{"id":4160,"date":"2019-04-09T13:32:07","date_gmt":"2019-04-09T10:32:07","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=4160"},"modified":"2019-04-09T13:32:07","modified_gmt":"2019-04-09T10:32:07","slug":"libanietis-b-abou-diabas-apie-tai-kaip-sokiu-galima-isreiksti-karo-sukeltas-emocijas","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/04\/09\/libanietis-b-abou-diabas-apie-tai-kaip-sokiu-galima-isreiksti-karo-sukeltas-emocijas\/","title":{"rendered":"Libanietis B. Abou Diabas \u2013 apie tai, kaip \u0161okiu galima i\u0161reik\u0161ti karo sukeltas emocijas"},"content":{"rendered":"

Tarptautinis \u0161iuolaikinio \u0161okio festivalis \u201eNaujasis Baltijos \u0161okis\u201c t\u0119sia pa\u017eint\u012f su Libano <\/span><\/span><\/span>k<\/span><\/span>\u016br\u0117jais ir gegu\u017e\u0117s <\/span><\/span><\/span>3 <\/span><\/span><\/span>bei <\/span><\/span><\/span>4 d.<\/span><\/span><\/span> Vilniuje <\/span><\/span><\/span>kvie<\/span><\/span><\/span>\u010dia \u012f itin asmeni\u0161k\u0105 \u0161ok\u0117jo, aktoriaus ir re\u017eisieriaus Bassamo Abou Diabo spektakl\u012f \u201eGiliai po oda\u201c, kalbant\u012f apie i\u0161gyvenimus<\/span><\/span><\/span>, patirtus<\/span><\/span><\/span> per kar\u0105. <\/span><\/span><\/span><\/p>\n

Libane u\u017eaug\u0119s \u0161iuolaikinio \u0161okio \u0161ok\u0117jas Bassamas nuo vaikyst\u0117s taip pat \u0161oka tradicinius ryt\u0173 folkloro \u0161okius ir kelerius metus dirba su \u201eNaujojo Baltijos \u0161okio\u201c \u017ei\u016brovams jau pa\u017e\u012fstamu \u201eMaqamat\u201c \u0161okio teatru, kuris pra\u0117jusi\u0173 met\u0173 festivalyje pagars\u0117jo ne tik \u012fvairiatau\u010diu \u0161okiu, bet ir skania vakariene scenoje. <\/span><\/p>\n

Akistatos su karo tikrove Libane \u012fkv\u0117pt\u0105 \u0161okio spektakl\u012f \u201eGiliai po oda\u201c bus galima pamatyti Vilniaus \u201eMen\u0173 spaustuv\u0117je\u201c, o kol laukiame baland\u017eio <\/span><\/span><\/span>29<\/span><\/span><\/span>-\u0105j\u0105 prasidedan\u010dio festivalio, kalbam\u0117s su sve\u010diu i\u0161 Libano, spektaklio \u201eGiliai po oda\u201c autoriumi ir atlik\u0117ju B. Abou Diabu apie tai, kaip \u0161okiu galima i\u0161reik\u0161ti karo i\u0161\u0161auktas emocijas.<\/span><\/span><\/span><\/p>\n

\"\"<\/p>\n

(c) Giancarlo Donatini<\/em><\/p>\n

\u2013 \u0160okate folklorinius \u0161okius, universitete mok\u0117t\u0117s teatro meno. Kaip pasukote \u012f \u0161iuolaikin\u012f \u0161ok\u012f?<\/b><\/span><\/span><\/span><\/p>\n

\u2013 \u012e \u0161ok\u012f at\u0117jau i\u0161 teatro. Prad\u0117j\u0119s dirbti aktoriumi ir atlik\u0117ju pasteb\u0117jau, kad linkstu prie fizinio teatro, o vaidinti man geriausiai pavyksta pasitelkiant judes\u012f. Supratau, kad judesys man leid\u017eia perteikti mintis nuo\u0161ird\u017eiau ir tikriau. Dar bestudijuojant aktoryst\u0119 ir re\u017eis\u016br\u0105 mane labai domino paskaitos, kuriose d\u0117stytojai kalb\u0117davo apie Jacques’o Lecoqo <\/span><\/span><\/span>(pranc\u016bz\u0173 re\u017eisierius, garsus d\u0117l fizinio teatro ir judesio mokymo metod\u0173 \u2013 aut. past.) <\/span><\/span><\/span>metodus, klasikinio japon\u0173 judesio teatro \u201eNoh\u201c istorij\u0105. Tame pa\u010diame universitete susipa\u017einau su choreografu Omaru Rajeh, kurio d\u0117ka prad\u0117jau dirbti su \u0161iuolaikinio \u0161okio teatru \u201eMaqamat\u201c.<\/span><\/span><\/span><\/p>\n

I\u0161 prad\u017ei\u0173 vaik\u0161\u010diojau \u012f \u0161okio treniruotes ir dirbau prie ma\u017eesni\u0173 projekt\u0173, kol gal\u0173 gale visi\u0161kai per\u0117jau \u012f \u0161iuolaikinio \u0161okio pasaul\u012f. Tai nebuvo staigus pokytis \u2013 viskas \u012fvyko labai organi\u0161kai, pama\u017eu. Mano pas\u0105mon\u0117je tarytum i\u0161 anksto buvo nulemta, kad scenoje save i\u0161reik\u0161iu b\u016btent fizi\u0161kai \u2013 judesiu ir \u0161okiu.<\/span><\/p>\n

\u2013 Kaip atrod\u0117 j\u016bs\u0173 pirmoji pa\u017eintis su \u0161okiu? Min\u0117jote, kad nuo ma\u017eens \u0161okate tradicin\u0119 dabk\u0119.<\/b><\/span><\/span><\/span><\/p>\n

\u2013 U\u017eaugau ma\u017eame Libano kaime, kuriame gyveno vos <\/span><\/span><\/span>3<\/span><\/span><\/span> t\u016bkst. \u017emoni\u0173. Dabk\u0119 ten \u0161oko visi ir visada, kiek tik galiu prisiminti. \u0160is \u0161okis yra tam tikras ritualas, atliekamas per vestuves ir \u012fvairias \u0161ventes. Vos i\u0161gird\u0119 tradicin\u0119 muzik\u0105, mano kaime \u017emon\u0117s i\u0161kart imdavo \u0161okti dabk\u0119. Tiesa, man teko paragauti ir profesionalaus folkloro \u0161ok\u0117jo duonos \u2013 buvau tradicin\u0117s dabk\u0117s \u0161okio trupi\u0173 narys. Pasirodydavome did\u017eiuliuose folkloro spektakliuose, o j\u0173 choreografai ir re\u017eisieriai kartais \u012ftraukdavo ir modernaus \u0161okio element\u0173. Vis d\u0117lto tradicinio ir \u0161iuolaikinio \u0161okio patirtis laikau atskiromis, nes folkloras man buvo tam tikras \u0161eimos ir jos tradicij\u0173 t\u0119sinys, tarsi privaloma gimtojo kaimo gyvenimo dalis.<\/span><\/span><\/span><\/p>\n

\"\"<\/p>\n

\u2013 J\u016bs\u0173 gimtasis Libanas \u2013 da\u017en\u0173 politini\u0173 konflikt\u0173 \u0161alis, nukent\u0117jusi nuo karo ir terorizmo, kurio pavojus egzistuoja iki \u0161i\u0173 dien\u0173. Kaip tai paveikia scenos menus ir menininkus?<\/b><\/span><\/span><\/span><\/p>\n

\u2013 \u0160iuo metu \u0161alyje ramu, nevyksta ginkluotas karas, aktual\u016bs tik politiniai nesutarimai. Vis d\u0117lto ne taip seniai patyr\u0117me net 17 met\u0173 trukus\u012f pilietin\u012f kar\u0105. \u0160i\u0173 tem\u0173 atspind\u017eius mene ry\u0161kiausiai gal\u0117jome matyti prie\u0161 kelet\u0105 de\u0161imtme\u010di\u0173, kai Libane buvo populiar\u016bs tradicinio teatro spektakliai su politin\u0117mis \u017einut\u0117mis, perteikiamomis pasitelkiant humor\u0105. \u0160iandien jie neb\u0117ra m\u016bs\u0173 kult\u016bros dalis, ta\u010diau \u0161iuolaikinio meno k\u016br\u0117jai po truput\u012f \u0161iomis temomis stengiasi kalb\u0117ti da\u017eniau. Tai \u2013 nelengvas darbas, nes \u017ei\u016brovai prie toki\u0173 tem\u0173 neprat\u0119, kol kas sunkiai \u012f jas \u012fsitraukia. Bet situacija ger\u0117ja.<\/span><\/span><\/span><\/p>\n

\u2013 K\u0105 \u0161ios temos rei\u0161kia jums?<\/b><\/span><\/span><\/span><\/p>\n

\u2013 Asmeni\u0161kai man tai yra svarbi tema, nes savo k\u016bryboje daug kalbu apie k\u016bno prisiminimus, gimusius per kar\u0105, jau\u010diant karo baim\u0119. Kai \u0161alyje vyksta konfliktai, ginkluotas karas, besit\u0119siantis diena i\u0161 dienos, m\u016bs\u0173 k\u016bnai visa tai sugeria. Karai pasibaigia, ta\u010diau visos karo sukeltos emocijos i\u0161lieka mumyse, m\u016bs\u0173 \u0161irdyse ir k\u016bnuose. Karas niekada nedingsta. Mano nuomone, d\u0117l \u0161i\u0173 prie\u017eas\u010di\u0173 m\u016bs\u0173 k\u016bnai yra nuolat budr\u016bs \u2013 pasiruo\u0161\u0119 kovoti, bijoti. Pats tai pastebiu \u017emon\u0117se: kai kas nors pradeda pykti, puikiai matyti, kad jo k\u016bnas pilnas karo prisiminim\u0173. Galima sakyti, kad ta pyk\u010dio emocija yra ne jo, o jo k\u016bno prisiminim\u0173 sukelta reakcija. Karo ir \u0161alies konflikt\u0173 \u012ftaka \u017emogui egzistuoja vis\u0105 gyvenim\u0105.<\/span><\/span><\/span><\/p>\n

\u2013 Kaip tokias karo sukeltas k\u016bno reakcijas i\u0161rei\u0161kiate \u0161okiu?<\/b><\/span><\/span><\/span><\/p>\n

\u2013 Nesistengiu sure\u017eisuoti kiekvieno \u017eingsnio ir sukurti tikslios choreografijos. Emocijos mano pasirodymuose perteikiamos judesiu, organi\u0161kais gestais, kv\u0117pavimu, veido i\u0161rai\u0161komis. Spektaklyje \u201eGiliai po oda\u201c judesys yra reakcija \u012f pasakojam\u0105 karo istorij\u0105 ir gyvai atliekam\u0105 muzik\u0105. Nors visa tekstin\u0117 med\u017eiaga ir k\u016bno reakcijos yra tikros, pats spektaklis \u2013 abstraktus. Mano tikslas yra leisti visiems spektaklio elementams laisvai veikti scenoje, o kiekvienam \u0161ok\u0117jui leisti atrasti individuali\u0105 judesio form\u0105, atitinkan\u010di\u0105 jo k\u016bne esan\u010dius asmeninius karo prisiminimus.<\/span><\/span><\/span><\/p>\n

\"\"<\/p>\n

Asmeninio archyvo nuotrauka<\/em><\/p>\n

\u2013 Atrodo, j\u016bs\u0173 k\u016brinyje labai svarbios asmenin\u0117s karo patirtys. Kaip jas suprasti \u017ei\u016brovams, kurie, kitaip nei j\u016bs, n\u0117ra patyr\u0119 karo?<\/b><\/span><\/span><\/span><\/p>\n

\u2013 Dedu daug pastang\u0173, kad karo atmint\u012f pavykt\u0173 pasiimti su savimi ir perduoti auditorijai arba, kad sukur\u010diau toki\u0105 emocin\u0119 atmosfer\u0105, kuri auditorijai leist\u0173 atsidurti karo \u012fvyki\u0173 centre. Noriu, kad \u017ei\u016brovai bent kiek pajust\u0173, k\u0105 rei\u0161kia b\u016bti karo aplinkoje. Tuo pa\u010diu manau, kad turb\u016bt \u017eem\u0117je jau neliko vietos, kurios karas dar neb\u016bt\u0173 paliet\u0119s.<\/span><\/span><\/span><\/p>\n

\u2013 Kod\u0117l jums taip svarbu \u017emones perkelti \u012f karo apsupt\u012f?<\/b><\/span><\/span><\/span><\/p>\n

\u2013 Spektaklis n\u0117ra tik apie kar\u0105 ar tik apie Libano \u017emones, \u017euvusius per kar\u0105. Jis kalba ir apie kan\u010di\u0105 pla\u010di\u0105ja prasme. \u017diniasklaida ir visa m\u016bs\u0173 aplinka kar\u0105 generalizuoja, kalba apie j\u012f bendrai, kaip apie rei\u0161kin\u012f, tod\u0117l savo spektaklyje noriu perteikti asmeninius, \u017emogi\u0161kuosius karo patyrimus, apie kuriuos niekas nekalba. <\/span><\/span><\/span><\/p>\n

Kai ant tavo miesto krinta bombos, ypatinga tampa kiekviena sekund\u0117 ir per j\u0105 i\u0161gyvenami jausmai. Kaip k\u016br\u0117jui ir kaip tiesiog \u017emogui man svarbu pasakyti, kad visi \u017emon\u0117s nuolat kovoja d\u0117l i\u0161likimo ir bando prisitaikyti prie susidariusi\u0173 aplinkybi\u0173, kad ir kokios baisios jos b\u016bt\u0173. Noriu, kad \u017ei\u016brovai susim\u0105styt\u0173, kaip kar\u0105 mato \u017einiasklaidos kanaluose, kad j\u0173 galvose imt\u0173 kilti klausimai.<\/span><\/p>\n

\"\"<\/p>\n

Asmeninio archyvo nuotrauka<\/em><\/p>\n

\u2013 Ar \u0161okis ir apskritai menas gal\u0117t\u0173 tapti atsvara j\u016bs\u0173 min\u0117tam karo pristatymui \u017einiasklaidoje ir apie kar\u0105 kalb\u0117ti i\u0161 gilesn\u0117s, \u017emogi\u0161kosios perspektyvos?<\/b><\/span><\/span><\/span><\/p>\n

\u2013 Taip, galb\u016bt. Manau, \u017emoni\u0173, kurie tiesiogiai susid\u016br\u0117 su karo realybe, patirtys yra gerokai tikresn\u0117s, kupinos ma\u017e\u0173, svarbi\u0173 detali\u0173, kurios tiesiog nepasiekia toli nuo karo vietos s\u0117din\u010di\u0173 istorij\u0173 pasakotoj\u0173. \u012e tikras patirtis, kitaip nei \u012f \u017eini\u0173 antra\u0161tes, reaguos ir \u017ei\u016brovas \u2013 jautriau, nuo\u0161ird\u017eiau, galb\u016bt pla\u010diau atmerks akis ir giliau susim\u0105stys.<\/span><\/span><\/span><\/p>\n

\u2013 Kadangi turite \u012fvairi\u0173 scenos men\u0173 patirties, kyla klausimas, k\u0105 i\u0161vysime spektaklyje \u201eGiliai po oda\u201c?<\/b><\/span><\/span><\/span><\/p>\n

\u2013 \u0160iame spektaklyje naudoju labai sen\u0105 istorij\u0173 pasakojimo men\u0105, \u0161iuolaikinio \u0161okio, <\/span><\/span><\/span>flying-low <\/i><\/span><\/span><\/span>\u0161okio technikos ir folklorinio \u0161okio mi\u0161in\u012f bei gyv\u0105 muzik\u0105. \u010cia taip pat dalyvauja vert\u0117jas i\u0161 arab\u0173 kalbos, kuris tampa vienu spektaklio atlik\u0117j\u0173. Da\u017eniausiai tekst\u0105 ver\u010diame \u012f angl\u0173 arba \u012f \u0161alies, kurioje pasirodome, kalb\u0105 \u2013 tai leid\u017eia dar labiau priart\u0117ti prie auditorijos.<\/span><\/span><\/span><\/p>\n

\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Tarptautinis \u0161iuolaikinio \u0161okio festivalis \u201eNaujasis Baltijos \u0161okis\u201c t\u0119sia pa\u017eint\u012f su Libano k\u016br\u0117jais ir gegu\u017e\u0117s 3 bei 4 d. Vilniuje kvie\u010dia …<\/p>\n","protected":false},"author":2,"featured_media":4161,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\nLibanietis B. Abou Diabas \u2013 apie tai, kaip \u0161okiu galima i\u0161reik\u0161ti karo sukeltas emocijas - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/04\/09\/libanietis-b-abou-diabas-apie-tai-kaip-sokiu-galima-isreiksti-karo-sukeltas-emocijas\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Libanietis B. 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