\/span>Opus<\/span><\/span>\u201c<\/span><\/span><\/span> paremtas klasikine<\/span><\/span> muzik<\/span><\/span><\/span>a. <\/span><\/span>Ji<\/span><\/span><\/span> da\u017enai i\u0161rei\u0161kia \u201eauk\u0161tesnio lygio\u201c<\/span><\/span> muzikin<\/span><\/span><\/span>\u0117s kompozicijos form\u0105 (opus\u0105), kuriai b\u016b<\/span><\/span>dinga grie<\/span><\/span><\/span>\u017eta strukt\u016bra ir meninis sud\u0117<\/span><\/span>tingumas. <\/span><\/span><\/span>\u0160is spektaklis savo tema siekia i\u0161nagrin\u0117ti \u0161i\u0105 strukt\u016br\u0105 ir j\u0105 vizualiai pristatyti scenoje. Pagrindinis tikslas \u2013 i\u0161<\/span><\/span>tirti instrumentin<\/span><\/span><\/span>\u0117<\/span><\/span>s muzikos centrines normas ir j<\/span><\/span><\/span>\u0173 taikym\u0105 visi\u0161kai kitokioje meno formoje \u2013 \u0161okyje. K\u016b<\/span><\/span>nas <\/span><\/span><\/span>virsta vizualia muzikos instrumento versija, o muzikin\u0117 partit\u016bra \u2013 fizine, diktuojan\u010dia choreografija. <\/span><\/span>\u0160is spektaklis \u2013<\/span><\/span><\/span> bandymas i\u0161tirti m\u016bs\u0173 automatin\u0119 reakcij\u0105 i\u0161girdus muzik\u0105.<\/span><\/span><\/span><\/span><\/p>\n

Vis\u0105 informacij\u0105 apie \u0161i\u0173me\u010dio festivalio trupes ir spektaklius rasite portale<\/span><\/span><\/span><\/span> newbaltic<\/i><\/span><\/span><\/span><\/span>dance.lt<\/i><\/span><\/span><\/span><\/span><\/span><\/span>.<\/span><\/span><\/span><\/span><\/span><\/span><\/a><\/strong> Bilietus platina<\/span><\/span><\/span><\/span> tiketa.lt<\/strong><\/i><\/span><\/span><\/span><\/span><\/span><\/span><\/a> ir <\/span><\/span><\/span><\/span><\/span><\/span>teatrai.lt<\/i><\/span><\/span><\/span><\/span><\/span><\/span><\/a><\/strong>. Festival\u012f organizuoja \u201eLietuvos \u0161okio informacijos centras\u201c ir \u201eVilniaus festivaliai\u201c, finansuoja Lietuvos kult\u016bros taryba ir Vilniaus miesto savivaldyb\u0117.<\/span><\/span><\/span><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Baland\u017eio 29-\u0105j\u0105 prasid\u0117s 23-iasis tarptautinis \u0161iuolaikinio \u0161okio festivalis \u201eNaujasis Baltijos \u0161okis\u201c. Dvi savaites penkiuose Lietuvos miestuose truksiant\u012f rengin\u012f atidarys i\u0161skirtini\u0173 …<\/p>\n","protected":false},"author":2,"featured_media":4029,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\n\u201eNauj\u0105j\u012f Baltijos \u0161ok\u012f\u201c atidarys i\u0161skirtiniai k\u016br\u0117jai i\u0161 \u017daliojo Ky\u0161ulio ir Graikijos - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/03\/27\/naujaji-baltijos-soki-atidarys-isskirtiniai-kurejai-is-zaliojo-kysulio-ir-graikijos\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201eNauj\u0105j\u012f Baltijos \u0161ok\u012f\u201c atidarys i\u0161skirtiniai k\u016br\u0117jai i\u0161 \u017daliojo Ky\u0161ulio ir Graikijos - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Baland\u017eio 29-\u0105j\u0105 prasid\u0117s 23-iasis tarptautinis \u0161iuolaikinio \u0161okio festivalis \u201eNaujasis Baltijos \u0161okis\u201c. 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