{"id":6672,"date":"2019-09-12T16:11:20","date_gmt":"2019-09-12T13:11:20","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=6672"},"modified":"2019-09-12T16:11:20","modified_gmt":"2019-09-12T13:11:20","slug":"vilma-pitrinaite-chaosas-skatina-mastyti","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/09\/12\/vilma-pitrinaite-chaosas-skatina-mastyti\/","title":{"rendered":"Vilma Pitrinait\u0117: \u201eChaosas skatina m\u0105styti\u201c"},"content":{"rendered":"

\u0160e\u0161tadien\u012f, rugs\u0117jo <\/em>14 <\/em>dien\u0105, 19:30 val. Kult\u016bros fabrike, \u0160eiko \u0161okio teatras kvie\u010dia \u012f antr\u0105j\u0105 naujo sezono premjer\u0105 \u201cOrdredesordreordredesordre\u201c. Kartu su \u0161iuo metu Briuselyje gyvenan\u010dia ir kurian\u010dia choreografe Vilma Pitrinaite festivalyje \u201ePlartforma\u201c pristatomas \u0161okio spektaklis \u017ei\u016brovus pakvies k\u016brybi\u0161kai pa\u017evelgti \u012f chaos\u0105 ir jame gimstan\u010di\u0105 tvark\u0105.<\/em><\/p>\n

Pasak spektaklio choreograf\u0117s V. Pitrinait\u0117s, \u017ei\u016brovus nustebins ne tik netradici\u0161kas po\u017ei\u016bris \u012f moksl\u0105, bet ir neribotos \u0161ok\u0117j\u0173 galimyb\u0117s.<\/em><\/p>\n

\"\"
\nNuotrauk\u0173 autorius: Kemel photography<\/em><\/p>\n

Vilma, \u0161okio spektakl\u012f \u201cOrdredesordreordredesordre\u201c vadinate choreografiniu tyrimu apie biologines sistemas. Kaip kilo tokia id\u0117ja?<\/strong><\/p>\n

Susi\u017eav\u0117jau perskaityta Isabelle Stengers ir Ilya Prigogine knyga \u201eOrder out of chaos\u201c. Mane nustebino mintis, jog gamtoje egzistuoja tiek daug tikslumo ir tvarkos. \u017dem\u0117je visi objektai, t\u0173 objekt\u0173 dalel\u0117s, net molekul\u0117s, jungiasi \u012f sistemas. Jeigu sistemoje \u012fvyksta klaida, tos ma\u017eos dalelyt\u0117s pradeda \u201em\u0105styti\u201c, veikia i\u0161vien ir taip bando i\u0161spr\u0119sti problem\u0105. Taigi galima daryti prielaid\u0105, kad \u201em\u0105styti\u201c gali netgi stalas ar k\u0117d\u0117.<\/p>\n

\u0160i teorija griauna egocentri\u0161k\u0105 ir subjektyv\u0173 po\u017ei\u016br\u012f \u012f moksl\u0105, kuris kol kas sukasi tik apie mus, ir gamt\u0105 pa\u017e\u012fstame tik tiek, kiek mums, \u017emon\u0117ms, jis reikalingas. Rei\u0161kia, kiek dar daug ne\u017einome apie mus supant\u012f pasaul\u012f!<\/p>\n

\"\"<\/p>\n

Kaip scena ir judesys padeda analizuoti toki\u0105 sud\u0117ting\u0105 tem\u0105?<\/strong><\/p>\n

Judesys, muzika yra mano kalba. \u0160ok\u0117jams teko i\u0161mokti groti muzikos instrumentais. Scenoje pasirodys ir neprofesional\u016bs, k\u016brybin\u0117se dirbtuv\u0117se dalyvav\u0119 \u017emon\u0117s. Nenoriu visko i\u0161duoti, tegul i\u0161lieka intriga (\u0161ypsosi. \u2013 Aut. past.).<\/p>\n

\u0160eiko \u0161okio teatro kolektyvo nelabai pa\u017e\u012fstu \u2013 su daugeliu \u0161ok\u0117j\u0173 dirbu pirm\u0105 kart\u0105. I\u0161 prad\u017ei\u0173 daviau jiems u\u017eduotis, v\u0117liau daug kalb\u0117jom\u0117s. Vieniems \u0161ok\u0117jams si\u016bliau daugiau dinamikos, kitiems \u2013 disbalanso. Pernelyg nelendu \u012f j\u0173 galvas, noriu, kad jie patys pajust\u0173, b\u016bt\u0173 savaranki\u0161ki.<\/p>\n

\"\"<\/p>\n

Pamenu, kaip \u0161ok\u0117ja esu dalyvavusi k\u016brybin\u0117se dirbtuv\u0117se, kuriose choreografas tris valandas kalba monologu, o tuomet \u0161ok\u0117jams liepia stotis ir daryti. Negali suklysti – turi tik vien\u0105 bandym\u0105. Choreografas nufilmuoja ir atiduoda vaizdo med\u017eiag\u0105, pagal kuri\u0105 turi atkartoti savo judesius, tekst\u0105, i\u0161gyvenim\u0105. Labai \u012fdomi patirtis.<\/p>\n

Ar judesys pad\u0117s \u017ei\u016brovui suprasti nelengv\u0105 spektaklio tem\u0105?<\/strong><\/p>\n

Pasitelkus \u0161ok\u012f galima labai daug papasakoti. Tai n\u0117ra tik fizinis judesys. Jame sutelpa ir dvasiniai, ir emociniai, ir socialiniai dalykai. Kai \u0161okis tampa labai literat\u016bri\u0161kas, o mintis tiesiogiai i\u0161reik\u0161ta, jis tampa ne\u012fdomus.<\/p>\n

Choreografus vargina am\u017einas klausimas \u2013 kas pirmiau: tema ar forma? \u017dinau tik viena – pastaruoju metu \u017ei\u016brovai, at\u0117j\u0119 \u012f \u0161iuolaikinio \u0161okio spektakl\u012f, da\u017eniau mato form\u0105 nei dramaturgij\u0105.<\/p>\n

Ar tai yra gerai?<\/strong><\/p>\n

Nei gerai, nei blogai. Tiesiog \u0161iuo metu tai reikalinga ir \u012fdomu.<\/p>\n

Ar \u0161iuolaikinis \u0161okis art\u0117ja prie performanso \u017eanro?<\/strong><\/p>\n

Tai \u2013 tik viena i\u0161 begal\u0117s \u0161iuolaikinio \u0161okio kryp\u010di\u0173. Pavyzd\u017eiui, Pranc\u016bzijoje populiarus \u201enon-dance\u201c (\u201ene \u0161okis\u201c. \u2013 pranc.) \u017eanras, kuriame i\u0161vis ma\u017eai judesio. O gal ir tai jau atsibod\u0119? Net ne\u017einau. \u0160okis tapo nenusp\u0117jamas, jame pasitelkiamas cirkas, ekstremalios b\u016bsenos. Gal n\u0117ra choreografinio i\u0161radingumo, bet stebina \u0161ok\u0117jo b\u016bsena. \u201eFainas\u201c tas \u0161iuolainis \u0161okis. Vis daugiau meno kryp\u010di\u0173 \u012fsitraukia, j\u012f kuriant. Smagu, kad vis daugiau \u017emoni\u0173 j\u012f atranda.<\/p>\n

\"\"<\/p>\n

Spektaklyje \u012fsipina \u201eJoy Division\u201c muzika ir grup\u0117s dainininko Iano Curtis patirti i\u0161gyvenimai. Kaip tai susij\u0119 su biologin\u0117mis sistemomis?<\/strong><\/p>\n

Ian Curtis sirgo epilepsija ir savo liga jis pasinaudojo scenoje \u2013 atkartodavo priepuolio paveiktus judesius. Chaoti\u0161ki, nekontroliuojami judesiai tapo kontroliuojami ir jie buvo s\u0105moningai pasitelkiami kaip \u0161ou elementas.<\/p>\n

Savo pasirodym\u0173 metu atlik\u0117jas scenoje taip jud\u0117jo, kad, atrodo, tuo metu jame apsigyvendavo piktoji dvasia. Toks atlik\u0117j\u0173 \u012fsijautimas scenoje \u2013 ka\u017ekas nerealaus.<\/p>\n

\u0160okio spektaklio epicentre \u2013 chaosas. Ir nors \u0161i s\u0105voka turi neigiam\u0105 atspalv\u012f, galima teigti, kad chaose gimsta ir gra\u017e\u016bs dalykai \u2013 pavyzd\u017eiui, k\u016bryba? <\/strong><\/p>\n

Chaosas yra disbalansas. Tai rei\u0161kia, kad procesas nevyksta pagal numatyt\u0105 tvark\u0105. Absurdi\u0161ka \u0161i\u0105 s\u0105vok\u0105 laikyti neigiama. Juk chaosas skatina m\u0105styti, veikti i\u0161vien, spr\u0119sti problemas, o ne levituoti mieguistoje stabilumo b\u016bsenoje. Manau, kad chaosas neleid\u017eia sustabar\u0117ti, jis atne\u0161a gyvybi\u0161kai svarbi\u0173 poky\u010di\u0173.<\/p>\n

\"\"<\/p>\n

Ar j\u016bs\u0173 asmenyb\u0117 yra chaoti\u0161ka?<\/strong><\/p>\n

Manyje labai daug chasoso, ta\u010diau sykiu m\u0117gstu tvark\u0105. Kasdien telefone pasi\u017eymiu de\u0161imtis priminim\u0173 ir u\u017eduo\u010di\u0173, kurias vakarais, po darb\u0173, kruop\u0161\u010diai per\u017ei\u016briu. Labai daug keliauju, tad net nesp\u0117ju susid\u0117ti daikt\u0173 \u012f spinteles. D\u0117l laiko stokos visk\u0105 i\u0161sid\u0117stau ant spinteli\u0173 – taip, kad maty\u010diau. Gal kitiems tai labiau primena netvark\u0105, ta\u010diau tai \u2013 mano tvarka (juokiasi. \u2013 Aut. Past.).<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0160e\u0161tadien\u012f, rugs\u0117jo 14 dien\u0105, 19:30 val. Kult\u016bros fabrike, \u0160eiko \u0161okio teatras kvie\u010dia \u012f antr\u0105j\u0105 naujo sezono premjer\u0105 \u201cOrdredesordreordredesordre\u201c. 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