{"id":6928,"date":"2019-10-29T18:56:37","date_gmt":"2019-10-29T16:56:37","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=6928"},"modified":"2021-01-27T13:46:52","modified_gmt":"2021-01-27T11:46:52","slug":"amzinybe-ir-abstrakcija","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/10\/29\/amzinybe-ir-abstrakcija\/","title":{"rendered":"Am\u017einyb\u0117 ir abstrakcija"},"content":{"rendered":"

\u0160okio opera \u201eAm\u017einyb\u0117 ir viena diena\u201c. Eil\u0117ra\u0161\u010di\u0173 autorius, re\u017eisierius, choreografas, scenografas, kostium\u0173 ir \u0161vies\u0173 dailininkas Itzikas Galilis (Izraelis), kompozitor\u0117 Rita Ma\u010dili\u016bnait\u0117, dramaturg\u0117 Ingrida Gerbutavi\u010di\u016bt\u0117, dirigentas Ri\u010dardas \u0160umila. Premjera Lietuvos nacionaliniame operos ir baleto teatre \u2013 <\/em>2019 m. spalio 25, 26, 27 d.<\/em><\/p>\n

Paskui Itziko Galilio sukurtus vaizdus turb\u016bt reik\u0117t\u0173 b\u0117gte b\u0117gti, jeigu per \u201eAm\u017einyb\u0119 ir vien\u0105 dien\u0105\u201c nori susp\u0117ti drauge su jo mintimi. Taip b\u0117gti, kaip visu scenos perimetru b\u0117ga vaikinas su plakatu ant pagalio. Ir taip skub\u0117ti, kaip netrukus \u012fsiver\u017eusi minia su daug pana\u0161i\u0173 plakat\u0173. Jie b\u0117ga i\u0161 vienos scenos pus\u0117s \u2013 kiton. Tarp j\u0173 pasimeta moteris ne\u012fgaliojo ve\u017eim\u0117lyje, senas \u017emogus su laistytuvu, mergait\u0117 su raudonu balionu. Minia b\u0117ga \u012f kit\u0105 pus\u0119. Ir dar kart\u0105, dar. Gr\u016bmojantys mai\u0161tininkai? O kas para\u0161yta j\u0173 plakatuose? K\u0105 jie skanduoja? Laisv\u0119? Pavoj\u0173?<\/p>\n

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\nNuotraukos: Martynas Aleksa, LNOBT archyvas<\/em><\/strong><\/p>\n

Betgi ne tas skub\u0117jimas prad\u0117jo \u201eAm\u017einyb\u0119 ir vien\u0105 dien\u0105\u201c. Kol publika rinkosi, scenoje su pusiau pakelta u\u017edanga s\u0117d\u0117jo toji moteris ne\u012fgaliojo ve\u017eim\u0117lyje, o greta \u2013 kaubur\u0117lis su \u012fsmeigtu u\u017era\u0161u. Tokiais u\u017era\u0161ais paprastai pasakojama vargetos b\u0117da ir pra\u0161oma i\u0161maldos. Gali b\u016bti, kad \u201eAm\u017einyb\u0117s ir vienos dienos\u201c esminis \u012fvaizdis \u2013 vieni\u0161as \u017emogus, o jo skundas ir poreikis sura\u0161yti did\u017eiosiomis raid\u0117mis angli\u0161kai, ta\u010diau cituosiu lietuvi\u0161k\u0105 vertim\u0105: \u201eKART\u0104 KAI BUVAU VISI\u0160KAI VIENAS KAI NET SU PA\u010cIU SAVIMI NEBUVAU I\u0160KASIAU \u017dEM\u0116JE DUOBUT\u0118 IR PA\u0160NAB\u017dD\u0116JAU \u012e J\u0104 \u017dOD\u017dIUS A\u0160 – MYLIU TAVE\u201c. Tai pirmasis Galilio eil\u0117ra\u0161tis i\u0161 de\u0161imties, tapusi\u0173 spektaklio pagrindu.<\/p>\n

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N\u0117ra \u010dia tradici\u0161kai suprantamo siu\u017eeto ir pagrindini\u0173 veik\u0117j\u0173. \u0160itos \u0161okio operos strukt\u016br\u0105 sudaro epizod\u0173 seka \u2013 choreografo eil\u0117ra\u0161\u010diai, virt\u0119 skirting\u0173 persona\u017e\u0173 arijomis ir \u0161okio scenomis, jose veikia vis kiti herojai. Galilis i\u0161kart ir energingai jungia vaizd\u0105, \u017eod\u012f, muzik\u0105, judes\u012f, \u0161vies\u0105, ir skuban\u010dio pasaulio \u017ei\u016brovui reikia ne tik nurimti, bet ir b\u016bti pasirengusiam priimti pa\u0161\u0117lus\u012f temp\u0105, berib\u0119 vaizduot\u0119, paradoksalius, netgi klaid\u017eius sprendimus. Bet pirmiausia dr\u0105sos priimti reik\u0117jo Galilio bendrak\u016br\u0117jams \u2013 lietuvi\u0173 menininkams, su kuriais jis pasiry\u017eo kurti tai, kas jo paties dar iki soties nei\u0161tyrin\u0117ta, nors tarp a\u0161tuoni\u0173 de\u0161im\u010di\u0173 jo \u0161okio spektakli\u0173 ir miniati\u016br\u0173 yra toki\u0173, kur choreografija jungiama su kalb\u0117jimu ir dainavimu.<\/p>\n

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\u0160okio kritik\u0117 ir \u0161io spektaklio dramaturg\u0117 Ingrida Gerbutavi\u010di\u016bt\u0117 savo tekstu, atspausdintu i\u0161samioje program\u0117l\u0117je, i\u0161ry\u0161kino Galilio eil\u0117ra\u0161\u010diuose surastus archetipinius herojus, b\u016bsenas, likimus (am\u017einai i\u0161keliav\u0119s ir kariaujantis vyras, am\u017einai jo laukianti moteris, skilusios \u0161eimos vaiko patirtys, seno \u017emogaus vieni\u0161umas, j\u0173 vis\u0173 nenoras i\u0161siduoti ir pasiduoti). Kompozitor\u0117 Rita Ma\u010dili\u016bnait\u0117 savaip interpretavo Galilio poezij\u0105, jausdama choreografo pasitik\u0117jim\u0105 ir neslegiama jo pasaulinio autoriteto, o Galilis tvirtina es\u0105s su\u017eav\u0117tas jaunos meninink\u0117s darbu. Tada at\u0117jo eil\u0117 dirigento Ri\u010dardo \u0160umilos ir artist\u0173 interpretacijai. Kadangi pagrindini\u0173 heroj\u0173 n\u0117ra, \u201eAm\u017einyb\u0117s ir vienos dienos\u201c epizodai sukurti su vis kitais baleto ir operos solistais, choru bei baleto \u0161ok\u0117jais, tod\u0117l galima tai vadinti dovana LNOBT trupei: juk kiek heroj\u0173, tiek artist\u0173 gavo Galilio k\u016brybos impuls\u0173. Klasikinio baleto artistai praturt\u0117jo \u0161iuolaikinio \u0161okio \u012fg\u016bd\u017eiais, o \u0161ok\u0117jus, su kuriais dirba, Galilis vadina savo aukso kasyklomis.<\/p>\n

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\nJonas Lau\u010dius<\/em> <\/p>\n

\u0160itame spektaklyje atpa\u017einsi motin\u0105, t\u0117v\u0105, s\u016bn\u0173, prasilenkian\u010dius mylimuosius. Bet\u0117vis vaikas vyr\u0173 rankomis perduodamas kaip kry\u017eius ir nukry\u017eiuotasis. Tai vienas jautriausi\u0173 spektaklio epizod\u0173: prislopintu diskantu Vakaris Daugirda dainuoja vaiko ilges\u012f (\u201eT\u0117vas\/ Kuris buvo elnias\/ Nuo kurio galvos tas ragas\/ Krito\u201c), \u0161oka grup\u0117 vyr\u0173, bevard\u017ei\u0173 ir be\u017ead\u017ei\u0173 t\u0117v\u0173, kurie nepastebi tolyd\u017eio \u012f j\u0173 \u0161ok\u012f \u012fsiterpian\u010di\u0173, nuo abejingumo tyliai krentan\u010di\u0173 moter\u0173. Po l\u0117tos li\u016bdesio muzikos sutrata mu\u0161am\u0173j\u0173 ritmas, choras dainuoja \u201eNepaversk m\u016bs\u0173 poezijos pelenais\/ Vyri\u0161ka poezija \u2013 tai med\u017eio dirbinys\/ Nenugludintas\u201c), T\u0117vas (Jonas Laucius) ir pusnuogiai vyrai su lazdomis-ietimis \u0161oka savo nuo\u017em\u0173 \u0161ok\u012f, pareikalavus\u012f akrobatini\u0173 sugeb\u0117jim\u0173 (tai Galilio brai\u017eo dalis). Vyrai su savo ginklais i\u0161tirpsta scenos toli\u0173 migloje, o susik\u016bprinus\u012f T\u0117v\u0105, sulinkus\u012f tiek, kad galvos nematyti, tyliai palydi Mylimoji, \u017dmona, Jo Vaik\u0173 Motina (Olga Kono\u0161enko).<\/p>\n

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\nOlga Kono\u0161enko<\/em><\/p>\n

Spektaklio prad\u017eioje vir\u0161 mai\u0161tingos minios i\u0161kyla auk\u0161ta\u016bg\u0117 Deiv\u0117 (Justina Gringyt\u0117), dainuodama \u201ePalei atleidimo krant\u0105\/ Vilk\u0117dama vien tik g\u0117dos apdar\u0105\/ \u017dvelgdama \u012f akis vandenyno ker\u0161tui\/ Tarp siaubo ir baim\u0117s\/ A\u0161 einu\u201c. Ji pana\u0161i \u012f auksu spindin\u010di\u0105 nuod\u0117ming\u0105 dam\u0105, o i\u0161 ties\u0173 \u2013 \u012f \u0161\u0117ton\u0105. Ji su kanopomis, o jos auksin\u012f ilg\u0105 apsiaust\u0105 \u201epuo\u0161ia\u201c \u017emoni\u0173 galvos. Ne, ne galvos, o kauk\u0117s, j\u0173 \u0161iame spektaklyje nema\u017eai, kai \u017emonija \u2013 kaimynai? Smalsuoliai? \u2013 pasirodo ilgos sienos langeliuose, ir tai b\u016bna gra\u017eu, \u012fsp\u016bdinga. O \u0161ok\u0117j\u0173 kojos, i\u0161 t\u0173 langeli\u0173 i\u0161nyran\u010dios it augalai ir po savo \u201epa\u201c v\u0117l i\u0161nykstan\u010dios!<\/p>\n

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\nJustina Gringyt\u0117<\/em><\/p>\n

\u201eVienas \u017eodis\/ Vienintelis trukdymas\/ Kuris i\u0161veda mus i\u0161 kelio\/ Visados\/ Meil\u0117\u201c. \u0160itai dainuoja M\u016bza (Monika Ple\u0161kyt\u0117\/ Aist\u0117 Pilibavi\u010di\u016bt\u0117), eidama min\u0117tos sienos atbrailomis, o scenoje tuo metu \u2013 intensyvus galili\u0161kas<\/em> \u0161okis. Be to, i\u0161 vir\u0161aus ima byr\u0117ti popieriaus lapai, \u012frieda prad\u017eioje matyta moteris ne\u012fgaliojo ve\u017eim\u0117lyje, tipena senas \u017emogus su laistytuvu, \u012feina ir jau matyta mergait\u0117 su raudonu balionu… Muzika, \u0161okis, titrai \u2013 angli\u0161ki eil\u0117ra\u0161\u010di\u0173 tekstai ir lietuvi\u0161ki j\u0173 vertimai vir\u0161 scenos. Simboliai, prasm\u0117s, m\u012fsl\u0117s. \u201eAm\u017einyb\u0117je…\u201c neatsipalaiduosi, reikia rinkti visus \u017eenklus, kurti savas d\u0117liones ir interpretacijas. Ka\u017ekuriuo momentu jauti, kad visk\u0105 pametei ir pasimetei, po to v\u0117l vaizdas, judesys, \u0161viesos prikausto.<\/p>\n

Operos solistai dainuoja angli\u0161kai, jie labiau dainuoja nei taria, tod\u0117l \u017ei\u016brovo akys vis kyla auk\u0161tyn, kur para\u0161yta, k\u0105 jie i\u0161taria. Pasitikrini ir v\u0117l \u017ei\u016bri, kas vyksta scenoje. Geriau \u017ei\u016br\u0117tum vien \u012f scen\u0105, vien \u012f \u0161ok\u012f, klausydamasis muzikos. \u017dod\u017eiai, ypa\u010d po dvi eilutes i\u0161 abstrak\u010dios poezijos tik bla\u0161ko ir glumina. Turinys juk yra visuma, ne tie \u017eod\u017eiai, nuo kuri\u0173 prasid\u0117jo \u201eAm\u017einyb\u0117s…\u201c k\u016brimas.<\/p>\n

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\u201ePatirti nes\u0117km\u0119 ir pasiekti tu\u0161tum\u0105\/ Ir nejausti kalt\u0117s\u201c… Tai v\u0117lgi i\u0161 epizodo, kuris ry\u0161kiai i\u0161lieka atminty b\u016btent d\u0117l visumos: du \u0161ok\u0117jai \u2013 Jeronimas Krivickas ir Jonas Laucius, \u0161iam ant kupros s\u0117di moteris (Vilt\u0117 Gineityt\u0117\/ Egl\u0117 Stund\u017eiait\u0117), ir tai lyg mylimieji, kurie negali b\u016bti kartu, tik ilg\u0117tis. \u0160okiui \u012fpus\u0117jus \u2013 ne\u012ftik\u0117tina \u2013 Moteris ima dainuoti, jai atsiliepia Vyras (Steponas Zonys\/ Arminas Skirvainis), kuris prieis nuo sienos. Jie keturi \u0161ioje istorijoje. Spektaklio program\u0117l\u0117 sufleruoja, kad du vyrai \u2013 Veidrod\u017eiai, o moteris \u2013 Balsas. Tad \u010dia jokie mylimieji, tai Vyras, Balsas ir du Veidrod\u017eiai. O, abstrak\u010dioji poezija… Kaip joje nesunku \u201ePatirti nes\u0117km\u0119 ir pasiekti tu\u0161tum\u0105\/ Ir nejausti kalt\u0117s\u201c…<\/p>\n

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\nJeronimas Krivickas, Jonas Laucius, Egl\u0117 Stund\u017eiait\u0117<\/em><\/p>\n

Ne\u017evilg\u010diok \u012f ra\u0161tus ir titrus! \u017di\u016br\u0117k esan\u010diuosius scenoje ir brai\u017eyk savo jausm\u0173 \u017eem\u0117lap\u012f. Ar jis sutaps su autori\u0173 sumanymais? Neprivalo. Juk t\u0117vai dainuoja Galilio \u201eLop\u0161in\u0117je\u201c: \u201ePasiduok\/ Atsiduok\/ Ir gyvenk\/ Ne tik vien\u0105 kart\u0105\u201c. Tai prie\u0161paskutinis spektaklio eil\u0117ra\u0161tis.<\/p>\n

Kaip tikras meistras Galilis spektaklio pabaigoje surenka savo parodytas u\u017euominas \u2013 prad\u017eios sm\u0117lio kaubur\u0117l\u012f, plakat\u0105 su eil\u0117ra\u0161\u010diu kaip i\u0161maldos pra\u0161ymu \u2013 ir pakartoja jas tarytum i\u0161vad\u0105. Sugr\u012f\u017eta nurimusi minia su plakatais, kur tas eil\u0117ra\u0161tis sura\u0161ytas \u012fvairiomis kalbomis ir ra\u0161menimis. Deiv\u0117-\u0161\u0117tonas, i\u0161nirusi \u017ei\u016brov\u0173 sal\u0117je \u0161iapus orkestro duob\u0117s, skelbia \u201eKaip l\u0117tai mes \u017eeng\u0117me\/ D\u0117v\u0117dami Istorijos neteisyb\u0119\/ Link Meil\u0117s Karalyst\u0117s\u201c. Meil\u0117? \u0160tai d\u0117l ko mai\u0161tauta? \u0160tai, ko stinga ir d\u0117l ko elgetaujama? Protas i\u0161 detali\u0173 susirenka b\u016btent toki\u0105 ra\u0161tu sura\u0161yt\u0105 \u201eAm\u017einyb\u0117s ir vienos dienos\u201c i\u0161tarm\u0119. Jausmai u\u017esib\u016bna ties atskirais epizodais, \u017eav\u0117damiesi momentais, judesi\u0173 kompozicijomis, muzika, \u0161vies\u0173 \u0161okiu, ta\u010diau \u2013 pamesdami takel\u012f, kuris \u012ftraukt\u0173, o ne palikt\u0173 berib\u0117je interpretavimo galimybi\u0173 aik\u0161t\u0117je.<\/p>\n

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Tai retas \u012fvykis, svarbus ir d\u017eiuginantis: tarptautinio masto choreografas, re\u017eisierius ne perk\u0117l\u0117 i\u0161 ka\u017ekur pastatyt\u0105 savo spektakl\u012f, o suk\u016br\u0117 premjer\u0105 \u010dia, Lietuvoje, drauge su lietuvi\u0173 menininkais. Vadinasi, pra\u0117jus\u012f savaitgal\u012f Vilniuje, Lietuvos nacionaliniame operos ir baleto teatre buvome pasaulin\u0117s premjeros \u017ei\u016brovais. Saky\u010diau, tai nemenka dovana ir pa\u010diam Itzikui Galiliui. Juk jis patyr\u0117 keliagub\u0105 savo eil\u0117ra\u0161\u010di\u0173 interpretacij\u0105, j\u0173 tapsm\u0105 dramaturgija, muzika, \u0161okiu. Jis skinasi keli\u0105 gilyn \u012f j\u012f dominan\u010di\u0105 teritorij\u0105. \u012edomu b\u016bti drauge.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0160okio opera \u201eAm\u017einyb\u0117 ir viena diena\u201c. Eil\u0117ra\u0161\u010di\u0173 autorius, re\u017eisierius, choreografas, scenografas, kostium\u0173 ir \u0161vies\u0173 dailininkas Itzikas Galilis (Izraelis), kompozitor\u0117 Rita …<\/p>\n","protected":false},"author":2,"featured_media":6929,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nAm\u017einyb\u0117 ir abstrakcija - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/10\/29\/amzinybe-ir-abstrakcija\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Am\u017einyb\u0117 ir abstrakcija - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"\u0160okio opera \u201eAm\u017einyb\u0117 ir viena diena\u201c. 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