{"id":4322,"date":"2019-05-04T14:57:30","date_gmt":"2019-05-04T11:57:30","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=4322"},"modified":"2021-01-27T13:59:46","modified_gmt":"2021-01-27T11:59:46","slug":"nbs19-giliai-po-oda-aciu-ne","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/05\/04\/nbs19-giliai-po-oda-aciu-ne\/","title":{"rendered":"NB\u0160’19: \u201eGiliai po oda\u201c. A\u010di\u016b, ne."},"content":{"rendered":"

2014-aisiais, Rusijos paj\u0117goms \u012fsiver\u017eus \u012f Ukrain\u0105, Lietuvoje paplito kar\u0161tojo karo ir jo nuojaut\u0173 tema. Ilgainiui \u0161i baim\u0117 bl\u0117so, j\u0105 pakeit\u0117 hibridinio karo samprata ir nerimas suvokus, kaip lengvai galima manipuliuoti \u017emogaus smegenimis. Iki \u0161iol daugyb\u0117 Lietuvos gyventoj\u0173 nepaleid\u017eia budin\u010dio kovos re\u017eimo, tad i\u0161girdus k\u0105 nors sakant, kad \u0161i \u0161alis ne\u017eino, k\u0105 rei\u0161kia karas, pirmiausiai tenka suklusti: kaip tai ne\u017eino? O hibridinis karas? Gal\u0173 gale \u2013 o sausio 13-oji? Vis d\u0117lto \u201eNaujajame Baltijos \u0161okyje\u201c spektakl\u012f \u201eGiliai po oda\u201c pristat\u0119s libanietis, folkloro ir \u0161iuolaikinio \u0161okio menininkas Bassamas Abou Diabas teisus: mes ne\u017einome, k\u0105 rei\u0161kia JO karas. Tas, kur\u012f \u012fr\u0117mina bombos ir humanitarin\u0117 gailesting\u0173j\u0173 Vakar\u0173 pagalba.<\/p>\n

\u012edomiausias dalykas, kur\u012f pavyko atrasti \u201eGiliai po oda\u201c \u2013 prie karo galima priprasti, ta\u010diau jo keliamas poveikis ne silpn\u0117ja, o tiesiog tampa nepastebimas. Muzikantas Ayman Sharaf El Dine stipriai dau\u017eo b\u016bgn\u0105, imituodamas netik\u0117t\u0105, aus\u012f r\u0117\u017eiant\u012f sprogstan\u010dios bombos gars\u0105. Ausis pripranta, ir net jei \u017emogus, i\u0161gird\u0119s kit\u0105 d\u016b\u017e\u012f, v\u0117l kr\u016bpteli, efektas nebe toks stiprus. Ta\u010diau negali \u017einoti, kaip tai paveik\u0117, pavyzd\u017eiui, aus\u0173 b\u016bgnelius. Apie tai Bassamas Abou Diabas kalb\u0117jo ir prie\u0161 festival\u012f publikuotame interviu: jam \u012fdomu tyrin\u0117ti, kaip kare \u012fgytos patirtys i\u0161lieka ir v\u0117liau pasirei\u0161kia \u017emogaus k\u016bne. Vis d\u0117lto vien k\u016bno rai\u0161ka k\u016br\u0117jas nepasitik\u0117jo ir spektaklyje prie\u0161 kiekvien\u0105 \u0161okio epizod\u0105 jis pasakoja istorij\u0105, da\u017eniausiai \u012fvardindamas, k\u0105 b\u016bsimas \u0161okis gal\u0117t\u0173 rei\u0161kti.<\/p>\n

\"\"<\/p>\n

Bassamas Abou Diabas spektaklyje \u201eGiliai po oda\u201c. NB\u0160 archyvo nuotrauka<\/em><\/p>\n

I\u0161 principo pasakojimo neatskir\u010diau nuo judesio \u2013 tai tokia pati spektaklio dalis, kaip ir konkre\u010diais stiliais \u012fvardijamas \u0161okis. Svarbiau, kad tokia spektaklio forma, regis, diktuoja kitokios erdv\u0117s poreik\u012f nei buvo pasi\u016blyta festivalyje. Reginio metu neapleido mintis, kad Men\u0173 spaustuv\u0117s Ki\u0161enin\u0117 sal\u0117 trukdo kurti Bassamo Abou Diabo pageidaujam\u0105 santyk\u012f su j\u012f stebin\u010diaisiais. Tarsi dalyvautume dar vienoje gailesting\u0173j\u0173 Vakar\u0173 pagalbos aprai\u0161koje: gra\u017eiai sus\u0117d\u0119 saugiose \u017ei\u016brov\u0173 vietose paklaus\u0117m karus patyrusio \u017emogaus \u012fsp\u016bd\u017ei\u0173. Aik\u0161t\u0117, kurioje s\u0117d\u0117tume ratu ant \u017eem\u0117s, aplink plyt\u0117t\u0173 keliasde\u0161imties met\u0173 senumo pastatai, o ka\u017ekuriuo metu pro \u0161al\u012f galb\u016bt praeit\u0173 dainuojantys kri\u0161naitai \u2013 kol kas tai geriausia, k\u0105 pavyko \u012fsivaizduoti kaip tobul\u0105 erdv\u0119 \u201eGiliai po oda\u201c rodymui. \u017dinoma, po to, kai t\u0105 pa\u010di\u0105 dien\u0105 Katedros aik\u0161t\u0117je spektaklis \u201eOrigamis\u201c patyr\u0117 saul\u0119, liet\u0173, v\u0117l saul\u0119, liet\u0173 ir kru\u0161\u0105, nesunku suprasti festivalio organizatorius, nelinkusius piktnaud\u017eiauti pasirodymais po atviru dangumi.<\/p>\n

Gr\u012f\u017ekime \u012f Ki\u0161enin\u0119 sal\u0119. \u010cia Basaamas Abou Diabas parod\u0117 technikas, kurias atrado, priverstas gelb\u0117tis nuo bomb\u0173 \u2013 silpnesni\u0173, stipresni\u0173, chemini\u0173. Taigi jo \u0161okis (tas, kuris turi stiliaus pavadinim\u0105) yra ne tik karo su\u017ealoto k\u016bno, bet ir bandymo apsiginti, apsivalyti nuo kan\u010di\u0105 kelian\u010di\u0173 patir\u010di\u0173 i\u0161rai\u0161ka. Bomba \u2013 tai signalas gri\u016bti, ristis, verstis, sl\u0117ptis. Ir v\u0117l pakilti. Paskutinis veiksmas svarbiausias, jis rei\u0161kia, kad i\u0161likai (\u201eAnd then you survive\u201c, sako k\u016br\u0117jas) ir gali pereiti prie kito karo etapo: humanitarin\u0117s pagalbos, kurioje i\u0161gyvenusieji gauna, pavyzd\u017eiui, \u201eAdidas\u201c batus. O jei kare netekai artim\u0173j\u0173, b\u016bsi dar gausiau apipiltas dovanomis. Visi anekdotai i\u0161 gyvenimo.<\/p>\n

Niekaip negaliu prisiminti, ar apsigynimo nuo atomin\u0117s bombos technika taip pat pasibaig\u0117 tekstu \u201eand then you survive\u201c. Turb\u016bt ne. Vis\u0173 pirma, \u0161i\u0105 technik\u0105 Bassamas sak\u0117 dar vystantis. Antra, jis neturi jos pritaikymo patirties, be kurios ir jo k\u016bnas negali perteikti susid\u016brimo su atomine bomba. Situacijai atskleisti k\u016br\u0117jas atsine\u0161\u0117 senovin\u012f kard\u0105 ir ma\u017eut\u012f skyd\u0105. Galb\u016bt tod\u0117l, kad tokios papildomos priemon\u0117s kompensuoja patirties stygi\u0173. O gal kad pabr\u0117\u017et\u0173, jog \u017emogaus k\u016bnas prie\u0161 atomin\u0119 gali\u0105 yra visi\u0161kai bej\u0117gis.<\/p>\n

Apsigynimo nuo atomin\u0117s bombos b\u016bdas, be abejo, nuskamba kaip persp\u0117jimas, kaip kito naikinimo etapo nuoroda. Kiek dar laiko \u017emon\u0117s prisimins \u012fvykius Hiro\u0161imoje ir Nagasakyje? Kada juos pamir\u0161, kaip pamir\u0161o visuomeni\u0173 susiprie\u0161inimus prie\u0161 buvusius pasaulinius karus? \u0160ie klausimai skamba primityviai, ta\u010diau i\u0161kyla, nes Bassamo pasirinkta forma gr\u0105\u017eina aktualijas kitu pavidalu. Greta pasakojimo apie karo patirtis jis bando perteikti jas k\u016bnu, kur\u012f drauge su visomis prasm\u0117mis fizi\u0161kai pajausti yra lengviau nei i\u0161girdus bandyti \u012fsijausti ir suprasti. O \u0161tai kalbos, kuriomis artistas ragina nuvykti \u012f kar\u0161t\u0105j\u012f kar\u0105 patirian\u010dias valstybes, atrodo tarsi nei\u0161sipild\u017eiusi pretenzija \u012f ironij\u0105. Kai pus\u0119 spektaklio valandos esi skatinamas pajusti nenunykstan\u010di\u0105 karo \u017eal\u0105 individui, o tuomet gauni pasi\u016blym\u0105 patirti visk\u0105 savo kailiu, nebesupranti, kam buvo reikalinga prie\u0161 tai buvusi dalis. Galb\u016bt tai pamokymas nepakankamai empati\u0161kiems: jei ne\u012ftikino spektaklis, keliaukit semtis patir\u010di\u0173 i\u0161 realyb\u0117s. A\u0161 vis d\u0117lto rink\u010diausi ne\u017einojim\u0105, net ir tikinama tapti kar\u0105 (galb\u016bt) galin\u010dia i\u0161gyventi supermoterimi.<\/p>\n

Dar viena spektaklio detal\u0117: scenoje pasodintas vert\u0117jas, kuriuo Vilniuje tapo libanietis Abdo Zein Al Abedeen, pa\u017e\u012fstamas i\u0161 Manto Jan\u010diausko spektaklio \u201eDreamland\u201c. \u0160is \u017emogus, regis, ir yra tikroji jungtis tarp vien\u0173 patir\u010di\u0173 k\u016br\u0117j\u0173 i\u0161 Libano ir kitomis pasi\u017eymin\u010di\u0173 lietuvi\u0173 \u017ei\u016brov\u0173 grup\u0117s. Ir visai ne tod\u0117l, kad jis vert\u0117jauja k\u016br\u0117jui, kuris pats puikiai kalba angli\u0161kai. Abdo vaikyst\u0117je taip pat i\u0161gyveno karus, ta\u010diau \u012fsimyl\u0117j\u0119s Lietuvos rus\u0119, drauge su ja nutar\u0117 rinktis ne konflikt\u0173 nepaliekam\u0105 \u0161al\u012f, bet kit\u0105 valstyb\u0119. \u0160tai \u017emogus, patyr\u0119s bombas ir nusprend\u0119s, kad Lietuvoje kurti \u0161eim\u0105 bus saugiau \u2013 tai skamba kur kas patraukliau ir \u012ftikinamiau nei Bassamo pasi\u016blymas sumok\u0117ti u\u017e biliet\u0105 \u012f karo zon\u0105.<\/p>\n","protected":false},"excerpt":{"rendered":"

2014-aisiais, Rusijos paj\u0117goms \u012fsiver\u017eus \u012f Ukrain\u0105, Lietuvoje paplito kar\u0161tojo karo ir jo nuojaut\u0173 tema. Ilgainiui \u0161i baim\u0117 bl\u0117so, j\u0105 pakeit\u0117 …<\/p>\n","protected":false},"author":2,"featured_media":4324,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nNB\u0160'19: \u201eGiliai po oda\u201c. A\u010di\u016b, ne. - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/05\/04\/nbs19-giliai-po-oda-aciu-ne\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NB\u0160'19: \u201eGiliai po oda\u201c. 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