{"id":6872,"date":"2019-10-16T20:06:57","date_gmt":"2019-10-16T17:06:57","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=6872"},"modified":"2021-01-27T13:47:22","modified_gmt":"2021-01-27T11:47:22","slug":"kam-sokio-spektakliui-reikalingas-dramaturgas","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/10\/16\/kam-sokio-spektakliui-reikalingas-dramaturgas\/","title":{"rendered":"Kam \u0161okio spektakliui reikalingas dramaturgas?"},"content":{"rendered":"
\n

Visi supranta, k\u0105 dramaturgai veikia dramos teatruose. Ta\u010diau dramaturgo pavard\u0119 vis da\u017eniau randame nurodyt\u0105 ir prie \u0161okio spektakli\u0173 k\u016br\u0117j\u0173 \u2013 netgi tais atvejais, kai pa\u010diame spektaklyje nei\u0161tariama n\u0117 \u017eod\u017eio.<\/p>\n

LNOBT premjerai rengiamos \u0161okio operos \u201eAm\u017einyb\u0117 ir viena diena\u201c dramaturg\u0117, \u0161okio kritik\u0117 bei prodiuser\u0117 Ingrida Gerbutavi\u010di\u016bt\u0117 nebe pirm\u0105 kart\u0105 imasi \u0161ios paslaptingos u\u017eduoties. Anks\u010diau kaip dramaturg\u0117 bendradarbiavusi su lietuvi\u0173 choreografais Agnija \u0160eiko, Birute Banevi\u010di\u016bte, R\u016bta Butkus ir Andriumi Katinu, \u0161\u012fkart ji tapo garsaus Izraelio choreografo Itziko Galili, su kuriuo dar 2008 m. susipa\u017eino viename Suomijos \u0161okio festivalyje, naujo k\u016brinio bendraautore, ra\u0161oma prane\u0161ime \u017einiasklaidai.<\/p>\n

\"\"<\/p>\n

Taigi \u2013 kokios u\u017eduotys dramaturgui tenka \u0161iuolaikinio \u0161okio spektaklyje?<\/strong><\/p>\n

Prad\u0117kime nuo to, kad klasikinio baleto \u017ei\u016brovai nuo seno buvo \u012fprat\u0119 program\u0117l\u0117se rasti spektaklyje vaizduojamus \u012fvykius atpasakojan\u010dius libretus. \u0160iuolaikinio \u0161okio spektakliuose prieiga prie dramaturgijos jau kitokia: \u017ei\u016brovui pateikiamas tekstas paprastai neb\u016bna primityvi scenoje vaizduojam\u0173 \u012fvyki\u0173 seka. Mano tekst\u0105, kur\u012f rasite \u0161okio operos \u201eAm\u017einyb\u0117 ir viena diena\u201c program\u0117l\u0117je, irgi pavadin\u010diau \u0161iuolaikin\u0117s eksperimentin\u0117s dramaturgijos bandymu.<\/p>\n

\u0160iandien priimta, kad \u0161okio spektaklio dramaturgas tampa de\u0161ini\u0105ja choreografo ranka, atid\u017eiai sekan\u010dia vis\u0105 k\u016brybin\u012f proces\u0105 ir analizuojan\u010dia jame gimstan\u010dias reik\u0161mes. Jis r\u016bpinasi, kad \u0161okio spektaklyje fizine rai\u0161ka u\u017ekoduota \u017einut\u0117 kuo tiksliau pasiekt\u0173 \u017ei\u016brov\u0105, o pa\u010diam choreografui nurodo jo kuriamo \u0161okio daugiaprasmi\u0161kum\u0105. Arba pirmasis jam prane\u0161a, kad pageidaujama perteikti \u017einut\u0117 \u010dia neveikia… Tad \u0161okio spektaklyje dramaturgas gali b\u016bti nepara\u0161\u0119s n\u0117 vienos eilut\u0117s, ta\u010diau jis yra lygiavertis k\u016brybin\u0117s komandos bendradarbis, stebintis, ar tvirtai sukaltas spektaklio \u201estuburas\u201c.<\/p>\n

Vadinasi, repeticijose jam vis\u0105laik privalu b\u016bti \u0161alia choreografo?<\/strong><\/p>\n

B\u016bni \u0161alia tiek, kiek tai reikalinga. Dramaturgo darbas \u2013 likti nematomu, bet b\u016bti \u0161alia ir nuolat analizuoti. Tarkim, mano nuolatinis susira\u0161in\u0117jimas su I. Galili apie b\u016bsim\u0105 jo spektakl\u012f prasid\u0117jo gerokai anks\u010diau nei realios repeticijos \u2013 dar pra\u0117jusi\u0173 met\u0173 lapkrit\u012f. Buvo ir keli susitikimai, kuriuose aptarin\u0117jome ry\u0161k\u0117jan\u010di\u0105 spektaklio vizij\u0105. O realiose repeticijose \u201egyvenu\u201c nuo rugs\u0117jo prad\u017eios.<\/p>\n

Ir Lietuvoje vis daugiau choreograf\u0173 nor\u0117t\u0173 pasikviesti savo komandon dramaturg\u0105, ta\u010diau ma\u017eesniuose pastatymuose to tiesiog neleid\u017eia finansin\u0117s galimyb\u0117s. Kai tenka rinktis, k\u0105 pirmiausiai kviesti, dramaturgas lieka pa\u010dioje s\u0105ra\u0161o apa\u010dioje po spektakliui b\u016btin\u0173 \u0161ok\u0117j\u0173, \u0161vies\u0173 dailininko, scenografo… Arba jo funkcijas perima draugi\u0161kai sutinkantys pad\u0117ti choreografo kolegos ir bendramin\u010diai. Ta\u010diau tik profesionalus dramaturgas jausis vienodai atsakingas u\u017e spektaklio s\u0117km\u0119 arba nes\u0117km\u0119.<\/p>\n

Kas da\u017eniau tampa \u0161okio dramaturgais \u2013 \u017emon\u0117s su literat\u016briniu ar choreografiniu pasirengimu?<\/strong><\/p>\n

Realyb\u0117 tokia, kad \u0161okio dramaturgijos studij\u0173 nerasite nei Europos, nei JAV auk\u0161tosiose mokyklose, ta\u010diau pa\u010di\u0173 \u0161okio dramaturg\u0173 ka\u017ekaip atsiranda. Vieni i\u0161 j\u0173 b\u016bna baig\u0119 literat\u016bros, kalbotyros ar net filosofijos studijas, kiti \u2013 \u0161okio teorijos arba teatrologijos. Idealu b\u016bt\u0173 profesionaliai i\u0161manyti ir vien\u0105, ir kit\u0105 srit\u012f.<\/p><\/div>\n

Ar da\u017enai pasitaiko \u0161okio spektakli\u0173, kurie gimsta i\u0161 eil\u0117ra\u0161\u010di\u0173, kaip \u201eAm\u017einyb\u0117 ir viena diena\u201c?<\/strong><\/p>\n

\u0160iuolaikinio \u0161okio pasaulyje tai n\u0117ra i\u0161skirtinis atvejis. Choreografai domisi labai \u012fvairiais dalykais, poezija taip pat. Ir eil\u0117ra\u0161\u010diai gali tapti ir tampa j\u0173 spektakli\u0173 atspirties ta\u0161ku. Tik galb\u016bt tai da\u017eniau nutinka ma\u017euose kameriniuose k\u016briniuose, o ne vokalist\u0173, \u0161ok\u0117j\u0173 ir orkestro bendr\u0173 paj\u0117g\u0173 reikalaujan\u010diuose pastatymuose, kaip \u201eAm\u017einyb\u0117 ir viena diena\u201c.<\/p>\n

Ar choreografas, kurdamas spektakl\u012f, tvirtai laikosi savo poezijos diktuojam\u0173 vaizd\u0173?<\/strong><\/p>\n

Taip, I. Galili spektaklio ir poezijos ry\u0161ys yra stiprus ir tikslingas. Tam tikri judesiai scenoje netgi tiesiogiai i\u0161rei\u0161kia konkret\u0173 \u017eod\u012f, tad atid\u017eiai stebint beveik b\u016bt\u0173 \u012fmanoma fizin\u012f tekst\u0105 i\u0161versti \u012f verbalin\u012f.<\/p>\n

Spektakliui \u201eAm\u017einyb\u0117 ir viena diena\u201c j\u016bs\u0173 para\u0161ytas tekstas yra bandymas \u012fvesti skaitytoj\u0105 \u012f spektaklio emocin\u012f lauk\u0105, neatskleid\u017eiant pernelyg daug ir visgi suteikiant tam tikrus prasminius orientyrus…<\/strong><\/p>\n

\u0160is tekstas, viena vertus, atliepia I. Galili eil\u0117ra\u0161\u010dius ir jo norimas sukurti emocijas, kita vertus \u2013 jo u\u017eduotis buvo subtiliai, ne\u012fvardijant konkretybi\u0173 u\u017evesti skaitytoj\u0105 ant norimo kelio. Buvo dalyk\u0173, apie kuriuos u\u017esiminti choreografas jokiu b\u016bdu nesutiko, tod\u0117l r\u0117miausi visiems suprantamomis patirtimis apie meil\u0119, \u0161eim\u0105, t\u0117vus, draugus, artimuosius… Netgi teksto pasakotoju da\u017enai tampa ne vienas, o i\u0161kart keli persona\u017eai: girdime daugialypius balsus.<\/p>\n

Ar j\u016bs\u0173 sukurtas tekstas tur\u0117jo \u012ftakos paties choreografo darbui, ar jis t\u0117ra skirtas \u017ei\u016brovams?<\/strong><\/p>\n

Ties\u0105 sakant, repeticij\u0173 sal\u0117je vyrauja I. Galili poezija ir vizija: juk spektaklyje girdime operos solist\u0173 gyvai dainuojamus eil\u0117ra\u0161\u010dius. J\u0173 santykis su pateikiama \u0161okio kalba \u2013 ypatingai jaudinantis. O mano tekstas t\u0117ra dar vienas balsas, suteikiantis choreografui galimyb\u0119 pamatyti savo poezij\u0105 i\u0161 \u0161ono. Man pa\u010diai, da\u017eniau turin\u010diai reikal\u0173 su analitiniais tekstais, buvo labai \u012fdomu prisiliesti prie kitokios, beletristin\u0117s ra\u0161ymo stilistikos.<\/p>\n","protected":false},"excerpt":{"rendered":"

Visi supranta, k\u0105 dramaturgai veikia dramos teatruose. Ta\u010diau dramaturgo pavard\u0119 vis da\u017eniau randame nurodyt\u0105 ir prie \u0161okio spektakli\u0173 k\u016br\u0117j\u0173 \u2013 …<\/p>\n","protected":false},"author":2,"featured_media":6873,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nKam \u0161okio spektakliui reikalingas dramaturgas? - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/10\/16\/kam-sokio-spektakliui-reikalingas-dramaturgas\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kam \u0161okio spektakliui reikalingas dramaturgas? - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Visi supranta, k\u0105 dramaturgai veikia dramos teatruose. 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