{"id":4603,"date":"2019-05-27T18:00:08","date_gmt":"2019-05-27T15:00:08","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=4603"},"modified":"2021-01-27T13:55:53","modified_gmt":"2021-01-27T11:55:53","slug":"beribiai-kunai-festivalio-naujasis-baltijos-sokis-19-spektakliai-ii","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/05\/27\/beribiai-kunai-festivalio-naujasis-baltijos-sokis-19-spektakliai-ii\/","title":{"rendered":"Beribiai k\u016bnai. Festivalio \u201eNaujasis Baltijos \u0161okis \u201919\u201c spektakliai (II)"},"content":{"rendered":"
\n

Guilherme Miotto, <\/strong>\u201eDar blogiau\u201c<\/strong><\/p>\n

Vos \u012f\u017eeng\u0119 \u012f scen\u0105 Shane\u2019as Boersas, Simonas Busas ir Evangelos Biskas savo k\u016bnais ima kurti choreografin\u012f ra\u0161t\u0105. Lengvai, ironi\u0161kai, ta\u010diau su juntamu nerimu \u201eDar blogiau\u201c pasi\u016blo savit\u0105 vizuali\u0105 kalb\u0105.<\/p>\n

Guilherme\u2019o Miotto choreografija pasi\u017eymi ekspresyvia judesio kaita. \u0160ok\u0117jai be perstojo formuoja ir ardo laikinas k\u016bn\u0173 kompozicijas. Laikinumo b\u016bsena tampa pasirodymo norma, o \u0161ok\u0117j\u0173 judesiai susilieja \u012f raibuliuojant\u012f ra\u0161t\u0105.<\/p>\n

\"\"<\/p>\n

\u201eDar blogiau\u201c\u00a0| Glasses\u2019n beard photography nuotr.<\/em><\/p>\n

Nesunku pasteb\u0117ti, kad pro nepriekai\u0161ting\u0105 judesio estetik\u0105 smelkiasi nerimas. Jo pilna visur \u2013 kruop\u0161\u010diai surepetuotuose judesiuose, stati\u0161kose pozose ir ypa\u010d \u017evilgsniuose. Ka\u017ekur auk\u0161tai vir\u0161 \u017ei\u016brov\u0173 ar prie\u0161ais nukreiptas \u017evilgsnis tarsi prat\u0119sia k\u016bn\u0105 \u012f nemateriali\u0105 erdv\u0119, esan\u010di\u0105 tarp \u0161ok\u0117jo ir kito<\/em>. Kyla klausimas, ar judesys savo prasm\u0119 \u012fgyja tik \u0161io numanomo kito<\/em> \u017evilgsnyje.<\/p>\n

\u201eDar blogiau\u201c kuria nerimasting\u0105 \u0161okio kaligrafij\u0105, m\u0117ginan\u010di\u0105 nubr\u0117\u017eti vitali\u0161kas linijas tarp k\u016bno ir j\u012f supan\u010dios erdv\u0117s. Ironi\u0161kas pasirodymo tonas subtiliai papildo nerim\u0105, kuris apima susiduriant su nei\u0161semiamu judesio potencialu. \u0160io prie\u0161taringumu alsuojan\u010dio pasirodymo prasm\u0117s atsiskleid\u017eia kiekvienam individualiai. Reik\u0161mi\u0173 k\u016brimo d\u017eiaugsmas ir na\u0161ta dar kart\u0105 u\u017egula stebin\u010di\u0173j\u0173 pe\u010dius.<\/p>\n

\"\"<\/p>\n

\u201eDar blogiau\u201c\u00a0| Glasses\u2019n beard photography nuotr.<\/em><\/p>\n

\u0160\u012f kart\u0105 prie\u0161 m\u016bs\u0173 akis \u2013 ne viena kit\u0105 ai\u0161kinan\u010dios \u0161okio tez\u0117s, o mirguliuojantis ra\u0161tas. \u0160ok\u0117j\u0173 k\u016bnai, tarsi gyvyb\u0117s kupini simboliai, ver\u017eiasi i\u0161 grie\u017et\u0173 semiotini\u0173 strukt\u016br\u0173. Ta\u010diau nereikia pamir\u0161ti \u2013 tai kruop\u0161taus darbo rezultatas, stropiai strukt\u016bruotas besikartojan\u010di\u0173 choreografini\u0173 sek\u0173 \u017eaismas.<\/p>\n

Sabina Scarlat, \u201eUniforma\u201c<\/strong><\/p>\n

Septynios tonos sm\u0117lio scenoje leid\u017eia sukurti trapi\u0105 modernistinio pasaulio miniati\u016br\u0105. Pasirodymo erdv\u0119 u\u017epildo nedideli identi\u0161ki sm\u0117lio statiniai, i\u0161siskiriantys savo matemati\u0161kai tiksliomis formomis. \u010cia masin\u0117 gamyba simboli\u0161kai persikelia \u012f sm\u0117lio pasaul\u012f. Jo viduryje stovin\u010dios Sabina Scarlat ir Irene Russolillo rodo savo mai\u0161ting\u0105 spektakl\u012f \u201eUniforma\u201c.<\/p>\n

\"\"<\/p>\n

\u201eUniforma\u201c\u00a0| Dmitrijaus Matvejevo nuotr.<\/em><\/p>\n

Nuo\u017emus postindustrinis garsas pama\u017eu \u012ftraukia dvi \u0161ok\u0117jas \u012f destrukcijos \u0161\u0117lsm\u0105. I\u0161 prad\u017ei\u0173 j\u0173 \u017eingsniai l\u0117tai ardo strukt\u016bruotos realyb\u0117s fantazij\u0105, \u012fk\u016bnyt\u0105 sm\u0117lio kubuose. Muzikai intensyv\u0117jant destrukcija apima vis didesnius plotus. K\u016bnai fragmenti\u0161kais judesiais negailestingai tal\u017eo kruop\u0161\u010diai kurt\u0105 pasaul\u012f. K\u016bnas tampa ginklu, \u017eai\u017earuojan\u010diu nevaldoma energija. Atrodo, kad \u0161ok\u0117j\u0173 venomis teka elektra, o ne kraujas \u2013 j\u0173 judesiai artimesni mechaniniam miesto ritmui negu \u017emogaus plastikai. Naujasis humanizmas gimsta ma\u0161in\u0173 gaudesyje.<\/p>\n

Destrukcijai netik\u0117tai nurimus prasideda atstatymas. \u017dmonijos istorijoje tai iki skausmo pa\u017e\u012fstamas scenarijus. I\u0161 u\u017ekulisi\u0173 pasirodo du jauni vyrai. Jie nedalyvavo griaunant, ta\u010diau atlieka svarb\u0173 vaidmen\u012f atstatant. Savo pasirodymu jie \u012fk\u016bnija milijonus i\u0161 m\u016bs\u0173 akira\u010dio i\u0161stumt\u0173 darbinink\u0173, kurie savo ne\u012fvertintu darbu stumia pirmyn nepasotinam\u0105 progreso ma\u0161in\u0105.<\/p>\n

\"\"<\/p>\n

\u201eUniforma\u201c\u00a0| Dmitrijaus Matvejevo nuotr.<\/em><\/p>\n

Naujos sm\u0117lio strukt\u016bros kei\u010dia sen\u0105sias. \u0160\u012f kart\u0105 jos aptakesn\u0117s, artimesn\u0117s \u017emogaus k\u016bno formoms. Bet v\u0117l pasigirsta \u012fnirtingas postindustrinis garsas ir destrukcija u\u017evaldo sm\u0117lio pasaul\u012f. Procesas kartojasi \u2013 naikinimas nurimsta, pasirodo du asistentai, ta\u010diau \u0161\u012f kart\u0105 kurti nauj\u0105j\u012f pasaul\u012f pakvie\u010diama ir publika, pama\u017eu u\u017epildanti pasirodymo erdv\u0119.<\/p>\n

\u201eUniformoje\u201c destrukcija tampa nei\u0161vengiamybe. Pasaulyje, kuriame gyvenamoji aplinka tarnauja ekonominiams galios interesams, k\u016bnas tampa ginklu ir m\u016b\u0161io lauku. B\u016btent per \u0161i\u0105 nuo\u017emi\u0105 konfrontacij\u0105 gimsta ateities pasaulis.<\/p>\n

Nach, \u201eCellule\u201c<\/strong><\/p>\n

Savo soliniam pasirodymui \u201eCellule\u201c atlik\u0117ja Nach \u012fkv\u0117pimo s\u0117m\u0117si i\u0161 krampo (angl. krump<\/em>) \u2013 energingo ir itin ekspresyvaus gatv\u0117s \u0161okio. JAV susiformav\u0119s krampas tapo b\u016bdu nepritekliaus kamuojamoms juodaod\u017ei\u0173 bendruomen\u0117ms i\u0161reik\u0161ti savo frustracij\u0105 ir formuoti alternatyvi\u0105 tapatyb\u0119.<\/p>\n

\"\"<\/p>\n

\u201eCellule\u201c\u00a0| Glasses\u2019n beard photography nuotr.<\/em><\/p>\n

Pasirodymas prasideda Nach energijos pli\u016bpsniu. Tyloje \u012fvyksta akistata tarp \u017ei\u016brov\u0173 ir jaunos moters, kuri prikausto \u017evilgsn\u012f pla\u010diais rank\u0173 mostais ir gr\u0117smingais judesiais. \u0160ie netrukus sulaukia savo konteksto \u2013 sal\u0119 u\u017epildo pranc\u016bzi\u0161ko hiphopo fragmentai ir miestovaizd\u017eio projekcija. Vaizdas neatsitiktinis: krampo, kaip ir daugelio kit\u0173 gatv\u0117s \u0161oki\u0173, i\u0161takos gl\u016bdi vargingiausiuose miest\u0173 rajonuose.<\/p>\n

Scena akimirkai panyra \u012f tams\u0105, kurioje tik ranka laikomo \u017eibintuv\u0117lio ap\u0161viesta Nach t\u0119sia pasirodym\u0105. \u017dibintuv\u0117lis \u2013 galios simbolis, b\u016btent jo \u0161viesoje i\u0161nyra k\u016bnai, kurie siekia likti nematomi. Ap\u0161viesti save rei\u0161kia i\u0161siduoti, ta\u010diau kar\u0161tligi\u0161kai judanti Nach save ap\u0161vie\u010dia tik fragmenti\u0161kai, primindama, kad dalis m\u016bs\u0173 tapatyb\u0117s visuomet lieka u\u017e pa\u017einimo rib\u0173.<\/p>\n

\"\"<\/p>\n

\u201eCellule\u201c\u00a0| Glasses\u2019n beard photography nuotr.<\/em><\/p>\n

Netrukus scen\u0105 u\u017elieja raudona \u0161viesa, joje Nach k\u016bnas skyla \u012f material\u0173 ir virtual\u0173. Sustingusi \u0161ok\u0117ja \u017evelgia \u012f vaizdo projekcij\u0105, kurioje jos virtualus k\u016bnas ima jud\u0117ti. Kuris i\u0161 j\u0173 tikrasis? Atrodyt\u0173, atsakymas akivaizdus, ta\u010diau pasaulyje, kuriame riba tarp virtualios ir materialios erdv\u0117s spar\u010diai nyksta, vienareik\u0161mi\u0161k\u0105 atsakym\u0105 rasti vis sunkiau. Naujos savik\u016bros ir savireprezentacijos galimyb\u0117s i\u0161laisvina i\u0161 dominuojan\u010dio normatyvumo ir leid\u017eia panirti \u012f nesibaigian\u010di\u0105 simuliacij\u0105. B\u016btent virtualioje erdv\u0117je galime i\u0161reik\u0161ti savo giliausius tro\u0161kimus ir tikr\u0105ja to \u017eod\u017eio prasme sukurti save.<\/p>\n

\u201eCellule\u201c dr\u0105siai ie\u0161ko atsakym\u0173, klumpa, keliasi ir simptomi\u0161kai \u012fk\u016bnija mus supant\u012f netikrumo jausm\u0105.<\/p>\n

Manuel Roque, \u201ebang bang\u201c<\/strong><\/p>\n

Prad\u017eioje buvo Didysis sprogimas. O galb\u016bt ma\u017easis \u0161uoliukas? Manuelis Roque savo pasirodyme \u201ebang bang\u201c tiria k\u016bno galimybes. U\u017edavinys i\u0161ties ambicingas, nes kalbame ne tik apie fizines galimybes, bet ir apie k\u016bno potencial\u0105 \u012fk\u016bnyti visatos prad\u017ei\u0105.<\/p>\n

\"\"<\/p>\n

\u201ebang bang\u201c\u00a0| Dmitrijaus Matvejevo nuotr.<\/em><\/p>\n

Viskas prasideda nuo prit\u016bpim\u0173, po j\u0173 eina \u0161uoliukai, netrukus pasirodo pirmieji prakaito la\u0161ai. Roque nepaliaujamai juda, trumpam sustodamas tik tam, kad netrukus v\u0117l atsiduot\u0173 sud\u0117tingai choreografijai. Ta\u010diau kod\u0117l? Interpretacij\u0173 gali b\u016bti daug: na\u0161umo manijos apimtos visuomen\u0117s kritika, savo k\u016bno galimybi\u0173 i\u0161bandymas ar i\u0161\u0161\u016bkis \u017ei\u016brovams. Grei\u010diausiai visos jos teisingos, ta\u010diau pats Roque savo \u012fkv\u0117pimo \u0161altin\u012f atskleid\u0117 po pasirodymo vykusiame susitikime: tai \u2013 choreografijoje \u012fk\u016bnytos trys visatos susik\u016brimo teorijos. Pirm\u0105j\u0105, Einsteino teorij\u0105, atspindi paprasti, besikartojantys judesiai, antr\u0105j\u0105, kvantin\u0117s fizikos, \u2013 sud\u0117tinga choreografija ir tre\u010di\u0105j\u0105, M teorij\u0105 (M-theory<\/em>) \u2013 skai\u010diavimas iki vienuolikos \u0161okio metu (M teorija kalba apie vienuolika dimensij\u0173).<\/p>\n

\"\"<\/p>\n

\u201ebang bang\u201c\u00a0| Dmitrijaus Matvejevo nuotr.<\/em><\/p>\n

Nesvarbu, kuri interpretacija pasirod\u0117 artimesn\u0117, \u201ebang bang\u201c parodo \u0161okio daugialypum\u0105 ir jo metonimin\u0119 j\u0117g\u0105. \u0160uoliukas ar triuk\u0161me susting\u0119s k\u016bnas gali ir i\u0161reik\u0161ti visatos suk\u016brimo teorij\u0105, ir reprezentuoti k\u016bni\u0161kum\u0105, ir likti estetinio pasig\u0117r\u0117jimo (pasibjaur\u0117jimo) objektu. Bet kuriuo atveju \u0161ok\u0117jas ir \u017ei\u016brovas \u012fsitraukia \u012f subtil\u0173 santyk\u012f, kuriame klaida tampa nei\u0161vengiama proceso dalimi. Pasak Roque, ji yra viena esmini\u0173 pasirodymo s\u0105lyg\u0173. Sud\u0117tinga choreografija, numatanti klaid\u0105, parodo, kad visata (ir m\u016bs\u0173 pa\u017einimas) gali b\u016bti tik viena nesibaigianti klaid\u0173 virtin\u0117. Polifoni\u0161ka choreografija ir i\u0161sekimo persmelktas Roque k\u016bnas atveria klystan\u010dio pa\u017einimo gro\u017e\u012f.<\/p>\n

Informacijos \u0161altinis<\/strong>: www.7md.lt<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Guilherme Miotto, \u201eDar blogiau\u201c Vos \u012f\u017eeng\u0119 \u012f scen\u0105 Shane\u2019as Boersas, Simonas Busas ir Evangelos Biskas savo k\u016bnais ima kurti choreografin\u012f …<\/p>\n","protected":false},"author":2,"featured_media":4468,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nBeribiai k\u016bnai. Festivalio \u201eNaujasis Baltijos \u0161okis \u201919\u201c spektakliai (II) - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/05\/27\/beribiai-kunai-festivalio-naujasis-baltijos-sokis-19-spektakliai-ii\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Beribiai k\u016bnai. Festivalio \u201eNaujasis Baltijos \u0161okis \u201919\u201c spektakliai (II) - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Guilherme Miotto, \u201eDar blogiau\u201c Vos \u012f\u017eeng\u0119 \u012f scen\u0105 Shane\u2019as Boersas, Simonas Busas ir Evangelos Biskas savo k\u016bnais ima kurti choreografin\u012f ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2019\/05\/27\/beribiai-kunai-festivalio-naujasis-baltijos-sokis-19-spektakliai-ii\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2019-05-27T15:00:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-01-27T11:55:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/05\/60029809_2116725441707869_7471796421205688320_o.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1858\" \/>\n\t<meta property=\"og:image:height\" content=\"775\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2019\/05\/27\/beribiai-kunai-festivalio-naujasis-baltijos-sokis-19-spektakliai-ii\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/05\/60029809_2116725441707869_7471796421205688320_o.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/05\/60029809_2116725441707869_7471796421205688320_o.jpg\",\"width\":1858,\"height\":775},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2019\/05\/27\/beribiai-kunai-festivalio-naujasis-baltijos-sokis-19-spektakliai-ii\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2019\/05\/27\/beribiai-kunai-festivalio-naujasis-baltijos-sokis-19-spektakliai-ii\/\",\"name\":\"Beribiai k\\u016bnai. 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