{"id":42,"date":"2017-12-20T13:00:53","date_gmt":"2017-12-20T11:00:53","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=42"},"modified":"2018-06-02T14:16:09","modified_gmt":"2018-06-02T11:16:09","slug":"sokio-keliu","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2017\/12\/20\/sokio-keliu\/","title":{"rendered":"\u0160okio keliu"},"content":{"rendered":"<p>Baigiantis 2017-iesiems, Men\u0173 spaustuv\u0117je vyk\u0119 keli renginiai pagerb\u0117 dvide\u0161imt met\u0173 \u0161iuolaikiniam \u0161okiui atidavus\u012f choreograf\u0105 ir \u0161ok\u0117j\u0105 Vyt\u012f Jankausk\u0105.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/VJST-3_3_489x367.jpg\" alt=\"\" width=\"489\" height=\"367\" \/><\/p>\n<p>Jankauskas pastaraisiais metais vis re\u010diau matomas scenoje ir vis\u0105 k\u016brybin\u0119 energij\u0105 skiria pedagoginei ir choreografinei veiklai, \u201eVy\u010dio Jankausko \u0161okio teatro\u201c spektakli\u0173 sklaidai. Jankausko choreografin\u0117 k\u016bryba n\u0117ra labai intensyvi, ta\u010diau n\u0117 vieno i\u0161 jo 13 darb\u0173, negali pavadinti nes\u0117kme: visi spektakliai scen\u0105 pasiek\u0117 gerai apgalvoti, subrandinti, nebuvo skubot\u0173, atmestin\u0173, inerti\u0161k\u0173 k\u016brini\u0173, tod\u0117l tiek pats choreografas, tiek jo \u0161okio teatras \u0161iuolaikinio \u0161okio aplinkoje tapatinamas ne tik su savitomis estetin\u0117mis vertyb\u0117mis, bet ir su menin\u0117s kokyb\u0117s garantijomis.<\/p>\n<p>Prie\u0161 dvide\u0161imt met\u0173 pristat\u0119s savo pirm\u0105j\u012f darb\u0105 \u201e<i>Triptikas<\/i>\u201c kartu su tuo metu \u012fkurtos grup\u0117s \u201eTrys i\u0161 Vilniaus\u201c \u0161ok\u0117jais Povilu \u010ceponiu ir Ernestu Brazausku, Jankauskas i\u0161kart veng\u0117 iliustruojan\u010dio, pasakojan\u010dio \u0161okio \u2013 jam svarbu buvo analizuoti abstrak\u010di\u0105 judesio sklaid\u0105, k\u016bno ir muzikos (\u0161iam darbui buvo pasirikti Jano Ackermano, Stingo, Sade\u2018o k\u016briniai) santykio erdv\u0117je ypatyb\u0117s. Nors pats gars\u0117jo kaip \u201ebreakdance\u201c atlik\u0117jas, savo darbuose Jankauskas veng\u0117 efekt\u0173 ir dekoratyvumo, pirmenyb\u0119 atiduodamas sant\u016briai, apgalvotai plastinei formai.<\/p>\n<p>Pirmasis \u201eVy\u010dio Jankausko \u0161okio teatro\u201c darbas \u2013 kompozicija \u201e<i>La\u0161ai \u012f \u0161ulin\u012f<\/i>\u201c (premjera \u2013 1998-05-26), kuri\u0105 atliko pats choreografas, Daiva \u017dilinskait\u0117, Povilas \u010ceponis ir Giedr\u0117 Kirkilyt\u0117, kurios ind\u0117lis \u012f tolesn\u0119 \u0161io teatro raid\u0105 tapo itin reik\u0161mingas. Pagal \u201eEchidna auk\u0161tyn\u201c muzik\u0105 sukurtas beveik pusvaland\u017eio trukm\u0117s spektaklis atskleid\u0117 choreografo erdvinio m\u0105stymo ypatybes, geb\u0117jim\u0105 derinti \u0161ok\u0117j\u0173 individualybes bei komandin\u012f darb\u0105 ie\u0161kant bendro estetinio ir prasminio spektaklio rezultato, vidin\u0117s sceninio k\u016brinio dramaturgijos.<\/p>\n<p>Po keleri\u0173 met\u0173 pastatytas duetas \u201e<i>Viduram\u017ei\u0173 bernelio dainos<\/i>\u201c (premjera \u2013 2000-06-23) galutinai \u012ftvirtino Jankausko-Kirkilyt\u0117s k\u016brybin\u0119 partneryst\u0119 \u2013 kaip veikl\u0105 dviej\u0173 bendramin\u010di\u0173, pana\u0161iai suprantan\u010di\u0173 judes\u012f, galimyb\u0119 juo parbilti esmingomis \u017emoni\u0173, vyro ir moters santyki\u0173 temomis, vizualizuoti trapius b\u016bsen\u0173, nuotaik\u0173 niuansus, neskubant, be patoso u\u017e\u010diuopti am\u017ein\u0105 atviro ir tyro jausmo b\u016bt\u012f. \u0160iam k\u016briniui pasirinkta Skirmanto Sasnausko muzika labai tiko Jankausko choreografinei kalbai, i\u0161ry\u0161kino jo k\u016brinio strukt\u016br\u0105 kaip impuls\u0105 abstrahuot\u0173 jausm\u0173 sklaidai, m\u0105slaus, kruop\u0161\u010diai apgalvoto judesio metamorfoz\u0117ms.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/SMF01_1_489x345.JPG\" alt=\"\" width=\"489\" height=\"345\" \/><br \/>\nAkimirka i\u0161 \u0161okio spektaklio \u201e<i>Viduram\u017ei\u0173 bernelio dainos<\/i>\u201c<\/p>\n<p>Jankausko \u201e<i>Atsi\u017ead\u0117jimas<\/i>\u201c (premjera 2001-04-20, \u0161oko Lena Gilbert-V\u0117\u017eauskien\u0117, Goda Laurinavi\u010di\u016bt\u0117, Vytis Jankauskas ir Andrius Katinas) suartino skirting\u0173 epoch\u0173 kompozitorius \u2013 skamb\u0117jo Antonio Vivaldi ir Arvo P\u00e4rto muzika. Choreografas bene pirm\u0105 kart\u0105 naudojo akivaizd\u017eias scenografines formas \u2013 nedidelius pastat\u0173 modelius, tapusius kelion\u0117s i\u0161 vienos erdv\u0117s \u012f kit\u0105 orientyrais ir simboliais (scenografijos ir kostium\u0173 dailinink\u0117 \u2013 R\u016bta Bili\u016bnait\u0117). Lakoni\u0161kais judesiais u\u017epildyta erdv\u0117 virto mikrokosmosu, kuriame susipina skirtingomis trajektorijomis judantys likimai.<\/p>\n<p>\u201e<i>U\u017ekasti vaivoryk\u0161t\u0119<\/i>\u201c \u2013 trio pagal Alfredo \u0160nitk\u0117s ir Samuelio Barberio muzik\u0105 (premjera \u2013 2002-04-17) \u2013 pirmasis bendras Jankausko darbas su kita \u0161io laikotarpio \u0161iuolaikinio \u0161okio individualybe \u2013 Loreta Juodkaite, kuri ne tik \u0161oko drauge su Jankausku ir Kirkilyte, bet suk\u016br\u0117 ir spektaklio scenografij\u0105.<\/p>\n<p>Ne tik \u0161iuolaikinio \u0161okio, bet ir visos \u0161iuolaikin\u0117s Lietuvos kult\u016bros kontekste Jankausko k\u016bryb\u0105 \u012ftvirtino \u201e<i>Nuskend\u0119s sl\u0117nis<\/i>\u201c \u2013 dar vienas duetas pagal Skirmanto Sasnausko muzik\u0105, kur\u012f choreografas atliko su Kirkilyte (premjera \u2013 2003-05-09). Po \u0161ios kompozicijos premjeros tapo akivaizdu, jog Jankausko ir Kirkilyt\u0117s duetas \u2013 tam tikras Lietuvos \u0161okio kult\u016bros fenomenas, neatsitiktinai sujung\u0119s du \u017emones ir du likimus \u2013 \u0161okio kalba \u010dia labai asmeni\u0161ka ir subtili, judesio pustoniais besidalinanti su \u017ei\u016brovais. Kelios tikslios judesio temos, papildytos ramiomis, \u012f muzik\u0105 panyran\u010diomis improvizacijomis, be joki\u0173 papildom\u0173 vaizdini\u0173 efekt\u0173 suk\u016br\u0117 turining\u0105 vidini\u0173 \u017emogaus sl\u0117ni\u0173 peiza\u017e\u0105.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/Vytisdc1_1_489x735.jpg\" alt=\"\" width=\"489\" height=\"735\" \/><br \/>\nAkimirka i\u0161 \u0161okio spektaklio \u201e<i>Nuskend\u0119s sl\u0117nis<\/i>\u201c<\/p>\n<p><i>\u201eP\u0117dsakus<\/i>\u201c Vytis Jankauskas d\u0117liojo drauge su Jekaterina Deineko, Lora Juodkaite, Giedre Kirkilyte ir Petru Lisausku. Tai ilgiausias, beveik valand\u0105 truk\u0119s jo darbas, sukurtas pagal Liudo Mock\u016bno, Stefano Pasborgo, Jakobo Riiso, Marko Solborgo, Matso Eilertseno, Jacobo Anderskovo, Johno Parisho ir Polly Jean Harvey muzik\u0105 (premjera \u2013 2005-10- 11).<\/p>\n<p>Spektaklis \u201e<i>\u017dinia<\/i>\u201c (kartu su Jankausku \u0161oko Goda Laurinavi\u010di\u016bt\u0117, Ieva \u0160imukauskien\u0117, Giedr\u0117 Subotinait\u0117 ir Giedr\u0117 Kirkilyt\u0117) taip pat sukurtas, derinant skirtingos muzikos (NielsovanHoorno, \u201eStrangeAttractor\u201c, \u201eBiosphere\u201c) fragmentus (premjera \u2013 2007-05-04). Tai spektaklis \u2013 Jankausko judesio sampratos manifestas \u2013 pasak Vitos Moz\u016brait\u0117s, \u201e[nesidangstantis] teatriniais elementais, [nebandantis] pasigra\u017einti technologij\u0173 kuriama bi\u017euterija. Jis siunt\u0117 \u017eini\u0105 apie ramyb\u0117s pasaul\u012f, gro\u017e\u012f be sumai\u0161ties\u201c. Tai lyg muzikoje i\u0161tirpusi judesiais modeliuojama forma, i\u0161laisvinanti k\u016br\u0117jus nuo jausm\u0173 iliustravimo, paver\u010dianti juos abstrak\u010dios choreografin\u0117s kalbos \u017eenklais.<\/p>\n<p>\u201e<i>Bud\u0117jim\u0173<\/i>\u201c (\u0161oko Jankauskas, Giedr\u0117 Subotinait\u0117, Giedr\u0117 Kirkilyt\u0117 ir Giedr\u0117 Ubartait\u0117) premjera \u012fvyko 2008 m. lapkri\u010dio 27 d. Skambant \u201eMono\u201c, \u201eKieran Hebdenand Steve Reid\u201c, \u201eRecoil\u201c, Gleno Kotches muzikai, choreografas susiejo dvi svarbiausias \u0161iuolaikinio \u0161okio vaizd\u0173 k\u016brimo formas \u2013 judes\u012f ir \u0161vies\u0105; keturi \u0161ok\u0117jai \u2013 keturi \u0161viesos sta\u010diakampiai, i\u0161tirpstantys, susiliejantys, v\u0117l i\u0161ry\u0161k\u0117jantys, kuriuose \u0161oka ir vienas kit\u0105 traukian\u010di\u0173 k\u016bn\u0173 \u0161e\u0161\u0117liai. Judesys koncentruotas, apgalvotas, sklandus \u2013 be joki\u0173 emocini\u0173 pagra\u017einim\u0173, kuriais kilt\u0173 pagunda iliustruoti spektaklio tem\u0105.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/Picture_425_1_490x326.jpg\" alt=\"\" width=\"490\" height=\"326\" \/><br \/>\nAkimirka i\u0161 \u0161okio spektaklio \u201e<i>Bud\u0117jimai<\/i>\u201c<\/p>\n<p>Talpus, poeti\u0161kas pavadinimas \u201e<i>Liepsnos vir\u0161 \u0161altojo kalno<\/i>\u201c \u2013 dar vienas abstraktus Jankausko k\u016brinys (kartu su juo premjeroje 2010 m gruod\u017eio 19 dien\u0105 \u0161oko Tautvilas Gurevi\u010dius ir R\u016bta Butkus), kuriam pavadinim\u0105 galb\u016bt suteik\u0117 \u201eSet Fire to Flames\u201c muzika, skamb\u0117jusi drauge \u201eMono\u201c ir Juozo Mila\u0161iaus darbais. Juodais drabu\u017eiais vilkintys \u0161ok\u0117jai baltos sienos ir balt\u0173 grind\u0173 fone k\u016br\u0117 grafi\u0161k\u0105 judesi\u0173 reljef\u0105 \u2013 atsargiai, ap\u010diuopomis tyrin\u0117dami dvimat\u0119 plok\u0161tum\u0105 ir pad\u0117dami vienas kitam kurti l\u0117tai ra\u0161omus judesio hieroglifus, o po kurio laiko i\u0161dr\u012fsdami i\u0161siver\u017eti \u012f erdv\u0119, taip pat i\u0161laisvindami ir judesio bei jausmo dinamik\u0105.<\/p>\n<p>Vienas pirm\u0173j\u0173 Jankausko darb\u0173, kuriuos jis k\u016br\u0117 vien kaip choreografas, steb\u0117damas gimstant\u012f spektakl\u012f i\u0161 \u0161alies \u2013 \u201e<i>Judantys taikiniai<\/i>\u201c. \u0160ok\u0117jai Agn\u0117 Ramanauskait\u0117, Giedr\u0117 Kirkilyt\u0117, Tautvilas Gurevi\u010dius ir Dovydas Letkauskas pagal vietnamie\u010dio kompozitoriaus Vu Nhat Tano muzik\u0105 (premjera \u2013 2011-12-20) jud\u0117jo transformuotoje Men\u0173 spaustuv\u0117s Juodojoje sal\u0117je. Susodinti aplink juod\u0105 kvadrat\u0105, apsupt\u0105 pla\u010dia balta juosta, \u017ei\u016brovai steb\u0117jo vienas kitu sekan\u010dius ir vienas kito taikiniais virstan\u010dius k\u016bnus \u2013 v\u0117l be jokios istorijos, iliustratyvios prad\u017eios ar pabaigos. Prielaid\u0173 emocijoms kurti nebuvo muzikoje, nebuvo ir choreografijoje \u2013 \u0161ok\u0117jai tyrin\u0117jo savo k\u016bno galimybes, plastines reakcijas \u012f partnerio si\u016blomas judesio trajektorijas.<\/p>\n<p><div class=\"flex-video widescreen\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/53781121?app_id=122963\" width=\"500\" height=\"275\" frameborder=\"0\" title=\"\/\/Dance Scene 2011\/\/ Moving targets \/ Vytis Jankauskas Dance Company\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<\/p>\n<p>\/\/Dance Scene 2011\/\/ Moving targets \/ Vytis Jankauskas Dance Company<\/p>\n<p>I\u0161trauka i\u0161 \u0161okio spektaklio \u201e<i>Judantys taikiniai<\/i>\u201c<\/p>\n<p>\u201e<i>Aritmijas<\/i>\u201c atliko Riikka Ihalainen, Giedr\u0117 Kirkilyt\u0117, Dainius Biskis ir Mantas \u010cerneckas (premjera \u2013 2013-11- 30). \u201eSendai\u201c, Jano Lintono ir Nicolaso Jaaro k\u016briniais paremtas spektaklio garsinis peiza\u017eas tapo erdve retai Jankausko spektakliuose naudojamo rekvizito ir \u0161ok\u0117j\u0173 polilogui. Tik rekvizitas taip pat susij\u0119s su judesiu \u2013 scenos fone i\u0161rikiuoti batai, kuriais apsiav\u0119s kas nors kada nors vaik\u0161\u010diojo, br\u0117\u017edamas aritmi\u0161k\u0105 savo gyvenimo linij\u0105. Rai\u0161teliais \u012f poras sugrupuota avalyn\u0117 taip pat tampa \u0161ok\u0117j\u0173 poras formuojan\u010diomis pinkl\u0117mis \u2013 po vien\u0105 tos pa\u010dios poros bat\u0105 apsiav\u0119, jie priversti taikytis prie vienas kito judesi\u0173, kurdami kartais nepaprasto susiklausymo reikalaujan\u010dias choreografines kombinacijas.<\/p>\n<p>Minimalistas vizualini\u0173 papildini\u0173 \u2013 scenografijos, butaforijos \u2013 at\u017evilgiu, Jankauskas viename naujausi\u0173 savo darb\u0173 \u2013 \u201e<i>Aklojoje d\u0117m\u0117je<\/i>\u201c (premjera \u2013 2015-11-27) kaip svarb\u0173 spektaklio komponent\u0105 pasirinko vaizdo projekcijas (\u201eLeFou\u201c). Spektaklio raktas \u2013 medicininis terminas, kuris choreografui leido svarstyti apie tikras ir \u012fsivaizduojamas erdves, realyb\u0119 ir tuos jos fragmentus, kuriuos \u017emogus nori matyti.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/zoomed_akloji-deme_1_489x352.jpg\" alt=\"\" width=\"489\" height=\"352\" \/><br \/>\nAkimirka i\u0161 \u0161okio spektaklio \u201e<i>Akloji d\u0117m\u0117<\/i>\u201c<\/p>\n<p>Naujausias Vy\u010dio Jankausko k\u016brinys \u2013 \u201e<i>Agonija<\/i>\u201c (premjera \u2013 2017-06-02, \u0161ok\u0117jos (Greta Grinevi\u010di\u016bt\u0117, Giedr\u0117 Kirkilyt\u0117, Sigita Jura\u0161kait\u0117 ir Giedr\u0117 Stankevi\u010di\u016bt\u0117) turi kelis scenografijos \u0161trichus \u2013 \u0161ok\u0117j\u0173 erdv\u0119 formuoja vir\u0161 j\u0173 kabantys trys sudvejinti \u017eiedai bei scenos viduryje \u012frengtas kibir\u0173 ir kitoki\u0173 rakand\u0173 \u201eperkusijos\u201c paviljonas. Gars\u0173 fonas \u2013 \u201eRocketnumbernine\u201c, Vitalico (Pascalio Arbezo), Thomo de Pourquery muzika, triuk\u0161mai, angli\u0161kai tariamos fraz\u0117s, \u0161nopavimas \u012f mikrofon\u0105; spektaklyje akivaizdus s\u0105moningai estetizuojamas plastinis \u201etriuk\u0161mas\u201c \u2013 judesiai ir j\u0173 grup\u0117s, kuriems neb\u016bdinga i\u0161m\u0105styta ir i\u0161jausta forma, kaip kad daugelyje ankstesni\u0173j\u0173 Jankausko darb\u0173, o improvizacinis pradas, pagr\u012fstas a\u0161tria, tr\u016bk\u010diojan\u010dia ritmika, kartais keliantis asociacijas su klubiniais \u201ego-go\u201c \u0161okiais, kurie \u017ei\u016brovus beveik ragina kilti i\u0161 savo viet\u0173 ir \u012fsijungti \u012f spektakl\u012f.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/Agonija3_490x283_1_490x283.jpg\" alt=\"\" width=\"490\" height=\"283\" \/><br \/>\nAkimirka i\u0161 \u0161okio spektaklio \u201e<i>Agonija<\/i>\u201c<\/p>\n<p>\u201eAgonijos\u201c dramaturgija kuriama remiantis paradokso principu, kuris pastebimas ir kituose paskutiniuose darbuose. \u201eAgonija\u201c primena laike u\u017esit\u0119sus\u012f performans\u0105, kuriame visi\u0161kai nebeliko Jankausko, kaip, pasak \u0161okio kritik\u0117s Vitos Moz\u016brait\u0117s, paskutiniojo romantiko, tapatyb\u0117s. Ai\u0161ku, kad jo brai\u017eas kei\u010diasi kartu su visa \u0161iuolaikine kult\u016bra, ie\u0161kodamas nauj\u0173 form\u0173, sugerdamas \u012fvairias performatyvi\u0105sias patirtis.<\/p>\n<p>Vis d\u0117lto geriausias Vy\u010dio Jankausko choreografijos gyvybingumo \u012frodymas \u2013 retrospektyvinis vakaras, kuriame pristatyti \u012fvairi\u0173 jo darb\u0173 fragmentai, atliekami jaunosios kartos \u0161ok\u0117j\u0173. Nors tai ir n\u0117ra choreografijos rekonstrukcija, kuri\u0105 jau daugel\u012f de\u0161imtme\u010di\u0173 kultivuoja klasikinis baletas (k\u016brinius su \u0161ok\u0117jais repetavo pats choreografas ir Giedr\u0117 Kirkilyt\u0117), vis d\u0117lto tai vienas pirm\u0173j\u0173 bandym\u0173 atkurti jau nebeegzistuojant\u012f \u0161iuolaikinio \u0161okio k\u016brin\u012f. 2013-\u0173j\u0173 \u201eAritimijas\u201c \u0161oko Kirkilyt\u0117, Biskis ir \u010cerneckas \u2013 \u0161is spektaklis dar nei\u0161dilo i\u0161 atminties nei artistams, nei \u017ei\u016brovams.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/2_017-11-29_107_photo-D.Matvejev_1_490x327.jpg\" alt=\"\" width=\"490\" height=\"327\" \/><\/p>\n<p>Gerokai \u012fdomiau buvo steb\u0117ti atgijusius ankstesniuosius darbus \u2013 2000-\u0173j\u0173 \u201eLiepsn\u0173 vir\u0161 \u0161altojo kalno\u201c i\u0161trauk\u0105 \u0161oko Marius Pinigis, Giedr\u0117 Kirkilyt\u0117, Lina Puod\u017eiukait\u0117; atlik\u0117j\u0173 parinkimas lyginant su premjerine sud\u0117timi liudija Jankausko choreografin\u0117s formos universalum\u0105, nepriklausym\u0105 nuo tradicini\u0173 vyri\u0161k\u0173 ar moteri\u0161k\u0173 partij\u0173 (neseniai Vilniuje vie\u0161\u0117jusi Harlemo baleto trup\u0117 pristat\u0117 Jos\u00e9Lim\u00f3no\u201e\u010cakon\u0105\u201c, kuri\u0105 choreografas suk\u016br\u0117 pats sau, o \u0161iandien vienodai s\u0117kmingai atlieka ir vyrai, ir moterys).<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/2_017-11-29_80_photo-D.Matvejev_489x296.jpg\" alt=\"\" width=\"489\" height=\"296\" \/><\/p>\n<p>\u201eBud\u0117jim\u0173\u201c i\u0161trauk\u0105 \u0161oko Egl\u0117 Kalibatait\u0117, Monika Voi\u0161nyt\u0117, Chloe Fryer ir Madeleine Jefferson, \u201eNuskendusio sl\u0117nio\u201c fragmentus su jiems b\u016bdinga plastine fakt\u016bra perteik\u0117 Airida Gudait\u0117 ir Laurynas \u017dakevi\u010dius.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/2_017-11-29_47_photo-D.Matvejev_490x327.jpg\" alt=\"\" width=\"490\" height=\"327\" \/><\/p>\n<p>\u012etaigiai \u201eAtsi\u017ead\u0117jimo\u201c epizod\u0105 atgaivino Marius Pinigis.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/2_017-11-29_74_photo-D.Matvejev_490x327.jpg\" alt=\"\" width=\"490\" height=\"327\" \/><\/p>\n<p>Atrod\u0117, kad Jankausko kalba artima ir patiems jauniausiems atlik\u0117jams \u2013 Nacionalin\u0117s M.K. \u010ciurlionio men\u0173 mokyklos Baleto skyriaus \u0160iuolaikinio \u0161okio specializacijos moksleiviams Miglei \u010caplinskytei, Dor\u0117jai Atko\u010di\u016bnas, Valerijai Gneu\u0161evai, Marijai Iva\u0161kevi\u010di\u016btei, Erikui \u017dilinskui, kurie \u0161oko \u017eini\u0105 ir pat\u012f \u201eseniausi\u0105\u201c \u0161io vakaro k\u016brin\u012f \u2013 prie\u0161 devyniolika met\u0173 pastatyt\u0173 \u201eLa\u0161\u0173 \u012f \u0161ulin\u012f\u201c fragment\u0105.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/2_017-11-29_6_photo-D.Matvejev_489x303.jpg\" alt=\"\" width=\"489\" height=\"303\" \/><\/p>\n<p>\u201eAgonijoje\u201c i\u0161ry\u0161k\u0117jusi nauja Vy\u010dio Jankausko plastin\u0117 kalba bei choreografin\u0117 dramaturgija skatina laukti kit\u0173 jo darb\u0173, kurie tur\u0117t\u0173 b\u016bti lemiami \u012f tre\u010di\u0105j\u012f de\u0161imtmet\u012f \u012fkopusio k\u016br\u0117jo \u0161okio keliui.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/VJST-1_489x325.jpg\" alt=\"\" width=\"489\" height=\"325\" \/><\/p>\n<p>Nuotraukos: Vy\u010dio Jankausko \u0161okio teatro archyvas, Dmitrijus Matvejevas.<\/p>\n<p>\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/srtrf_490x277_23_490x277.jpg\" alt=\"\" width=\"490\" height=\"277\" \/><br \/>\n<em>Helmutas \u0160abasevi\u010dius<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Po kompozicijos \u201eNuskend\u0119s sl\u0117nis\u201c premjeros tapo akivaizdu, jog Jankausko ir Kirkilyt\u0117s duetas \u2013 tam tikras Lietuvos \u0161okio kult\u016bros fenomenas, neatsitiktinai sujung\u0119s du \u017emones ir du likimus.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - 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