{"id":5536,"date":"2019-07-01T11:27:09","date_gmt":"2019-07-01T08:27:09","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=5536"},"modified":"2021-01-27T13:53:39","modified_gmt":"2021-01-27T11:53:39","slug":"paimti-pauze","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/07\/01\/paimti-pauze\/","title":{"rendered":"Paimti pauz\u0119"},"content":{"rendered":"

Vy\u010dio Jankausko \u0161okio spektaklio Ekspansija. Visata \u012feina \u012f mano k\u016bn\u0105 premjera<\/span><\/span><\/em><\/p>\n

Nuolat kartojame, kad \u0161iais laikais visi gyvename burbuluose, daugiausia socialiniuose burbuluose, kuriuose, apriboj\u0119 savo dom\u0117jimosi rat\u0105 priimtin\u0173 \u017emoni\u0173 skleid\u017eiama informacija, jau\u010diam\u0117s jaukiai ir saugiai (na, taip, tikiu, kad daug kam nor\u0117t\u0173si i\u0161siginti, ta\u010diau tendencija \u2013 akivaizdi). Ta\u010diau ilgainiui \u0161is realybei neadekvatus (ne)-saugumas ima dusinti ir taip norisi \u201epaimti pauz\u0119\u201c.<\/span><\/span><\/p>\n

Tokios gana tiesiogin\u0117s asociacijos kyla stebint \u0161ok\u0117j\u0105 Vilt\u0119 \u0160varplyt\u0119, judan\u010di\u0105 pabli\u016b\u0161kusiame pripu\u010diamame burbule. Taip prasideda naujausias choreografo Vy\u010dio Jankausko \u0161okio spektaklis Ekspansija. Visata \u012feina \u012f mano k\u016bn\u0105<\/i>, kurio premjeros \u012fvyko baland\u017eio 17 d. ir gegu\u017e\u0117s 29 d. Men\u0173 spaustuv\u0117je.<\/span><\/span><\/p>\n

\"\"<\/p>\n

Nuotraukos – Dmitrijus Matvejevas <\/span><\/span><\/p>\n

\u0160iam choreografui ne\u012fprastai minimalistinis spektaklis savo netipi\u0161ka forma ir sunkiai ap\u010diuopiamu turiniu skatina \u012f j\u012f pa\u017evelgti platesniame Jankausko k\u016brybos kontekste. Pra\u0117jusiais metais Jankausko \u0161okio teatras at\u0161vent\u0117 dvide\u0161imtmet\u012f, o naujausia premjera tarsi prad\u0117jo nauj\u0105 etap\u0105. Prie\u0161 ger\u0105 de\u0161imtmet\u012f \u0161okio kritik\u0117 Vita Moz\u016brait\u0117, apibendrindama tokius \u0161io choreografo spektaklius kaip \u017dinia<\/i> (2007), Bud\u0117jimai<\/i>\u00a0(2008), Liepsnos vir\u0161 \u0161altojo kalno<\/i> (2010), \u012fvardijo Jankausk\u0105 kaip Lietuvos \u0161okio \u201epaskutin\u012fj\u012f romantik\u0105\u201c (Vita Moz\u016brait\u0117, \u201eAm\u017ei\u0173 sand\u016bros \u0161iuolaikinio \u0161okio asmenyb\u0117s\u201c, in: http:\/\/www.mmcentras.lt\/amziu-sanduros-siuolaikinio-sokio-asmenybes\/79033). \u0160ie ir ankstesni Jankausko \u0161okio spektakliai \u012ftvirtino jo k\u016bryb\u0105 kaip filosofi\u0161k\u0105, pasi\u017eymin\u010di\u0105 subtilia, nuosaikia, plasti\u0161ka estetika. Ta\u010diau pastar\u0105j\u012f de\u0161imtmet\u012f choreografas pasuko socialin\u0117s kritikos keliu. Spektakliuose Judantys taikiniai<\/i> (2011), Aritmijos<\/i> (2013), Akloji d\u0117m\u0117<\/i> (2015), Agonija<\/i> (2017) jis \u0117m\u0117si nagrin\u0117ti individo ir visuomen\u0117s santykius, skaud\u017eiai akcentuodamas destruktyvi\u0105j\u0105 sociumo poveikio pus\u0119 ir pateikdamas gana pesimistines i\u0161vadas.<\/span><\/span><\/p>\n

Pana\u0161u, kad naujajame spektaklyje Ekspansija. Visata \u012feina \u012f mano k\u016bn\u0105<\/i> choreografui pavyko sujungti \u0161ias dvi ry\u0161kias savo k\u016brybos kryptis. \u010cia atsisakyta didaktikos, ta\u010diau spektaklio pagrindu pasirinktas kriti\u0161kas po\u017ei\u016bris \u012f \u0161iuolaikin\u012f pragmatizm\u0105 ir primest\u0105, priverstin\u012f k\u016brybi\u0161kum\u0105. Ta\u010diau k\u016br\u0117j\u0105 dominan\u010dios temos \u0161okio spektaklyje gvildenamos pasirenkant itin abstrak\u010dias, meditatyvias i\u0161rai\u0161kos formas.<\/span><\/span><\/p>\n

\"\"<\/p>\n

Ekspansija<\/span><\/i><\/span> Jankausko k\u016bryboje i\u0161siskiria jau vien tuo, kad choreografas pirm\u0105 kart\u0105 suk\u016br\u0117 monospektakl\u012f. \u0160varplyt\u0117 pristatoma ne tik kaip \u0161iuolaikinio \u0161okio atlik\u0117ja, bet ir judesio tyrin\u0117toja. Stebint j\u0105 oro burbule nenuostabu, kad ji domisi judan\u010dio k\u016bno pa\u017einimu, \u017evelgdama \u012f j\u012f kaip \u012f \u012fkv\u0117pimo \u0161altin\u012f. Atlik\u0117jos judesiai talp\u016bs, sukaupti, \u010dia tiriantys erdv\u0119, \u010dia kylantys i\u0161 vis prasiver\u017eian\u010di\u0173 vidini\u0173 impuls\u0173.<\/span><\/span><\/p>\n

Spektaklis k\u016br\u0117j\u0173 pristatomas tarsi muzikinis k\u016brinys, i\u0161vardijant visus atlik\u0117jus: performatyvus \u0161okio spek\u00adtak\u00adlis \u0161ok\u0117jai, juostiniam magnetofonui ir pripu\u010diamam burbului. Taigi burbulas, kuriame l\u0117tais, smulkiais judesiais, vis neleisdama jam subli\u016bk\u0161ti, juda \u0160varplyt\u0117, savo vaidmen\u012f spek\u00adtak\u00adlyje atlieka gan greitai, ir \u0161ok\u0117jai nusprendus i\u0161 jo i\u0161sivaduoti, paliekamas kaip i\u0161nara.<\/span><\/span><\/p>\n

Spektaklio autoriai teigia, kad \u0161iuo k\u016briniu siekia kvestionuoti vadinam\u0105j\u0105 \u0161iuolaikin\u0119 \u201eveiksmo tikrov\u0119\u201c, kurioje \u017emogaus vert\u0117 bei gyvenimo prasmingumas matuojamas tik jo praktin\u0117s veiklos produktyvumu bei efektyvumu. Gal tod\u0117l nema\u017e\u0105 spektaklio dal\u012f sudaro paprastai scenos darbinink\u0173 atliekamas darbas: atlik\u0117ja l\u0117tai, precizi\u0161kai, po vien\u0105 nupl\u0117\u0161ia lipnios juostos gabalus, jungian\u010dius ir laikan\u010dius scenos grindis dengian\u010dio balto, \u0161okio spektakli\u0173 atlikimui skirto linoleumo juostas. Tuomet \u0161ias juostas taip pat kruop\u0161\u010diai suvynioja. Paprastai tokie veiksmai atliekami tik spektakliui pasibaigus. Ta\u010diau naujajame Jankausko k\u016brinyje jie yra ne tik spektaklio dalis, bet \u0161ok\u0117jai pakartojant \u201edarbo\u201c judesius be paties \u201edarbo\u201c (kartojant judesius, bet neatliekant paties veiksmo), tampa ir choreografijos dalimi.<\/span><\/span><\/p>\n

Dar vienas \u0161io spektaklio \u201eatlik\u0117jas\u201c\u00a0\u2013 jau antikvarine vertybe tap\u0119s juostinis magnetofonas. I\u0161 jo spektaklio prad\u017eioje sklinda Goner elektroniniai garsai, o spektakliui baigiantis \u2013 Arvo P\u00e4rto \u201eMy Heart\u2018s in the Highlands\u201c. Pagal \u0161kot\u0173 nacionalinio poeto Roberto Burnso eiles, apra\u0161an\u010dias \u0160kotijos gro\u017e\u012f, sukurta daina skamba sakraliai ar net gedulingai. \u0160ok\u0117ja atsuka juost\u0105, suranda dainos viet\u0105 ir leid\u017eia nuskamb\u0117ti jos prad\u017eiai, o v\u0117liau, pri\u00adjungusi ausines, garsus pasilieka tik sau. Nuo \u0161okio dangos i\u0161valytoje erd\u00adv\u0117je ji lieka su muzika, atlikdama savoti\u0161k\u0105 jos (nesi)klausymo ritual\u0105. Juostai pasibaigus, \u0160varplyt\u0117 v\u0117l taip pat precizi\u0161kai sutvarko ir garso \u012frang\u0105: \u012fdeda juost\u0105 \u012f d\u0117\u017eut\u0119, suvynioja ausi\u00adnes, patraukia magnetofon\u0105 \u012f \u0161on\u0105, taip i\u0161 veiksmo erdv\u0117s eliminuodama dar vien\u0105 element\u0105, kartu lyg atid\u0117dama praeit\u012f, suarchyvuodama k\u0105 tik atgaivint\u0105 patirt\u012f.<\/span><\/span><\/p>\n

\"\"<\/p>\n

Be jau aptart\u0173 oro burbulo ir \u201edarbo\u201c scen\u0173, spektaklio judesin\u012f pie\u0161in\u012f sudaro \u0161ok\u0117jos jud\u0117jimas erdv\u0117je, maksimaliai minimalistin\u0117s choreo\u00adgrafijos diapazone. Choreografin\u0117s kompozicijos ir subtil\u016bs per\u0117jimai sukuria \u012fsp\u016bd\u012f, lyg choreografo \u010dia n\u0117 neb\u016bta. Mikroimpulsai nuvilnija per atlik\u0117jos k\u016bn\u0105, jie i\u0161siskleid\u017eia arba yra nuslopinami, ir tai v\u0117l kartojasi. Pakartojimai skirti kiekvienai i\u0161 trij\u0173 pusi\u0173 scenos aik\u0161tel\u0119 apsupusios pub\u00adlikos daliai. Regis, pagrindiniu emocij\u0173 ir\/ar komunikacijos kanalu \u010dia tampa atlik\u0117jos rankos, kurias ji vis stengiasi pa\u017eaboti, jas nustumdama ar pris\u0117sdama. Tarsi nuolat stengt\u0173si susivaldyti, nei\u0161sakyti, nei\u0161siduoti, disciplinuotis. Atviras rank\u0173 judesys virsta impulsyviu k\u016bno subyr\u0117jimu, o\u00a0kompozicija, regis, formuojama pagal nat\u016bral\u0173 \u0160varplyt\u0117s k\u016bno jud\u0117jim\u0105. Akivaizdu, kad minimalistinis choreografinis tekstas yra apgalvotas, pasvertas ir precizi\u0161kai apskai\u010diuotas. Ta\u010diau per\u0161asi mintis, kad jis pernelyg i\u0161valytas, tad tarp \u0161iandien\u0105 \u017eymin\u010dio oro burbulo ir juostinio magnetofono \u017eenkli\u0161kumo judesinei spektaklio plot\u00admei pritr\u016bksta artikuliacijos, ai\u0161kesn\u0117s ir artimesn\u0117s komunikacijai su publika.<\/span><\/span><\/p>\n

Spektaklis baigiasi ten, kur jo vidinis veiksmas i\u0161 ties\u0173 prasideda. Erdv\u0117 demontuota ir i\u0161valyta, joje nebelik\u0119 i\u0161orini\u0173 \u0161okio spektaklio atribut\u0173. Suklupusios \u0161ok\u0117jos rankomis, pla\u0161takomis ir pir\u0161t\u0173 galiukais vilnija trumpi impulsai, kol galiausiai k\u016bnas nurimsta (ar b\u016btent \u0161iame momente visata \u012feina \u012f j\u012f?). Spektaklis baigiasi pasiekta pauze, atsikv\u0117pimu, kuriuo \u012fprastai prasideda muzikos ar bet kurie kiti k\u016briniai. Pauze, kurios neretai taip tr\u016bksta \u0161iuolaikin\u0117je burbul\u0173 pripildytoje tikrov\u0117je.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Vy\u010dio Jankausko \u0161okio spektaklio Ekspansija. Visata \u012feina \u012f mano k\u016bn\u0105 premjera Nuolat kartojame, kad \u0161iais laikais visi gyvename burbuluose, daugiausia …<\/p>\n","protected":false},"author":2,"featured_media":4286,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nPaimti pauz\u0119 - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/07\/01\/paimti-pauze\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paimti pauz\u0119 - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Vy\u010dio Jankausko \u0161okio spektaklio Ekspansija. 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