{"id":6747,"date":"2019-09-23T16:10:15","date_gmt":"2019-09-23T13:10:15","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=6747"},"modified":"2021-01-27T13:48:24","modified_gmt":"2021-01-27T11:48:24","slug":"jos-drama-kuriai-abejingu-nebus","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/09\/23\/jos-drama-kuriai-abejingu-nebus\/","title":{"rendered":"Jos drama, kuriai abejing\u0173 nebus"},"content":{"rendered":"

\u201eTu nesl\u0117pk savo veido plaukais \/Ir aki\u0173 tu nesuki \u012f \u0161al\u012f \/Bet pab\u016bkim nors kart atvirais\/ A\u0161 \u017einau, kad \u0161itaip mes galim\/ Bet a\u0161 jau\u010diu abejingum\u0105\/ Ir \u0161alt\u0105 tavo veido ramum\u0105\/ Nenoriu a\u0161 daugiau tyl\u0117ti\/ A\u0161 noriu b\u016bti savimi\u201c<\/em>
\nPosmai i\u0161 Dinamikos dainos \u201eAbejingumas\u201c<\/p>\n

Menas ir jo k\u016br\u0117jai \u0161iuo metu pakib\u0119 ant nostalgijos faktori\u0173 \u2013 meil\u0117 pra\u0117jusiam laikui itin stipri. Ar tai b\u016bt\u0173 mada (o ji sukasi ratu), ar tam tikri stilistiniai elementai \u2013 Netflix\u2018o<\/em> serialas \u201eKeisti dalykai\u201c (Stranger Things<\/em>) yra aistringa dedikacija 8-\u0105jam de\u0161imtme\u010diui, nuo synth-pop stiliaus muzikos iki neonu dvelkian\u010dios spalvin\u0117s gamos. Nueikite \u012f pogrindinius \u201erave\u2018us\u201c \u2013 techno ar trance muzikos fone i\u0161vysite 2000-\u0173j\u0173 madas tokiu lygmeniu, jog jausit\u0117s lyg laiko ma\u0161inos sugr\u0105\u017einti \u012f t\u0105 laik\u0105. Praeities refleksija \u012fgauna esaties pavidal\u0105.<\/p>\n

Vienas i\u0161 \u012fdomesni\u0173 lietuvi\u0161kosios kult\u016bros rei\u0161kini\u0173, b\u016bding\u0173 90-iesiems ar 2000-iesiems \u2013 estradin\u0117 muzika: nesud\u0117tingos kompozicijos sintezatori\u0173 skambesys ir itin poeti\u0161ki tekstai su tam tikromis nuorodomis \u012f lietuvi\u0161k\u0105j\u012f folklor\u0105, liaudies dainas. Tekstuose \u2013 tragi\u0161kos meil\u0117s, lydimos gamtini\u0173 stichij\u0173, naratyvai, atsikartojimai, suteikiantys tam tikro rituali\u0161kumo. Pusiau juokais, pusiau rimtai galima sakyti, jog to meto estrada \u2013 pagal \u0161iuolaikyb\u0117s motyvus atgimusios liaudies dainos.<\/p>\n

Lietuvi\u0161kuose scenos menuose estrados motyvai pasitelkiami retai, ne\u017evelgiama \u012f juos rimtai (ir tai suprantama). Dauguma atvej\u0173 \u0161is rei\u0161kinys lieka tiesiog kaip pramoga, \u0161oki\u0173 ar u\u017estal\u0117s repertuaras, \u012f kur\u012f n\u0117 nepabandoma pa\u017evelgti i\u0161 analitin\u0117s perspektyvos. Neb\u016btina \u0161irdingai m\u0117gti \u017eanr\u0105, kad jis paskatint\u0173 sukurti ka\u017ek\u0105 unikalaus \u2013 u\u017etenka ma\u017eos fraz\u0117s, teksto eilut\u0117s, ir \u017eanras atgimsta visi\u0161kai netik\u0117tomis aplinkyb\u0117mis.<\/p>\n

\u0160ia ilga \u012f\u017eanga bandau u\u017esiminti apie kontekst\u0105, supant\u012f performanso meninink\u0117s, choreograf\u0117s Aust\u0117jos Vilkaityt\u0117s premjer\u0105 \u201eAbejingumas\u201c, pristatyt\u0105 meno erdv\u0117je \u201eAutarkia\u201c. Vienas i\u0161 \u0161io k\u016brinio \u012fkv\u0117pimo \u0161altini\u0173 \u2013 savo laiku populiarios lietuvi\u0161kos \u0161oki\u0173 \/ estradin\u0117s muzikos grup\u0117s \u201eDinamika\u201c tekstai (dain\u0173 ir tekst\u0173 autorius Gintautas Brokas). Performatyviuoju meninink\u0117s alter ego<\/em> tampa persona\u017eas, \u012fkv\u0117ptas pagrindinio grup\u0117s veido, \u012fdomios atlik\u0117jos bei itin spalvingos asmenyb\u0117s Irmos Jurgelevi\u010di\u016bt\u0117s.<\/p>\n

\"\"
\n\u201eAutarkija\u201c nuotrauka<\/em><\/p>\n

Jokiu b\u016bdu neteigiu, kad \u201eAbejingumas\u201c yra dedikacija estrados menui bei jo veidams \u2013 toli gra\u017eu. Tai tik atspirtis kur kas gilesnei, poeti\u0161kai tragi\u0161kos asmenyb\u0117s analizei, nura\u0161yt\u0105<\/em> muzik\u0105 suliejant su ritualais, bei savo \u0161akn\u0173 ir lietuvyb\u0117s paie\u0161komis, kurias koncentruotai \u012f por\u0105 posm\u0173 k\u016brinio apra\u0161yme sutalpina pati atlik\u0117ja: \u201eTarp pelki\u0173 ir dausos\/ Ir lietuvi\u0161k\u0173j\u0173 pop \u017evaig\u017ed\u017ei\u0173, \/Ir tarp svaiginan\u010dios tamsos \/Juodvarni\u0173 ir dilg\u0117li\u0173 lauk\u0173\/ Tarp posovietinio bankroto\/ Ir mafijoz\u0173 bu\u010dini\u0173, \/Ir tarp gyva\u010di\u0173 tatuiruot\u0173 \/Ir elektronini\u0173 laid\u0173 \/Duok man vien\u0105 begalyb\u0119 \/Ir laumi\u0161k\u0173 svaj\u0173!\u201c<\/p>\n

Performer\u0117 publik\u0105 pasitinka \u0161altoje, betonin\u0117je lofto erdv\u0117je, \u012f kuri\u0105 patenki, pra\u0117j\u0119s u\u017era\u0161\u0105 apie ka\u017ekada \u010dia teiktas automobili\u0173 remonto paslaugas. Kai u\u017elipi \u012f n-t\u0105j\u012f pastato auk\u0161t\u0105, tiesiog fizi\u0161kai gali pajusti, jog \u010dia seniai b\u016bta \u017emogi\u0161kosios gyvyb\u0117s: aptrup\u0117jusios sienos tik ir pra\u0161osi b\u016bti prakalbintos ir mena laik\u0105, kuomet \u010dia kitokiame kontekste, tik\u0117tina, skamb\u0117jo muzika, tapusi \u012fkv\u0117pimo \u0161altiniu performansui. Naujamies\u010dio gilumoje esanti patalpa \u201eAbejingumui\u201c naudinga: su apleistos erdv\u0117s sienomis atlik\u0117ja gali daryti k\u0105 tik panor\u0117jusi, o ir pats pavadinimas yra koduot\u0117 \u2013 akivaizdu, kad kaip ir dauguma mikrorajone likusi\u0173 industrini\u0173 \/ gamyklini\u0173 patalp\u0173, \u0161i irgi pirminio veido neteko d\u0117l to, jog jos ka\u017ekuriuo momentu tiesiog nebereik\u0117jo.<\/p>\n

\"\"
\nGintar\u0117s Grig\u0117nait\u0117s nuotrauka<\/em><\/p>\n

Trupan\u010dios ir gana teplios sienos, \u012f kurias performer\u0117 ramstosi, kabinasi, jas drasko, apra\u0161in\u0117ja, \u012fgyja jos alter ego<\/em> vidaus pasaulio metaforos pavidal\u0105. Momentui \u2013 tai ramtis, \u012f kur\u012f atsi\u0161liejus lieka visa baltai i\u0161sitepliojusi juodus r\u016bbus, v\u0117liau \u2013 erdv\u0117 verbalizavimui, nes kulminacijoje atlik\u0117ja papuo\u0161ia sien\u0105 u\u017era\u0161u didel\u0117mis raid\u0117mis DRAMA (bent jau taip rodosi, kai stebi vaizd\u0105 prisiglaudus prie tos pa\u010dios sienos). Jei iki \u0161iol nesupratote, reg\u0117jote jos dram\u0105, tragi\u0161k\u0105 kov\u0105, vidini\u0173 b\u016bsen\u0173 \u012fveiksminim\u0105. I\u0161 ties\u0173, ji u\u017era\u0161o DINAMIKA ir performanse naudojam\u0173 k\u016brini\u0173 autorystes. Bet prasm\u0117s jau susik\u016br\u0117 pagal original\u0173 pasteb\u0117jim\u0105. Tuo ir \u017eav\u016bs performansai, jie veikia esamojo momento energijomis.<\/p>\n

\"\"
\n\u201eAutarkija\u201c nuotrauka<\/em><\/p>\n

Vilkaitytei tenka vienai u\u017epildyti gana nema\u017eo plo\u010dio patalp\u0105, kurioje ji pasirenka beveik netur\u0117ti jokio rekvizito. Viskas, k\u0105 matome veiksmo aik\u0161tel\u0117je \u2013 tai keletas kaban\u010di\u0173 juod\u0173 rankinuk\u0173 (pabr\u0117\u017eiu, i\u0161 ano meto) bei atlik\u0117jos i\u0161 \u201eu\u017ekulisi\u0173\u201c parsine\u0161ama dilg\u0117li\u0173 vanta, kuria ji bando atlikti apsivalymo ritual\u0105. Fone skambant specialiai modifikuotoms \u201eDinamikos\u201c dainoms, meninink\u0117 vis u\u017esuka rat\u0105 \u2013 judesiu, k\u016bno jud\u0117jimo trajektorija. Rituali\u0161k\u0105j\u0105 performanso dal\u012f, atiduodan\u010di\u0105 duokl\u0119 laum\u0117ms, \u0161amanizmui ir mi\u0161kams (o gal tiesiog giliai lietuvio kraujyje esan\u010diai pagonybei) meninink\u0117 konstruoja atsikartojimais \u2013 \u0161tai vienu metu ji i\u0161 l\u0117to mojuoja ir su ne\u017einomomis j\u0117gomis kovoja dilg\u0117l\u0117s pagalba, po to \u2013 vis po sluoksn\u012f nusirengdama r\u016bbus ir imituodama anties \u0117jim\u0105, i\u0161 vieno erdv\u0117s galo nutryp\u010dioja \u012f kit\u0105.<\/p>\n

\u012edomu tai, kad muzika \u0161iam performansui yra perdaroma taip, jog galiausiai net nelieka u\u017euominos \u012f pradin\u012f \u017eanr\u0105 (ma\u010diau, kaip vienas \u017emogus publikoje nes\u0117kmingai band\u0117 shazaminti, <\/em>nor\u0117damas su\u017einoti, kas gi \u010dia skamba). <\/em>Kaip ir judesys, garso takelis yra pagr\u012fstas atsikartojimais. I\u0161 prad\u017ei\u0173, publikai renkantis \u012f erdv\u0119, galima gird\u0117ti fone skamban\u010di\u0105 originali\u0105 vienos i\u0161 \u201eDinamikos\u201c dain\u0173 versij\u0105. V\u0117liau pasitelkiamos modifikuotos dain\u0173 versijos, kurios skambesiu labai pana\u0161ios \u012f ritualuose, jog\u0173 meditacijose naudojam\u0105 muzik\u0105 (deep trance<\/em> \u017eanras). Toki\u0173 ritual\u0173 tikslas \u2013 pad\u0117ti \u017emogui atsijungti<\/em>, pasinerti \u012f vidin\u0119 kelion\u0119. Toki\u0105 patirt\u012f galiausiai bent i\u0161 dalies pasi\u016blo ir \u201eAbejingumas\u201c.<\/p>\n

\"\"
\nGintar\u0117s Grig\u0117nait\u0117s nuotrauka<\/em><\/p>\n

\u010cia labiausiai veikia atlik\u0117jos transliuojama itin stipri energija, kurios d\u0117ka \u017ei\u016brovui nelieka nieko kito, kaip patik\u0117ti jos ekspresyviai i\u0161reik\u0161tu tragizmu. Steb\u0117damas Vilkaityt\u0119, prie\u0161 akis matai jos alter ego<\/em> paveiksl\u0105 su visais gyvenimo nuopuoliais ir patirtimis, suformavusiomis atitinkam\u0105 veid\u0105. Matai ir pa\u010di\u0105 Aust\u0117j\u0105, pasirinkusi\u0105 persona\u017e\u0105 konstruoti ne ironi\u0161kai, bet su tam tikra pagarba.<\/p>\n

\"\"
\nGintar\u0117s Grig\u0117nait\u0117s nuotrauka<\/em><\/p>\n

Akcentai sudedami ne ties klausimus kelian\u010diais poelgiais, o ties \u017emogaus vienatve, aplinkini\u0173 abejingumo sukeltomis b\u016bsenomis. Per atpa\u017e\u012fstam\u0105 pavidal\u0105 apr\u0117piami bendra\u017emogi\u0161ki dalykai, sielos, ie\u0161kan\u010dios nutr\u016bkusio ry\u0161io su \u017eeme, prot\u0117viais, artimu \u017emogumi, \u0161auksmas, paties pastato, pamir\u0161to, kaip ir JOS <\/em>DRAMA, numanoma istorija ir visa tai alsuoja \u0161al\u010diu. Nors imk ir apkabink, kad su\u0161ilt\u0173, susijungt\u0173 sutr\u016bkin\u0117jusios gijos.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\u201eTu nesl\u0117pk savo veido plaukais \/Ir aki\u0173 tu nesuki \u012f \u0161al\u012f \/Bet pab\u016bkim nors kart atvirais\/ A\u0161 \u017einau, kad \u0161itaip …<\/p>\n","protected":false},"author":2,"featured_media":6751,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nJos drama, kuriai abejing\u0173 nebus - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/09\/23\/jos-drama-kuriai-abejingu-nebus\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jos drama, kuriai abejing\u0173 nebus - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"\u201eTu nesl\u0117pk savo veido plaukais \/Ir aki\u0173 tu nesuki \u012f \u0161al\u012f \/Bet pab\u016bkim nors kart atvirais\/ A\u0161 \u017einau, kad \u0161itaip ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2019\/09\/23\/jos-drama-kuriai-abejingu-nebus\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2019-09-23T13:10:15+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-01-27T11:48:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/09\/DSC06000_crop-1100x733.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1100\" \/>\n\t<meta property=\"og:image:height\" content=\"733\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2019\/09\/23\/jos-drama-kuriai-abejingu-nebus\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/09\/DSC06000_crop.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/09\/DSC06000_crop.jpg\",\"width\":3846,\"height\":2563},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2019\/09\/23\/jos-drama-kuriai-abejingu-nebus\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2019\/09\/23\/jos-drama-kuriai-abejingu-nebus\/\",\"name\":\"Jos drama, kuriai abejing\\u0173 nebus - 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