{"id":4503,"date":"2019-04-27T20:04:47","date_gmt":"2019-04-27T17:04:47","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=4503"},"modified":"2021-01-27T14:00:12","modified_gmt":"2021-01-27T12:00:12","slug":"ekspansija-oro-burbule","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/04\/27\/ekspansija-oro-burbule\/","title":{"rendered":"Ekspansija oro burbule"},"content":{"rendered":"
\n

Pernai \u012f tre\u010di\u0105 de\u0161imt\u012f \u012fkop\u0119s Vy\u010dio Jankausko \u0161okio teatras savo k\u016brybin\u0119 veikl\u0105 \u012fprasmino atgaivindamas vien\u0105 i\u0161 geriausiai \u017einom\u0173 savo darb\u0173 \u2013 \u201eLiepsnos vir\u0161 \u0161altojo kalno\u201c, o \u0161iemet pristat\u0117 ir nauj\u0105, jau keturiolikt\u0105 darb\u0105, kuriame ry\u0161k\u0117ja choreografo k\u016brybos atsinaujinimo kryptys.<\/p>\n

\"\"<\/p>\n

Dmitrijaus Matvejevo nuotraukos<\/em><\/p>\n

Baland\u017eio 17 d. \u201eMen\u0173 spaustuv\u0117je\u201c \u012fvyko spektaklio \u201eEkspansija. Visata \u012feina \u012f mano k\u016bn\u0105\u201c premjera. \u010cia \u0161okio formos paie\u0161kos akivaizd\u017eiai derinamos su performanso principais ir Vy\u010dio Jankausko \u0161okio teatro erdv\u0117je, kurioje iki \u0161iol da\u017eniausiai buvo galima sutikti Lietuvos \u0161okio kult\u016bros pirmeivius, pristatoma jaunosios kartos atlik\u0117ja Vilt\u0117 \u0160varplyt\u0117, kurios pavard\u0117 Lietuvos \u0161iuolaikinio \u0161okio kontekste ma\u017eai \u017einoma.<\/p>\n

Kaip judesio tyr\u0117ja pristatoma jauna meninink\u0117 \u012f savo eksperiment\u0105 \u012ftrauk\u0117 ir, pasak \u0161viesaus atminimo Vitos Moz\u016brait\u0117s, paskutin\u012f Lietuvos \u0161iuolaikinio \u0161okio romantik\u0105. Ankstesniuose darbuose daug d\u0117mesio skyr\u0119s abstrak\u010diai judesio rai\u0161kai ir jausmin\u0117ms, estetin\u0117ms judesio asociacijoms, \u0161iame darbe Jankauskas \u0161ok\u012f u\u017edaro analitin\u0117je i\u0161 anksto pasirinkt\u0173 s\u0105lyg\u0173 ir reik\u0161mi\u0173 erdv\u0117je.<\/p>\n

\u0160varplyt\u0117 \u0161okio ir judesio mok\u0117si \u0160kotijoje ir Austrijoje, bet savo, kaip atlik\u0117jos, vard\u0105 Lietuvoje jai dar teks \u012frodin\u0117ti. Ji geba pasinerti \u012f atliekamo k\u016brinio erdv\u0119, ta\u010diau \u0161iame spektaklyje labiau ry\u0161k\u0117ja ne kaip \u0161okio, o kaip judesio meninink\u0117 (judesio tyrimai deklaruojami ir trumpame jos veiklos pristatyme).<\/p>\n

\"\"<\/p>\n

Judesys ir \u0161okis \u2013 \u0161i\u0173 rai\u0161kos form\u0173 skirtumus ap\u010diuopti, i\u0161gryninti, atskirti, suvokti norisi vis da\u017eniau ir labiau stebint \u0161okio spektakliais \u012fvardijamos produkcijos \u012fvairov\u0119. Jankauskui artima meditatyvi, kontempliatyvi judesio rai\u0161ka, tod\u0117l bendras skirting\u0173 kart\u0173 ir skirtingos patirties k\u016br\u0117j\u0173 darbas nestebina. Atsarg\u016bs, l\u0117ti koncentruoti \u0160varplyt\u0117s judesiai oro burbule atitinka t\u0105 vaizdin\u012f, kok\u012f apie save yra suk\u016br\u0119s choreografas Jankauskas, ta\u010diau kartais judesys \u010dia atrodo savaiminis ir pritr\u016bksta sunkiai nusakomo choreografijos k\u016br\u0117jo ir atlik\u0117jo dialogo, kad abstraktus erdvinis veiksmas virst\u0173 konkre\u010dia menine prasme.<\/p>\n

Vis d\u0117lto i\u0161silaisvinus i\u0161 burbulo \u0160varplytei pavyksta surasti ir unikal\u0173, asmeni\u0161k\u0105 santyk\u012f su choreografiniu spektaklio audiniu, nors tas santykis gali b\u016bti i\u0161rei\u0161kiamas vos pastebimu judesio impulsu, lengvai nuvilnijan\u010diu per pakelt\u0105 ant \u017eem\u0117s t\u012fsan\u010dio k\u016bno rank\u0105.<\/p>\n

I\u0161 juostinio magnetofono, kur\u012f veikiausiai daugelis spektaklio \u017ei\u016brov\u0173 mat\u0117 tik technikos muziejuose, skamba kompozitori\u0173 Gonerio ir Arvo P\u00e4rto muzika, taip pat atskleid\u017eianti anotacijoje minim\u0105 proto ir vaizduot\u0117s \u012ftamp\u0105, kuriai sukibirk\u0161\u010diavus \u012fsi\u017eiebia k\u016brybin\u0117 energija.<\/p>\n

K\u016br\u0117jai d\u0117mes\u012f sutelkia \u012f proto ir vaizduot\u0117s, \u201eneveiklaus veikimo\u201c fenomenus. Neveiklumas \u0161iame seanse s\u0105lyginis, nes \u0160varplyt\u0117 nuolat veikia \u2013 tiek burbule, tiek i\u0161 jo i\u0161tr\u016bkus akivaizd\u017eios ir intelektualin\u0117s, ir jausmin\u0117s jos pastangos, tad \u017ei\u016brovams taip pat tenka regim\u0173 judesio konstrukt\u0173 asociacijomis u\u017ebaigti \u0161\u012f k\u016brin\u012f, atsakant ir \u012f meninink\u0173 keliamus klausimus, i\u0161d\u0117stytus performatyvaus spektaklio program\u0117l\u0117je.<\/p>\n

Atsakyti \u012f klausim\u0105, k\u0105 \u0161iandienos \u017emogui rei\u0161kia neveiklumas, pauz\u0117, tu\u0161tuma, galima labai \u012fvairiai \u2013 net ir nesinaudojant keturiasde\u0161imt penkias minutes trunkan\u010diu sceniniu veiksmu. Skirtingus atsakymus lemia skirtinga patirtis, skirtingas nusiteikimas regimo k\u016brinio at\u017evilgiu, noras (arba nenoras) dalyvauti Jankausko ir \u0160varplyt\u0117s si\u016blomame tyrime. Negali nepritarti j\u0173 kriti\u0161kam po\u017ei\u016briui \u012f \u201eveiksmo tikrov\u0119\u201c, kurioje laikas ver\u010diamas pinigais, o intelektualini\u0173 ir k\u016brybini\u0173 pastang\u0173 kursas apgail\u0117tinai ma\u017eas.<\/p>\n

\"\"<\/p>\n

I\u0161sivadavusi i\u0161 oro burbulo, atlikusi savo performans\u0105, \u0160varplyt\u0117 \u012f ritinius suvynioja balt\u0105 linoleum\u0105, lyg sunaikindama savo veiklos p\u0117dsakus, parodydama \u0161io k\u016brybinio veiksmo s\u0105lygi\u0161kum\u0105, nenaudingum\u0105, ta\u010diau toks finalas neatrodo nuoseklus \u012fsiskai\u010dius \u012f spektaklio pavadinime \u012fvardint\u0105 teigin\u012f. Galb\u016bt nenuoseklumas \u2013 ir pa\u010di\u0173 k\u016br\u0117j\u0173 siekiamyb\u0117, k\u016brybinio proceso aplinkkelis, nulemtas \u017einojim\u0105 koreguojan\u010di\u0173 nuojaut\u0173, rizikos, gal\u0173 gale ir tos pauz\u0117s, apie kuri\u0105 skaitome spektaklio anotacijoje.<\/p>\n

Gal tai ir paties choreografo po\u017ei\u016br\u012f \u012f k\u016bryb\u0105 apibendrinantis prisipa\u017einimas ar pasiteisinimas, paai\u0161kinantis neskubr\u0173 jo menin\u0117s veiklos ritm\u0105, \u012fsis\u0105monint\u0105 teis\u0119 prabilti tik tada, kai tu\u0161tumoje \u012fsi\u017eiebia pat\u012f meninink\u0105 \u012ftikinanti kibirk\u0161tis.<\/p>\n

\u201eEkspansijos\u201c k\u016br\u0117j\u0173 mintys, tinkan\u010dios forumo apie k\u016brybi\u0161kum\u0105 ir \u0161iuolaikines jo formas diskusijai, plastiniu lygmeniu ai\u0161kiai nei\u0161artikuliuotos. Nors protu galima visi\u0161kai pritarti tam, k\u0105 skaitai, vis d\u0117lto kontaktas su \u201eMen\u0173 spaustuv\u0117s\u201c Juodojoje sal\u0117je matomu reginiu n\u0117ra tolygiai intensyvus vis\u0105 spektaklio laik\u0105, galb\u016bt tod\u0117l, kad tradici\u0161kai tikiesi pajausti, kas i\u0161 tikr\u0173j\u0173 r\u016bpi k\u016br\u0117jams, kaip asociacij\u0105 ar menin\u012f signal\u0105. \u201eMenas yra ne tai, k\u0105 \u017emogus \u017eino, o tai, k\u0105 jis jau\u010dia. Visa kita yra mokslas\u201c, \u2013 dar 1879-aisiais ra\u0161\u0117 Butrimonyse gim\u0119s pasaulinio garso dail\u0117s istorikas Bernardas Berensonas. \u017dod\u017eiai, vis\u0173 pirma skirti dail\u0117s k\u016briniams, tinka visai meninei veiklai, ypa\u010d \u0161iais planuojamos ir projektuojamos, balais vertinamos k\u016brybos laikais.<\/p>\n

Nors menininkai laiko veiksmo ir t\u0117km\u0117s nedramatizuoja, performatyviame spektaklyje vis d\u0117lto ai\u0161kiai juntami bemiegio laiko begalyb\u0117s ir konkre\u010dios laiko atkarpos baigtinumo motyvai. Palaipsniui bli\u016bk\u0161tantis burbulas, kuriame lyg akvariume pl\u016bduriuoja atlik\u0117ja, vis dar prisimenamas pasibaigusios ir tu\u0161\u010diai besisukan\u010dios magnetofono juostos garsas primena: Et in Arcadia ego.<\/em><\/p>\n

Informacijos \u0161altinis<\/strong>: www.7md.lt<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Pernai \u012f tre\u010di\u0105 de\u0161imt\u012f \u012fkop\u0119s Vy\u010dio Jankausko \u0161okio teatras savo k\u016brybin\u0119 veikl\u0105 \u012fprasmino atgaivindamas vien\u0105 i\u0161 geriausiai \u017einom\u0173 savo darb\u0173 …<\/p>\n","protected":false},"author":2,"featured_media":4287,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nEkspansija oro burbule - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/04\/27\/ekspansija-oro-burbule\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ekspansija oro burbule - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Pernai \u012f tre\u010di\u0105 de\u0161imt\u012f \u012fkop\u0119s Vy\u010dio Jankausko \u0161okio teatras savo k\u016brybin\u0119 veikl\u0105 \u012fprasmino atgaivindamas vien\u0105 i\u0161 geriausiai \u017einom\u0173 savo darb\u0173 ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2019\/04\/27\/ekspansija-oro-burbule\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2019-04-27T17:04:47+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-01-27T12:00:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/04\/vyt.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t<meta property=\"og:image:height\" content=\"1367\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2019\/04\/27\/ekspansija-oro-burbule\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/04\/vyt.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/04\/vyt.jpg\",\"width\":2048,\"height\":1367},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2019\/04\/27\/ekspansija-oro-burbule\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2019\/04\/27\/ekspansija-oro-burbule\/\",\"name\":\"Ekspansija oro burbule - 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