{"id":634,"date":"2018-04-27T09:42:39","date_gmt":"2018-04-27T06:42:39","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=634"},"modified":"2018-04-27T15:15:11","modified_gmt":"2018-04-27T12:15:11","slug":"mano-ar-nemano-piteris-penas","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2018\/04\/27\/mano-ar-nemano-piteris-penas\/","title":{"rendered":"MANO ar NEMANO Piteris Penas?"},"content":{"rendered":"
Atsakyti galima dvejopai: tai ne mano Piteris Penas arba tai mano Piteris Penas.<\/p>\n
Spektaklio pavadinimas kuoduoja asmeninio susitikimo arba atmetimo galimyb\u0119.<\/p>\n
Choreograf\u0117s Agnijos \u0160eiko vadovaujamas Klaip\u0117dos \u0161okio teatras \u201ePADI DAPI Fish\u201c \u012f savo komand\u0105 drauge kurti spektakl\u012f pakviet\u0117 Juli\u0173. Jis serga dauno sindromu, yra komunikabilus ir savimi pasitikintis jaunuolis, u\u017eaug\u0119s j\u012f gerbian\u010dioje ir mylin\u010dioje \u0161eimoje, tod\u0117l jam rodomas \u0161ok\u0117j\u0173 ir \u017ei\u016brov\u0173 d\u0117mesys yra nat\u016bralus ir \u0161iltas jo asmeninio gyvenimo t\u0119sinys.<\/p>\nNuotrauka: verslofoto.lt<\/figcaption><\/figure>\n
Statant spektaklius su visuomen\u0117je ma\u017eai integruotomis, labiau pa\u017eeid\u017eiamomis \u017emoni\u0173 grup\u0117mis, procesas tampa lygiaverte dalimi meniniam spektaklio rezultatui. \u0160ok\u0117ja Inga Kuznecova po spektaklio dalijosi repeticij\u0173 emocija: kiekviena diena su Juliumi mus keit\u0117 ir atrod\u0117, kaip gyvensime, kai nebereiks eiti \u012f repeticijas, kai nebesutiksime Juliaus.<\/p>\n
Re\u017eisier\u0117 Agnija \u0160eiko \u012f komand\u0105 pasikviet\u0117 judesio specialist\u0119 Dovil\u0119 Binkauskait\u0119, kuri turi darbo su ne\u012fgaliaisiais patirties. K\u016brybinis spektaklio procesas buvo be galo jautrus ir atidus sav\u0119s ir Juliaus steb\u0117jimas, kad neb\u016bt\u0173 pa\u017eeista emocin\u0117 ir fizin\u0117 pusiausvyra. Atrodo, kad \u0161is atsargumo imperatyvas padar\u0117 \u012ftak\u0105 spektaklio istorijos pasakojimui: kai Julius yra scenoje \u0161ok\u0117j\u0173 judesiai ir emocijos yra sul\u0117tintos, \u0161velnios, pritaikytos b\u016bti netik\u0117tumo pozicijoje; kai Juliaus scenoje n\u0117ra \u2013 visi atsipalaiduoja, i\u0161silaisvina i\u0161 var\u017et\u0173 ir leid\u017eia impulsyvi\u0105 jausen\u0105.<\/p>\n
Toks spektaklio eigos moduliavimas sukuria dichotomin\u012f suvokim\u0105, kai yra matomos tik dvi spalvos \u2013 juoda arba balta. Juodoji spalva: prie kitokio<\/em> \u017emogaus b\u016bnama prisitaikius, ne savimi, jis var\u017eo, ir tik jam pasi\u0161alinus atsipalaiduojama \u2013 \u0161ok\u0117j\u0173 judesio dinamika pereina \u012f spontani\u0161k\u0105, energing\u0105. Baltoji spalva: kitoks<\/em> \u017emogus moko jautrumo, atidumo, suteikia gylio sav\u0119s paties pa\u017einimui \u2013 \u0161ok\u0117j\u0173 judesiai ram\u016bs, meditatyv\u016bs, labiau susimbolinti.<\/p>\n
Pagrindinis \u0161ok\u0117jas Mantas \u010cerneckas prigimtinai turi apoloni\u0161kojo prado, o Julius \u012fk\u016bnija dionisi\u0161k\u0105j\u0105 \u017emogaus pus\u0119. \u0160ie du pradai vizualiai yra ai\u0161kiai matomi, bet spektaklio naratyvui vystyti nepadeda, ne\u012ftikina dviej\u0173 pagrindini\u0173 veik\u0117j\u0173 ry\u0161iu.<\/p>\nNuotrauka: Klaip\u0117dos Koncert\u0173 sal\u0117s archyvas (autorius Vytautas Petrikas)<\/figcaption><\/figure>\n
Dichotomi\u0161kumas, \u0161okio dinamikos pritaikymas prie Juliaus ir kai jo scenoje n\u0117ra, gali erzinti \u017emones, kurie jau yra susidraugav\u0119 su dauno sindromu sergan\u010diais, dalyvav\u0119 \u201eArkos\u201c bendruomen\u0117s veikloje ir tod\u0117l jie gali pasakyti \u201etai ne mano Piteris Penas\u201c.<\/p>\n
Piteris Penas yra \u0161kot\u0173 ra\u0161ytojo J. M. Barie XX a. prad\u017eioje sukurtas persona\u017eas, kuris pab\u0117go i\u0161 nam\u0173 t\u0105 dien\u0105, kai gim\u0117, nes i\u0161girdo t\u0117vus kalbantis apie jo ateit\u012f, kuo jis bus u\u017eaug\u0119s. Piteris Penas kar\u0161tai su\u0161uko: \u201eA\u0161 nenoriu kada nors u\u017eaugti. A\u0161 trok\u0161tu am\u017einai b\u016bti ma\u017eas berniukas ir \u017eaisti.\u201c<\/p>\n
Psichologai Piterio Peno charakteristik\u0105 yra panaudoj\u0119 Y kartos sindromui apibr\u0117\u017eti. Pagal juos Y karta (t\u016bkstantme\u010dio karta) yra narcizai, savanaud\u017eiai, nepastov\u016bs, socialini\u0173 tinkl\u0173 vergai, kurie serga Piterio Peno sindromu. Tai pirmoji karta, u\u017eaugusi su technologijomis, laisva ir daugiau ar ma\u017eiau viskuo apr\u016bpinta, jiems svarb\u016bs socialiniai tinklai.<\/p>\n
Spektaklyje siekta apjungti Piterio Peno pasaki\u0161k\u0105 persona\u017e\u0105, kuris ateina i\u0161 vaikyst\u0117s, ir Y kartos \u0161iuolaikinio jaunuolio tipa\u017e\u0105. Ar pasisek\u0117 tai padaryti?<\/p>\n
Spalvinis spektaklio koloritas \u2013 \u0161vies\u016bs r\u016bbai su sparneliais (kostium\u0173 dailininkas Art\u016bras \u0160imonis), vertikali \u0161okio dinamika, Juliaus rankose plevenantis balion\u0117lis ir jo pa\u010dio nuo\u0161irdus jud\u0117jimas po scen\u0105, \u0161velni, ritm\u0105 i\u0161laikanti Sveno Helbig muzika (elektronika su gyvai atliekamomis violon\u010deli\u0173 partijomis) \u2013 visa tai perteikia Piterio Peno pasaulio efemeri\u0161kum\u0105, pasaki\u0161k\u0105 mirg\u0117jim\u0105, \u0161ird\u012f palie\u010diant\u012f vaikyst\u0117s tikrum\u0105.<\/p>\nNuotrauka: Klaip\u0117dos Koncert\u0173 sal\u0117s archyvas (autorius Vytautas Petrikas)<\/figcaption><\/figure>\n
Konfliktas d\u0117l d\u0117mesio, mai\u0161atis, i\u0161sekimas, nuovargis, vieni\u0161umas \u2013 tai \u0161iuolaikinio jaunuolio jausenos, kurios, mano galva, perteiktos per ne lyg tiesmukai \u2013 grup\u0117 jaunuoli\u0173 pe\u0161asi d\u0117l vietos ant pakylos. Nors Y kartos atstovai, turintys Piterio Peno sindrom\u0105, pagal psicholog\u0173 apib\u016bdinim\u0105 tur\u0117t\u0173 abejingai spoksoti \u012f ekranus ir, jei pe\u0161tis, tai tik virtualioje erdv\u0117je.<\/p>\n
\u012etikinamai spektaklyje atskleistas socialinis klausimas \u2013 kito<\/em> pri\u0117mimo tema, kai kitokie <\/em>\u017emon\u0117s (ne\u012fgal\u016bs, seni…) yra tarsi visuomen\u0117s moral\u0117s ir etikos lakmuso popier\u0117liai. Jie didina gailestingumo, empatijos lyg\u012f bendruomen\u0117se. Esi sveikas tiek, kiek esi u\u017ejautus ir tikras b\u016bdamas \u0161alia.<\/p>\n
Nor\u0117\u010diau numatyti, kad laikui b\u0117gant, spektaklyje sustipr\u0117s pagrindinio \u0161ok\u0117jo M. \u010cernecko ir Juliaus ry\u0161ys, kuris motyvuos vienos sielos id\u0117j\u0105, \u2013 mes visi esame vienoje valtyje. Nes \u0161i id\u0117ja per butaforin\u012f ir judesio sprendim\u0105 jau yra \u012fgyvendinta, bet dar iki galo n\u0117ra \u012ftikinanti.<\/p>\n
Piteris Penas nenor\u0117jo u\u017eaugti. Tikrasis Julius ir yra am\u017einasis vaikas. Piterio Peno alter ego<\/em>. Pagrindinis veik\u0117jas (M. \u010cerneckas) i\u0161lieka bendruomen\u0117s socialiniu vienetu, netampa vidiniu vaiku, nors to siekiama.<\/p>\n
Labai svarbu tai, kad spektaklyje yra atskleistas kitas kampas \u2013 kaip jie (kitokie)<\/em> jau\u010diasi, gyvendami \u0161alia m\u016bs\u0173. SUSITIKIMAS \u012fmanomas, jei tik \u017emon\u0117s eina vienas \u012f kit\u0105 ir i\u0161tiesia rank\u0105, kurioje telpa pasaulio rutulys (balion\u0117lis Juliaus rankoje). Jis skrenda arba leid\u017eiasi nuo \u017emogaus jautrumo. Nuo dr\u0105sos ateiti ir b\u016bti \u0161alia.<\/p>\nNuotrauka: Klaip\u0117dos Koncert\u0173 sal\u0117s archyvas (autorius Vytautas Petrikas)<\/figcaption><\/figure>\n
M\u016bs\u0173 visuomen\u0117je vis tik dar \u017emon\u0117s su negalia yra u\u017esidar\u0119, jie nepatiria laim\u0117s buvimo visuomen\u0117je. Jie per ma\u017eai matomi vie\u0161ose erdv\u0117se. Spektaklis pataiko \u012f dabar pasaulyje egzistuojan\u010di\u0105 tendencij\u0105 kuo daugiau kitoki\u0173<\/em> \u017emoni\u0173 \u012ftraukti \u012f socialin\u012f gyvenim\u0105 ir suteikti jiems prog\u0105 b\u016bti laimingais, o mums tokiais b\u016bti \u0161alia j\u0173.<\/p>\n
Pagrindin\u0117 spektaklio k\u016br\u0117j\u0173 \u017einia, kuri pasiekia mane ir kuri man labai patinka, yra \u0161i:<\/p>\n
a\u0161 noriu, kad tu, Juliau, b\u016btum laimingas, dalyvaudamas spektaklio k\u016brime ir jo pasirodymuose.<\/p>\n
Tod\u0117l TAI YRA MANO PITERIS PENAS.<\/p>\n
<\/p>\n
\u201e\u0160okio pasaulyje: naujienos, \u012fvykiai, j\u0173 vertinimas ir komentarai\u201c projekt\u0105 dalinai remia Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n
Atsakyti galima dvejopai: tai ne mano Piteris Penas arba tai mano Piteris Penas. Spektaklio pavadinimas kuoduoja asmeninio susitikimo arba atmetimo …<\/p>\n","protected":false},"author":2,"featured_media":637,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\n
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