{"id":4214,"date":"2019-04-23T14:38:04","date_gmt":"2019-04-23T11:38:04","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=4214"},"modified":"2019-04-23T14:38:22","modified_gmt":"2019-04-23T11:38:22","slug":"naujajame-baltijos-sokyje-stiliu-misinys-nuo-breiko-hiphopo-iki-krampo","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/04\/23\/naujajame-baltijos-sokyje-stiliu-misinys-nuo-breiko-hiphopo-iki-krampo\/","title":{"rendered":"\u201eNaujajame Baltijos \u0161okyje\u201c \u2013 stili\u0173 mi\u0161inys: nuo breiko, hiphopo iki \u201ekrampo\u201c"},"content":{"rendered":"

Liko visai nedaug iki \u0161i\u0173me\u010dio tarptautinio \u0161iuolaikinio \u0161okio festivalio \u201eNaujasis Baltijos \u0161okis\u201c prad\u017eios \u2013 jau baland\u017eio 29-\u0105j\u0105 ma\u017eesniuosius Lietuvos miestus, o nuo gegu\u017e\u0117s 2-osios \u2013 Vilni\u0173 ir Kaun\u0105 u\u017elies \u0161okio dvasia. Ta proga norime pristatyti dar keturis j\u016bs\u0173 d\u0117mesio vertus atlik\u0117jus i\u0161 Nyderland\u0173, Pranc\u016bzijos, Vokietijos ir Italijos bei j\u0173 k\u016brinius, kuriuos festivalio gerb\u0117jai i\u0161vys gegu\u017e\u0119.<\/strong><\/p>\n

Bando vienas kit\u0105 ir patys save<\/strong><\/p>\n

Gegu\u017e\u0117s 3 (Vilniuje) ir 4 d. (Kaune) \u0161okio spektakl\u012f \u201eDar blogiau\u201c, \u012f kur\u012f pakviet\u0117 tris \u017eymiausius urbanistinio ir \u0161iuolaikinio \u0161okio \u0161ok\u0117jus, Lietuvos publikai pristatys sve\u010dias i\u0161 Nyderland\u0173 \u2013 choreografas Guilherme’as Miotto, ra\u0161oma prane\u0161ime \u017einiasklaidai. Shane’as Boersas, Simonas Busas ir Evangelosas Biskasas \u2013 trys puikiai tarpusavyje derantys \u0161ok\u0117jai i\u0161 labai skirting\u0173 sri\u010di\u0173: nuo \u0161vie\u017eiausio breiko iki eksperimentinio hiphopo ir \u0161iuolaikinio \u0161okio. \u0160iame spektaklyje visi stiliai mai\u0161osi ir formuoja nauj\u0105, ypating\u0105 \u0161okio \u017eodyn\u0105. Regime tris jaunus, virtuozi\u0161k\u0173 motorikos sugeb\u0117jim\u0173 turin\u010dius vyrus atsainios, bet ir \u012ftemptos buvimo kartu b\u016bsenos, kiekvienas j\u0173 \u2013 besigrumiantis su savo manijomis ir baim\u0117mis.<\/p>\n

\"\"<\/p>\n

Ernest Potters nuotr.<\/p>\n

\u012ekv\u0117pti savo bendruomeni\u0161kumo jausmo dinamikos jie kuria heroji\u0161k\u0173 \u012fvaizd\u017ei\u0173 scenas, kad i\u0161bandyt\u0173 vienas kit\u0105 ir patys save. Tai besiprie\u0161inantys, tai pasiduodantys jie vis i\u0161tr\u016bksta i\u0161 vienas kito pasp\u0119st\u0173 situacij\u0173. Tyra energija virsta i\u0161grynintu fizi\u0161kumu. Kartais perd\u0117tas, kartais skausmingas, kai kada ir li\u016bdnas, bet kiekvien\u0105 kart\u0105 priver\u010diantis sulaikyti kvap\u0105.
\nChoreografas G. Miotto 2015 m. buvo \u012fvertintas \u201eAndre Gingras\u201c apdovanojimu. T\u0105kart \u017eiuri sak\u0117: \u201eAtsisakydamas savo radikalaus vientisumo, Miotto sukuria itin unikaliu, prie\u0161taringu para\u0161u pa\u017eym\u0117tus pasirodymus. Jo darbai persunkti m\u016bs\u0173 am\u017eiaus sud\u0117tingumo, jo atlik\u0117jai, atrodo, varomi aplinkos energija, j\u0173 k\u016bnai grumiasi stengdamiesi i\u0161laikyti pusiausvyr\u0105.\u201c<\/p>\n

\u017daidimas su dviem k\u016bne gyvenan\u010diomis b\u016btyb\u0117mis<\/strong><\/p>\n

Gegu\u017e\u0117s 5 d. \u012f sostin\u0119 atkeliaus pranc\u016bz\u0173 \u0161okio trup\u0117 \u201eNach Van Van\u201c su \u0161okio spektakliu \u201eCellule\u201c (liet. \u201eL\u0105stel\u0117\u201c). Jauna moteris Nach \u201ekrampu\u201c (angl. krump, tai \u0161okio stilius) susidom\u0117jo pama\u010diusi Davido LaChapelle film\u0105 \u201eRize\u201c ir 2005-aisiais netik\u0117tai u\u017etikusi vien\u0105 t\u0173 \u0161okio spektakli\u0173 prie\u0161ais Liono oper\u0105. Remdamasi miesto ritualais nuo Porte de Montreuil rajono stog\u0173 ir \u0161iuolaikinio choreografo Heddy Maalemo spektakliu \u201e\u00c9loge du puissant Royaume\u201c, Nach sako \u201etyrin\u0117janti savo vidini\u0173 \u0161vies\u0173 ir atspalvi\u0173 teritorij\u0105 (\u2026) ir \u017eaid\u017eianti su savo dvily\u010dio k\u016bno dviprasmi\u0161kumu, dviem b\u016btyb\u0117mis, bendraujan\u010diomis tame pa\u010diame k\u016bne\u201c.<\/p>\n

\"\"<\/p>\n

Emmanuel Tussore nuotr.<\/p>\n

Kaip ir visi \u201ekrampo\u201c sek\u0117jai, Nach yra ir ji pati, ir josios avataras. Solo spektaklyje \u201eCellule\u201c vaizdo projekcijos dengia \u0161ios \u201el\u0105stel\u0117s\u201c sienas su priartintais k\u016bn\u0173 tarpusavio \u017eaidim\u0173 vaizdais. \u201eKrampo\u201c \u0161okis gim\u0117 2000-aisiais Niujorke po rasistini\u0173 riau\u0161i\u0173, o Nach pateikia asmenin\u0119 \u2013 i\u0161laisvint\u0105 i\u0161 praeities, bet i\u0161tikim\u0105 rasinio i\u0161laisvinimo jud\u0117jimo bendramin\u010diams \u2013 versij\u0105.<\/p>\n

Kai tenka maksimaliai i\u0161bandyti savo j\u0117gas<\/strong><\/p>\n

Gegu\u017e\u0117s 6 d. Anyk\u0161\u010diuose, 7 d. \u2013 Vilniuje \u0161okio trup\u0117 \u201eCocoonDance\u201c pristatys \u201eImpuls\u0105\u201c, kuris remdamasis park\u016bru \u017eaid\u017eia magnetiniu susi\u017eav\u0117jimu, kylan\u010diu i\u0161 galimyb\u0117s prarasti save judesyje ir jo impulse, leid\u017eian\u010diu pajusti fizin\u012f b\u016bv\u012f \u010dia ir dabar.Trys \u0161ok\u0117jai maksimaliai i\u0161bando savo fizines ribas DJ Franco Mento pulsuojan\u010di\u0173 gyvos muzikos ritm\u0173 fone. Suvienyti ritmo ir grei\u010dio, \u0161viesos efekt\u0173 ir i\u0161prot\u0117jusi\u0173 gars\u0173, j\u0173 judesiai atveria hipnotizuojant\u012f energijos \u0161altin\u012f, d\u0117l kurio, atrodo, \u0161ok\u0117jai ir \u017ei\u016brovai i\u0161gyvena bendr\u0105, be paliovos augan\u010di\u0105 kinestetin\u0119 patirt\u012f.<\/p>\n

\"\"<\/p>\n

Fa-Hsuan Chen nuotr.<\/p>\n

\u0160okio trup\u0119 \u201eCocoonDance\u201c 2000-aisiais \u012fk\u016br\u0117 choreograf\u0117 Rafa\u00eble Giovanola ir dramaturgas Rainaldas Endra\u00df. \u0160veicarijoje gimusi R. Giovanola dirbo soliste Torine, paskui Williamas Forsythe’as a\u0161tuoneriems metams j\u0105 pakviet\u0117 \u012f Frankfurto balet\u0105. V\u0117liau Rafa\u00eble dirbo su Pavelo Mikul\u00e1\u0161tiko \u201eChoreographisches\u201c teatru. Jau devynioliktus metus \u201eCocoonDance\u201c kuria ir pasirodo nepriklausomame \u201eBallsaal\u201c teatre Bonoje.<\/p>\n

Trup\u0117 \u012fsitvirtino kaip \u0161okio meno institucija su pla\u010diu tinklu ne tik meniniame pasaulyje, bet ir kult\u016bros \u0161vietimo srityje. Ilgus metus su naujais pasakojimo b\u016bdais, \u0161iuolaikinio \u0161okio meniniais metodais eksperimentuojantis kolektyvas jau gastroliavo penkiuose \u017eemynuose ir yra apdovanotas daugybe priz\u0173, taip pat ir meno \u0161vietimo srityje.<\/p>\n

Spektaklis netradicin\u0117je erdv\u0117je<\/strong><\/p>\n

Gegu\u017e\u0117s 10-\u0105j\u0105 netradicin\u0117je edv\u0117je \u2013 MO muziejuje \u2013 ital\u0173 \u0161ok\u0117ja ir choreograf\u0117 Annamaria Ajmone \u0161okio gerb\u0117jus pakvies \u012f asmenin\u0119 kelion\u0119, kai per ribot\u0105 laik\u0105 siekiama erdv\u0119 paversti \u201evieta\u201c. Spektaklis \u201eTrigeris\u201c yra projekto \u201eArcipelago \/ pratiche di abitazione temporanea\u201c, kurio metu kuriami pasirodymai netradicin\u0117se erdv\u0117se, dalis.<\/p>\n

\"\"<\/p>\n

Michela Di Savino nuotr.<\/p>\n

A. Ajmone’s k\u016briniai buvo pristatyti svarbiausiuose \u0161iuolaikinio \u0161okio festivaliuose ir teatruose, tokiuose kaip Venecijos \u0161okio bienal\u0117, \u201eTorino Danza\u201c, Polverigi \u201eInteatro\u201c festivalis, Milano trienal\u0117, Milano \u201eDanae\u201c festivalis, Romos \u201eShort\u201c teatras, Beiruto \u201eBipodi\u201c festivalis, \u201eOn Marche\u201c Marake\u0161e, \u201eNight Gallery\u201c Los And\u017eele ir kitur.<\/p>\n

Choreograf\u0117 laim\u0117jo \u017eurnalo \u201eDanza & Danza\u201c priz\u0105 \u201eGeriausias jaunasis Italijos atlik\u0117jas 2015\u201c. Ji bendradarbiavo ir dirbo su \u201eAlias Company\u201c, Ariella Vidach-Aiep, Daniele Ninarello, Santasangre, Muta Imago, Cristina Kristal Rizzo, Mithkalu Alzghairu ir vaizdo menininke Maria Giovanna Cicciari.<\/p>\n

\u201eNaujasis Baltijos \u0161okis’19\u201c vyks baland\u017eio 29\u2013gegu\u017e\u0117s 12 d.<\/strong><\/p>\n

Vis\u0105 informacij\u0105 apie trupes ir spektaklius rasite portale www.newbalticdance.lt\u00a0<\/a><\/p>\n

Bilietus platina tiketa.lt ir teatrai.lt. Festival\u012f organizuoja \u201eLietuvos \u0161okio informacijos centras\u201c ir \u201eVilniaus festivaliai\u201c, finansuoja Lietuvos kult\u016bros taryba ir Vilniaus miesto savivaldyb\u0117, remia Goethe\u2019s institutas Vilniuje.<\/p>\n

Skaitykite daugiau<\/strong>: https:\/\/www.delfi.lt\/kultura\/naujienos\/naujajame-baltijos-sokyje-stiliu-misinys-nuo-breiko-hiphopo-iki-krampo.d?id=80956569<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Liko visai nedaug iki \u0161i\u0173me\u010dio tarptautinio \u0161iuolaikinio \u0161okio festivalio \u201eNaujasis Baltijos \u0161okis\u201c prad\u017eios \u2013 jau baland\u017eio 29-\u0105j\u0105 ma\u017eesniuosius Lietuvos miestus, …<\/p>\n","protected":false},"author":2,"featured_media":4219,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\n\u201eNaujajame Baltijos \u0161okyje\u201c \u2013 stili\u0173 mi\u0161inys: nuo breiko, hiphopo iki \u201ekrampo\u201c - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/04\/23\/naujajame-baltijos-sokyje-stiliu-misinys-nuo-breiko-hiphopo-iki-krampo\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201eNaujajame Baltijos \u0161okyje\u201c \u2013 stili\u0173 mi\u0161inys: nuo breiko, hiphopo iki \u201ekrampo\u201c - 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