{"id":6637,"date":"2019-09-05T11:44:06","date_gmt":"2019-09-05T08:44:06","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=6637"},"modified":"2019-09-05T11:45:42","modified_gmt":"2019-09-05T08:45:42","slug":"judesio-pasaulis-martyno-rimeikio-ir-rutos-butkus-akimis","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/09\/05\/judesio-pasaulis-martyno-rimeikio-ir-rutos-butkus-akimis\/","title":{"rendered":"Judesio pasaulis Martyno Rimeikio ir R\u016btos Butkus akimis"},"content":{"rendered":"

Lietuvos \u0161okio informacijos centras rugpj\u016b\u010dio 23 d. Dance.lt Summer Intensive\u201819<\/em> metu pristat\u0117 du naujus Lietuvos \u0161okio k\u016br\u0117j\u0173 portretus \u2013 baleto artisto ir k\u016br\u0117jo Martyno Rimeikio bei \u0161iuolaikinio \u0161okio meninink\u0117s R\u016btos Butkus. \u0160i\u0173 dokumentini\u0173 apybrai\u017e\u0173 re\u017eisierius Mikas \u017dukauskas \u0161ok\u0117j\u0173 asmenybes ir k\u016brybos bruo\u017eus i\u0161ry\u0161kina sava menine rai\u0161ka bei per pokalbius su projekto koordinatore Anastasija Dichtiar. Po per\u017ei\u016bros vyko diskusija su film\u0173 k\u016br\u0117jais, \u0161ok\u0117jais ir choreografais Greta Grinevi\u010di\u016bte ir Mantu Staba\u010dinsku, pokalb\u012f moderavo menotyrininkas, \u0161okio kritikas Helmutas \u0160abasevi\u010dius. Jie aptar\u0117 \u0161okio i\u0161silavinimo b\u016btinum\u0105 bei k\u016bno ir judesio suvokimo poky\u010dius, sulaukus vyresnio am\u017eiaus.<\/p>\n

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Naujuosius filmus su ankstesniais serijos Lietuvos \u0161okio k\u016br\u0117j\u0173 portretai<\/em> darbais jungia stilistinis pana\u0161umas, ta\u010diau Miko \u017dukausko re\u017eisuotieji yra intymesni ir poeti\u0161kesni. Galb\u016bt tai padiktuota pa\u010di\u0173 k\u016br\u0117j\u0173 asmenybi\u0173, j\u0173 judesio suvokimo, galb\u016bt film\u0173 k\u016br\u0117j\u0173 geb\u0117jimo perteikti \u0161ok\u0117j\u0173 individualybes, ta\u010diau atrod\u0117, kad po film\u0173 per\u017ei\u016bros neliko n\u0117 vienos ramios \u0161irdies. \u0160okis akimirkai tapo pagrindiniu realyb\u0117s suvokimo b\u016bdu.<\/p>\n

Pirmasis filmas U\u017e k\u016bno rib\u0173<\/em> kuria Martyno Rimeikio portret\u0105. K\u016brybin\u0117 komanda dalyvauja repeticijose Lietuvos nacionaliniame operos ir baleto teatre bei Klaip\u0117dos valstybiniame muzikiniame teatre, i\u0161traukas i\u0161 balet\u0173 Vieni <\/em>(2016 m.) ir Procesas <\/em>(2017 m.) sieja su akimirkomis i\u0161 interviu, rodo k\u016br\u0117j\u0105 m\u0105sl\u0173, u\u017edar\u0105 ir melancholi\u0161k\u0105.<\/p>\n

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\nAkimirka i\u0161 filmo<\/em><\/p>\n

Rimeikiui re\u017eis\u016bra yra ka\u017ekas \u0161venta. Jo choreografin\u0117 kalba balansuoja tarp baleto ir \u0161iuolaikinio \u0161okio, stilistika labiau i\u0161jausta nei sukurta, laikantis konkretaus \u0161okio stiliaus reikalavim\u0173. Choreografas pasiduoda repeticij\u0173 t\u0117kmei ir kuria pagal tuometes inspiracijas.<\/p>\n

Vienas i\u0161 pagrindini\u0173 abu filmus vienijan\u010di\u0173 klausim\u0173 yra \u0161ok\u0117jo am\u017eius ir \u012ftaka judesio bei k\u016bno galimybi\u0173 suvokimui. Martynas Rimeikis \u2013 tarsi k\u016bno barjer\u0173 \u012fkaitas, \u0161okio karjeros pabaigoje i\u0161gyvenantis kov\u0105 tarp gilesnio judesio suvokimo ir nykstan\u010di\u0173 k\u016bno galimybi\u0173, ta\u010diau atrandantis laisv\u0119 ir pilnatv\u0119 k\u016bryboje.<\/p>\n

Filme U\u017e k\u016bno rib\u0173 <\/em>Martynas Rimeikis matomas kaip \u0161ok\u012f ir gyvenim\u0105 jautriai i\u0161gyvenantis \u017emogus, per k\u016bryb\u0105 atrandantis prasm\u0119 savo egzistencijai. Akivaizdi k\u016br\u0117jo pagarba savo amatui, statomiems k\u016briniams. I\u0161mintis ir jausmin\u0117 judesio interpretacija leid\u017eia jam i\u0161eiti u\u017e baleto r\u0117m\u0173 ir sukurti k\u016brinius, per\u017eengian\u010dius \u0161okio taisykles.<\/p>\n

Kitas portretas pasakoja apie \u0161ok\u0117j\u0105 ir choreograf\u0119 R\u016bt\u0105 Butkus, kuri save identifikuoja kaip… grybautoj\u0105. Nuo pirm\u0173 filmo epizod\u0173 \u017ei\u016brovams leid\u017eiama suprasti, kad tai yra persona\u017eas, egzistuojantis savo susikurtoje b\u016btyje. Kaip ir Rimeik\u012f, j\u0105 sunku \u012fsprausti \u012f konkre\u010di\u0105 meno r\u016b\u0161\u012f ar \u0161okio \u017eanr\u0105. R\u016bta Butkus yra savo pasaulio gyventoja, m\u0105sliai analizuojanti realyb\u0119 ir santyk\u012f su ja. Jos \u0161okio pasirodymai yra tokie pat nekonvencional\u016bs, kaip ir ji pati. Jos gyvenimo tikslas \u2013 judesio paie\u0161ka, tyrin\u0117jimas. Kaip reikia jud\u0117ti, kad k\u016bnas pasikraut\u0173 energija ir \u012fgaut\u0173 j\u0117gos? Meninink\u0117 kvestionuoja, kam \u0161okis reikalingas, kod\u0117l jo reikia.<\/p>\n

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\nAkimirka i\u0161 filmo<\/em><\/p>\n

R\u016bt\u0105 Butkus ir Martyn\u0105 Rimeik\u012f vienija suvokimas, jog su gyvenimo ir profesijos patirtimi ateina tikras judesio pa\u017einimas ir \u0161okio prasm\u0117s \u012fminimas. R\u016btai Butkus gyvenimo patirtis suteikia daugiau galimybi\u0173 pa\u017einti judesio santyk\u012f su aplinka ir jo galimybes. Ji teigia, jog \u0161okis prasideda nuo 35 met\u0173, iki tol \u0161ok\u0117jas tik treniruojasi, dirba ir kaupia patirt\u012f tikrosioms paie\u0161koms. Kaip senstan\u010diam k\u016bnui \u012fkv\u0117pti j\u0117gos ir kokias judesio alternatyvas dar galima atrasti? Tai \u2013 jos smalsumo orientyras.<\/p>\n

Vienas i\u0161 R\u016btos Butkus k\u016brybos pavyzd\u017ei\u0173 yra spektaklis Pamestos akys <\/em>(2012 m.). K\u016brinyje persipina ironija, \u017eaidimas ly\u010di\u0173 \u012fvaizd\u017eiais, simboliais, b\u016bsenomis, k\u016brinys jungia teatr\u0105, performans\u0105 ir \u0161ok\u012f. Kai stebi pa\u010dios artist\u0117s buvim\u0105 scenoje, jauti jos siek\u012f b\u016bti esamajame laike, i\u0161gyventi j\u012f bei suteikti galimyb\u0119 \u017ei\u016brovui \u201egiliau \u012fkv\u0117pti\u201c. Puikus to pavyzdys yra garso, vaizdo ir judesio performansas Unknown <\/em>(2016 m.), atliktas Vilniaus gele\u017einkelio stotyje. Skambant \u012fvairioms gars\u0173 kompozicijoms, atlik\u0117ja nardo tarp keleivi\u0173, analizuoja j\u0173 reakcijas ir jas pertransliuoja per savo k\u016bn\u0105. Ji \u012fgyja po\u017eemi\u0173 dvasios pavidal\u0105, tampa energijos doz\u0119 \u012fgavusiu benamiu, virsta miesto ritmo vizualizacija. Jos siekis \u2013 kurti pas\u0105monin\u012f dialog\u0105 su \u017ei\u016brovu, prieiti prie \u017emogaus jam ne\u012fprastomis s\u0105lygomis bei atverti prot\u0105, kad b\u016btum pasiruo\u0161\u0119s bet kam. Atlik\u0117jai technika t\u0117ra taisykl\u0117s, i\u0161 kuri\u0173 turi i\u0161dygti b\u016btis, atsirasti galimyb\u0117s ie\u0161koti. Ji mano, jog reikia mokyti ne atlikti judes\u012f, o jungti j\u012f, ie\u0161koti, b\u016bti scenoje dabar \u2013 tai ir es\u0105s judesio, technikos pagrindas. \u0160okis turi laviruoti tarp technikos ir improvizacijos. Labiausiai \u012fstrigusi atlik\u0117jos mintis: kaip \u0161okame, taip gyvename, kaip gyvename \u2013 taip \u0161okame.<\/p>\n

Pagrindin\u0117 abiej\u0173 film\u0173 id\u0117ja \u2013 k\u016br\u0117j\u0173 \u017eaidimas savo technin\u0117mis galimyb\u0117mis, judesio k\u016brimas remiantis nuojautomis, smalsumu. Klausydami savo vidini\u0173 bals\u0173,\u00a0 jie geba i\u0161eiti u\u017e teatro, \u0161okio, performanso rib\u0173 bei kurti k\u016brinius, kurie yra autenti\u0161ki ir paveik\u016bs. Diskusij\u0173 metu i\u0161keltas klausimas, ar \u0161ok\u0117jui b\u016btina baigti \u0161okio studijas, yra atsakomas film\u0173 id\u0117jiniu branduoliu. Norint b\u016bti \u0161ok\u0117ju, reikia \u012fvaldyti technik\u0105, kad gal\u0117tum laisvai i\u0161reik\u0161ti savo mintis. Ta\u010diau, kaip parodo k\u016br\u0117j\u0173 pavyzdys, \u0161ok\u0117jui svarbiausia sekti savo nuojauta, smalsumu ir geb\u0117ti atverti save i\u0161bandymams. I\u0161eiti u\u017e savo k\u016bno rib\u0173 ir ie\u0161koti autenti\u0161k\u0173 judesio i\u0161rai\u0161kos form\u0173.<\/p>\n

\"\"
\nDiskusija su filmo k\u016brybine grupe, k\u016br\u0117jais Greta Grinevi\u010di\u016bte, Mantu Staba\u010dinsku. Diskusijos moderatorius – menotyrininkas, \u0161okio kritikas Helmutas \u0160abasevi\u010dius.<\/em><\/p>\n

\u0160i\u0105 portret\u0173 serij\u0105, be abejon\u0117s, reikia pildyti ir skleisti ne tik po Lietuvos teritorij\u0105, bet ir \u012f u\u017esienio rink\u0105. Lietuvos \u0161okio k\u016br\u0117j\u0173 portretai <\/em>i\u0161ry\u0161kina m\u016bs\u0173 \u0161alies \u0161okio meninink\u0173 asmenybes ir k\u016bryb\u0105, tod\u0117l serija verta pristatymo platesniam \u017ei\u016brov\u0173 ratui. Norisi tik\u0117ti, kad \u0161ie filmai paskatins kuo daugiau \u017emoni\u0173 giliau \u012fkv\u0117pti Lietuvos \u0161okio oro.<\/p>\n","protected":false},"excerpt":{"rendered":"

Lietuvos \u0161okio informacijos centras rugpj\u016b\u010dio 23 d. Dance.lt Summer Intensive\u201819 metu pristat\u0117 du naujus Lietuvos \u0161okio k\u016br\u0117j\u0173 portretus \u2013 baleto …<\/p>\n","protected":false},"author":2,"featured_media":6535,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nJudesio pasaulis Martyno Rimeikio ir R\u016btos Butkus akimis - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/09\/05\/judesio-pasaulis-martyno-rimeikio-ir-rutos-butkus-akimis\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Judesio pasaulis Martyno Rimeikio ir R\u016btos Butkus akimis - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Lietuvos \u0161okio informacijos centras rugpj\u016b\u010dio 23 d. 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