{"id":4466,"date":"2019-05-14T15:20:13","date_gmt":"2019-05-14T12:20:13","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=4466"},"modified":"2021-01-27T13:57:33","modified_gmt":"2021-01-27T11:57:33","slug":"nbs19-titanai-ir-kiti-dideli-bet-mazi","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/05\/14\/nbs19-titanai-ir-kiti-dideli-bet-mazi\/","title":{"rendered":"NB\u0160’19: \u201eTitanai\u201c ir kiti. Dideli, bet ma\u017ei"},"content":{"rendered":"

Festivalis \u201eNaujasis Baltijos \u0161okis\u201c kasmet <\/span>Vilniaus \u017ei\u016brovams parodo \u012fvairius ir \u012fsp\u016bdingus \u0161iuolaikinio \u0161okio bei artim\u0173 jam scenos men\u0173 k\u016brinius. Graik\u0173 re\u017eisieriaus ir choreografo Euripid\u017eio Laskarid\u017eio spektaklis \u201eTitanai\u201c, parodytas \u0161i\u0173 met\u0173 gegu\u017e\u0117s 3 ir 4 dienomis Lietuvos Nacionalinio dramos teatro ma\u017eojoje sal\u0117je, rodos, buvo pristatomas kaip kertinis 2019 met\u0173 festivalio akcentas. Sustabdyt\u0105 \u0161io spektaklio akimirk\u0105 galite pamatyti festivalio bukleto vir\u0161elyje. Spr\u0119sdama i\u0161 pirm\u0173j\u0173 festivalyje parodyt\u0173 spektakli\u0173, manau, kad jis gana tiksliai atspindi \u0161i\u0173 met\u0173 \u0161okio \u0161vent\u0117s programos stiprybes ir tr\u016bkumus.<\/p>\n

\u201eTitanai\u201c yra vizualiai \u012fsp\u016bdingas spektaklis. Dviej\u0173 persona\u017e\u0173 veiksmas vystomas per scenografij\u0105 \u2013 \u0161viesas, putplas\u010dio plok\u0161tes ir jo trapum\u0105, veidrod\u017eius ir kitus \u0161vies\u0105 atspindin\u010dius, \u017eaviai mirgan\u010dius objektus. Spektaklio kosmos\u0105 kuria kasdienio buitinio ir romantinio svajoni\u0173 pasaulio elementai, pavyzd\u017eiui, makia\u017eo staliukas, lyginimo lenta arba s\u016bpyn\u0117s bei \u0161iaud\u0173 ry\u0161uliai. Toks kontrastas prisideda prie \u012fsp\u016bd\u017eio k\u016brimo, nes yra ne\u012fprastas ir keistas. Persona\u017eai labai pana\u0161\u016bs \u012f \u017emones, bet negali sakyti, kad tai tikrai vyras ir moteris, o j\u0173 kostiumai taip pat turi stipri\u0105 vizualin\u0119 rai\u0161k\u0105. I\u0161ilginta nosis, ro\u017ein\u0117 oda ir n\u0117\u0161tum\u0105 suponuojantis pilvukas patel\u0117s persona\u017eui suteikia itin ry\u0161kius, \u012fsimintinus, percepcij\u0105 dirginan\u010dius bruo\u017eus.<\/p>\n

\"\"<\/p>\n

D. Matvejevo nuotrauka<\/em><\/p>\n

Stiprioji \u201eTitan\u0173\u201c pus\u0117 yra ir techni\u0161kai tiksl\u016bs sprendimai. Euripides\u00a0Laskaridis, Angelos Mendis, Giorgos Poulios su komanda suk\u016br\u0117 audiovizualin\u012f regin\u012f, kuriame darniai susijungia vaizdas ir garsas. Tiek pirmasis, tiek antrasis yra, vadinkime, profesionaliai \u201epagaminti\u201c, kaip reta auk\u0161tos kokyb\u0117s. Patys atlik\u0117jai, Euripides\u00a0Laskaridis ir Dimitris Matsoukas, \u010dia taip pat dirba precizi\u0161kai. \u012e tok\u012f darb\u0105 malonu \u017ei\u016br\u0117ti, be to, galime ir tiksliau j\u012f skaityti bei interpretuoti.<\/p>\n

\u201eEuripides Laskaridis \u201eTitanai\u201c \u2013 apokaliptinis i\u0161gyvenimas, kuris pirmiausia suvokiamas ne protu, bet poj\u016b\u010diais: man \u2013 pirmiausia tuo, k\u0105 gird\u017eiu (originali muzika ir garso dizainas \u2013 Giorgos Poulios), ir i\u0161 paskos \u2013 tuo, k\u0105 matau,\u201c \u2013 recenzijoje ra\u0161o Dovil\u0117 Zavedskait\u0117. Ir tam visi\u0161kai pritariu. Mane \u017eavi ir kitos Dovil\u0117s\u00a0Zavedskait\u0117s<\/span> \u012f\u017evalgos apie \u0161\u012f graik\u0173 menininko k\u016brin\u012f, bet noriu pasteb\u0117ti, jog tai, apie k\u0105 ra\u0161o recenzijos autor\u0117, gali b\u016bti ne spektaklio dalis, t. y. ne paties Laskarid\u017eio ind\u0117lis.<\/p>\n

\"\"<\/p>\n

D. Matvejevo nuotrauka<\/em><\/p>\n

\u017di\u016br\u0117dami spektaklius mes, \u017ei\u016brovai (ir kritikai) da\u017enai prikuriame<\/span>, meninink\u0173 pa\u017eym\u0117tus ta\u0161kus jungda<\/span>mi<\/span> savo pa\u010di\u0173 \u012fsivaizduojamomis linijomis. Tai labai asmeni\u0161ka, ypa\u010d tuomet, kai menininkai neina pramintais keliais, o kad skaitytum j\u0173 darbus, turi rasti nauj\u0173 b\u016bd\u0173. Kartais visi\u0161kai abstraktus k\u016brinys gali atgyti ir virsti labai gyvu pasauliu, kalb\u0117ti mums aktualiomis temomis, pasi\u016blyti svarbius sprendimus d\u0117l to, kad apie tai daug galvojame mes, o ne menininkas. Ta\u010diau kartais, taip irgi pasitaiko, galime net nesuvokti, kaip menininko pasi\u016blytus ta\u0161kus sujungti, jei nepasteb\u0117jome tam tikros menininko \u012fpintos detal\u0117s, suponuojan\u010dios vien\u0105 ar kit\u0105 mint\u012f. Tai gana slidus dalykas. Tod\u0117l, manau, apie \u0161iuolaikin\u012f men\u0105 da\u017enai galime i\u0161girsti \u201enesupratau\u201c ir saky\u010diau, kad <\/span>tai \u2013 nieko baisaus. Vis d\u0117lto nor\u0117ti suprasti, ka\u017ek\u0105 \u012f\u017evelgti \u2013 labai \u017emogi\u0161kas siekis, leid\u017eiantis \u012fprasminti b\u0117gant\u012f laik\u0105.<\/p>\n

Gr\u012f\u017ekime prie \u201eTitan\u0173\u201c. Apie \u017ei\u016brovo kuriamas prasmes kalbu tod\u0117l, kad manau, jog Euripides\u00a0Laskaridis, dirbdamas prie \u0161io spektaklio, daugiau galvojo ne apie reik\u0161mes, o apie formos id\u0117jas. Rodos, \u0161io darbo tikslas buvo sukurti fikcin\u012f pasaul\u012f ir leisti \u017ei\u016brovui jame pab\u016bti. \u017dinoma, menininkas j\u012f k\u016br\u0117 pagal tam tikras taisykles, atsispirdamas nuo \u0161viesos ir kit\u0173 scenografijos element\u0173 (putplas\u010dio, atsispindin\u010di\u0173 pavir\u0161i\u0173, d\u016bm\u0173 \/ garo ir t.t.) bei tai gra\u017eiai i\u0161vyst\u0117. Ta\u010diau \u017ei\u016brint \u012f \u0161\u012f fikcin\u012f pasaul\u012f, kuriam sukurti skirta daug d\u0117mesio, darbo ir j\u0117g\u0173, norisi, kad tai ka\u017ekur prasmingai nuvest\u0173. Man rodos, kad \u201eTitanams\u201c tr\u016bksta prasm\u0117s, ir tai \u2013 labiausiai kli\u016bvantis \u0161io spektaklio bruo\u017eas.<\/p>\n

\"\"<\/p>\n

D. Matvejevo nuotrauka<\/em><\/p>\n

\u0160tai, mano manymu, ir Dovil\u0117\u00a0Zavedskait\u0117, apie \u201eTitanus\u201c ra\u0161ydama \u201eJie yra arba ka\u017ekas, kas buvo iki \u017emogaus, arba ka\u017ekas, kas ateina po jo. Ka\u017ekas tarp a\u0161 visk\u0105 \u017einau ir niekada nebuvo k\u0105 \u017einoti,\u201c pastebi \u0161iame darbe esant\u012f beprasmi\u0161kum\u0105. Vis d\u0117lto pana\u0161u, kad Dovil\u0117\u00a0Zavedskait\u0117 tai mato kaip spektaklyje i\u0161rei\u0161kiam\u0105 id\u0117j\u0105, o man atrodo, kad taip yra tod\u0117l, kad menininkas \u0161\u012f k\u016brin\u012f paliko pernelyg atvir\u0105 interpretacijoms. Mano nuomone, Laskarid\u017eio \u201eTitanai\u201c turi labai stipri\u0105 form\u0105, ta\u010diau spektaklio turinys gana silpnai i\u0161vystytas.<\/p>\n

Nemanau, kad meno k\u016briniuose b\u016btinai turi b\u016bti pasakojama istorija, ar jie b\u016btinai tur\u0117t\u0173 transliuoti konkre\u010di\u0105 \u017eini\u0105. Bet kai meno k\u016briniuose yra kalbama, jie turi daugiau galimybi\u0173 praturtinti \u017emogaus egzistencij\u0105. Prie\u0161ingu atveju juslinis dirginimas, jei jis nepalie\u010dia giliau, telieka pramoga, nelabai kuo besiskirian\u010dia nuo, mano manymu, paprasto s\u0117d\u0117jimo prie\u0161ais televizori\u0173. O jei palie\u010dia giliau, gali virsti pernelyg dideliu i\u0161gyvenimu, ne visada tokiu, kok\u012f prognozavo menininkas, programos kuratorius, ar kokio gal\u0117jo tik\u0117tis pats \u017ei\u016brovas.<\/p>\n

\"\"<\/p>\n

D. Matvejevo nuotrauka<\/em><\/p>\n

Kartu su \u201eTitanais\u201c \u012f vien\u0105 gret\u0105 stoja kiti pirm\u0105j\u0105 festivalio \u201eNaujasis Baltijos \u0161okis\u201c savait\u0119 parodyti spektakliai \u2013 \u201eOrigamis\u201c, \u201eI\u0161 dramblio kaulo ir m\u0117sos…\u201c, \u201eDar blogiau\u201c bei \u201eUniforma\u201c. Kaip ir Laskarid\u017eio k\u016brinys, \u0161ie darbai yra auk\u0161to techninio lygio (audiovizualine ir atlikimo prasme), tad m\u016bs\u0173 scenos menininkams bei festivalio \u017ei\u016brovams tai tur\u0117t\u0173 suteikti \u0161iok\u012f tok\u012f post\u016bm\u012f, gali pakelti ir kokyb\u0117s l\u016bkes\u010di\u0173 kartel\u0119. Vis d\u0117lto, kaip ir \u201eTitan\u0173\u201c atveju, \u017ei\u016br\u0117dama \u0161iuos spektaklius, pasigedau meninink\u0173 si\u016blom\u0173 konkre\u010di\u0173 prasmi\u0173, id\u0117jinio turinio.<\/p>\n

Visi min\u0117ti spektakliai, taip pat ir \u201eGiliai po oda\u201c yra pana\u0161aus juslinio intensyvumo ir, \u017ei\u016brint daugiau nei por\u0105 spektakli\u0173 per kelias dienas, jie vargina. \u017dinoma, kiekvienas min\u0117t\u0173 spektakli\u0173 yra savitas, libanie\u010di\u0173 menininko Bassamo Abu Diabo darbas apskritai turi gana ai\u0161ki\u0105 tem\u0105 ir ma\u017eiausiai i\u0161reik\u0161t\u0105 form\u0105, ta\u010diau jie visi pana\u0161iai aktyv\u016bs, pana\u0161aus tono, juose, rodos, n\u0117ra vietos silpnumui, \u0161velnumui, abejonei. Tokiame kontekste man jautriai i\u0161siskleid\u0117 Anne-Marie Van (arba Nach) spektaklis \u201eL\u0105stel\u0117\u201c, net ir suvokus paradoks\u0105, kad \u201ejautria\u201c muzika palaikiau trankiai fortepijonu i\u0161gaunamus garsus.<\/p>\n

\"\"<\/p>\n

Glasses\u2019n beard photography nuotrauka<\/em><\/p>\n

Kadangi atrodo, kad pirm\u0105j\u0105 festivalio savait\u0119 parodytuose spektakliuose k\u016br\u0117jai garsiai \u0161aukia apie tai, kokius puikius \u012fg\u016bd\u017eius ir puikias id\u0117jas jie turi, bet j\u0173 nei\u0161naudoja prasmei, turiniui i\u0161reik\u0161ti, tod\u0117l bijau, kad keliamas \u012fsp\u016bdis ir yra esminis \u0161io festivalio k\u016brini\u0173 atrankos kriterijus. Tikiuosi, kad a\u0161 klystu \u2013 galb\u016bt skurdoka spektakli\u0173 turiniu festivalio \u201eNaujasis Baltijos \u0161okis\u201c prad\u017eia susiklost\u0117 atsitiktinai, tai l\u0117m\u0117 atlik\u0117j\u0173 galimyb\u0117s pasirodyti Lietuvoje. O gal tokia kryptimi juda visas \u0161iuolaikinio \u0161okio laukas, ir menininkai, savo k\u016briniuose \u017ei\u016brovams pasi\u016blantys turin\u012f, dabar yra tikra retenyb\u0117. Vis d\u0117lto norisi, kad festivalis ne tik pristatyt\u0173 u\u017esienio \u0161iuolaikinio \u0161okio madas, bet taip pat, kiek tai \u012fmanoma, pad\u0117t\u0173 kurti kult\u016brin\u012f diskurs\u0105, si\u016blyt\u0173 temas, kuriomis kalb\u0117tis b\u016bt\u0173 svarbu m\u016bs\u0173 visuomenei.<\/p>\n","protected":false},"excerpt":{"rendered":"

Festivalis \u201eNaujasis Baltijos \u0161okis\u201c kasmet Vilniaus \u017ei\u016brovams parodo \u012fvairius ir \u012fsp\u016bdingus \u0161iuolaikinio \u0161okio bei artim\u0173 jam scenos men\u0173 k\u016brinius. Graik\u0173 …<\/p>\n","protected":false},"author":2,"featured_media":4470,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nNB\u0160'19: \u201eTitanai\u201c ir kiti. Dideli, bet ma\u017ei - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/05\/14\/nbs19-titanai-ir-kiti-dideli-bet-mazi\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NB\u0160'19: \u201eTitanai\u201c ir kiti. 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