{"id":4116,"date":"2019-03-26T13:51:32","date_gmt":"2019-03-26T11:51:32","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=4116"},"modified":"2021-01-27T14:04:16","modified_gmt":"2021-01-27T12:04:16","slug":"isverkti-garsu","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/03\/26\/isverkti-garsu\/","title":{"rendered":"I\u0161verkti garsu"},"content":{"rendered":"

\u017di\u016brovai sus\u0117da, \u0161nab\u017edesiai, \u0161naresiai nutyla. Scena tu\u0161\u010dia. Staiga tarp \u017ei\u016brov\u0173 <\/span><\/span>pasigirsta sunerim\u0119s balsas, nutr\u016bksta, v\u0117l atsargiai tikrina savo stiprum\u0105. Pasirodymas <\/span><\/span>\u201e<\/span><\/span><\/strong>Kod\u0117l verkiu?<\/span><\/span>\u201c <\/span><\/span><\/strong>prasideda.<\/span><\/span><\/p>\n

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Eksperimentavimas, skausmas, vieni\u0161umas. Gr\u0117t\u0117 \u0160mitait\u0117 scenoje stovi viena, nenaudodama beveik jokios fonin\u0117s muzikos, nekeisdama esan\u010dios erdv\u0117s \u017ei\u016brovui pastebimu scenos ar \u0161viesos dizainu. I\u0161laikydama \u017ei\u016brovo d\u0117mes\u012f, ji turi tik savo k\u016bn\u0105, mint\u012f ir bals\u0105. \u0160i pa\u017eeid\u017eiama pozicija ry\u0161kina emocinio skausmo sud\u0117tingum\u0105 ir izoliuotum\u0105. Suvokiame es\u0105 kelion\u0117je, intymioje kaip li\u016bdno veido keverzon\u0117s dienora\u0161\u010dio puslapiuose, nupie\u0161tos \u017ealia, neapdorota emocija, a\u0161aromis. Esame pakvie\u010diami \u012f kelion\u0119 po netikrumo \u017eem\u0119, apgaubt\u0105 debesuotos nuotaikos su galimai prapliupsian\u010diu lietumi.<\/span><\/span><\/p>\n

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Vis d\u0117lto pasirodymas n\u0117ra depresyvus. J\u012f galima apib\u016bdinti kaip antropologo <\/span><\/span>ekspedicij\u0105 sumai\u0161ties d\u017eiungl\u0117se studijuojant paslapting\u0105 gent\u012f, vadinam\u0105 <\/span><\/span>\u201eemocijomis<\/span><\/span>\u201c.<\/span><\/span><\/strong> N\u0117ra lengva suprasti savo jausmus, juo labiau kit\u0173. Verksmas gali b\u016bti <\/span><\/span>vietinis gidas, parodantis, kur gyvena gentis, bet antropologei tenka pa\u010diai \u012feiti \u012f<\/span><\/span>kaim\u0105 ir pa\u017einti jo gyventojus. Ji t\u0105 daro verksmu, gilia k\u016bni\u0161ka patirtimi, ma\u017eai kuo <\/span><\/span>susijusia su analitine mintimi. Stiprios emocijos pirmiausia juntamos k\u016bnu, tik v\u0117liau <\/span><\/span>b\u016bna pasteb\u0117tos (ir analizuojamos) minties. Verksmas gali pratr\u016bkti galvoje, galb\u016bt j\u0105 <\/span><\/span>apvalydamas kaip perk\u016bnija tvanki\u0105 dien\u0105, kai oras ramus, ar, atvirk\u0161\u010diai, <\/span><\/span>sudrumsdamas min\u010di\u0173 upes. Bet kuriuo atveju, po sukr\u0117timo b\u016bsenos atsiranda <\/span><\/span>galimyb\u0117 suprasti, kad ka\u017ekas yra negerai ir tada… tu gali gilintis \u012f tai, arba visk\u0105 <\/span><\/span>pamir\u0161ti kasdienyb\u0117s rutinoje.<\/span><\/span><\/p>\n

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Isterijos b\u016bsena ypa\u010d \u012ftraukia, kadangi ji prakti\u0161kai gali sustabdyti m\u0105stym\u0105. Paradoksalu, ta\u010diau \u0161iuo b\u016bdu isterija tampa meditatyvia b\u016bsena, kai laikas netenka savo reik\u0161m\u0117s. Verkiant prakti\u0161kai ne\u012fmanoma i\u0161 sav\u0119s reikalauti jokios kitos veiklos, ir vis d\u0117l to G. \u0160mitait\u0117 eina per skirtingas scenas k\u016bk\u010diodama, aktyviai kovodama prie\u0161 j\u0117g\u0105, kuri j\u0105 traukia \u017eemyn. U\u017esispyrimas, i\u0161bandydamas li\u016bdesio apimto k\u016bno galimybes, parodo, kad trapumas turi j\u0117gos.<\/span><\/span><\/p>\n

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Kaip bendrauti su vidine emocij\u0173 gentimi? Yra keli b\u016bdai, ta\u010diau <\/span><\/span>\u201e<\/span><\/span><\/strong>antropolog\u0117<\/span><\/span>\u201c<\/span><\/span><\/strong> scenoje pasirenka vien\u0105 – ji atveria burn\u0105 ir i\u0161leid\u017eia bals\u0105. Galime gird\u0117ti sumai\u0161t\u012f, li\u016bdes\u012f, panik\u0105, pasidavim\u0105. I\u0161skyrus kelis angli\u0161kus \u017eod\u017eius, dauguma gars\u0173 lieka nesuprantami – tekstas sakomas Lietuvi\u0173 kalba. Sumi\u0161\u0119s, maldaujantis atlik\u0117jos \u017evilgsnis, da\u017eniausiai nukreiptas \u012f lubas ar link \u017ei\u016brovo; reikm\u0117 i\u0161sakyti, pasiekti kit\u0105 (ar tai b\u016bt\u0173 auk\u0161tesnioji b\u016btyb\u0117 ar kitas \u017emogus) ir negal\u0117jimas to padaryti tampa akivaizd\u016bs. \u0160iame kontekste lietuvi\u0161ki \u017eod\u017eiai tampa ypa\u010d simboli\u0161ki, jie prisideda prie nesusi\u0161nek\u0117jimo jausmo. Galvoju, kaip tie patys epizodai pakeist\u0173 pasirodym\u0105 Lietuvoje, kai tai b\u016bt\u0173 ne tik suprasta, bet ir tur\u0117t\u0173 reik\u0161m\u0119, neprieinam\u0105 Estijos \u017ei\u016brovui. \u010cia, Taline, i\u0161sigand\u0119s, kar\u0161\u010diuojantis kalb\u0117jimas svetima kalba prisideda prie dreban\u010dio keliautojo, pasimetusio tankiose d\u017eiungl\u0117se, vaizdinio.<\/span><\/span><\/p>\n

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K\u0105 galima daryti pasimetus ekspedicijoje \u012f savas mintis, bevilti\u0161kai besiilgint supratimo ir vis d\u0117l to nesugebant i\u0161reik\u0161ti savo patir\u010di\u0173? Ar galima i\u0161vengti dusulio papras\u010diausiai atidarant duris (\u012fsivaizduojamai ar i\u0161 ties\u0173)? Ar galima rasti paguod\u0105 ignoruojant besit\u0119siant\u012f tyrimo proces\u0105 ir papras\u010diausiai paliekant erdv\u0119? Ir ar i\u0161\u0117jimas i\u0161 situacijos (kaip i\u0161b\u0117gimas i\u0161 kambario pasirodymo metu) padeda, ar tokiu b\u016bdu verksmas pereina kitur? G. \u0160mitait\u0117 tiria duotos erdv\u0117s ribas ir dvejoja, ar gr\u012f\u017eti <\/span><\/span>tiek mintimi, tiek fizi\u0161kai. Pasirodymo patalpos slenkstis, rodos, tampa vartais, atverian\u010diais sud\u0117ting\u0105 minties b\u016bv\u012f. Vis d\u0117lto, ji gr\u012f\u017eta ir t\u0119sia sekinant\u012f susid\u016brimo su emociniu skausmu darb\u0105.<\/span><\/span><\/p>\n

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Kadangi \u017emon\u0117s yra socialiniai gyv\u016bnai, paskend\u0119 kult\u016broje, net ka\u017ekas tokio fizi\u0161ko kaip verksmas turi kult\u016brines konotacijas. Kas gali verkti ir kada? Nuo ankstyvo am\u017eiaus berniukai ir mergait\u0117s skirtingai mokomi reik\u0161ti savo emocijas – <\/span><\/span>berniukai sl\u0117pti<\/span><\/span> a\u0161aras, jei nenori b\u016bti pa\u017eeminti <\/span><\/span>(!) atrodydami moteri\u0161kais, mergait\u0117s – i\u0161reik\u0161ti savo \u201evyri\u0161kas\u201c emocijas, tokias kaip pyktis, verksmas. <\/span><\/span>Tad verksmo perk\u0117limas i\u0161 priva\u010dios erdv\u0117s (apie kuri\u0105 taip pat galvota kaip apie moteri\u0161k\u0105) \u012f vie\u0161\u0105j\u0105 (kitaip sakant, vyri\u0161k\u0105 erdv\u0119) gali b\u016bti matomas kaip prie\u0161inimasis \u0161iam l\u0117tai kintan\u010diam emocij\u0173 rai\u0161kos pagal lyt\u012f <\/span><\/span>status quo<\/i><\/span><\/span>.<\/i><\/span><\/span> \u201eKod\u0117l verkiu?\u201c sukuria vie\u0161\u0105 erdv\u0119, kurioje galima verkti garsiai ir dr\u0105siai, atskleid\u017eiant pa\u017eeid\u017eiamumo j\u0117g\u0105. \u0160iaip ar taip atsisukimas \u012f savo jausmus ir u\u017esi\u0117mimas jais yra pa\u017eenklintas pirmin\u0117s i\u0161tverm\u0117s, argi ne?<\/span><\/span><\/p>\n

\"\"<\/p>\n

Gr\u0117t\u0117 \u0160mitait\u0117 sugeb\u0117jo atlikti verksmo tyrim\u0105 su minimalia, pirmine j\u0117ga, sumaniai i\u0161naudodama esam\u0105 erdv\u0119 ir pasitelkdama ekspresyv\u0173 atlikim\u0105. Ir n\u0117ra jokios dramati\u0161kos pabaigos emocinei kelionei, kaip ir realiame gyvenime. \u0160viesos staiga neu\u017eg\u0119sta, pa\u017eym\u0117damos rib\u0105 tarp pasirodymo ir kasdienio gyvenimo, atlik\u0117jas pergalingai nenusilenkia. Tik nervinga \u0161ypsena sudau\u017eo \u012ftamp\u0105, ir mes esame laisvi t\u0119sti sunk\u0173 darb\u0105 su savo emocijomis kitur, ta\u010diau padedami perk\u016bnijos, kuri praskaidrino or\u0105 (ar sudrumst\u0117 vandenis) m\u016bs\u0173 mintyse. Bent tuo kartu. Ir kas \u017eino, galb\u016bt dabar esame kiek dr\u0105sesni vie\u0161ojoje erdv\u0117je nusimesti \u201elaikausi gerai\u201c kauk\u0119.<\/span><\/span><\/p>\n

\u201eKod\u0117l verkiu?\u201c<\/span><\/span><\/p>\n

Choreograf\u0117, atlik\u0117ja: Gr\u0117t\u0117 \u0160mitait\u0117<\/span><\/span><\/p>\n

Patar\u0117jas: Karl Saks<\/span><\/span><\/p>\n

Stilist\u0117: Alissa \u0160naider<\/span><\/span><\/p>\n

\u0160viesos dizaineris: Oliver Kulpsoo<\/span><\/span><\/p>\n

Trener\u0117 sveikatos palaikymui: Raminta Lygutien\u0117<\/span><\/span><\/p>\n

Produkcija: S\u00f5ltumatu Tantsu Lava<\/span><\/span><\/p>\n

Trukm\u0117: 40 min<\/span><\/span><\/p>\n

Nuotraukos i\u0161 pasirodymo \u201eKod\u0117l verkiu?\u201c, choreograf\u0117 Gr\u0117t\u0117 \u0160mitait\u0117, pasirodymai S\u00f5ltumatu Tantsu Lava<\/span><\/span> Talinas. Nuotrauk\u0173 autorius: Kris Moor.<\/span><\/span><\/p>\n

Pasirodymo versija studijai Lietuvoje bus pristatyta 2019 m. baland\u017eio 7 d. 15.30 <\/span><\/span>\u201eMen\u0173<\/span><\/span> spaustuv\u0117s\u201c Studijoje Nr. II<\/span><\/span>, <\/span><\/span>Vilniuje.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\u017di\u016brovai sus\u0117da, \u0161nab\u017edesiai, \u0161naresiai nutyla. Scena tu\u0161\u010dia. Staiga tarp \u017ei\u016brov\u0173 pasigirsta sunerim\u0119s balsas, nutr\u016bksta, v\u0117l atsargiai tikrina savo stiprum\u0105. Pasirodymas …<\/p>\n","protected":false},"author":2,"featured_media":4012,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nI\u0161verkti garsu - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/03\/26\/isverkti-garsu\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"I\u0161verkti garsu - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"\u017di\u016brovai sus\u0117da, \u0161nab\u017edesiai, \u0161naresiai nutyla. Scena tu\u0161\u010dia. Staiga tarp \u017ei\u016brov\u0173 pasigirsta sunerim\u0119s balsas, nutr\u016bksta, v\u0117l atsargiai tikrina savo stiprum\u0105. 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