{"id":7195,"date":"2019-11-15T16:54:21","date_gmt":"2019-11-15T14:54:21","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=7195"},"modified":"2021-01-27T13:45:41","modified_gmt":"2021-01-27T11:45:41","slug":"shy-palms-dvieju-pasauliu-ir-dvieju-laikysenu-derinys","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/11\/15\/shy-palms-dvieju-pasauliu-ir-dvieju-laikysenu-derinys\/","title":{"rendered":"\u201eShy palms\u201c &#8211; dviej\u0173 pasauli\u0173 ir dviej\u0173 laikysen\u0173 derinys"},"content":{"rendered":"<p>Ateities skaitymo i\u0161 delno \u0161aknys gludi senov\u0117s Indijoje. Skaitoma b\u016bdavo i\u0161 abiej\u0173 rank\u0173. Kair\u0117 ranka parodo galimybes, o de\u0161in\u0117 &#8211; tai, kas jau buvo nuveikta su tur\u0117tomis galimyb\u0117mis. \u0160okio spektaklis \u201eShy palms\u201c, kurtas ir pristatytas primir\u0161tame, net ne visiems taksi vairuotojams \u017einomame IV Kauno forte, yra bendras jaun\u0173 choreografi\u0173 Sunayanos Shetty (Indija) ir Gr\u0117t\u0117s \u0160mitait\u0117s (Lietuva) darbas. Abi jos &#8211; HZT Berlyno men\u0173 universiteto alumn\u0117s. K\u016brinio premjera vyko 2019 m. spalio 11 d., j\u0105 sek\u0117 pasirodymai spalio 12-13 d. Darbas kaskart rodytas nedidelei \u017ei\u016brov\u0173 grupei, 7-10 \u017emoni\u0173. Prie\u0161 saul\u0117lyd\u012f, iki sutemstant.<\/p>\n<p>Skrendu \u012f Kaun\u0105 tam, kad para\u0161y\u010diau apie \u0161\u012f k\u016brin\u012f. Nor\u0117dama pa\u017einti pasirodymui parinkt\u0105 viet\u0105, \u012f fort\u0105 atvykstu prie\u0161 prasidedant pasirodymui. Man atvykus, vis dar \u0161vie\u010dia saul\u0117. Apleisti IV forto kambariai ir koridoriai u\u017epildyti \u0161al\u010diu ir tamsa, jie yra tap\u0119 namais \u0161ik\u0161nosparniams bei gynybos ir \u012fbauginimo istorijoms. Sukurti karybai ir gynybai, fortai naudoti kalinimui, tardymams ir naikinimui I-ojo pasaulinio karo metu. \u017dalios \u017eol\u0117s pieva, supanti \u0161\u012f did\u017eiul\u012f, asimetri\u0161k\u0105, trikampio formos pastat\u0105, yra lyg \u017eaidim\u0173 aik\u0161t\u0117 po atviru dangumi, kuris bus skirtingas trij\u0173 pasirodym\u0173 metu. Pasirodymas, kurio dalis vyksta lauke, gerai apgalvotas: li\u016b\u010diai u\u017epl\u016bdus, jis vyksta pagal plan\u0105 B. Man vaik\u0161tant po fort\u0105 pakyla v\u0117jas, atslenka debesys, kra\u0161tovaizdis pasikei\u010dia, atskleid\u017eia kit\u0105 savo pus\u0119. Jau\u010diu, kaip mano smalsumas virsta atsargumu. Atsisakau minties apeiti fort\u0105, gr\u012f\u017etu ten, kur prasid\u0117s pasirodymas.<\/p>\n<p>\u017dengiant \u012f nematom\u0105 fort\u0173 labirint\u0105, mintyse i\u0161kyla diskusija su Kaune mane apgyvendinusiu \u017emogumi. Diskusijos prie\u017eastimi buvo istorija apie tris ilgai i\u0161laikytus vyno butelius. Ardydami sen\u0105 pastat\u0105 darbininkai netik\u0117tai \u012fgriuvo \u012f pamir\u0161t\u0105 vyno r\u016bs\u012f, suniokodami beveik vis\u0105 jame buvusi turt\u0105. [Tai buvo vyndario Karazijos namas, stov\u0117j\u0119s Andrioni\u0161kio miestelyje]. Nesudu\u017e\u0119 liko tik penki buteliai. Darbininkai paragavo vien\u0105 j\u0173 ir suvok\u0117 rad\u0119 lob\u012f. Jie pakviet\u0117 kunig\u0105 paragauti antrojo butelio. Kunigas \u012fsak\u0117 likusius tris butelius saugoti kaip paveld\u0105. S\u0117d\u0117dami valgomajame prie stalo \u0161nek\u0117jom\u0117s: jei vynas buvo toks skanus, kod\u0117l darbininkai nei\u0161g\u0117r\u0117 jo viso? Ar verta laikyti vyn\u0105 nepaliest\u0105, kai jo vert\u0117 atsiveria b\u016btent per skon\u012f?<\/p>\n<p>I\u0161 min\u010di\u0173 mane pa\u017eadina prasid\u0117j\u0119s pasirodymas &#8211; maloniai paai\u0161kinima, kad spektaklio eig\u0105 tur\u0117sime sekti pagal keliaujan\u010di\u0105 \u017evak\u0119, kuri ils\u0117sis ant mus lydin\u010dio \u017emogaus (paprastai vieno i\u0161 trij\u0173 atlik\u0117j\u0173) delno ir nukreips nuo vienos scenos \u012f kit\u0105. Prad\u017eios ritualas &#8211; Gr\u0117t\u0117 \u0160mitait\u0117 ir Sunayana Shetty kartu sudau\u017eo po kokoso rie\u0161ut\u0105, palikdamos mus su pirm\u0105ja scena.<\/p>\n<p>Daina sklinda i\u0161 auk\u0161\u010diausio erdv\u0117s ta\u0161ko: beveik siekdamas lubas, palip\u0119s ant kop\u0117\u010di\u0173, stovi atlik\u0117jas Vincenz Kokot. \u017dod\u017eiai apra\u0161o grup\u0119 \u017emoni\u0173, dainoje \u012fvardijam\u0173 \u201emes\u201c, kurie eina per skirtingus kra\u0161tovaizd\u017eius ir atsiduria skirtingose situacijose. Tuo pat metu kvadratin\u0117s med\u017eiagin\u0117s v\u0117liav\u0117l\u0117s skrod\u017eia erdv\u0119 horizontalia linija. \u012eplaukdamos per vien\u0105 lango ertm\u0119 ir l\u0117tai i\u0161plaukdamos per kit\u0105, jos virpa erdv\u0117je kaip daina. Dainos turinys man tampa poetiniu pasirodymo \u017eem\u0117lapiu. \u012esivaizduoju, kad tai mes &#8211; \u017emon\u0117s dainoje, pro kuri\u0173 akis slenka besikei\u010diantys kra\u0161tovaizd\u017eiai.<\/p>\n<p>Mus veda koridoriumi pro \u0161e\u0161is pereinamus kambarius. Kiekviename j\u0173 i\u0161vystyta vis kita pasirodymo dalis, visos jos tiria artumo santyk\u012f &#8211; tarp atlik\u0117j\u0173, \u017ei\u016brov\u0173 bei supan\u010dios aplinkos. Artumo tyrimas atskleid\u017eiamas ne tik judesio choreografija, bet ir nuolat kintan\u010dia \u017ei\u016brovo pozicija. Nors \u017ei\u016brovai aktyviai seka besikei\u010dian\u010dias scenas eidami i\u0161 patalpos \u012f patalp\u0105, jie ilgai i\u0161lieka steb\u0117tojo pozicijoje. Jiems siun\u010diamos \u012fvairios \u017einut\u0117s, ta\u010diau ai\u0161kios ribos, apibr\u0117\u017eia \u017ei\u016brov\u0173 buvim\u0105 juos supan\u010dioje erdv\u0117je.<\/p>\n<p>Pirmoje patalpoje trys atlik\u0117jai Gr\u0117t\u0117 \u0160mitait\u0117, Sunayana Shetty ir Vincenz Kokot, i\u0161sirikioja \u012f vien\u0105 linij\u0105. \u017di\u016brov\u0173 akims atsiveria ant sienos esamas pusnuog\u0117s prit\u016bpusios, galv\u0105 abejomis rankomis besidengian\u010dios moters <em>graffiti<\/em> pie\u0161inys. \u0160ilta indi\u0161kos dainos melodija u\u017etvindo erdv\u0119. Jos garsas pereina \u012f ukulel\u0117s stygas ir skrenda tolyn, pasiekdamas tolesnius kambarius, kuriuos mes dar tik atrasime.<\/p>\n<p>Tolstantis garsas u\u017eleid\u017eia erdv\u0119 atlik\u0117joms, kurios ritmi\u0161kai jud\u0117damos art\u0117ja prie m\u016bs\u0173 ir dr\u0105sina pajusti j\u0173 sakomo teksto absurdi\u0161kum\u0105. Vos tik priart\u0117jusios prie m\u016bs\u0173, jos dingsta ir patiki mus Kokot, kuris \u017ei\u016brovus veda \u012f sekant\u012f kambar\u012f.<\/p>\n<p><img loading=\"lazy\" class=\"alignleft size-full wp-image-7041\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/11\/Shy_palms_3.jpg\" alt=\"\" width=\"686\" height=\"457\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/11\/Shy_palms_3.jpg 686w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/11\/Shy_palms_3-560x373.jpg 560w\" sizes=\"(max-width: 686px) 100vw, 686px\" \/><\/p>\n<p>Kiti du kambariai \u012fgyja gyvyb\u0117s koncentruoto atlik\u0117j\u0173 judesio, kuris palaipsniui perauga \u012f sprogstant\u012f intensyvum\u0105. Prie\u0161ingai, ketvirtas ir penktas kambariai i\u0161vengia fizinio k\u016bn\u0173 jud\u0117jimo. Mes praeiname pro ketvirt\u0105j\u012f kambar\u012f, kurio tamsoje supasi nuo lub\u0173 kaban\u010dios \u0161viesos. Penktame kambaryje kasetinio \u012fra\u0161ytuvo mygtukas su lapeliu \u201epress play\u201c mus kvie\u010dia \u012fsijungti \u012f pasirodymo veiksm\u0105. Vienas \u017ei\u016brov\u0173 spusteli j\u012f, erdv\u0119 u\u017elieja atlik\u0117jo \u012fra\u0161ytas balsas &#8211; monologas, paremtas Woody Allen filmo \u201eLove and Death\u201c tekstu. Teksto turinys nuolat sukasi, vis gr\u012f\u017edamas \u012f prad\u017ei\u0105. Pana\u0161iai ir \u201eShy Palms\u201c scen\u0173 eili\u0161kumas veda mus atgal \u012f vietas, kuriose jau esame buv\u0119, tam, kad jas i\u0161gyventume i\u0161 skirting\u0173 perspektyv\u0173 ir laiko t\u0117km\u0117s. Tokia dramaturgin\u0117 strategija leid\u017eia mums pamatyti \u0161io k\u016brinio praeities ir dabarties trajektorijas, tuo pat metu justi istorinio pastato, kuriame esame, atmosfer\u0105. Mano d\u0117mesys susitelkia \u012f tai, kaip istorijoje kartojasi \u012fvykiai. Per trump\u0105 laik\u0105 k\u016br\u0117jai \u012ftraukia mane \u012f dabarties veiksm\u0105, ta\u010diau kartu stebiu k\u0105 tik pra\u0117jusi\u0105 pasirodymo praeit\u012f.<\/p>\n<p>Epizodi\u0161kos, suplanuotos, sure\u017eisuotos scen\u0173 strukt\u016bros yra nevienintelis \u201eShy palms\u201c kinematografi\u0161kumo elementas. Prie vizualiosios erdv\u0117s estetikos, kuri nei\u0161vengiamai mums primena hipnotizuojan\u010dius Andr\u0117jaus Tarkovskio filmus, priskirtinos paskutin\u0117s pasirodymo scenos, kurios vyksta atvirose forto erdv\u0117se. \u010cia, pievose po atviru dangumi, m\u016bs\u0173 laukia mediniai suolai. S\u0117dint ant j\u0173, erdv\u0117s dr\u0117gm\u0117 virsta peregimu ekranu. \u012edomu steb\u0117ti, kaip \u0161okio menas gal\u0117jo priart\u0117ti prie kinematografinio naratyvo. Pana\u0161iai kaip kameros pritraukimas ir atitolinimas, \u0160mitait\u0117s ir Shetty choreografija sukuria gyl\u012f ir \u017eaid\u017eia keisdama artim\u0105 bei tolim\u0105 plan\u0105. \u0160iuo b\u016bdu a\u0161 \u017evelgiu \u012f \u201eShy palms\u201c kaip \u012f dviej\u0173 pasauli\u0173 ir dviej\u0173 laikysen\u0173 susiliejim\u0105. Susilieja du \u0161ilti atlik\u0117j\u0173 k\u016bnai su \u0161altu vizualumu, aktyvumas su pasyvumu, vidus su i\u0161ore, tyla su garsu ir praeitis su niekad nesibaigian\u010dia dabartimi. Atsiranda jungtis ne tik tarp meno sri\u010di\u0173, bet taip pat tarp meno ir istorijos.<\/p>\n<p><img loading=\"lazy\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/11\/Shy_palms_2.jpg\" alt=\"\" width=\"686\" height=\"457\" class=\"alignleft size-full wp-image-7042\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/11\/Shy_palms_2.jpg 686w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/11\/Shy_palms_2-560x373.jpg 560w\" sizes=\"(max-width: 686px) 100vw, 686px\" \/><\/p>\n<p>\u0160is fortas, kaip ir kiti pamir\u0161ti miest\u0105 sup\u0119 \u012ftvirtinimai, gim\u0117 per I-\u0105j\u012f pasaulin\u012f kar\u0105. Pastatas laiko savyje miesto istorijos dal\u012f, galb\u016bt ne pa\u010di\u0105 maloniausi\u0105. <\/p>\n<p>Baigiantis mano vie\u0161nagei Kaune mintyse vis dar sukosi istorija apie tris i\u0161saugotus vyno butelius. Dabar buvo ai\u0161ku: j\u0173 vert\u0117 peraugo j\u0173 skon\u012f, tapdama \u017einios, kuri\u0105 jie ne\u0161a, istorija. \u012evietintas \u0161okio pasirodymas, vykstantis u\u017e \u012fprastin\u0117s teatro erdv\u0117s, kelia sunkum\u0173 tiek menininkams, tiek \u017ei\u016brovams. Ta\u010diau juos labiau nei verta i\u0161gyventi d\u0117l atsiverian\u010dios galimyb\u0117s pajusti istorijos vingius.<\/p>\n<p>Skaitydami istorij\u0105 de\u0161iniame delne, suprantame, kuo ji skiriasi nuo galimybi\u0173, kurias turime kairiame delne. Toks i\u0161manymas gali skverbtis \u012f m\u016bs\u0173 \u0161iandienin\u012f santyk\u012f su gyvenimu, meile, bendryste, karu, diplomatija ir taika. Norint nusp\u0117ti kieno nors ateit\u012f, reikia \u017einoti jo praeit\u012f.<\/p>\n<p>Shy Palms<br \/>\n\u012evietintas \u0161okio pasirodymas 7 \u017ei\u016brovams IV Kauno forte<\/p>\n<p>Id\u0117ja, atlikimas: Gr\u0117t\u0117 \u0160mitait\u0117, Sunayana Shetty<br \/>\nMuzika, atlikimas: Vincenz Kokot<br \/>\n\u0160viesa: Linas Kutavi\u010dius<br \/>\nKonsultavimas: Dovil\u0117 Gasi\u016bnait\u0117<br \/>\nScenografija: Jurgis \u0160mitas<br \/>\nGrafinis dizainas: Monika \u0160ili\u016bnait\u0117<br \/>\nKomunikacija: Vaida Stepanovait\u0117<br \/>\nTrukm\u0117: 70 min<br \/>\nNuotraukos i\u0161 \u012fvietinto \u0161okio pasirodymo 7 \u017ei\u016brovams IV Kauno forte \u2018Shy palms\u2019.<br \/>\nNuotrauk\u0173 autorius: Gvidas Kov\u0117ra<\/p>\n<p><a href=\"https:\/\/dance.lt\/new\/2019\/09\/24\/ivietinto-sokio-pasirodymo-shy-palms-premjera-kauno-iv-forte\/\">Apie pasirodym\u0105<\/a><\/p>\n<p>I\u0161traukos i\u0161 pasirodymo:<\/p>\n<p><div class=\"flex-video widescreen\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/378312293?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen title=\"Shy palms | Site-specific dance performance for 7 viewers | Teaser\"><\/iframe><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ateities skaitymo i\u0161 delno \u0161aknys gludi senov\u0117s Indijoje. Skaitoma b\u016bdavo i\u0161 abiej\u0173 rank\u0173. Kair\u0117 ranka parodo galimybes, o de\u0161in\u0117 &#8211; &#8230;<\/p>\n","protected":false},"author":2,"featured_media":7041,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u201eShy palms\u201c - dviej\u0173 pasauli\u0173 ir dviej\u0173 laikysen\u0173 derinys - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/11\/15\/shy-palms-dvieju-pasauliu-ir-dvieju-laikysenu-derinys\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201eShy palms\u201c - dviej\u0173 pasauli\u0173 ir dviej\u0173 laikysen\u0173 derinys - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Ateities skaitymo i\u0161 delno \u0161aknys gludi senov\u0117s Indijoje. 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