{"id":4433,"date":"2019-05-10T15:38:03","date_gmt":"2019-05-10T12:38:03","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=4433"},"modified":"2021-01-27T13:58:40","modified_gmt":"2021-01-27T11:58:40","slug":"nbs19-giliai-po-oda-ir-dar-blogiau-nera-vietos-samones-standartui","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/05\/10\/nbs19-giliai-po-oda-ir-dar-blogiau-nera-vietos-samones-standartui\/","title":{"rendered":"NB\u0160’19: \u201eGiliai po oda\u201c ir \u201eDar blogiau\u201c. N\u0117ra vietos s\u0105mon\u0117s standartui"},"content":{"rendered":"

Ar k\u016bnas turi atmint\u012f? Gerai tai ar blogai, bet esame savo k\u016bno k\u016br\u0117jai ir \u012fkaitai vienu metu. K\u016bnas prakti\u0161kai niekada neb\u016bna atribojamas nuo tokio abstraktaus ir kartais sunkiai suvokiamo darinio, kaip siela. Kai d\u0117dul\u0117 Sigmundas Freudas \u201esurado\u201c pas\u0105mon\u0119, net ir tada, o gal der\u0117t\u0173 sakyti, ypa\u010d tada, buvo eskaluojama priklausomyb\u0117 nuo k\u016bno ir savojo seksualumo. Libido buvo kar\u016bnuotas kaip k\u016brybos (arba sublimacijos) \u012frankis bei priemon\u0117, ir mes panirome \u012f savojo k\u016bno visagalyb\u0119.<\/p>\n

\u0160\u012fkart, jei tik\u0117sime Freudu, sublimacija kviet\u0117 pa\u017evelgti \u012f savo k\u016bno atmint\u012f i\u0161 trumpos \u2013 tik asmeninio gyvenimo retrospektyvos ir perspektyvos vienu metu. Kitaip tariant, pam\u0117ginti suvokti, koki\u0105 atmint\u012f bei kokias galimybes turi k\u016bnas u\u017e m\u016bs\u0173 s\u0105mon\u0117s rib\u0173.<\/p>\n

K\u016bnas \u012fsimena, jog prilietus ugn\u012f galima nudegti, o led\u0105 \u2013 nu\u0161alti. Tod\u0117l atitinkamai reaguojame \u012f vienoki\u0105 ar kitoki\u0105 situacij\u0105. Tarkime, sprogus balionui \u2013 kr\u016bptelime. Taip, mes gyvename \u0161alyje, kurioje sprogus balionui tik kr\u016bptelime, o \u0161tai yra pasaulyje viet\u0173, kuriose k\u016bnas ir turb\u016bt pas\u0105mon\u0117 turi reaguoti \u012f sprogimus, kurie n\u0117ra vaiki\u0161k\u0173 balion\u0173 pok\u0161tel\u0117jimai. Gyvenimas ten \u2013 nuolatin\u0117 baim\u0117, \u012ftampa, nesibaigiantis karas ir pokarin\u0117 \u0161vent\u0117. Gyvenimo tragedija po truput\u012f virsta farsu. Kai tragedija pasiekia vien\u0105 auk\u0161tesni\u0173 ta\u0161k\u0173 ir jame ilgai u\u017esib\u016bna, belieka ironi\u0161kai \u0161ypsotis. Jei netikite, paskaitykite Balio Sruogos \u201eDiev\u0173 mi\u0161k\u0105\u201c. Knygos pavadinimas da\u017enai sukosi manojoje atmintyje, kai \u017ei\u016br\u0117jau \u00a0Bassamo Abou Diabo k\u016brin\u012f \u201eGiliai po oda\u201c.<\/p>\n

\"\"<\/p>\n

D. Matvejevo nuotrauka<\/em><\/p>\n

Giliai po od\u0105 Libanas yra pasl\u0117p\u0119s nesibaigian\u010dius karinius konfliktus, herojus, kurie savo k\u016bn\u0105 i\u0161mok\u0117 reaguoti \u012f bomb\u0173 sprogimus, vaikus, kurie laukia siunt\u0173 i\u0161 Europos su brendiniais<\/em> mar\u0161kin\u0117liais ar keln\u0117mis ir kurie nusimena, kad kaimynas, kurio \u0161eima \u017euvo kare, gavo didesn\u0119 siunt\u0105. \u0160alis, kurioje karo pabaiga \u0161ven\u010diama galb\u016bt vien tam, kad ka\u017ekas kitas j\u012f v\u0117l prad\u0117t\u0173 d\u0117l vietiniams nesuprantam\u0173 prie\u017eas\u010di\u0173. Karas \u2013 kaip gyvenimo b\u016bsena. O ka\u017ekam \u0161\u012f prad\u0117jus, atsiranda daugyb\u0117 norin\u010di\u0173j\u0173 pad\u0117ti, si\u0173sti pagalb\u0105, rinkti aukas, statyti mokyklas ir t.t ir pan. Argi ne kafki\u0161kas procesas? Tad vienintel\u0117 i\u0161eitis \u2013 kalb\u0117ti apie tai su \u0161ypsena. Kuomet tavo ginklas, taip pat ir i\u0161sigelb\u0117jimas yra tavo k\u016bnas. Bassamas Abou Diabas papasakojo, kaip tokiu atveju tapti superherojumi: tu turi ne\u017e\u016bti, ir tai pagrindin\u0117 tavo u\u017eduotis.<\/p>\n

\"\"<\/p>\n

D. Matvejevo nuotrauka<\/em><\/p>\n

T\u0105 vien\u0105 Naujojo Baltijos \u0161okio vakar\u0105 mes gavome patirti realyb\u0117s ne i\u0161 televizijos \u017eini\u0173 ekran\u0173. Pavyzd\u017eiui, kas gi Lietuvoje patik\u0117s (ne teori\u0161kai \u017einos, bet jaus visu savo k\u016bnu), jog \u0161ok\u0117jas, rankoje laikantis telefon\u0105 ir sakantis monolog\u0105 apie tai, kad \u0161iuo telefonu galima b\u016bt\u0173 aktyvuoti sprogmenis ir, tik sp\u0117jus i\u0161girsti \u017eod\u012f bomba – BUM! – b\u016bgno d\u016b\u017eis. Visi kr\u016bptelime, nusi\u0161ypsome i\u0161 savo reakcijos, niekas neb\u0117gam i\u0161 sal\u0117s. Mes dar ne superherojai, mums nereikia kasdien kovoti d\u0117l fizinio i\u0161gyvenimo arba tiesiog nemirti nukritus bombai. Tod\u0117l mes ramiai klausome, kai \u0161ok\u0117jas pasakoja savo sukurtas k\u016bno technikas, kaip reaguoti \u012f sprogim\u0105. Juk \u010dia tik\/net menas\/k\u016bryba, tiesa? Finale gauname pasi\u016blym\u0105 susikurti sav\u0105j\u012f superheroj\u0173 \u2013 tereikia nuvykti \u012f Liban\u0105, Sirij\u0105, Afrik\u0105, Izrael\u012f ar pan. Gerai, kad \u0161iandien pasirinkim\u0173 turime daug. \u0160ia \u201elinksma\u201c gaida ir baigiame. Ir i\u0161ties daug \u0161ypsotasi, nes kai kurioms tragedijoms jau i\u0161verktos visos a\u0161aros. Belieka juoktis ir \u0161okti karo\/taikos \u0161ok\u012f. Nes superherojaus \u0161alyje \u0161ios s\u0105vokos persipina ir ka\u017ein, ar beturi ai\u0161ki\u0105 atskirt\u012f.<\/p>\n

\"\"<\/p>\n

D. Matvejevo nuotrauka<\/em><\/p>\n

Po moralinio k\u016bno triumfo \u017ei\u016brov\u0173 sal\u0117s duris atv\u0117r\u0117me Nyderland\u0173 kompanijai ir Guilherme Miotto bei Corpo Maquina darbui \u201eDar blogiau\u201c. Tikiu, kad organizatoriai ne atsitiktinai vienas po kito sud\u0117liojo k\u016brinius, nuo \u201eGiliai po oda\u201c iki \u201eDar blogiau\u201c. Po besi\u0161ypsan\u010dios karo kasdienyb\u0117s, kas gi gal\u0117t\u0173 b\u016bti dar blogiau?<\/p>\n

Pirmame darbe mums buvo pasakojama istorija, o k\u016bnas demonstravo savo galimybes i\u0161likti, kuomet protas ir s\u0105mon\u0117 nustumiami \u012f paribius. \u201eDar blogiau\u201c buvo fiesta, kurioje, perfrazuojant vien\u0105 gerai visiems \u017einom\u0105 k\u016brin\u012f – vietos s\u0105mon\u0117s pasakojimams neliko. Ka\u017ein ar begali b\u016bti tikslesnis apra\u0161ymas u\u017e t\u0105, kur\u012f mums pateik\u0117 prie\u0161 spektakl\u012f organizatoriai. Taigi, trys vyrai, trys technikos, trys ie\u0161kojimai vienoje scenoje. Ir 50-ies minu\u010di\u0173 fizinis i\u0161m\u0117ginimas: plieskiant pro\u017eektoriams, vyrai deformuoja savo k\u016bnus, nuolat intensyviai juda, leid\u017eia klausyti tank\u0117jan\u010dio kv\u0117pavimo, \u017evelgti \u012f j\u0173 primerktas akis (pro\u017eektori\u0173 intensyvum\u0105 suvokiau tik tada, kai \u0161ie buvo trumpam atsukti \u012f \u017ei\u016brovus). Spektaklio metu vis laukiau, kada \u0161i k\u016bn\u0173 i\u0161m\u0117ginim\u0173 kulminacija atl\u0117gs, bet buvo tik dar blogiau… Visi skirtingi, bet ir visi kaip vienas. Nepasiduodantys, ie\u0161kantys, b\u0117gantys, nepavargstantys.<\/p>\n

\"\"<\/p>\n

Glasses’n beard photography nuotrauka
\n<\/em><\/p>\n

Vieno i\u0161 teatro grand\u0173<\/em> Jerzy Grotowskio sukurtos vaidybos technikos sudedamoji dalis yra fizinis pasiruo\u0161imas. K\u016bnas turi b\u016bti i\u0161treniruotas. Taip pat per fizin\u012f nuovarg\u012f mes galime atskleisti savo vidinius i\u0161gyvenimus \u2013 atlikti savoti\u0161k\u0105 i\u0161pa\u017eint\u012f scenoje, b\u016bti, nes nebeturime j\u0117g\u0173 galvoti, vaidinti, spr\u0119sti. \u012edomu, koki\u0105 scenin\u0119 i\u0161pa\u017eint\u012f \u201eatlikt\u0173\u201c Shane Boers, Simon Bus ir Evangelos Biskas po \u0161i\u0173 50-ies savo k\u016bno i\u0161bandym\u0173 ir visi\u0161ko atsidavimo minu\u010di\u0173? Kiek nesuvaidinto nuo\u0161irdumo atsivert\u0173 prie\u0161 \u017ei\u016brov\u0173 akis, nes k\u016bnas \u0161\u012fkart buvo svarbesnis veiksnys u\u017e visas m\u0105stymo subtilybes. Jis pasakojo, per\u017eengdamas atminties ribas, mes tarsi keliavome \u017emogaus gyvenimo laiku atgal ir pirmyn vienu metu. Iki ten, kai \u201edar\u201c bei kai \u201ejau\u201c neprisimeni \u2013 iki instinkt\u0173 karalyst\u0117s.<\/p>\n

\"\"<\/p>\n

Glasses’n beard photography nuotrauka<\/em><\/p>\n

T\u0105 gegu\u017e\u0117s 3-iosios vakar\u0105 prad\u0117jome sprogimais. Bombos skatino atsisakyti s\u0105moningos esaties ir \u012fsileisti pas\u0105mon\u0119, kuri ima valdyti k\u016bn\u0105. M\u016bs\u0173 k\u016bno atmintis gali gelb\u0117ti nuo bomb\u0173, m\u016bs\u0173 k\u016bno nualinimas gali vesti fizini\u0173 rib\u0173 per\u017eengimo link. To vakaro kulminacija \u2013 visi\u0161kas pas\u0105mon\u0117s triumfas Euripides Laskaridis ir \u201eOsmosis\u201c spektaklyje \u201eTitanai\u201c. Nuo karo \u0161iandien iki geb\u0117jimo transformuotis ir gal\u0173 gale gr\u012f\u017eti \u012f m\u016bs\u0173 egzistencij\u0105 savoti\u0161kai valdant\u012f mitin\u012f pasaul\u012f. Bet apie j\u012f, kaip m\u016bs\u0173 lietuvi\u0161kose pasakose, \u201ekit\u0105 kart\u0105\u201c…<\/p>\n","protected":false},"excerpt":{"rendered":"

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