{"id":4472,"date":"2019-05-14T15:33:17","date_gmt":"2019-05-14T12:33:17","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=4472"},"modified":"2021-01-27T13:57:25","modified_gmt":"2021-01-27T11:57:25","slug":"4472","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/05\/14\/4472\/","title":{"rendered":"NB\u0160’19: \u0160okio artist\u0173 k\u016bnuose – gyvenimo grimasos"},"content":{"rendered":"
\n

Netik\u0117ti, u\u017eburiantys ir \u0161okiruojantys k\u016briniai, kurie ple\u010dia \u017ei\u016brov\u0173 akirat\u012f. \u0160iuo metu vykstantis festivalis \u201eNaujasis Baltijos \u0161okis\u201c moka stebinti.<\/em><\/p>\n<\/div>\n

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\u201eOrigamis\u201c, D. Matvejevo nuotr.<\/em><\/div>\n

Raudonas \u201eOrigamio\u201c konteineris publikos akivaizdoje dukart buvo lankstomas Katedros aik\u0161t\u0117je, o \u0161ok\u0117ja, oro cirko meninink\u0117 Satchie Noro spektaklio pabaigoje \u0161oko, paklusdama Vilniaus varp\u0173 melodijai, nepaisydama lietaus ir net kru\u0161os.<\/p>\n

Publikos akivaizdoje trapi artist\u0117, be joki\u0173 apsaug\u0173 skraidanti tarp judan\u010di\u0173 konteinerio \u017eiaun\u0173, plakama gamtos stichij\u0173, tapo tarsi paties meno simboliu: juk menas kuriamas pana\u0161iai \u2013 be garantij\u0173, kantriai, palydimas \u017ei\u016brov\u0173 d\u0117mesio arba praeivi\u0173 galb\u016bt n\u0117 nepastebimas.<\/p>\n

Netikslu sakyti, kad tai buvo \u201eNaujojo Baltijos \u0161okio\u201c prad\u017eia, nes i\u0161 tikr\u0173j\u0173 festivalis prasid\u0117jo \u0161io gatv\u0117s teatro spektaklio \u2013 S.Noro ir Silvaino Ohlo \u201eOrigamio\u201c i\u0161 Pranc\u016bzijos \u2013 kelione po Lietuv\u0105: \u0160iauliai, Panev\u0117\u017eys, Anyk\u0161\u010diai, Zapy\u0161kis ir tik tada Vilnius. Ir visur su gausia miestie\u010di\u0173 publika.<\/p>\n

\"\"<\/p>\n

\u201eOrigamis\u201c, Tado Povilonio nuotr.<\/em><\/p>\n

Dvide\u0161imt antr\u0105 kart\u0105 vykstantis \u201eNaujasis Baltijos \u0161okis\u201c \u0161iemet tapo keliais festivaliais viename: u\u017esienio k\u016br\u0117j\u0173 spektakliai rodomi \u0161iuolaikinio \u0161okio gerb\u0117jams ne tik Vilniuje, bet aplanko ir kitus Lietuvos miestus, o su lietuvi\u0173 k\u016briniais \u201eBaltijos \u0161okio platformoje\u201c supa\u017eindinami u\u017esienio teatr\u0173 ir festivali\u0173 prodiuseriai.<\/p>\n

\u017di\u016brovai supranta teisingai<\/strong><\/p>\n

Festivalio vadov\u0117 Gintar\u0117 Masteikait\u0117, per\u0117musi \u201eNauj\u0105j\u012f Baltijos \u0161ok\u012f\u201c i\u0161 jo \u012fk\u016br\u0117jo Audronio Imbraso, dr\u0105siai sudaro program\u0105 i\u0161 netik\u0117t\u0173, stebinan\u010di\u0173 ar \u0161okiruojan\u010di\u0173 k\u016brini\u0173, kurie praple\u010dia publikos akirat\u012f. Ir kasmet \u012fsitikini: festivalis u\u017esiaugino \u017ei\u016brovus. I\u0161tikimus ir suvokian\u010dius.<\/p>\n

B\u016btent tokiai auditorijai ir \u012fmanoma atve\u017eti meninink\u0117s, kilusios i\u0161 \u017daliojo Ky\u0161ulio Marlene Monteiro Freitas groteski\u0161k\u0105 spektakl\u012f \u201eI\u0161 dramblio kaulo ir m\u0117sos \u2013 skulpt\u016bros irgi ken\u010dia\u201c (Portugalija), libanie\u010dio Bassamo Abou Diabo \u0161ok\u012f-pokalb\u012f \u201eGiliai po oda\u201c arba trup\u0117s i\u0161 Pranc\u016bzijos \u201eNach Van Van\u201c plastikos, video ir poezijos monolog\u0105 \u201eCellule\u201c, kur Lietuvos publika gal\u0117jo pa\u017einti Krump<\/em> stiliaus \u0161ok\u012f, 2000-\u0173j\u0173 Niujorke suformuot\u0105 rasini\u0173 riau\u0161i\u0173 patirties.<\/p>\n

\"\"<\/p>\n

\u201eCellule\u201c, Glasses\u2019n beard photography nuotr.<\/em><\/p>\n

Trys Nyderland\u0173 \u0161ok\u0117jai spektaklyje \u201eDar blogiau\u201c jung\u0117 breik\u0105 ir hiphop\u0105 su \u0161iuolaikiniu \u0161okiu, kad per juos atskleist\u0173 trijul\u0117s charakterius, santykius, bendravim\u0105 ir konkuravim\u0105. Graikas Euripides Laskaridis savo spektakliu \u201eTitanai\u201c v\u0117lgi provokavo publik\u0105 ne\u012ftik\u0117tinomis persona\u017e\u0173 transformacijomis, o jo k\u016brybos stilius yra tiek nenusakomas, kad jam kaskart tenka atsakin\u0117ti \u012f t\u0105 pat\u012f \u017ei\u016brov\u0173 ar susitikimo moderatori\u0173 klausim\u0105: k\u0105 j\u016bs\u0173 spektaklis turi bendro su \u0161okiu? Tiesiog \u0161iuolaikinis \u0161okis \u2013 toks toleranti\u0161kas ir visus menus jungiantis menas, kad \u201eTitanai\u201c tik \u010dia ir tinka!<\/p>\n

Sm\u0117liu nuklotos scenos grindys buvo vienintel\u0117 scenografija psichoterapeut\u0117s ir \u0161ok\u0117jos Sabinos Scarlat i\u0161 Briuselio spektakliui \u201eUniforma\u201c. Dviese su \u0161ok\u0117ja Irene Russolillo S.Scarlat pavert\u0117 \u017ei\u016brovus besikei\u010dian\u010dio vaizdo, irstan\u010dio ir perkuriamo peiza\u017eo liudininkais: a\u0161triabriaun\u0117s sm\u0117lio fig\u016bros nuo \u0161ok\u0117j\u0173 judesi\u0173 tapo tiesiog klampyne, i\u0161 kurios spektaklio komanda l\u0117tai, kruop\u0161\u010diai, tarpais net u\u017emigdydama nuobod\u017eiaujan\u010di\u0105 \u017ei\u016brov\u0173 dal\u012f, formavo nauj\u0105 vaizd\u0105 \u2013 galb\u016bt tai akmenimis gr\u012fstas grindinys \u2013 o po to ir v\u0117l sm\u0117lio kr\u016bva. Ir tada \u2013 publika, pra\u0161om \u012f scen\u0105, galime kurti drauge.<\/p>\n

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\u201eUniforma\u201c,<\/em> D. Matvejevo nuotr.<\/em><\/p>\n

Tai tik dalis gausaus festivalio repertuaro. Per pusantros savait\u0117s \u2013 dvi de\u0161imtys spektakli\u0173, vertinga edukacin\u0117 programa \u0161okio profesionalams, \u017ei\u016brov\u0173 susitikimai su k\u016br\u0117jais.<\/p>\n

Menas b\u016bna nei\u0161vengiamas<\/strong><\/p>\n

Nepa\u017e\u012fstamo ir niekad nematyto menininko pasirodymas gali i\u0161 prad\u017ei\u0173 gluminti, ypa\u010d jeigu tai be\u017eodis, keist\u0173 judesi\u0173 \u0161okio spektaklis. K\u0105 jis tau sako? Padr\u0105sinan\u010diai skamba Venecijos \u0161okio bienal\u0117s laureat\u0117s M. M. Freitas \u017eod\u017eiai: \u201eManau, kad \u017ei\u016brovai turi teis\u0119 suprasti spektakl\u012f taip, kaip nori. Tai, k\u0105 apie spektakl\u012f mano \u017ei\u016brovas, visada yra teisinga, net jei tai prie\u0161tarauja mano pa\u010dios id\u0117joms\u201c.<\/p>\n

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\u201eI\u0161 dramblio kaulo ir m\u0117sos \u2013 skulpt\u016bros irgi ken\u010dia\u201c, D. Matvejevo nuotr.<\/em><\/p>\n

M\u0117lynais drabu\u017eiais apsitemp\u0119, veidus i\u0161sipai\u0161\u0119, tr\u016bk\u010diojantys it mechaniniai \u017eaislai M. M. Freitas spektaklio \u201eI\u0161 dramblio kaulo ir m\u0117sos \u2013 skulpt\u016bros irgi ken\u010dia\u201c veik\u0117jai k\u016br\u0117 banalyb\u0117s visuomen\u0119, be gailes\u010dio \u0161aip\u0117si i\u0161 skoni\u0173, manier\u0173 ir \u012fpro\u010di\u0173, nuvartot\u0173 iki i\u0161sigimimo, kurio patys vartotojai n\u0117 nepastebi. Turb\u016bt taip? Kam pavyko \u201esusikalb\u0117ti\u201c su j\u0173 sarkasti\u0161ku k\u016briniu \u2013 tie juok\u0117si ir \u017eav\u0117josi meninink\u0173 vaizduote bei plastika, \u0161iurk\u0161\u010diu humoro jausmu. Ir laukia nauj\u0173 trup\u0117s k\u016brini\u0173. Jei kontaktas ne\u012fvyksta \u2013 \u012fsiliepsnoja kar\u0161\u010diausios diskusijos socialiniuose tinkluose, festivalio erdv\u0117se, gatv\u0117se. Taip, d\u0117l M. M. Freitas k\u016brinio stiliaus ir i\u0161tarmi\u0173 iki \u0161iol vyksta gin\u010dai.<\/p>\n

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\u201eI\u0161 dramblio kaulo ir m\u0117sos \u2013 skulpt\u016bros irgi ken\u010dia\u201c, D. Matvejevo nuotr.<\/em><\/p>\n

B. Abou Diabas pasitiko \u017ei\u016brovus su \u0161ypsena. Jis pasakojo apie savo sugalvotus b\u016bdus apsisaugoti nuo bomb\u0173, kurios jo t\u0117vyn\u0117je Libane \u2013 kasdienyb\u0117, nuo vaikyst\u0117s. Artist\u0105 gelb\u0117ja \u0161okis, k\u016bryba. B. Abou Diabas pasakojo ir \u0161oko mums. Tik sunku buvo \u0161ypsotis jam, nes suvokei, kiek daug kan\u010dios slepia giedras \u0161ok\u0117jo veidas ir linksmas \u0161okis, staiga pratr\u016bkstantis gedulo rauda \u2013 juk neb\u0117ra daugumos, su kuriais jis augo, mok\u0117si, draugavo. Paradoksalus finalas: jeigu tekt\u0173 susidurti su atomine bomba, \u0161ok\u0117jas turi patarim\u0105 \u2013 i\u0161sitraukia antikvarin\u012f kard\u0105 su skydu ir \u0161oka. Primityviais ginklais, \u0161okiu k\u016bryba \u2013 prie\u0161 visuotin\u012f sunaikinim\u0105.<\/p>\n

\"\"<\/p>\n

\u201ePo oda\u201c, D. Matvejevo nuotr.<\/em><\/p>\n

\u201eMan ner\u016bpi menas, svarbi tik jo nei\u0161vengiamyb\u0117\u201c \u2013 atminty tebeskamba mintis \u0161ok\u0117jos i\u0161 Pranc\u016bzijos Nach spektaklio \u201eCellule\u201c. Su Nach k\u016bryba \u012f scen\u0105 \u012fsiver\u017eia rasistini\u0173 riau\u0161i\u0173 vaizdai, veidai ir garsai, bet \u2013 tik ekranuose, tik kad primint\u0173, suteikt\u0173 fon\u0105 tam persona\u017eui, kur\u012f sukuria \u0161ok\u0117ja. Ji vyras ir moteris, ji \u2013 kovojanti vaizduot\u0117 ir skaudanti siela, ji \u2013 t\u0173 riau\u0161i\u0173 u\u017ekulisiai. Gra\u017eus, i\u0161lavintas k\u016bnas ir g\u0117la, kuri\u0105 gali numaldyti tik k\u016bryba.<\/p>\n

Kartu su u\u017esienio k\u016br\u0117jais<\/strong><\/p>\n

Antrojoje \u201eNaujojo Baltijos \u0161okio\u201c dalyje \u2013 pa\u017eintis su Vokietijos, Kanados, Australijos ir Italijos \u0161ok\u0117jais.<\/p>\n

Su u\u017esienio menininkais aktyviai dirba ir Lietuvos \u0161okio k\u016br\u0117jai. \u012e festival\u012f i\u0161 Klaip\u0117dos atvyk\u0119s \u0160eiko \u0161okio teatras savo premjer\u0105 \u201eBol\u00e9ro\u2013Extended\u201c pareng\u0117 su garsia Danijos \u0161okio trupe \u201eGranh\u00f8j\u00a0 Dans\u201c. Kauno \u0161okio teatras \u201eAura\u201c, suk\u016br\u0119s premjer\u0105 \u201eKaunas Zoo\u201c, \u00a0nuolatos dirba su partneriais i\u0161 \u012fvairi\u0173 \u0161ali\u0173, o pati trup\u0117 \u2013 tarptautin\u0117.<\/p>\n

\"\"<\/p>\n

\u201eKaunas Zoo\u201c, D. Matvejevo nuotr.<\/em><\/p>\n

Klaip\u0117die\u010di\u0173 ir kaunie\u010di\u0173 premjeros gegu\u017e\u0117s 9 d. \u017eym\u0117jo festivalyje prasid\u0117jusi\u0105 \u201eBaltijos \u0161okio platform\u0105\u201c, surengt\u0105 pirm\u0105 kart\u0105. Lietuvos, Latvijos ir Estijos \u0161okio k\u016br\u0117jai rod\u0117 po du spektaklius ir specialiose sesijose trumpai pristat\u0117 esamus ir kuriamus darbus. J\u0173 pa\u017einti atvyko \u0161e\u0161ios de\u0161imtys u\u017esienio \u0161okio ekspert\u0173.<\/p>\n

Gintar\u0117 ir jos bendruomen\u0117<\/strong><\/p>\n

Festival\u012f \u201eNaujasis Baltijos \u0161okis\u201c kurianti prodiuser\u0117 Gintar\u0117 Masteikait\u0117 \u2013 viena ry\u0161kiausi\u0173 Lietuvos kult\u016bros vadybininki\u0173. Jos veikla daugialyp\u0117. G. Masteikait\u0117 vadovauja Lietuvos \u0161okio informacijos centrui, o tai \u2013 pagrindin\u0117 organizacija, kaupianti ir skleid\u017eianti informacij\u0105 apie Lietuvos profesional\u0173 \u0161iuolaikin\u012f \u0161ok\u012f ir cirk\u0105 nacionaliniu ir tarptautiniu lygmeniu. Gintarei r\u016bpi ir profesional\u0173 lavinimas.<\/p>\n

\"\"<\/p>\n

Be to, G. Masteikait\u0117 yra \u0161okio teatro \u201eDansema\u201c prodiuser\u0117, jos d\u0117ka choreograf\u0117s Birut\u0117s Banevi\u010di\u016bt\u0117s spektakliai k\u016bdikiams jau puikiai pa\u017e\u012fstami daugelyje \u0161ali\u0173, pati choreograf\u0117 kvie\u010diama dirbti su u\u017esienio \u0161okio trup\u0117mis.<\/p>\n

Lyg b\u016bt\u0173 to ma\u017eai, G. Masteikait\u0117 dirba ir viena i\u0161 projekto \u201eKaunas \u2013 Europos kult\u016bros sostin\u0117 2022\u201c kuratori\u0173.<\/p>\n

Rinkdama program\u0105 \u201eNaujajam Baltijos \u0161okiui\u201c G.Masteikait\u0117 nuolat keliauja po \u012fvairi\u0173 \u0161ali\u0173 festivalius, o tarptautin\u0117s \u0161okio auditorijos yra vadinama D\u017eintare. \u201eKeliaudama dirbu dvigubai daugiau negu b\u016bdama\u00a0 ofise. Dienos metu dalyvauju susitikimuose, \u017ei\u016briu spektaklius ir pan., o po vis\u0173 veikl\u0173, v\u0117lai vakare o ir labai da\u017enai nakt\u012f atra\u0161in\u0117ju el. lai\u0161kus ir tvarkau einamuosius darbus\u201c, yra sakiusi G.Masteikait\u0117.<\/p>\n

\u0160iemet prodiuser\u0117 tapo pirm\u0105ja apdovanojimo \u201eMeno raktas\u201c laureate \u2013 priz\u0105 \u012fsteigusi Scenos meno kritik\u0173 asociacija \u012fvertino G.Masteikait\u0119 u\u017e tai, kad festivalius ji kuria kaip meno k\u016brinius, o kartu su festivaliu kuria ir bendruomen\u0119, neatribodama meninink\u0173 nuo \u017ei\u016brov\u0173. Festivalis \u2013 vis\u0173 \u0161vent\u0117.<\/p>\n

\"\"<\/p>\n

Informacijos \u0161altinis<\/strong>: Lietuvos rytas<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Netik\u0117ti, u\u017eburiantys ir \u0161okiruojantys k\u016briniai, kurie ple\u010dia \u017ei\u016brov\u0173 akirat\u012f. \u0160iuo metu vykstantis festivalis \u201eNaujasis Baltijos \u0161okis\u201c moka stebinti. \u201eOrigamis\u201c, D. …<\/p>\n","protected":false},"author":2,"featured_media":4342,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nNB\u0160'19: \u0160okio artist\u0173 k\u016bnuose - gyvenimo grimasos - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/05\/14\/4472\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NB\u0160'19: \u0160okio artist\u0173 k\u016bnuose - gyvenimo grimasos - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Netik\u0117ti, u\u017eburiantys ir \u0161okiruojantys k\u016briniai, kurie ple\u010dia \u017ei\u016brov\u0173 akirat\u012f. \u0160iuo metu vykstantis festivalis \u201eNaujasis Baltijos \u0161okis\u201c moka stebinti. \u201eOrigamis\u201c, D. ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2019\/05\/14\/4472\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2019-05-14T12:33:17+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-01-27T11:57:25+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/05\/NBSokis-1955-photo-D.Matvejev-1100x734.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1100\" \/>\n\t<meta property=\"og:image:height\" content=\"734\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2019\/05\/14\/4472\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/05\/NBSokis-1955-photo-D.Matvejev.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/05\/NBSokis-1955-photo-D.Matvejev.jpg\",\"width\":3000,\"height\":2002},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2019\/05\/14\/4472\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2019\/05\/14\/4472\/\",\"name\":\"NB\\u0160'19: \\u0160okio artist\\u0173 k\\u016bnuose - 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