{"id":7064,"date":"2019-11-21T17:08:57","date_gmt":"2019-11-21T15:08:57","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=7064"},"modified":"2020-01-03T12:45:38","modified_gmt":"2020-01-03T10:45:38","slug":"sokio-trupes-nuepiko-premjera-perdegimas-issekusio-siuolaikinio-zmogaus-tyrimas","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/11\/21\/sokio-trupes-nuepiko-premjera-perdegimas-issekusio-siuolaikinio-zmogaus-tyrimas\/","title":{"rendered":"\u0160okio trup\u0117s \u201eNuepiko\u201c premjera \u201ePerdegimas\u201c: i\u0161sekusio \u0161iuolaikinio \u017emogaus tyrimas"},"content":{"rendered":"

Po neseniai suskamb\u0117jusiu nauju \u201eNuepiko\u201c vardu slepiasi gerai Kauno ir kitiems Lietuvos miestams pa\u017e\u012fstama skirting\u0173 \u0161iuolaikinio \u0161okio kryp\u010di\u0173 \u0161okio k\u016br\u0117j\u0173 trijul\u0117 \u2013 Marius Pinigis, Marius Paplauskas ir Andrius Stakel\u0117. 2016 metais pristat\u0119 pirm\u0105j\u012f savo didelio populiarumo sulaukus\u012f bendr\u0105 k\u016brybin\u012f darb\u0105 \u201e(G)round zero\u201c, \u0161iandien k\u016br\u0117jai kvie\u010dia susitikti naujame j\u0173 darbe \u201ePerdegimas\u201c. Spektaklis sukurtas bendradarbiaujant su Nacionaliniu Kauno dramos teatru, kurio Did\u017eiojoje scenoje lapkri\u010dio 20 ir 22 dien\u0105 pristatoma premjera.<\/p>\n

Susitikome paskutini\u0173 repeticij\u0173 \u012fkar\u0161tyje pasikalb\u0117ti apie tai, kuo kitoks bus \u0161is darbas ir kaip jis inspiravo pasikeisti pa\u010dius k\u016br\u0117jus.<\/p>\n

\"\"<\/p>\n

– Nuo ko prasid\u0117jo j\u016bs\u0173 k\u016brybin\u0117 kelion\u0117 perdegimo temos link? Kaip \u0161ios b\u016bsenos analiz\u0117 pakeit\u0117 jus pa\u010dius?<\/em><\/strong><\/p>\n

Marius Paplauskas<\/strong>: Viskas prasid\u0117jo anks\u010diau, negu k\u016brybinis procesas. Apie spektakl\u012f ir jo id\u0117j\u0105 prad\u0117jome galvoti nuo to momento, kai pajutome m\u016bs\u0173 pa\u010di\u0173 vidinius poky\u010dius.<\/p>\n

Marius Pinigis<\/strong>: Da\u017enai norime nuveikti tiek daug, bet pritr\u016bksta laiko ir kokyb\u0117s. \u0160iuolaikinis \u017emogus ne\u012fvertina savo laiko ir galimybi\u0173, tod\u0117l neretai perdega. Nesuprantame, kad n\u0117ra blogai kartais pasakyti \u201enegaliu\u201c. Yra ir asmeninis laikas, skirtas sau ir \u0161eimai. Mums patiems reik\u0117jo tai suprasti. Pirm\u0105 spektakl\u012f k\u016br\u0117me labiau i\u0161 entuziazmo, i\u0161 noro tiesiog daryti ir padaryti. Naujo spektaklio tema i\u0161sirutuliojo labai nat\u016braliai. Nor\u0117jome kurti spektakl\u012f apie vidinius poky\u010dius. Kaip ir pirmas spektaklis, \u0161is taip pat turi misij\u0105 \u2013 priminti apie tai, kad sustoti n\u0117ra blogai. Norint ka\u017ek\u0105 padaryti kokybi\u0161kai nereikia skub\u0117ti. Ai\u0161ku, ne visada t\u0105 leid\u017eia aplinkyb\u0117s. Mes d\u017eiaugiam\u0117s, kad tur\u0117jome toki\u0105 galimyb\u0119.<\/p>\n

Marius Paplauskas<\/strong>: Man \u0161is spektaklis yra stipri terapija. Jau dirbdamas su \u201e(G)round zero\u201c dariau tuos dalykus, kuri\u0173 nebuvau prie\u0161 tai dar\u0119s gyvenime \u2013 \u0161okau Kauno gatv\u0117se. Tai taip pat buvo terapija, bet \u201ePerdegimas\u201c \u2013 visi\u0161kai kitokia patirtis. Vyko svarb\u016bs vidiniai ir i\u0161oriniai poky\u010diai. Svarbus ir elementarus fizinis perdegimas. Kadangi tur\u0117jau ir kit\u0173 darb\u0173, spektaklis i\u0161mok\u0117 naujai \u012fkv\u0117pti ir i\u0161kv\u0117pti b\u016bnant tokiose aplinkyb\u0117se.<\/p>\n

Marius Pinigis<\/strong>: Taip sutapo, kad prie\u0161 metus Pasaulio sveikatos organizacija perdegim\u0105 pripa\u017eino sindromu. Apie \u0161i\u0105 problem\u0105 prad\u0117ta daug kalb\u0117ti \u017einiasklaidoje ir visuomen\u0117je. Su perdegimo sindromu susiduriantys \u017emon\u0117s tampa visi\u0161kai pasyv\u016bs. Svarbu suprasti, kad tai n\u0117ra i\u0161galvota b\u016bsena ar apsimetin\u0117jimas. Kai visko labai daug, \u017emogus staiga panyra \u012f t\u0105 b\u016bsen\u0105, kai nenori nieko. Mus inspiravo tai tyrin\u0117ti per judes\u012f.<\/p>\n

– Prie\u0161 trejus metus kalb\u0117jome apie \u201e(G)round zero\u201c premjer\u0105: buvote nusiteik\u0119 \u017eaismingai, linksma buvo steb\u0117ti j\u016bs\u0173 repeticijas ir pasirodymus-dvikovas Kauno gatv\u0117se jums vilkint nepamir\u0161tamus kailinius. \u201ePerdegimo\u201c nuotraukose atrodote rimti, vilkintys grie\u017etus kostiumus. Galima sp\u0117ti, kad per \u0161\u012f laik\u0105 pasikeit\u0117te ne tik j\u016bs patys, bet pakito ir j\u016bs\u0173 judesi\u0173 kalba?<\/em><\/strong><\/p>\n

\"\"
\nAkimirka i\u0161 spektaklio \u201e(G)round zero\u201c<\/em><\/p>\n

M. Paplauskas<\/strong>: Ko gero, ji dabar visi\u0161kai kitokia. A\u0161 net ne\u017einau, ar tai galima b\u016bt\u0173 pavadinti \u0161okiu. Tai daugiau fizin\u0117 rai\u0161ka. Siek\u0117me surasti bendr\u0105 kalb\u0105, nes esame labai skirtingi. Spektaklyje m\u016bs\u0173 judesi\u0173 kalba labai pana\u0161i, skiriasi tik intonacijos.<\/p>\n

A. Stakel\u0117<\/strong>: Prie\u0161 dvejus metus, kuomet prad\u0117jome kurti \u0161\u012f spektakl\u012f, \u012fvyko m\u016bs\u0173 pa\u010di\u0173 perdegimas… Nor\u0117jome padaryti daug, o padar\u0117me per daug. Tuomet supratome, kad \u012f visk\u0105 reikia prad\u0117ti \u017ei\u016br\u0117ti kitaip. Ramiau.<\/p>\n

M. Pinigis<\/strong>: \u201e(G)round zero\u201c k\u016br\u0117me i\u0161 inercijos \u2013 susirinkome ir dar\u0117me tai, k\u0105 mokame geriausiai. V\u0117liau supratome, kad mums tai jau ne\u012fdomu. Esi pavarg\u0119s nuo savo \u017eini\u0173 ir \u012fdomu daryti tai, k\u0105 daro kitas. Tada prad\u0117jome galvoti kokia gal\u0117t\u0173 b\u016bti ta bendra kalba. V\u0117lgi viskas i\u0161sirutuliojo intuityviai. V\u0117liau mums i\u0161kilo klausimas, kas yra harmonija \u2013 perdegimo opozicija, ne tik id\u0117jiniu lygmeniu, o kas tai yra judesyje. Kas tai? Tai yra t\u0117km\u0117. \u0160is t\u0117km\u0117s poj\u016btis mums \u0117m\u0117 sietis su gravitacija, vibracija, manipuliacija. Prad\u0117jome tyrin\u0117ti \u0161iuos \u017eod\u017eius ir juos \u201eperkelti\u201c \u012f judes\u012f ir gars\u0105. K\u0117l\u0117me svarbiausi\u0105 klausim\u0105 sau, kaip perdegimas veikia mus pa\u010dius? Koks tai poj\u016btis? Spektaklyje kalb\u0117dami bendra k\u016bno kalba galime atrodyti labai stipr\u016bs.<\/p>\n

A. Stakel\u0117<\/strong>: Spektaklyje ne tik \u0161oku, bet ir kuriu muzik\u0105. Did\u017eiausias i\u0161\u0161\u016bkis buvo pa\u017evelgti, kokie garsai gal\u0117t\u0173 perteikti \u0161iuos raktinius \u017eod\u017eius, pavyzd\u017eiui, manipuliacij\u0105, gravitacij\u0105. Jau\u010diu, kad po \u0161io darbo stipriai patobul\u0117jau kaip kompozitorius.<\/p>\n

– Kaip j\u016bs\u0173 draugyst\u0117 \u012ftakoja k\u016brybin\u012f proces\u0105 ir atvirk\u0161\u010diai? Ar dirbdami kartu visada esate vienas kitam atviri?<\/strong> <\/em><\/p>\n

M. Paplauskas<\/strong>: Ka\u017ekada i\u0161k\u0117l\u0117me sau klausim\u0105 nuo ko m\u016bs\u0173 draugyst\u0117 prasid\u0117jo \u2013 nuo jos pa\u010dios ar nuo darbo? Supratau, kad tikrai nuo draugyst\u0117s. Darbas kartais j\u0105 \u017eudo ir atsiranda trintis, ta\u010diau mes i\u0161mokome nebijoti pasisakyti. Pasakyti, kaip jautiesi ar kad nenori ka\u017eko daryti. Apie tai da\u017enai kalbam\u0117s. Atrodo, kad m\u016bs\u0173 komanda galutinai susiformuos tik tada, kai mes prad\u0117sime gal\u0173 gale vienas kitam sakyti ir tai, kas kiekvienam nepatinka. Anks\u010diau band\u0117me vienas su kitu bendrauti labai mandagiai ir truput\u012f \u201elaidojome\u201c save, nes atsisakydavome kai kuri\u0173 savo interes\u0173. Vis dar vyksta \u0161i vidin\u0117 ir i\u0161orin\u0117 terapin\u0117 kelion\u0117. Man pa\u010diam ji yra labai pastebima.<\/p>\n

M. Pinigis<\/strong>: Vis\u0105 laik\u0105 stengiausi b\u016bti geriausia savo paties versija, b\u016bti geru visiems, ta\u010diau bet kurioje komandoje visada i\u0161tinka kritin\u0117 situacija, kai \u017emon\u0117s susipyksta. Komanda susiformuoja tada, kai tu i\u0161simu\u0161i i\u0161 pusiausvyros, kai n\u0117ra viskas vien gra\u017eu ir gera. Man atrodo, kad mes vis\u0105 laik\u0105 band\u0117me b\u016bti vienas kitam labai geri. Paskui i\u0161ai\u0161k\u0117jo, kad ne viskas visiems tinka, bet nenor\u0117jome to pasakyti, nes man\u0117me, kad \u012f\u017eeisime vienas kit\u0105. Ir tas traukinys jau buvo toli nuva\u017eiav\u0119s. Negerai, kai savyje laikai ka\u017ek\u0105 u\u017espaud\u0119s, nes tai gali i\u0161spr\u016bsti netik\u0117\u010diausioje vietoje, kaip nutiko mums. Galiausiai tai prived\u0117 prie kitokio po\u017ei\u016brio \u012f tarpusavio bendravim\u0105. Ir apskritai \u012f pa\u010dias repeticijas, j\u0173 organizavim\u0105. Tikrai neb\u016btina sal\u0117je praleisti daugyb\u0119 valand\u0173. Mes jau tur\u0117jome \u0161\u012f etap\u0105 ir jis neatne\u0161\u0117 didel\u0117s naudos. Tai nerei\u0161kia, kad dabar mes ma\u017eiau dirbame. Dabar labiau pasikliaujame savo patirtimi. Svarbu buvo pripa\u017einti tai, kad kiekvienas i\u0161 m\u016bs\u0173 turime kitus interesus ir juos turime priimti.<\/p>\n

\"\"<\/p>\n

– Kaip nusiteikus reik\u0117t\u0173 ateiti \u012f premjer\u0105? <\/strong><\/em><\/p>\n

M. Pinigis<\/strong>: Nekvie\u010diame \u017emoni\u0173 steb\u0117ti, norisi b\u016bti kartu, dalintis. Mes taip da\u017enai panyrame \u012f darb\u0105, kad i\u0161 gyvenimo nieko daugiau nebepasiimame. Tik dirbame ir dirbame. Akivaizdus stiprus nutolimas vienas nuo kito. Spektaklyje siekiame sukurti artumo poj\u016bt\u012f, norime, kad \u017ei\u016brovas b\u016bt\u0173 kuo ar\u010diau, tod\u0117l \u017ei\u016brov\u0173 k\u0117d\u0117s bus sustatytos pa\u010dioje scenoje, aplink mus. Taip pat pasid\u017eiaugti kartu dar viena m\u016bs\u0173 premjera Kaune. Kad mes v\u0117l sugr\u012f\u017eome su nauju ir kitokiu darbu. Sugalvojome ir m\u016bs\u0173 komandai pavadinim\u0105 \u201eNuepiko\u201c, kuris rei\u0161kia vis nauj\u0105 istorij\u0105. Bandome pateisinti \u0161\u012f pavadinim\u0105 ir kartu tyrin\u0117ti sav\u0105j\u0105 auditorij\u0105. Esame sau i\u0161sik\u0117l\u0119 klausim\u0105, kas yra m\u016bs\u0173 \u017ei\u016brovas? Tikim\u0117s po \u0161ios premjeros surasti ai\u0161kesn\u012f, o galb\u016bt visai netik\u0117t\u0105 atsakym\u0105.<\/p>\n

\u201eNuepiko\u201c \u0161okio spektaklio \u201ePerdegimas\u201c premjera \u2013 lapkri\u010dio 20 ir 22 dienomis Nacionalinio Kauno dramos teatre Did\u017eiojoje scenoje.<\/strong><\/p>\n

\u201ePerdegimas\u201c k\u016brybin\u0117 komanda: choreografija ir \u0161okis \u2013 Andrius Stakel\u0117, Marius Paplauskas ir Marius Pinigis, muzikos autorius \u2013 Andrius Stakel\u0117, \u0161vies\u0173 dailininkas \u2013 Vladimiras \u0160erstabojevas.<\/p>\n","protected":false},"excerpt":{"rendered":"

Po neseniai suskamb\u0117jusiu nauju \u201eNuepiko\u201c vardu slepiasi gerai Kauno ir kitiems Lietuvos miestams pa\u017e\u012fstama skirting\u0173 \u0161iuolaikinio \u0161okio kryp\u010di\u0173 \u0161okio k\u016br\u0117j\u0173 …<\/p>\n","protected":false},"author":2,"featured_media":7066,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\n\u0160okio trup\u0117s \u201eNuepiko\u201c premjera \u201ePerdegimas\u201c: i\u0161sekusio \u0161iuolaikinio \u017emogaus tyrimas - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/11\/21\/sokio-trupes-nuepiko-premjera-perdegimas-issekusio-siuolaikinio-zmogaus-tyrimas\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0160okio trup\u0117s \u201eNuepiko\u201c premjera \u201ePerdegimas\u201c: i\u0161sekusio \u0161iuolaikinio \u017emogaus tyrimas - 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