{"id":4328,"date":"2019-05-05T11:33:41","date_gmt":"2019-05-05T08:33:41","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=4328"},"modified":"2021-01-27T13:59:35","modified_gmt":"2021-01-27T11:59:35","slug":"nbs19-titanai-kazkur-viskam-pasibaigus-supynems-supantis","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/05\/05\/nbs19-titanai-kazkur-viskam-pasibaigus-supynems-supantis\/","title":{"rendered":"NB\u0160\u201919: \u201eTitanai\u201c. Ka\u017ekur, viskam pasibaigus, s\u016bpyn\u0117ms supantis"},"content":{"rendered":"

Graik\u0173 \u201eTitanai\u201c (Euripides Laskaridis ir \u201eOsmosis\u201c) \u2013 tai laikas prie\u0161 pasaul\u012f, arba laikas po pasaulio. Laikas, kai gyvybi\u0161kai b\u016btina juoktis i\u0161 savo k\u016bno, lyg b\u016btum ne\u017emoni\u0161kai senas, keli\u0173 t\u016bkstan\u010di\u0173 met\u0173. Arba susigalvoti ilg\u0105 nos\u012f ir pilv\u0105 prie\u0161 pasaulio gimdym\u0105, lyg b\u016btum dievas. Arba susigalvoti sau negro\u017e\u012f ir raudon\u0105 od\u0105, vaiki\u0161k\u0105 i\u0161rai\u0161k\u0105, lyg nor\u0117tum prane\u0161ti apie savo k\u0105 tik atsiradim\u0105<\/em>, arba savo k\u0105 tik mirt\u012f<\/em>. Kitaip tariant, lyg nor\u0117tum pasakyti ka\u017ek\u0105 nesvarbaus apie ka\u017ekam \u2013 kaip \u012ftariama \u2013 dar svarbi\u0105 egzistencij\u0105.<\/p>\n

Laikas s\u016bpyn\u0117ms suptis. Laikas putplas\u010diui tapti visatos materija ir snigti, byr\u0117ti, l\u012fsti \u012f burnas, trintis tarp dant\u0173. Laikas rastis auksiniam \u017eemynui, kur\u012f galima atrasti niekur neplaukiant, tiesiog prit\u016bpus ir pap\u016btus t\u016btel\u0119. Laikas \u0161itame \u017eemyne \u012fvykti \u017eem\u0117s dreb\u0117jimui, p\u016bgai, titan\u0173 pasimatymui. Titan\u0173 \u2013 be galo \u017emogi\u0161k\u0173, ir drauge \u2013 neturin\u010di\u0173 su \u017emogi\u0161kumu nieko bendro. Jie yra arba ka\u017ekas, kas buvo iki \u017emogaus, arba ka\u017ekas, kas ateina po jo. Ka\u017ekas tarp a\u0161 visk\u0105<\/em> \u017einau <\/em>ir niekada nebuvo k\u0105 \u017einoti<\/em>.<\/p>\n

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Nuotrauk\u0173 autorius: Dmitrijus Matvejevas<\/em><\/p>\n

Euripides Laskaridis \u201eTitanai\u201c \u2013 apokaliptinis i\u0161gyvenimas, kuris pirmiausia suvokiamas ne protu, bet poj\u016b\u010diais: man \u2013 pirmiausia tuo, k\u0105 gird\u017eiu (originali muzika ir garso dizainas \u2013 Giorgos Poulios), ir i\u0161 paskos \u2013 tuo, k\u0105 matau. Vizualiniai deformuot\u0173 k\u016bn\u0173, objekt\u0173 ir \u0161viesos \u012fvaizd\u017eiai \u0161aukiasi d\u0117mesio akivaizd\u017eiausiai \u2013 \u012f juos reikia leistis lyg einant p\u0117stute, bet neturint koj\u0173: kai numanai taisykles, bet supranti, kad n\u0117ra joki\u0173 s\u0105lyg\u0173 taisykl\u0117ms egzistuoti. Kai sakau, kad garsiniai \u012fvaizd\u017eiai lenkia vizualinius, turiu minty, kad JI (atlik\u0117jas Dimitris Matsoukas) \u2013 ilganos\u0117, pilvota \u2013 neb\u016bt\u0173 JI, jeigu ne JOS balso moduliacijos, kuriose vyrauja absoliu\u010diai deformuot\u0173, neartikuliuot\u0173, pla\u010dios amplitud\u0117s veblenim\u0173-riaumojim\u0173-murm\u0117jim\u0173-staugsm\u0173-gargaliavim\u0173 siaubas ir primityvumas. Titano-JO (atl. Euripides Laskaridis) balsas u\u017esuktas \/ atimtas, ta\u010diau jo l\u0117to judesio choreografija ir kojine aptraukta fig\u016bra kuria galing\u0105 gal dievi\u0161kos skulpt\u016bros, gal sul\u0117tintai klajojan\u010dio human being<\/em> \u012fvaizd\u012f. Kontradikcijomis pagr\u012fstas visas veiksmas, o \u017ei\u016brovo darbas \u2013 fiksuoti, kur baigiasi ir prasideda rimta ir didel\u0117 \u017emonijos reik\u0161m\u0117, kuri viso labo galb\u016bt t\u0117ra pinoki\u0161ka transformacija, atsiduodanti papras\u010diausiu melu.<\/p>\n

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\u201eTitan\u0173\u201c re\u017eisierius, choreografas, atlik\u0117jas, scenografas \u2013\u00a0Euripides Laskaridis. Jis savo k\u016bryboje nagrin\u0117ja pajuokos ir transformacijos temas, siekia i\u0161didinti situacij\u0105, kai \u201evisuomen\u0117 pagaunama be kelni\u0173\u201c. Kad Laskaridis tur\u0117j\u0119s s\u0105lyt\u012f su Robertu Wilsonu, matyti i\u0161 to, kas pradeda, pabaigia ir judina spektakl\u012f: \u0161viesa yra veiksmo \u0161altinis (\u0161vies\u0173 dizainas \u2013 Eliza Alexandropoulou). LED sprendimai formuoja scenos zonas, lemia titani\u0161k\u0105 gyvenim\u0105, duoda leidim\u0105 veikti, atima laim\u0119; \u0161viestuvai krenta ir kankina, pasiduoda arba prie\u0161inasi komandoms. \u0160vies\u0173 pavaldumu nurodymams pabr\u0117\u017eiama arba sugriaunama dviej\u0173 \u017emogyst\u0173 kontrol\u0117 ir reik\u0161m\u0117 pasauliui: atsitinka, kad \u0161viesa neklauso, ir gyvenimas u\u017estringa. \u0160viesa \u010dia vir\u0161ija k\u016bn\u0173 gali\u0105 \u2013 k\u016bnas gali nejud\u0117ti, u\u017etat sukasi \u0161viesos mal\u016bn\u0117lis, ir vietoj k\u016bno aktyvuojasi jo \u0161e\u0161\u0117lis, kuris daug daugiau, negu juda: jis \u012frodo, kad pasaulis \u0161oka, o \u017emogus stingsta. LED juostos kuria \u0161io spektaklio geografij\u0105: vis\u0105 laik\u0105 eini paskui \u0161vies\u0105, kuri dviem k\u016bdikiams leid\u017eia \u012fkv\u0117pti t\u016bkstant\u012fkart vis t\u0105 pat\u012f pirm\u0105, arba vis t\u0105 pat\u012f paskutin\u012f oro g\u016bs\u012f.<\/p>\n

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Visur pilna sapno \u0161vies\u0173, ir visur pilna, regis, pas\u0105monin\u0117s kilm\u0117s gars\u0173, kurie lyg eit\u0173 i\u0161 tav\u0119s. Nuo pirmos sekund\u0117s kamuoja jausmas, lyg vaik\u0161\u010diotum ka\u017ekur viskam pasibaigus, ir viskas dar i\u0161 inercijos girg\u017ed\u0117t\u0173, baigt\u0173 kilti garas, mechanin\u012f judes\u012f i\u0161 buvusio gyvenimo prisimint\u0173 putplas\u010dio fontanas (i\u0161tryk\u0161tantis atidarius \u0161iuk\u0161lin\u0119), i\u0161bl\u0117sus\u012f kar\u0161t\u012f atiduot\u0173 lygintuvas. Niekas nebeveikia, bet dar skleid\u017eia signal\u0105, \u016bbauja, \u016b\u017eia. Niekas nebeveikia, bet JI vis dar puo\u0161iasi ir merkia, ko gero, seniai nebemirksin\u010di\u0105 ak\u012f JAM. Tai yra griuv\u0117si\u0173 b\u016bsena, kuri \u012feina \u012f tave atvirk\u0161\u010diai, apsimesdama pasaulio gimimu.<\/p>\n

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O i\u0161 ties\u0173 gal viskas t\u0117ra noras juoktis \u2013 i\u0161 m\u016bs\u0173 kaip primat\u0173, kurie \u017eaid\u017eia \u017emones. I\u0161 m\u016bs\u0173 kaip kalban\u010di\u0173j\u0173, kurie negeba susikalb\u0117ti. I\u0161 m\u016bs\u0173 kaip formali\u0173 veid\u0173, duodan\u010di\u0173 \u017emogi\u0161kumui ton\u0105. I\u0161 m\u016bs\u0173 kaip sintetini\u0173 r\u016bb\u0173, kurie slepia visokias g\u0117das. Man Titanai \u2013 vainikuot\u0173j\u0173 nuvainikavimas, ma\u017e\u0173 b\u016btybi\u0173 juokas, i\u0161tinkantis pavieniui, kai didi, karali\u0161ka \u017emonijos mas\u0117 dedasi kar\u016bn\u0105. Gal tai \u2013 net ka\u017ekiek nuogi karaliaus drabu\u017eiai; gal net ka\u017ekiek Jo Str\u00f8mgreno gargaliuojan\u010di\u0173 i\u0161nykusi\u0173j\u0173 jausmas; gal net ka\u017ekiek antitez\u0117 Wilsono teatro tira\u017euotai, bet didybei. Ir tikrai ka\u017ekiek akies merkimas kitam festivalio spektakliui \u2013 I\u0160 DRAMBLIO KAULO IR M\u0116SOS \u2013 SKULPT\u016aROS IRGI KEN\u010cIA (\u017daliasis Ky\u0161ulys \/ Portugalija), kur deformacijas kuria tik k\u016bnai, kostiumai, grimas ir judesys, ta\u010diau kur taip pat atsisakoma tik\u0117ti mintimi, kad b\u016bti \u017emogumi yra laim\u0117jimas.<\/p>\n

Re\u017eisierius Euripides Laskaridis kuria gars\u0173, \u0161vies\u0173, objekt\u0173 ir gro\u017eio gaudes\u012f, kuris skandina \u017ei\u016brov\u0105 kaip matant\u012fj\u012f, girdint\u012fj\u012f, bet ne-suvokiant\u012fj\u012f: \u010dia ateini ne interpretuoti, bet patirti. Ir tik tada \u012fnerti gilyn, \u012f u\u017e \u012fvaizd\u017eio tylint\u012f beveik li\u016bdn\u0105, beveik naiv\u0173 titan\u0105, ir absoliut\u0173 naujagim\u012f, ir visi\u0161k\u0105 mirus\u012fj\u012f.<\/p>\n

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Galb\u016bt atrodo, kad \u010dia n\u0117ra nieko, kas b\u016bt\u0173 \u0161okis; bet i\u0161 ties\u0173 \u010dia n\u0117ra nieko, kas b\u016bt\u0173 ne \u0161okis: viskas turi sav\u0105 choreografij\u0105 \u2013 vis\u0173 pirma \u0161viesos, atspind\u017eiai, \u0161e\u0161\u0117liai, vis\u0173 antra garsai \u2013 kol Ji kramto \u0161it\u0105 \u017eemyn\u0105 ir garsiai eksploatuoja visk\u0105, k\u0105 randa; JIS tylomis tyrin\u0117ja, ie\u0161ko, lyg pama\u017eu \u012fsisavint\u0173 or\u0105 ir erdv\u0119. Plok\u0161t\u0117mis, mikrodalel\u0117mis, kalnais, paveikslais egzistuojantis baltas putplastis tampa \u010de\u017ean\u010diu fonu \u0161okan\u010diam \u017emogui, jo mitiniam jausmui, m\u016bs\u0173 vis\u0173 buities li\u016bdesiui. Bet gra\u017eiausias \u0161okis \u2013 k\u016bn\u0173 transformacijos, kurios pagauna ak\u012f lyg kraupumu, lyg \u017eaisme. Scena, kur JI, \u012f\u0161viesta keli\u0173 metr\u0173 ilgio LED juostos i\u0161 apa\u010dios, m\u0117gina megzti ry\u0161\u012f su BALSU \u2013 gal JO, gal niekieno; mano u\u017era\u0161uose pavadinta galvos choreografija<\/em>. Ta kelion\u0117, kuri\u0105 \u0161i galva nukeliauja LED\u2019o horizontu, duoda suprasti: ir i\u0161 vienos galvos gali i\u0161eiti teatras, kuris ir kar\u0161\u010diuoja pats, ir dusina auditorij\u0105 pa\u010diu gra\u017eiausiu dusinimo b\u016bdu.<\/p>\n

\"\"<\/p>\n

Vis\u0105 spektakl\u012f kamuoja noras \u0161ituos transformuotus k\u016bnus liesti pir\u0161tais \u2013 kad i\u0161\u0161oktum reljef\u0105, kad atrastum save, \u012fkritus\u012f gal \u012f burn\u0105, u\u017elindus\u012f gal u\u017e akies voko, i\u0161tatuiruot\u0105 gal ant \u0161launies. Nesvarbu, kok\u012f, svarbu, kad save: nes \u010dia vyksta tai, kas i\u0161m\u0117gina m\u016bs\u0173 buvim\u0105 \u017emogumi. \u017dmogumi kaip r\u016b\u0161imi, kuri vis dar tiki, kad vienaip ar kitaip yra didinga.<\/p>\n

\"\"<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Graik\u0173 \u201eTitanai\u201c (Euripides Laskaridis ir \u201eOsmosis\u201c) \u2013 tai laikas prie\u0161 pasaul\u012f, arba laikas po pasaulio. Laikas, kai gyvybi\u0161kai b\u016btina juoktis …<\/p>\n","protected":false},"author":2,"featured_media":4329,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nNB\u0160\u201919: \u201eTitanai\u201c. Ka\u017ekur, viskam pasibaigus, s\u016bpyn\u0117ms supantis - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/05\/05\/nbs19-titanai-kazkur-viskam-pasibaigus-supynems-supantis\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NB\u0160\u201919: \u201eTitanai\u201c. 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