{"id":6806,"date":"2019-09-30T21:00:55","date_gmt":"2019-09-30T18:00:55","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=6806"},"modified":"2019-10-08T15:31:45","modified_gmt":"2019-10-08T12:31:45","slug":"grete-smitaite-dirbu-su-verksmu-noredama-atrasti-artuma","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/09\/30\/grete-smitaite-dirbu-su-verksmu-noredama-atrasti-artuma\/","title":{"rendered":"Gr\u0117t\u0117 \u0160mitait\u0117: \u201eDirbu su verksmu nor\u0117dama atrasti artum\u0105\u201c"},"content":{"rendered":"

T\u0119sdami pokalbi\u0173 su u\u017esienyje kurian\u010diais lietuvi\u0173 \u0161ok\u0117jais cikl\u0105 \u201e7+\u201c, pristatome <\/i><\/span><\/span>k\u016br\u0117j\u0105<\/i><\/span><\/span><\/span> Gr\u0117t\u0119 \u0160mitait\u0119. Meninink\u0117 juokauja, kad Berlyne gyvena tik jos daiktai, o ji dirba skirtingose \u0161alyse, kur yra \u012fdomu kurti. <\/i><\/span><\/span>Rugpj<\/i><\/span><\/span><\/span>\u016b\u010dio-<\/i><\/span><\/span><\/span>spal<\/i><\/span><\/span><\/span>io m\u0117nesiais<\/i><\/span><\/span><\/span> <\/i>Kauno mieste <\/i><\/span><\/span><\/span>Gr\u0117t\u0117 <\/i><\/span><\/span>kartu<\/i><\/span><\/span><\/span> su tarptautine komanda kuria ir pristato nauj\u0105 darb\u0105, skirt\u0105 IV Kauno tvirtov\u0117s fortui \u201eShy Palms\u201c. Kalbam\u0117s kartu apie studij\u0173 ir Berlyno \u012ftak\u0105 <\/i><\/span><\/span>k\u016br\u0117jai<\/i><\/span><\/span><\/span>, siek\u012f tyrin\u0117ti \u017emog\u0173 ir atrasti artum\u0105 <\/i><\/span><\/span>skirtingose gyvenimo situacijose<\/i><\/span><\/span><\/span>.<\/i><\/span><\/span><\/p>\n

– Kas tau buvo svarbu, kai rinkaisi studij\u0173 program\u0105? Ar m\u0105stei apie \u0161okio studijas Lietuvoje?<\/b><\/span><\/p>\n

Negalvojau apie \u0161al\u012f. Nor\u0117jau kurti naudodama \u0161ok\u012f, judes\u012f, emocij\u0105, kalb\u0105, vizualum\u0105, muzik\u0105.<\/span> <\/b>Nevisai \u017einojau, kas yra \u012fmanoma, kiek nujau\u010diau ir stipriai nor\u0117jau. Europoje radau dvi sudominusias mokyklas, kurios si\u016bl\u0117 \u0161okio ir choreografijos bakalaur<\/span>\u0105<\/span><\/span>: Hochschul\u00fcbergreifendes Zentrum Tanz Berlin ir School for New Dance Development Amsterdam. Ruo\u0161iausi HZT stojamiesiems. Jei ne\u012fsto<\/span>\u010diau<\/span><\/span>, planavau studijuoti antropologij\u0105 arba kinematografij\u0105, dokumentinio kino krypt\u012f.<\/span><\/p>\n

– Papasakok pra\u0161au pla\u010diau apie savo universitet\u0105 ir studij\u0173 laikotarp\u012f.<\/b><\/span><\/p>\n

Hochschul\u00fcbergreifendes Zentrum Tanz Berlin \u012fsteigtas 2006 m. kaip eksperimentinis<\/span> <\/b>projektas. 2005 m. Berlyne susitelk\u0117 scenoje aktyviai kuriantys \u0161okio menininkai. Jie prad\u0117jo diskutuoti, kad Berlyne n\u0117ra \u0161okio bei choreografijos studij\u0173, kurios rengt\u0173 menininkus toliau vystysian\u010dius \u0161iuolaikin\u012f \u0161ok\u012f. Mokykla buvo atidaryta Uferstudiose – tai buv\u0119s Volkswagen fabrikas, dabar tai pagrindin\u0117 Berlyno \u0161okio produkcijos vieta bei viena pagrindini\u0173 \u0161okio rodymo viet\u0173 Berlyne. <\/span><\/p>\n

Be \u0161e\u0161iolikos \u0161okio studij\u0173\/scen\u0173, \u010dia yra did\u017eiul\u0117 virtuv\u0117, kiemas, sodas <\/span>\u201e<\/span>the impossible fores<\/i><\/span>t<\/span>\u201c<\/span> (autorius: Jared Gradinger), daug Berlyno \u0161okio organizacij\u0173 biur\u0173. Kol studijavau, \u0161i mokykla vis dar buvo nuolat kintanti, priklausanti nuo kiekvienais metais \u010dia susirenkan\u010di\u0173 \u017emoni\u0173. Mokymosi procese buvo labai daug gyvo santykio, pokalbi<\/span>\u0173<\/span><\/span> tarp d\u0117stytoj\u0173 ir student\u0173, septyniasde\u0161imt procent\u0173 d\u0117stytoj\u0173 buvo kviestiniai, jie kito kas dvi-\u0161e\u0161ias savaites, studentai gal\u0117jo si\u016blyti kviestinius d\u0117stytojus, rinktis savo darbams mentorius – meninink<\/span>us<\/span><\/span> i\u0161 viso pasaulio, kuri<\/span>e<\/span><\/span> sekt\u0173 j\u0173 menin\u012f darb\u0105, dirbt\u0173 kartu. HZT aplinkoje buvo labai daug pagarbos, studijuojan\u010diajam buvo <\/span>sudarytos<\/span><\/span> visos s\u0105lygos kurti, <\/span>bedradarbiauti. Studentams<\/span><\/span> buvo suteikiama studij\u0173, technin\u0117s \u012frangos prieiga, galimyb\u0117 rodyti savo darbus, b\u016bti aktyvi\u0173 diskusij\u0173 aplinkoje.<\/span><\/p>\n

\"\"<\/p>\n

\u201ethe impossible fores<\/i>t\u201c (autorius – Jared Gradinger)<\/em><\/span><\/p>\n

– Kas vyksta, kai baigi studijas Berlyne ir ateini \u012f \u0161okio sektori\u0173, meno rink\u0105?<\/b><\/p>\n

Tikrai nevisi baig\u0119 meno studijas Berlyne eina \u012f meno rink\u0105. Berlyne daug kurian\u010di\u0173 \u017emoni\u0173,<\/span> <\/b>kurie nepriklauso rinkai. Taip pat daug gyvenan\u010di\u0173 tarp Berlyno ir dar kito Europos miesto. Norintiems gauti finansavim\u0105 Berlyne n\u0117ra lengva: Vokietija susideda i\u0161 \u0161e\u0161iolikos \u017eemi\u0173, finansavimas \u0161alyje skirstomas tolygiai kiekvienai j\u0173, Berlynas – viena i\u0161 \u017eemi\u0173, o k\u016br\u0117j\u0173 tankis joje nepalyginamas, tad egzistuoja nema\u017ea konkurencija.<\/span><\/p>\n

– Kaip tavo po\u017ei\u016br\u012f \u012f \u0161ok\u012f formavo Berlynas ir jo aplinka? K\u0105 gal\u0117tum papasakoti apie Vokietijos \u0161okio tendencijas?<\/b><\/span><\/p>\n

Berlyne susipa\u017einau ir susidom\u0117jau k\u016briniais, kurie ateina i\u0161 menininko dom\u0117jimosi konkre\u010diu<\/span> <\/b>klausimu. K\u016briniai da\u017enai \u201enepoliruoti\u201c, nesiekiama i\u0161baigtumo. Yra miesto \u0161okio mados, ta\u010diau tikrai rasime ir meninink\u0173, kurie daro taip, kaip jiems atrodo. Ilgainiui mados kinta, da\u017enai naujos mados ateina i\u0161 to, kas iki tol atrod\u0117 rizikinga ar kvaila. Negaliu apibr\u0117\u017eti Vokietijos \u0161okio tendencij\u0173. Dirbau tik Berlyne, nesu dirbusi su nei vienu vokie\u010di\u0173 tautyb\u0117s choreografu – \u0161okio scena tarptautin\u0117.<\/span><\/p>\n

– Kas tau yra \u012fdomu, svarbu \u0161okyje?<\/b><\/span><\/p>\n

M<\/span><\/span>an svarbi k\u016brinio dinamika. Jau\u010diu didel\u0119 muzikos \u012ftak\u0105 \u0161okiui (grojusi esu ilgiau nei \u0161okusi).<\/span> <\/b>Man \u012fdomu dirbti interpretuojant erdv\u0119, domina darbas su dabartimi, \u017eaismingas santykis su \u017ei\u016brovu, su pa\u010dia pasirodymo situacija, jos kvestionavimas. Man \u012fdomus \u0161okis kaip tai, kas sklinda tarp \u017emoni\u0173, sukuria pokyt\u012f. \u0160okyje dirbu su emocij<\/span>a.<\/span><\/span><\/p>\n

\"\"
\n\u201eLimitation Piece 2\u201c kurtas Suddenly kolektyvui, choreograf\u0117s: Gr\u0117t\u0117 \u0160mitait\u0117, Hanna Kritten Tangsoo<\/em><\/p>\n

– 2017 m. Studij\u0173 metu prad\u0117jai tyrin\u0117ti ir vystyti savo darbo \u201eWhat Do I Cry For?\u201c id\u0117j\u0105. 2018 m. Jis laim\u0117jo jaun\u0173j\u0173 choreograf\u0173 Premiere program\u0105, 2019 m. buvo ko-prodiusuotalas STL teatro Taline, rodytas Estijoje, LUNAPARK Exchange At\u0117nuose. Ji taip pat gal<\/b><\/span>\u0117jo steb\u0117ti Lietuvos auditorija. Papasakok pra\u0161au, kaip tau sek\u0117si tyrin\u0117ti \u0161\u012f \u017emogaus ypatum\u0105 \u2013 verksm\u0105?<\/b><\/span><\/span><\/p>\n

Universitete papra\u0161\u0117 sukurti 30-ties minu\u010di\u0173 pasirodym\u0105, kuriame tur\u0117jau atskleisti savo k\u016brybinio darbo metodologij\u0105, jos vystym\u0105. Nusprend\u017eiau, kad noriu tyrin\u0117ti \u017emogaus poreik\u012f verkti, ie\u0161koti santykio tarp verksmo ir k\u016bno poj\u016b\u010di\u0173, tarp verkian\u010dio atlik\u0117jo scenoje ir \u017ei\u016brovo. <\/span>\u201eMe\u010diau k\u016bn\u0105\u201c<\/span> \u012f b\u016bsenas, kuriose b\u016btina verkti, i\u0161siverkti. Dirbau su fizin\u0117mis bei minties u\u017eduotimis, muzika, kuri provokavo emocines ir fizines verksmo reakcijas.<\/span><\/p>\n

Amsterdame rodytam baigiamajam studij\u0173 darbe, jo pabaigoje toliau verkdama ai\u0161kinau savo darbo metodus, i\u0161sakydama juos kaip tostus ir u\u017egerdama juos degtine. \u0160iame pristatyme buvo nema\u017ea ironijos sau bei pasirodymo \u017eanrui, ironijos, susipynusios su nuo\u0161ird\u017eiu dom\u0117jimusi k\u016bnu, kuriam sunku, kuriam norisi ir reikia verkti. Tuo metu skai\u010diau lietuvi\u0173 liaudies u\u017ekeikimus, klausiausi raud\u0173 . Man buvo \u012fdomu, kaip paskutiniais metais Lietuvoje, ryt\u0173 Europoje keit\u0117si \u017emoni\u0173 po\u017ei\u016bris \u012f mirt\u012f, \u012f atsisveikinim\u0105 su tuo, kas yra brangu. <\/span>Tuo metu mane stipriai <\/span><\/span>paveik\u0117 Kvederavi\u010diaus mintys jo disertacijoje <\/span>\u201e<\/span>Knots of absence<\/span>\u201c<\/span>, Svetlanos Alexievich knyga <\/span>\u201e<\/span>The last of the Soviets<\/span>\u201c<\/span>.<\/span><\/p>\n

Darb\u0105 t\u0119sti nor\u0117jau Lietuvoje. <\/span>Galvojau apie savo \u0161alies istorij\u0105, m\u0105s\u010diau, kaip \u017emon\u0117s, esantys<\/span><\/span> aplink mane dalijasi skausmu, d\u017eiaugsmu, meile. Kokie yra naudojami ir nenaudojami ritualai, b\u016bdai b\u016bti su savimi ir kitais, kas man i\u0161 to brangu. Gavau Kult\u016bros tarybos individuali\u0105 stipendij\u0105, darbas buvo atrinktas Premiere jaun\u0173j\u0173 choreograf\u0173 konkurso Estijoje, v\u0117liau atrinktas STL teatro ko-produkcijai bei parodytas Tartu, Viljandi, Taline. \u0160io darbo variantai rodyti At\u0117nuose, Klaip\u0117doje, Vilniuje, Kaune.<\/span><\/span><\/p>\n

\"\"<\/p>\n

\u201eWhat do I cry for?\u201c repeticijos. Solo darbas: Gr\u0117t\u0117 \u0160mitait\u0117. Nuotrauka: Alissa \u0160naider<\/span><\/span><\/span><\/em><\/p>\n

– Kaip kito tavo santykis su k\u016briniu \u201eWhat Do I Cry For?\u201c ir pa\u010diu verksmo rei\u0161kiniu?<\/b><\/span><\/span><\/p>\n

Mano darbo mentorius Estijoje, choreografas Karl Saks atsiunt\u0117 man pasi\u017ei\u016br\u0117ti darb\u0105, kuris buvo sukurtas Estijos ekonomin\u0117s kriz\u0117s laikotarpiu. Jame moteris verk\u0117 nesustodama: bibliotekoje, prie vyro koj\u0173, prie fabriko tvoros. Darbas man nepatiko. Parei\u0161kiau, kad \u0161i id\u0117ja yra labai dramati\u0161ka ir nieko nepasi\u016blo \u017emogui. Mentorius pa\u017eym\u0117jo, kad tai, k\u0105 planuoju daryti, taip pat yra labai dramati\u0161ka. Negal\u0117jau to paneigti, tod\u0117l prad\u0117jau daug m\u0105styti, k\u0105 noriu pasakyti \u017ei\u016brovui \u0161ia savo id\u0117ja.<\/span><\/p>\n

V\u0117liau pama\u010diau re\u017eisieriaus Andriaus Bla\u017eevi\u010diaus darb\u0105 \u201e\u0160ventasis\u201c. Filmas mane paveik\u0117 jautriai atskleistais \u017emoni\u0173 santykiais. Band\u017eiau paai\u0161kinti savo mentoriui, dar labiau sau, kad dirbu su verksmu nor\u0117dama atrasti artum\u0105, paprast\u0173 dalyk\u0173 svarb\u0105, kuri\u0105 jau\u010diu gimtajame regione, sunkiose situacijose, paprastai gyvenan\u010di\u0173 \u017emoni\u0173 gyvenime. Daug galvojau apie gyvenim\u0105, kur\u012f ma\u010diau gyvendama Lietuvoje ir kurio ilg\u0117jausi studijuodama Vakar\u0173 Europoje. Galvojau apie regionin\u0119 specifik\u0105. Tuo pa\u010diu jau\u010diau tam tikr\u0105 dalyk\u0173 susimai\u0161ym\u0105, neai\u0161kum\u0105, absurd\u0105, atpa\u017e\u012fstam\u0105 postsovietin\u0117se \u0161alyse.<\/span><\/p>\n

T\u0119sdama darb\u0105 su verksmu, ie\u0161kojau, kaip verkian\u010dio k\u016bno u\u017edarumas pasirodymo situacijoje gali ne tik \u012fgalinti atlik\u0117j\u0105, bet ir atverti jo trapum\u0105, jautrum\u0105. Pasirodymo situacijoje nor\u0117jau sukurti artum\u0105, nestabilum\u0105, tam tikr\u0105 priklausomyb\u0119 tarp atlik\u0117jo bei \u017ei\u016brovo. Siekiau leisti \u017ei\u016brovui i\u0161gyventi verkian\u010dio atlik\u0117jo k\u016bno atveriam\u0105 j\u0117g\u0105 ir emocij\u0105, besipinan\u010di\u0105 su darbo strukt\u016bra, darbo u\u017eduotimis, esama erdve. Nestabilumas, j\u0117ga, dinamika – viskas vienu metu.<\/span><\/p>\n

– Spalio 11-13 dienomis Kauno tvirtov\u0117s IV forte kartu su choreografe Sunayana Shetty ir muziku Vincenz Kokot pristatote nauj\u0105 darb\u0105 \u201eShy Palms\u201c. \u0160is darbas taip pat tyrin\u0117ja bendra\u017emogi\u0161k\u0105 \u0161ilumos ir artumo poreik\u012f. Dr\u012fstu teigti, kad tavo tyrin\u0117jim\u0173 kelion\u0117 pasirinkta tema t\u0119siasi toliau?<\/b><\/span><\/p>\n

Dar dirbdama Taline su verkimu, gavau pakvietim\u0105 sukurti spektakl\u012f festivaliui \u201eBaterija\u201c, III-iajame Kauno forte. Pama\u010diau \u0161i\u0105 \u0161alt\u0105 erdv\u0119 ir pamaniau, kad \u010dia gal\u0117\u010diau pabandyti dirbti su \u0161iluma ir artumu tarp \u017emoni\u0173 – \u0161alt\u0105, klaid\u017ei\u0105 erdv\u0119 u\u017e mane jau suk\u016br\u0117 (juokiasi). \u201eBaterijos\u201c festivalyje 2018 m. buvo pirmas bandymas, kurio dabar imam\u0117s su nauju u\u017esidegimu.<\/span><\/span><\/p>\n

Dirbame kartu su choreografe, atlik\u0117ja Sunayan\u0105 Shetty (IND\/DE). Abi jau kuris laikas domim\u0117s emocija \u0161okyje. \u0160iuo darbu norime \u0161okiu rasti \u0161ilum\u0105 ir artum\u0105, kuri sklinda, ple\u010diasi forto erdv\u0117je. Dirbame su atlik\u0117jais, kurie yra gle\u017eni, kuriems <\/span><\/span>reikia<\/span><\/span><\/span> vienas kito, kurie savo buvimu, kuriamu \u0161okiu (Sunayana Shetty ir a\u0161), garsu (Vincenz Kokot (DE) lieja \u0161ilum\u0105 link kito, taip \u0161ildydami \u0161alt\u0105, baugi\u0105 forto erdv\u0119. Pasitelkiame \u0161vies\u0105 (Linas Kutavi\u010dius), kuri veda \u017ei\u016brov\u0105, bei netik\u0117tai erdv\u0117je atsirandan\u010dius objektus, kurie p<\/span><\/span>akei\u010dia<\/span><\/span><\/span> erdv\u0119. B\u016bdami \u0161altoje, emoci\u0161kai \u012fkrautoje erdv\u0117je klausom\u0117s erdv\u0117s kv\u0117pavimo ir lengvumo.<\/span><\/span><\/p>\n

\"\"<\/p>\n

IV fortas, \u201eShy palms\u201c repeticijos. Nuotrauka: Vincenz Kokot<\/span><\/span><\/span><\/em><\/p>\n

\u0160io darbo dramaturgija kyla i\u0161 paties forto – pasirodymas susideda i\u0161 de\u0161imties scen\u0173, kiekviena j\u0173 vyksta kitoje forto erdv\u0117je: viduje bei supan\u010diose pievose. Kiekviena scena yra padaryta pusiau i\u0161 menini\u0173 intencij\u0173 ir id\u0117j\u0173, pusiau i\u0161 \u010dia jau esamos erdv\u0117s – jos \u0161viesotamsos, dr\u0117gm\u0117s, aido, grind\u0173 \u0161al\u010dio, sien\u0173 storio, piev\u0173 augal\u0173.<\/span><\/span><\/p>\n

– Ar jauti skirtumus, kai savo darb\u0105 pristatai u\u017esienyje ir Lietuvoje? Kaip reaguoja \u017ei\u016brovai? Kaip tu jautiesi?<\/b><\/span><\/p>\n

Man visada yra \u012fdomu pristatyti savo k\u016bryb\u0105 Lietuvoje. Jaudinuosi, Lietuvoje daug mano pa\u010dios \u012fsi\u0161aknijimo.<\/span><\/p>\n

Jeigu darbas yra gerai apgalvotas, jis veikia kiekvienoje \u0161alyje. Ta\u010diau kartu man yra \u012fdomu pasirodym\u0105 sieti su konkre\u010dia vieta, ie\u0161koti b\u016bd\u0173, kuriais darbas gal\u0117t\u0173 b\u016bti \u201eskaitomas\u201c skirtingose vietose, suvokti viet\u0173 ir \u017emoni\u0173 skirt<\/span>umus<\/span><\/span>.<\/span><\/p>\n

Daugiau informacijos apie projekt\u0105 \u201eShy Palms\u201c<\/b>.<\/a><\/p>\n

Registracija \u012f \u201eShy Palms\u201c<\/a> pasirodymus vyksta iki spalio 4 d.:<\/p>\n","protected":false},"excerpt":{"rendered":"

T\u0119sdami pokalbi\u0173 su u\u017esienyje kurian\u010diais lietuvi\u0173 \u0161ok\u0117jais cikl\u0105 \u201e7+\u201c, pristatome k\u016br\u0117j\u0105 Gr\u0117t\u0119 \u0160mitait\u0119. Meninink\u0117 juokauja, kad Berlyne gyvena tik jos …<\/p>\n","protected":false},"author":2,"featured_media":6809,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nGr\u0117t\u0117 \u0160mitait\u0117: \u201eDirbu su verksmu nor\u0117dama atrasti artum\u0105\u201c - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/09\/30\/grete-smitaite-dirbu-su-verksmu-noredama-atrasti-artuma\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gr\u0117t\u0117 \u0160mitait\u0117: \u201eDirbu su verksmu nor\u0117dama atrasti artum\u0105\u201c - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"T\u0119sdami pokalbi\u0173 su u\u017esienyje kurian\u010diais lietuvi\u0173 \u0161ok\u0117jais cikl\u0105 \u201e7+\u201c, pristatome k\u016br\u0117j\u0105 Gr\u0117t\u0119 \u0160mitait\u0119. 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