{"id":4346,"date":"2019-05-06T04:18:11","date_gmt":"2019-05-06T01:18:11","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=4346"},"modified":"2021-01-27T13:59:09","modified_gmt":"2021-01-27T11:59:09","slug":"nbs19-uniforma-destrukcijos-ir-amzinybes-jegos-nelygios","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/05\/06\/nbs19-uniforma-destrukcijos-ir-amzinybes-jegos-nelygios\/","title":{"rendered":"NB\u0160\u201919: \u201eUniforma\u201c. Destrukcijos ir am\u017einyb\u0117s j\u0117gos nelygios"},"content":{"rendered":"

Kalb\u0117damiesi apie k\u016brybos proces\u0105 ir nei\u0161vengiam\u0105 k\u016brinio sunaikinim\u0105, da\u017enai prisimename mandalos metafor\u0105: ilgas, kruop\u0161tus, atsakingas med\u017eiag\u0173 d\u0117liojimas, sukuriantis nepaprasto gro\u017eio pie\u0161in\u012f, kuris privaloma tvarka tuoj pat sunaikinamas. Tai primena \u017emogaus ir j\u012f supan\u010dios aplinkos laikinum\u0105. Gra\u017ei id\u0117ja, kurios mes, vakarie\u010diai, paprastai nepraktikuojame. Medituokit, tik\u0117kit, bet darbo vis d\u0117l to gaila \u2013 juk kartais net \u0161okolad\u0105 suvalgyti sunku, jei i\u0161 jo i\u0161lieta gra\u017ei forma. \u017dinoma, \u0161okoladas skirtas valgyti. \u017dmogui skirta mirti. Daiktai ir pastatai taip pat \u00fdra. Tad jei nykimo procesas nat\u016bralus, kod\u0117l esame aps\u0117sti noro i\u0161laikyti rei\u0161kinius am\u017einai?<\/p>\n

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Nuotrauk\u0173 autorius: Dmitrijus Matvejevas<\/em><\/p>\n

K\u016br\u0117ja i\u0161 Belgijos Sabina Scarlat drauge su Irene Russolillo spektaklyje \u201eUniforma\u201c teigia besigilinanti \u012f destrukcijos ir atsinaujinimo nei\u0161vengiamyb\u0119. Tokia ir spektaklio dramaturgija: ratas, kuriame \u017emon\u0117s patenka \u012f erdv\u0119, j\u0105 \u201enugyvena\u201c, tuomet stato i\u0161 naujo, o rezultatus naikina gamtos stichijos; galiausiai prie atstatymo pasi\u016bloma prisid\u0117ti stebintiesiems (matyt, netur\u0117sim \u201eNaujojo Baltijos \u0161okio\u201c, kuris nors kart\u0105 nepakviest\u0173 publikos ka\u017ek\u0105 nuveikti scenoje). Ka\u017ein, ar griaunam\u0105j\u0105 j\u0117g\u0105 k\u016br\u0117jos priskyr\u0117 konkre\u010diam rei\u0161kiniui ar laikotarpiui, ta\u010diau vizualiai spektaklis sufleravo ketvirtosios pramon\u0117s revoliucijos ir \u017emogaus rankomis kuriamo pasaulio kontrastus. Did\u017eiul\u0117je sm\u0117lio pripildytoje erdv\u0117je architekt\u016bra statoma \u017emoni\u0173 rankomis. Mechanizuota \u010dia griaunamoji j\u0117ga: persona\u017e\u0173 judesiai, d\u016bm\u0173 ma\u0161inos bei kita technika, imituojanti gamtos stichijas \u2013 v\u0117j\u0105, liet\u0173, snieg\u0105, r\u016bk\u0105.<\/p>\n

\"\"<\/p>\n

Destrukcija spektaklyje rodoma ne kaip s\u0105moninga, piktybi\u0161ka veikla, o kaip nat\u016bralus procesas, sugyvenant vis\u0173 r\u016b\u0161i\u0173 gyvybei ir k\u016briniams. Vos \u012f\u0117j\u0119 \u012f sal\u0119 \u017ei\u016brovai i\u0161vysta neauk\u0161t\u0105 sm\u0117lio miest\u0105 ir vir\u0161 jo i\u0161kilusias dvi moteris juodomis keln\u0117mis ir baltais mar\u0161kiniais (biuro tarnautoj\u0173 uniformos?). Parteryje u\u017egesus \u0161viesoms, jos trumpais, staigiais judesiais vaik\u0161to tarp sm\u0117lio pastat\u0173, s\u0117kmingai juos apeidamos, laviruodamos paliktuose takeliuose, ta\u010diau ilgainiui pradeda u\u017egauti statinius kojomis, remiasi \u012f juos, u\u017emeta rankas, deda galvas \u2013 taip sm\u0117lio pastatai ima gri\u016bti d\u0117l visi\u0161kai buiti\u0161k\u0173, nat\u016brali\u0173 judesi\u0173. \u017dinut\u0117 ai\u0161ki: viskas d\u0117visi. Neb\u016btina griauti s\u0105moningai, nereikia gaisr\u0173, \u017eem\u0117s dreb\u0117jim\u0173 ar \u017emoni\u0173 godumo, kad bet kuris k\u016brinys ilgainiui nunykt\u0173.<\/p>\n

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Dar vaikyst\u0117je knygoje \u201eKieti rie\u0161ut\u0117liai gudrioms galvel\u0117ms\u201c teko perskaityti m\u012fsl\u0119, kurioje i\u0161vardijami Kin\u0173 sienos duomenys ir klausiama, kiek palengv\u0117t\u0173 \u017dem\u0117s rutulys, jei siena b\u016bt\u0173 i\u0161ardyta. \u00a0Atsakymas: n\u0117 kiek, nes statybin\u0117s med\u017eiagos vis tiek likt\u0173 \u017dem\u0117je. \u0160tai toks pasaulis egzistuoja \u201eUniformoje\u201c \u2013 k\u016briniai gri\u016bva, kad i\u0161 t\u0173 pa\u010di\u0173 med\u017eiag\u0173 b\u016bt\u0173 sukurta ka\u017ekas kita: pavyzd\u017eiui, naujas miestas, patenkinantis naujus poreikius, tinkamesnis ankstesn\u012f gyvenimo b\u016bd\u0105 i\u0161augusiems \u017emon\u0117ms. Pasaulis tas pats \u2013 skiriasi tik jo teikiam\u0173 turt\u0173 panaudojimo b\u016bdai.<\/p>\n

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Ir visgi spektaklis pasi\u016bl\u0117 emocij\u0105, leidusi\u0105 suprasti, kod\u0117l \u017emon\u0117ms taip sunku i\u0161k\u0119sti destrukcij\u0105 \u2013laukiant, kol griuv\u0117siai v\u0117l \u012fgis konkre\u010di\u0105, panaudojam\u0105 i\u0161rai\u0161k\u0105, apninka klaikus nuobodulys. Vilnie\u010diai turb\u016bt atsimena u\u017esit\u0119susius Vilniaus gatv\u0117s tvarkymo darbus, kuri\u0173 metu paprasti gyventojai netur\u0117jo joki\u0173 gali\u0173 spartinti veikl\u0105 ir tegal\u0117jo laukti, steb\u0117ti ne\u012ftik\u0117tinai l\u0117t\u0105 proces\u0105. Pana\u0161us jausmas ap\u0117m\u0117, prasid\u0117jus miesto atstatymui \u201eUniformoje\u201c: prad\u017eioje \u012fdomu ir jaudina, ta\u010diau supratus taisykles (naujo miesto stili\u0173 ir tai, kad tokiu tempu bus \u0161lifuojamas VISAS scenoje esantis sm\u0117lis) papras\u010diausiai pabodo laukti, kol keturi statytojai \u012fvykdys, k\u0105 suplanav\u0119. Po kurio laiko apima nuo\u0161irdus noras eiti \u012f scen\u0105 ir pad\u0117ti jiems pabaigti \u2013 kad tik b\u016bt\u0173 grei\u010diau. Betgi ka\u017ekaip nedr\u0105su \u2013 publika skendi tamsoje, tad \u017eenklo, kad leid\u017eiama prisijungti, n\u0117ra. Jis pasi\u016blomas pabaigoje, kai statymo darbai jau tiek pabod\u0119, kad mieliau b\u0117gsi \u012f tuoj prasid\u0117siant\u012f kit\u0105 spektakl\u012f nei t\u0119si patirtis \u0161iame.<\/p>\n

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Asmeni\u0161kai spektakl\u012f labiausiai vertinu tod\u0117l, kad jis man leido pateisinti savo reakcij\u0105 \u012f gaisr\u0105 Pary\u017eiaus Dievo Motinos katedroje: i\u0161girdus naujien\u0105, i\u0161g\u0105st\u012f sek\u0117 vidin\u0117 logika \u2013 kas \u010dia netik\u0117to, kad kone t\u016bkstan\u010dio met\u0173 senumo pastatas u\u017esideg\u0117? Aplink cirkuliuojanti gyvyb\u0117 naudoja ir naikina, tad pastatui likti nepa\u017eeistam tiek \u0161imtme\u010di\u0173 \u2013 misija ne\u012fmanoma. Nat\u016bralesni ar ma\u017eiau nat\u016bral\u016bs rei\u0161kiniai griauna net ir didingiausius k\u016brinius, ir \u017emogus bet kuriuo atveju privalo priki\u0161ti savo rank\u0105, kad monumentai, simboliai b\u016bt\u0173 palaikomi. O pagalba \u2013 kaip bet kuris kitas rei\u0161kinys \u2013 gali tur\u0117ti \u012fvairi\u0173 pasekmi\u0173. Kaip sak\u0117 \u017eenklas ant vieno nereik\u0161mingo Niujorko parko tvoros: feeding pigeons and squirrels also feeds rats<\/em>.[1]<\/a><\/p>\n

[1]<\/a> Angl.: Maitindamas baland\u017eius ir voveres, \u0161eri \u017eiurkes.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kalb\u0117damiesi apie k\u016brybos proces\u0105 ir nei\u0161vengiam\u0105 k\u016brinio sunaikinim\u0105, da\u017enai prisimename mandalos metafor\u0105: ilgas, kruop\u0161tus, atsakingas med\u017eiag\u0173 d\u0117liojimas, sukuriantis nepaprasto gro\u017eio …<\/p>\n","protected":false},"author":2,"featured_media":4351,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nNB\u0160\u201919: \u201eUniforma\u201c. 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