{"id":7155,"date":"2019-12-12T17:01:35","date_gmt":"2019-12-12T15:01:35","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=7155"},"modified":"2019-12-12T17:03:32","modified_gmt":"2019-12-12T15:03:32","slug":"zmogiskumo-mirtis-fiziskumo-triumfas","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/12\/12\/zmogiskumo-mirtis-fiziskumo-triumfas\/","title":{"rendered":"\u017dmogi\u0161kumo mirtis. Fizi\u0161kumo triumfas"},"content":{"rendered":"

Kauno kult\u016bros centre parodytas belg\u0173 \u0161ok\u0117jo, choreografo Brandono Lagaerto (\u0161okio kompanija \u201ePeeping Tom\u201c), kompozitoriaus Felikso Machtelinckxo ir \u0161okio teatro \u201eAura\u201c bendras k\u016brybinis darbas \u201eDeginanti trintis\u201c.<\/p>\n

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\nKristinos \u010cy\u017ei\u016bt\u0117s nuotraukos<\/p>\n

Prad\u017eia. Sal\u0117je u\u017eg\u0119sta \u0161viesa, scenos vir\u0161uje nedr\u0105siai \u012fsi\u017eiebia \u017eibintas. I\u0161 u\u017ekulisi\u0173 \u012f scen\u0105 pradeda ropoti ir \u0161liau\u017eti keistos b\u016btyb\u0117s. Tarsi mutav\u0119 \u017emoni\u0173 k\u016bnai su, regis, tokiomis pat deformuotomis, dujokauk\u0117se \u012fkalintomis j\u0173 sielomis. Tai\u00a0 \u017emogaus prigim\u010diai svetima gyvyb\u0117 \u2013 \u00a0Howardo Philipso Lovercrafto apra\u0161yti \u012f \u017dem\u0119 atvyk\u0119 padarai i\u0161 am\u017einos nakties supamos Juggoto planetos. \u0160ios b\u016btyb\u0117s ne vienos, kiekviena j\u0173 turi savo \u0161eiminink\u0105 \u2013 \u017emog\u0173, tobulo k\u016bno, nepriekai\u0161ting\u0173 manier\u0173, estetinio skonio, i\u0161skirtinio intelekto, turting\u0105 ir galing\u0105. \u017dmonijos elitas. Bet taip atrodo tik i\u0161 pirmo \u017evilgsnio. Nuo j\u0173 sklinda klaiki dvasin\u0117 tu\u0161tuma. Tad kurie \u0161i\u0173 veik\u0117j\u0173 yra monstrai i\u0161 tikr\u0173j\u0173?<\/p>\n

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Toki\u0173 dviej\u0173 tip\u0173 veik\u0117j\u0173 portretais ir j\u0173 tarpusavio komunikacija B. Lagaertas i\u0161grynina dominuojant\u012f \u017emoni\u0173 santyki\u0173 princip\u0105. I\u0161grynina iki smulkiausi\u0173 fizini\u0173 detali\u0173, itin glaudaus, neatpl\u0117\u0161iam\u0173 k\u016bn\u0173 s\u0105ly\u010dio. Choreografas ne tik persona\u017eus, bet ir pa\u010dius \u201eAuros\u201c \u0161ok\u0117jus paver\u010dia svetimais ir sunkiai atpa\u017e\u012fstamais. Jie atlieka sud\u0117tingus judesius, kurie \u201epaprastam\u201c \u017emogui gali atrodyti baugiai.<\/p>\n

Kyla \u012fvairiausios mintys stebint \u0161ok\u0117jus, ypatingai tuos, kurie \u012fk\u016bnija dviem kojom ne\u017eengian\u010dias b\u016btybes su dujokauk\u0117mis. Ar \u0161ok\u0117jai, kaip ir j\u0173 persona\u017eai, nepatiria fizin\u0117s kan\u010dios? Savisaugos instinktas sufleruoja, kad m\u016bvint dusinan\u010di\u0105 dujokauk\u0119, auk\u0161tielninkai remiantis \u012f rankas \u0161okin\u0117ti lyg \u0161uny\u010diui yra nemenkas i\u0161\u0161\u016bkis. Kartais atrodo, kad tereikia netiksliai kv\u0117ptel\u0117ti ar neteisingai pajud\u0117ti, ir i\u0161 ties\u0173 bus per\u017eengta riba, skirianti k\u016brybin\u0119 vaizduot\u0119 ir reali\u0105 traum\u0105. Judesiai pranoksta \u012fprastas \u017emogaus jud\u0117jimo galimybes. Spektaklis tampa neatskleist\u0173 k\u016bno galimybi\u0173 tyrimu.<\/p>\n

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Tai visi\u0161kai kitoks \u0161iuolaikinio \u0161okio spektaklis. Jame triumfuoja fizi\u0161kumas ir jo gro\u017eis. Ir tai i\u0161 ties\u0173 yra be galo gra\u017eu. B. Lagaertas kuria vaizdus ir juos jungia lyg kine. Atrodo, kad \u017ei\u016br\u0117tum film\u0105, kuriame vaizd\u0173 ir gars\u0173 jungtis kuria poezij\u0105. Spektaklis prikausto d\u0117mes\u012f nuo pirm\u0173 sekund\u017ei\u0173. Scenoje nematyti \u0161iuolaikinio \u0161okio pasaulyje jau \u0161ablonais tapusi\u0173 k\u016bno kalbos \u201efrazi\u0173\u201c, jos nusp\u0117jamumo, arba, prie\u0161ingai, pernelyg didelio abstraktumo. Kiekvien\u0105 scen\u0105 gaubia ne\u017einomyb\u0117s paslaptis. Ko gero, \u0161ok\u0117j\u0173 atliekamus judesius b\u016bt\u0173 sunku pavadinti \u0161okiu \u012fprasta prasme. Bet jie \u0161oka. Perkreiptais, apverstais k\u016bnais. Ne\u017emogi\u0161kai esteti\u0161kai.<\/p>\n

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\u201eDeginan\u010dioje trintyje\u201c susitinka \u0161okis, kinas ir (post)draminis teatras. Vaizd\u0173 komponavimas kelia asociacijas su Roberto Wilsono k\u016bryboje \u012fprastu scenos padalijimu \u012f linijas, kuriose veikia konkret\u016bs persona\u017eai, ne\u012fsiver\u017eiantys \u012f kito erdv\u0119. Taip kuriasi daugiamatis peiza\u017eas, sukonstruotas i\u0161 skirting\u0173 veiksmo linij\u0173, kai vien\u0105 persona\u017e\u0105 galima matyti i\u0161 visai arti, kit\u0105 \u2013 tolumoje. Ka\u017ekas itin pana\u0161aus susikuria ir \u0161iame B. Lagaerto darbe. Skirtumas tik tas, kad R. Wilsono spektakliuose bendrame vaizd\u0173, muzikos gars\u0173 ir gamtos proces\u0173 peiza\u017ee \u017emogaus svarba sunyksta, o \u010dia grei\u010diau i\u0161nyksta ne pats \u017emogus, bet tai, k\u0105 b\u016bt\u0173 galima pavadinti \u017emogi\u0161kumu.<\/p>\n

Nors \u017ei\u016brovas pats gali pasirinkti, kaip jungti atskiras scenas ir kokias reik\u0161mes joms suteikti, visgi siu\u017eetas gana ai\u0161kus. Lyg dramos teatre \u010dia galima gana nesud\u0117tingai identifikuoti pagrindin\u012f konflikt\u0105 ir jo sprendimo eig\u0105. Tai spektaklis apie \u0161iuolaikinio \u017emogaus galios siek\u012f. Gamtos \u010dia n\u0117ra, nebent ja \u012fvardytum\u0117me k\u016bno instinktus. Pastarieji ver\u010dia \u017emog\u0173 dominuoti, bet kokia kaina valdyti kuo daugiau teritorij\u0173, kurti ep\u0105 apie save. Jam nesvarbios kito \u017emogaus emocijos, net jo gyvyb\u0117. Jau seniai istorija \u012frod\u0117, kad vald\u017ei\u0105 ir prabang\u0105 jis gali pasiekti, tik i\u0161naudodamas ir pavergdamas kit\u0105.<\/p>\n

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Pavergtuosius ir valdan\u010diuosius jungia nematoma bambagysl\u0117. \u0160eimininkai jodin\u0117ja, s\u0117d\u0117dami ant savo tarn\u0173 k\u016bn\u0173, demonstruoja savo gali\u0105 ir minta j\u0173 gyvybine energija. Scenos viduryje \u2013 ry\u0161kus kilimas, kuriuo \u017eengti gali tik \u201etikrieji\u201c \u017emon\u0117s. \u017di\u016brovai priversti steb\u0117ti, kaip vaik\u0161\u010diojantys keturiomis yra engiami, kankinami, \u017eeminami, marinami. Kraupoka egzekucija. Norisi pa\u0161okti nuo k\u0117d\u0117s ir su\u0161ukti \u201eStop!\u201c. Betgi greitai susig\u0117sti suprat\u0119s, kad \u0161i\u0105 \u017emogi\u0161kumo mirt\u012f matai kasdien, bet realiai ma\u017eai k\u0105 gali pakeisti, nes neleid\u017eia i\u0161orin\u0117s aplinkyb\u0117s. Nes tiesiog tokios yra \u0161io did\u017eiojo \u017eaidimo taisykl\u0117s. Bent jau taip da\u017eniausiai teisinam\u0117s…<\/p>\n

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\u0160ok\u0117jai tarsi perskaito tavo mintis ir tai primena pasibaigus spektakliui, aidint plojimams. Lyg savaranki\u0161kame vizualaus meno k\u016brinyje, \u012f kur\u012f galima \u017ei\u016br\u0117ti atsietai nuo spektaklio, laikydami g\u0117les jie sustingsta ir nevisai linksmai \u012fsistebeilija \u012f tave. Tol, kol tu pats i\u0161eini i\u0161 sal\u0117s. Pasimet\u0119s ir nelabai\u00a0 norintis to pripa\u017einti. Kiek pamokslaujanti baigtis? Galb\u016bt. Bet kuriuo atveju, buvo verta prisiminti ir patik\u0117ti i\u0161 naujo, kad pavergtasis gali i\u0161dr\u012fsti nusimauti dujokauk\u0119, \u012fkv\u0117pti oro, atsistoti ant dviej\u0173 koj\u0173 ir \u017eengti kilimu auk\u0161tai \u0161vytin\u010dios \u0161viesos link.<\/p>\n

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Neapleid\u017eia nuojauta, kad spektaklyje dvasia ir k\u016bnas virsta labai prie\u0161taringomis opozicijomis. Norisi tik\u0117ti, kad dvasia gali laim\u0117ti \u0161iame kare su bet kuriuo \u017emogi\u0161kumui svetimu k\u016bnu. Net jei jis yra \u017emogaus. Sudarytas i\u0161 kadaise \u012f \u017dem\u0119 i\u0161 tamsiausios ir \u0161al\u010diausios planetos atklydusios \u0161ventvagi\u0161kos gyvyb\u0117s l\u0105steli\u0173.<\/p>\n

Deginanti trintis \u012fvyko ir tarp \u0161ok\u0117j\u0173, ir \u017ei\u016brov\u0173. Choreografui B. Lagaertui ir repeticij\u0173 metu muzik\u0105 k\u016brusiam F. Machtelinckxui neabejotinai pavyko paveikti \u017ei\u016brov\u0105, leisti jam \u0161okio spektaklyje patirti t\u0105 magij\u0105, kuri \u012fvyksta stebint kino film\u0105. Pavyko sugriauti i\u0161ankstines nuostatas apie k\u016bn\u0105 kaip duotyb\u0119 ir jo nekaltum\u0105. Ir, be abejo, parodyti, kokie fizi\u0161kai paj\u0117g\u016bs, k\u016brybi\u0161kai lankst\u016bs ir individual\u016bs yra Birut\u0117s Letukait\u0117s i\u0161ugdyti \u0161ok\u0117jai.<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Kauno kult\u016bros centre parodytas belg\u0173 \u0161ok\u0117jo, choreografo Brandono Lagaerto (\u0161okio kompanija \u201ePeeping Tom\u201c), kompozitoriaus Felikso Machtelinckxo ir \u0161okio teatro \u201eAura\u201c …<\/p>\n","protected":false},"author":2,"featured_media":7156,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\n\u017dmogi\u0161kumo mirtis. Fizi\u0161kumo triumfas - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/12\/12\/zmogiskumo-mirtis-fiziskumo-triumfas\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u017dmogi\u0161kumo mirtis. 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