{"id":7210,"date":"2019-12-23T13:05:59","date_gmt":"2019-12-23T11:05:59","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=7210"},"modified":"2021-01-27T13:43:09","modified_gmt":"2021-01-27T11:43:09","slug":"kai-nusistoves-tyla","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2019\/12\/23\/kai-nusistoves-tyla\/","title":{"rendered":"Kai nusistov\u0117s tyla"},"content":{"rendered":"

Gruod\u017eio viduryje Men\u0173 spaustuv\u0117je pristatytas \u201eHuman, lost & found\u201c \u2013 tarpdisciplininio meno k\u016br\u0117jo Phil Von spektaklis, i\u0161judinantis rib\u0105 tarp spektaklio kaip scenos k\u016brinio ir spektaklio kaip susitikimo su \u017emogumi. \u0160is jausmas, paprastai b\u016bdingas dokumentiniam dramos teatrui, Phil Von darbe aplanko d\u0117l visai kit\u0173 aplinkybi\u0173: menininkas \u017ei\u016brovus \u012ftraukia ne \u012f scenin\u0119 imitacij\u0105, bet \u012f b\u016bsen\u0105, \u012f gars\u0105 ir judes\u012f kaip autenti\u0161ko k\u016bno, energijos ir min\u010di\u0173 patyrim\u0105. Drauge kyla \u012fsp\u016bdis, kad esi gerame vakar\u0117lyje, kuriame vienas i\u0161 b\u016brio nusprend\u0117 papasakoti truput\u012f daugiau nei kiti.<\/p>\n

\"\"
\nLauros Vansevi\u010dien\u0117s nuotraukos<\/em><\/p>\n

Kalb\u0117ti apie \u201eHuman, lost & found\u201c galima dvejopai. Galima kabintis \u012f pirkini\u0173 ve\u017eim\u0117l\u012f, kostium\u0105 ir mobil\u0173j\u012f telefon\u0105, kaip gana pr\u0117skus, nors ir taiklius, \u0161iuolaikinio \u017emogaus \u017eenklus. Ta\u010diau galima juos i\u0161kart pamir\u0161ti kaip iliustratyv\u0173 pirm\u0105 plan\u0105, ir \u012fsikibti \u012f antr\u0105j\u012f: leistis gilyn \u012f staiga vidury civilizacijos jud\u0117jimo sustojus\u012f \u017emog\u0173 ir steb\u0117ti, kaip atsimerkia jo akys, \u012f k\u016bn\u0105 gr\u012f\u017eta energija, i\u0161silaisvina balsas. Atlik\u0117jo rai\u0161kos galios \u2013 itin savitos ir persmelkian\u010dios: galingas, \u012f universum\u0105 i\u0161ne\u0161antis balsas, tikslus ir \u012fkrautas flamenko judesys ir savaip transliuojama atradim\u0173, kelioni\u0173, asmenini\u0173 dvasios ryt\u0173 patirtis. Ypatinga yra tai, kad visoms b\u016bsenoms perduoti \u010dia naudojami \u201estiprintuvai\u201c: mikrofonas \u2013 balsui, paties menininko sukurta d\u0117\u017e\u0117 su amplifikuojan\u010diais mikrofonais \u2013 judesiui, subtitrai \u2013 min\u010diai sustiprinti. \u017dingsniai, judesiai da\u017enai sinchroni\u0161kai \u012fsilieja \u012f elektronin\u0117s muzikos pie\u0161in\u012f ir tampa svarbia jo dalimi. Vis\u0105 laik\u0105 justi atlik\u0117jo m\u0105stymo autentika, savoti\u0161kas pasirodymo asmeni\u0161kumas, ta\u010diau ne\u012fkyrus, atvirk\u0161\u010diai \u2013 esantis vos vos.<\/p>\n

Visas spektaklis \u2013 kelion\u0117 i\u0161 i\u0161or\u0117s \u012f vid\u0173. \u201eVis\u0105 gyvenim\u0105 \u017ead\u0117jau tau pris\u0117sti ant to priegalvio\u201c, sako i\u0161 technologinio letargo bundantis \u017emogus. K\u0105 rei\u0161kia pris\u0117sti dabarties pasaulyje, kuriame net meditacini\u0173 \u012fra\u0161\u0173 \u017emon\u0117s klausosi dvigubu grei\u010diu? K\u0105 rei\u0161kia \u201ekasdien, diena i\u0161 dienos, atsigulti ir gyventi su mirtimi\u201c mums, kurie atsigula ir gyvena su telefonais ir plan\u0161et\u0117mis, apskritai trinan\u010diais mirties id\u0117j\u0105? Kas mums yra mirtis ir absoliuto tro\u0161kimas, ar apskritai jie egzistuoja double speed vartotojo s\u0105mon\u0117je?<\/p>\n

\"\"<\/p>\n

\u0160ios temos \u2013 atspirtis judesiui, \u017eod\u017eiui ir dainai, kurie \u010dia nuolatos kei\u010dia vienas kit\u0105 (tekstai, muzika ir choreografija \u2013 paties atlik\u0117jo). Tarpdisciplini\u0161kumas \u2013 stiprioji k\u016brinio pus\u0117, leid\u017eianti \u017ei\u016brovui panirti \u012f skirtingos prigimties poveikius. Vis\u0173 pirma \u201eHuman, lost & found\u201c \u012ftraukia akusti\u0161kai: tai \u2013 skamban\u010di\u0173 \u017eingsni\u0173 spektaklis, ypa\u010d pagaunantis tuos, kurie m\u0117gsta klausytis \u0161lapiais grindiniais nueinan\u010di\u0173 bat\u0173 garso. Ta\u010diau \u010dia \u2013 ne tik \u017eingsniai: trikalbiai tekstai, elektronin\u0117 ir gyva muzika (spektaklio pabaigoje i\u0161girstame stygin\u0119 \u201elentyn\u0105\u201c), \u012fgarsinto judesio akustika ir Phil Von vokalas, kuriantis savit\u0105, \u0161iek tiek melancholi\u0161k\u0105, turin\u010di\u0105 rytieti\u0161kos manieros, kartais \u0161velniu falcetu i\u0161siliejan\u010di\u0105 vyro b\u016bsen\u0105. Vyro, ie\u0161kan\u010dio naujos \u017emonijos kalbos.<\/p>\n

Gra\u017eiausia spektaklio scena \u2013 \u0161okis su balta suknele, skirtas b\u016bsenai \u201eJi mir\u0117, ir jos veid\u0105 u\u017edengiau nosinaite, kad \u017eem\u0117 nepasiglem\u017et\u0173 l\u016bp\u0173, kurias bu\u010diavau.\u201c B\u016btent \u010dia vyri\u0161kasis grie\u017etas, tikslus, ry\u0161kus flamenko pereina \u012f moteri\u0161kesn\u012f, kurio rank\u0173 judesiams pagr\u012fsti da\u017enai naudojama \u201etarsi ra\u0161kytum obuolius\u201c paralel\u0117. Phil Von i\u0161 ties\u0173 lyg skina obuol\u012f, lyg ilgisi pasaulio, lyg pasitinka mirt\u012f. Ir tam pasitelkia precizi\u0161k\u0105, minimalistin\u0119 choreografij\u0105, kurioje i\u0161nyksta lytis ir istorija, lieka energija ir k\u016bnas.<\/p>\n

\"\"<\/p>\n

Apmaudu, kad spektaklis gan\u0117tinai fragmentuotas, ir skirtingos b\u016bsenos vis mai\u0161omos su noru \u012fvesti dramaturgin\u0119 logik\u0105: vis gr\u012f\u017etantis ve\u017eim\u0117lio ir prekybos centre pasiklydusio vyro motyvas veikiau glumina ir ardo audin\u012f, nei papildo prasm\u0119. \u201eNumir\u010diau d\u0117l to, kas nematoma\u201c, sako spektaklio veik\u0117jas. Spektaklio, kuriame tai, kas nematoma ir nepaai\u0161kinama, i\u0161 ties\u0173 veikia stipriausiai. Tai, kas lieka, kai nusistovi pasaulio tyla.<\/p>\n","protected":false},"excerpt":{"rendered":"

Gruod\u017eio viduryje Men\u0173 spaustuv\u0117je pristatytas \u201eHuman, lost & found\u201c \u2013 tarpdisciplininio meno k\u016br\u0117jo Phil Von spektaklis, i\u0161judinantis rib\u0105 tarp spektaklio …<\/p>\n","protected":false},"author":2,"featured_media":7211,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nKai nusistov\u0117s tyla - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2019\/12\/23\/kai-nusistoves-tyla\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kai nusistov\u0117s tyla - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Gruod\u017eio viduryje Men\u0173 spaustuv\u0117je pristatytas \u201eHuman, lost & found\u201c \u2013 tarpdisciplininio meno k\u016br\u0117jo Phil Von spektaklis, i\u0161judinantis rib\u0105 tarp spektaklio ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2019\/12\/23\/kai-nusistoves-tyla\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2019-12-23T11:05:59+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-01-27T11:43:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/12\/80473025_434995460789146_101725948218441728_n.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t<meta property=\"og:image:height\" content=\"1365\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2019\/12\/23\/kai-nusistoves-tyla\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/12\/80473025_434995460789146_101725948218441728_n.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2019\/12\/80473025_434995460789146_101725948218441728_n.jpg\",\"width\":2048,\"height\":1365},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2019\/12\/23\/kai-nusistoves-tyla\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2019\/12\/23\/kai-nusistoves-tyla\/\",\"name\":\"Kai nusistov\\u0117s tyla - 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