{"id":4408,"date":"2019-05-08T14:01:20","date_gmt":"2019-05-08T11:01:20","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=4408"},"modified":"2021-01-27T13:58:47","modified_gmt":"2021-01-27T11:58:47","slug":"nbs19-dar-blogiau-ikaitinantis-paprastumas","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/05\/08\/nbs19-dar-blogiau-ikaitinantis-paprastumas\/","title":{"rendered":"NB\u0160’19: \u201eDar blogiau\u201c. \u012ekaitinantis paprastumas"},"content":{"rendered":"

Gegu\u017e\u0117s 4-osios vakar\u0105 \u0161iuolaikinio \u0161okio festivalis \u201eNaujasis Baltijos \u0161okis\u201919\u201c aplank\u0117 ir Kaun\u0105 \u2013 Kameriniame teatre buvo galima i\u0161vysti Nyderland\u0173 choreografo Guilherme\u2019o Miotto (prodiuseris \u201eCorpo M\u00e1quina\u201c) spektakl\u012f \u201eDar blogiau\u201c. Pavadinimas apgauna: \u0161altok\u0105 vakar\u0105 stebint \u012fkaitusi\u0173 iki prakaito trij\u0173 artist\u0173 itin charizmati\u0161k\u0105 \u0161ok\u012f, susig\u016b\u017eusiai sielai darosi geriau ir geriau. Dar erdviau ir erdviau.<\/p>\n

Skirting\u0173 \u0161okio patir\u010di\u0173 (\u0161iuolaikinio ir urbanistinio \u0161okio) \u0161ok\u0117jai Shane\u2019as Boersas, Simonas Busas ir Evangelosas Biskasas scenoje jungia \u012f vienum\u0105 tai, kas i\u0161 pirmo \u017evilgsnio vienas kitam prie\u0161tarauja: skirtingas tautybes, skirtingus k\u016bno sud\u0117jimus, skirtingas \u0161okio stilistikas, individualum\u0105 ir bendrum\u0105, i\u0161galvot\u0105 ir real\u0173, \u0161okant\u012fj\u012f ir s\u0117dint\u012fj\u012f.<\/p>\n

\"\"<\/p>\n

Nuotraukos: Dainius Putinas<\/em><\/p>\n

Artimas kontaktas mezgasi i\u0161kart. \u017di\u016brovai dar tik ie\u0161ko sav\u0173j\u0173 viet\u0173, o \u0161ok\u0117jai stovi prietemoje ir stebi \u0161\u012f bruzdes\u012f. Vieni ni\u010dnieko nedaro, tiesiog stovi, o kiti s\u0117di. Bet jauti, kaip susting\u0119 j\u0173 k\u016bnai it didingos skulpt\u016bros tave kalbina. \u0160is poj\u016btis neapleid\u017eia viso spektaklio metu. Scenin\u0117 erdv\u0117 niekam ne\u012fpareigoja: dvi \u012fprastos stumdomos ap\u0161vietimo lempos ir viso \u0161okio metu kelis sykius pasigirstanti muzika. Joki\u0173 dekoracij\u0173, joki\u0173 tam tikr\u0105 erdv\u0119, laik\u0105, ideologij\u0105 ar tapatyb\u0119 atspindin\u010di\u0173 kostium\u0173, tik vienodi pilki sportiniai bateliai ir juodi \u0161ortai. Vaizduot\u0117 nepasi\u016blo joki\u0173 galim\u0173 tolimesn\u0117s eigos variant\u0173. Ne\u017einai, ko tik\u0117tis, o ir nesitiki nieko, k\u0105 b\u016bt\u0173 galima \u012fvardyti logi\u0161kai.<\/p>\n

\u012e pagalb\u0105 skuba emocijos, ir jos nesuklysta \u2013 siela \u012fkaista. I\u0161vysti tai, k\u0105 labai norisi paliesti. Tiesiogine ir perkeltine prasm\u0117mis. Kyla stiprus noras palyt\u0117ti \u0161ok\u0117j\u0173 veidus ir i\u0161lavintus k\u016bnus, kad kartu prisiliestum prie to, kas juos ir tave \u012fkvepia jaustis nematomais. Kad prisimintum, k\u0105 dar prie\u0161 gimdamas u\u017emir\u0161ai. \u0160okantys k\u016bnai \u012fk\u016bnija atmint\u012f, leid\u017eian\u010di\u0105 prisiminti, ko nepatyrei nei vakar, nei \u0161iandien, bet ka\u017ekada seniai seniai, kai dar buvai bek\u016bn\u0117 esyb\u0117. Galimyb\u0117 paliesti visai reali \u2013 \u0161ok\u0117jai \u012fsiver\u017eia \u012f \u017ei\u016brov\u0173 erdv\u0119, ta\u010diau u\u017esib\u016bna tik labai trumpai, kaip ir didieji herojai \u017emonijos istorijoje.<\/p>\n

\"\"<\/p>\n

I\u0161grynintas paprastumas, atsitiktinumas, nat\u016bral\u016bs garsai ir apnuoginti k\u016bnai \u0161okio aik\u0161tel\u0119 paver\u010dia veidrod\u017eiu, kuriame matai savo atvaizd\u0105. \u0160ok\u0117jai tarsi skaito tavo mintis, tad pastar\u0105j\u012f matai tok\u012f, kok\u012f mato tavo meluoti nem\u0117gstantis vidinis \u201ea\u0161\u201c \u2013 netobul\u0105, juoking\u0105, kvail\u0105, pasiklydus\u012f, puolus\u012f, nesugebant\u012f, nuobod\u0173, \u017ev\u0117ri\u0161k\u0105 ir patraukl\u0173, pavergiant\u012f, dvasing\u0105, didvyri\u0161k\u0105, ant\u017emogi\u0161k\u0105, galint\u012f absoliu\u010diai visk\u0105.<\/p>\n

Choreografas Guilherme Miotto ir dramaturg\u0117 Moos van den Broek leid\u017eia ai\u0161kiai skaityti \u0161ok\u0117j\u0173 kuriam\u0105 judesio kalb\u0105. Nenusp\u0117jam\u0105, universali\u0105, gili\u0105 ir kartu lengvai suprantam\u0105. \u0160ok\u012f galima \u017ei\u016br\u0117ti, visi\u0161kai neatlikus nam\u0173 darb\u0173 \u2013 nepasidom\u0117jus k\u016br\u0117jais, nepasiskai\u010dius spektaklio apra\u0161o. Tai gali b\u016bti netgi naudinga. \u201eDar blogiau\u201c kalba apie tris vyrus, besirungian\u010dius tarpusavyje ir su savo pa\u010di\u0173 baim\u0117mis. Jie i\u0161bando vienas kit\u0105 ir save. Toks yra pagrindinis konfliktas, ta\u010diau pernelyg ilgai nesinori prisiri\u0161ti prie jo. Norisi kurti sav\u0105j\u012f siu\u017eet\u0105, neatsiejam\u0105 nuo asmenin\u0117s patirties ir savaip interpretuoti judesius bei j\u0173 kompozicijas.<\/p>\n

\"\"<\/p>\n

Spektaklio prad\u017eioje vyri\u0161ka energija pradeda skleistis \u0161velniai, harmoningai. Visi trys herojai \u0161oka labai pana\u0161iai, \u0161oka kartu, lyg b\u016bt\u0173 sujungti nematom\u0173 bambagysli\u0173. Su kiekviena scena, kuri\u0173 prad\u017ei\u0105 ir pabaig\u0105 \u201eskelbia\u201c vis kitaip perstumdomos ap\u0161vietimo lempos, \u0161i energija stipr\u0117ja, skaidosi, i\u0161skirdama ir pa\u010dius \u0161ok\u0117jus, ir j\u0173 \u012fk\u016bnijamus veik\u0117jus. Ir \u0161tai kulminacija: jie ne tik siekia bet kokia kaina prilygti vienas kitam, bet ir, neprarasdami bendryst\u0117s, pranokti kit\u0105 ir save. \u0160i vienu metu kurianti ir griaunanti energija pernelyg \u012fsisiaut\u0117ja, pavirsdama ka\u017ekuo pirmyk\u0161\u010diai materialiu. T\u0105 form\u0105 pasi\u016blo Joel Ryan\u2019o muzika \u2013 ji atveria industriniame peiza\u017ee dominuojan\u010dius, tarsi k\u016bnus \u012fgaunan\u010dius garsus ir ritm\u0105.<\/p>\n

\"\"<\/p>\n

\u0160iame \u0161okyje formuojasi dar nematytos judesi\u0173 kompozicijos. \u0160iuolaikinio \u0161okio stilistika jungiasi su breiko, hiphopo judesiais. \u0160ok\u0117jai stengiasi nesikartoti, tad kiekvienoje scenoje atskleid\u017eia vis kit\u0105 savo i\u0161skirtin\u0117s patirties dalelyt\u0119. Kaip ir jie patys, j\u0173 vaizduojami herojai ne\u012ftelpa \u012f jokius r\u0117mus. Artistai veikia taip profesionaliai, tikslingai, i\u0161\u0161\u016bk\u012f paversdami komfortu ir rimt\u012f subtiliai jungdami su ironijos \u017eaisme, kad \u0161ioje lyderi\u0173 tikrov\u0117je apsilanko nuobodulys. Lyg steb\u0117tum gamykloje dirbant\u012f mechanizm\u0105, nepavargstant\u012f ir visada tiksl\u0173. Gerg\u017ed\u017eiant\u012f ir raminant\u012f.<\/p>\n

\"\"<\/p>\n

Nuobodu tik heroj\u0173 tikrov\u0117je. Steb\u0117ti Shane\u2019as Boers\u0105, Simon\u0105 Bus\u0105 ir Evangelos\u0105 Biskas\u0105 hipnotizuojan\u010diai \u012fdomu. Jie nebijo savo k\u016bn\u0173 prigimties, pasaul\u0117\u017ei\u016bros, nebijo perlipti per savo principus, ego, mokytis i\u0161 partnerio, eksperimentuoti, leisti savo persona\u017eams transformuotis. Jie neformaliai \u0161iuolaiki\u0161ki ir drauge kvepiantys klasikos prabanga. Per beveik valand\u0105 laiko juos tiek i\u0161narstai akimis (o jie leid\u017eia \u012f save pa\u017evelgti i\u0161 daugyb\u0117s rakurs\u0173), kad, atrodo, juos pa\u017e\u012fsti jau labai seniai. \u0160iai pa\u017ein\u010diai sunku atsispirti, bet sykiu ji ir baugina, nes taip ir lieka paslaptis, ar tai n\u0117ra sp\u0105stai, kokius titan\u0173 trio nuolat spend\u017eia vienas kitam ir kurie, deja, paprastam \u017emogui gali b\u016bti pra\u017e\u016btingi.<\/p>\n","protected":false},"excerpt":{"rendered":"

Gegu\u017e\u0117s 4-osios vakar\u0105 \u0161iuolaikinio \u0161okio festivalis \u201eNaujasis Baltijos \u0161okis\u201919\u201c aplank\u0117 ir Kaun\u0105 \u2013 Kameriniame teatre buvo galima i\u0161vysti Nyderland\u0173 choreografo …<\/p>\n","protected":false},"author":2,"featured_media":4409,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nNB\u0160'19: \u201eDar blogiau\u201c. \u012ekaitinantis paprastumas - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/05\/08\/nbs19-dar-blogiau-ikaitinantis-paprastumas\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NB\u0160'19: \u201eDar blogiau\u201c. \u012ekaitinantis paprastumas - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Gegu\u017e\u0117s 4-osios vakar\u0105 \u0161iuolaikinio \u0161okio festivalis \u201eNaujasis Baltijos \u0161okis\u201919\u201c aplank\u0117 ir Kaun\u0105 \u2013 Kameriniame teatre buvo galima i\u0161vysti Nyderland\u0173 choreografo ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2019\/05\/08\/nbs19-dar-blogiau-ikaitinantis-paprastumas\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2019-05-08T11:01:20+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-01-27T11:58:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/05\/Dar-blogiau-11-735x1100.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"735\" \/>\n\t<meta property=\"og:image:height\" content=\"1100\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2019\/05\/08\/nbs19-dar-blogiau-ikaitinantis-paprastumas\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/05\/Dar-blogiau-11.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/05\/Dar-blogiau-11.jpg\",\"width\":1656,\"height\":2480},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2019\/05\/08\/nbs19-dar-blogiau-ikaitinantis-paprastumas\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2019\/05\/08\/nbs19-dar-blogiau-ikaitinantis-paprastumas\/\",\"name\":\"NB\\u0160'19: \\u201eDar blogiau\\u201c. \\u012ekaitinantis paprastumas - 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