{"id":726,"date":"2018-05-07T11:37:43","date_gmt":"2018-05-07T08:37:43","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=726"},"modified":"2018-05-07T17:33:41","modified_gmt":"2018-05-07T14:33:41","slug":"sokio-dekonstrukcija-pagal-meska","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2018\/05\/07\/sokio-dekonstrukcija-pagal-meska\/","title":{"rendered":"\u0160okio dekonstrukcija pagal me\u0161k\u0105"},"content":{"rendered":"

Startav\u0119s Lietuvos \u0161okio informacijos centro ir \u201eVilniaus festivali\u0173\u201c rengiamas tarptautinis \u0161iuolaikinio \u0161okio festivalis \u201eNaujasis Baltijos \u0161okis\u201918\u201c gegu\u017e\u0117s 2 dien\u0105 pakviet\u0117 \u012f Kauno kult\u016bros centre \u201eTautos namai\u201c \u012fsik\u016brusi\u0105 alternatyviems scenos menams skirt\u0105 erdv\u0119 \u201e\u0160elteris\u201c, kur buvo pristatytas \u0161okio spektaklis \u201eHrrr, a\u0161 \u0161oku\u201c \u0161okan\u010dios me\u0161kos visata\u201c. Choreografas ir \u0161ok\u0117jas \u2013 Mathis Kleinschnittger (Vokietija).<\/p>\n

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Nuotrauk\u0173 autorius: Dmitrijus Matve<\/span>je<\/span>vas<\/p>\n

Savajame monospektaklyje M. Kleinschnittgeris tyrin\u0117ja savo, tuo pa\u010diu ir vis\u0173 m\u016bs\u0173, viduje gyvenan\u010dias me\u0161kas \u2013 tai, kas mus riboja ir tuo pa\u010diu yra varomoji j\u0117ga. I\u0161\u0117jus i\u0161 spektaklio kyla daugyb\u0117 klausim\u0173. Svarbiausias j\u0173 \u2013 kaip reik\u0117t\u0173 suprasti ir vertinti tai, k\u0105 tik k\u0105 pamatei? Tai netradicinis \u0161okio spektaklis, pana\u0161\u0117jantis \u012f k\u016brybin\u012f eksperiment\u0105 nei \u012fprast\u0105 i\u0161baigt\u0105 spektakl\u012f su ai\u0161kia strukt\u016bra ir \u201ekatarsiu\u201c pabaigoje. Galb\u016bt d\u0117l to po pasirodymo negavus nieko pana\u0161aus nesinori \u0161aukti \u201ebravo\u201c. Regis, at\u0117jai, pamatei ir i\u0161\u0117jai. Bet vis d\u0117lto nepamir\u0161ai…<\/p>\n

Spektaklis lau\u017eo \u0161okio k\u016brimo ir jo poveikio tradicinius mechanizmus. Tai, k\u0105 matai \u0161okio aik\u0161tel\u0117je grei\u010diau virsta \u0161okio dekonstrukcija su postmodernne (ar postpostmodernne) ironijos \u017eaisme. \u012e sal\u0119 ateinan\u010dius \u017ei\u016brovus \u0161ok\u0117jas pasitinka besi\u0161ypsantis ir vilkintis rudais me\u0161kos kail\u012f primenan\u010diais kailiniais, kuriuos nusimeta jau veiksmui prasid\u0117jus. Lyg tuo pa\u010diu nusimest\u0173 ir visus i\u0161ankstinius l\u016bkes\u010dius bei rimt\u0105, dramati\u0161k\u0105 pasaul\u0117jaut\u0105. Tuomet apsiauna sportinius batelius ir pavirsta \u012f \u0161i\u0173 dien\u0173 \u017emog\u0173, tok\u012f pat, koks s\u0117di prie\u0161ais j\u012f \u017ei\u016brovams skirtose k\u0117d\u0117se. \u012e kovos, prie\u0161 mus suvar\u017ean\u010dias j\u0117gas, tem\u0105 spektaklyje \u017evelgiama atvirai, linksmai ir visi\u0161kai nenusp\u0117jamai. Tad M. Kleinschnittgerio pasirodym\u0105 \u017ei\u016br\u0117ti yra smalsu. O tai yra didelis pliusas, nes \u0161iandien sudominti publik\u0105 ir su ja u\u017emegzti gyv\u0105 dialog\u0105 darosi vis sud\u0117tingiau.<\/p>\n

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Taip pat junti, kad po \u0161iuo kone infantiliu santykiu su realybe slypi autobiografinis klodas, kuriame \u0161ok\u0117jas nuo\u0161ird\u017eiai dalijasi savo patirtimi, kuomet su ta \u0161okan\u010dia sieloje me\u0161ka tenka susidurti ir jam einant \u0161iuolaikinio \u0161okio atlik\u0117jo keliu. \u0160okti taip, kaip ka\u017ekas to tikisi? \u0160okti klasikin\u012f ar \u0161iuolaikin\u012f \u0161ok\u012f pagal taisykles? \u0160okti tai, ko visai nenori? Ar tai suteikia vien nepasitenkinim\u0105, ar ir nors kiek d\u017eiugesio? \u0160ok\u0117jas apsivelka pripu\u010diam\u0105 moteri\u0161k\u0173 form\u0173 kostium\u0105 \u012fgydamas nauj\u0105 tapatyb\u0119, balansuojan\u010di\u0105 ka\u017ekur tarp baleto ir airi\u0161ko \u0161okio. Steb\u0117damas \u0161\u012f linksm\u0105 \u0161ou, svarstai, kaip greitai galima tapti kitu, kaip lengva save \u012fsprausti \u012f konkre\u010dius r\u0117mus, kaip lengva gyventi pagal priimtinas normas. Ir kaip sunku i\u0161dr\u012fsti b\u016bti kitokiu, kitaip regin\u010diu \u012fprast\u0105 aplink\u0105. Bet k\u0105 gi rei\u0161kia b\u016bti kitokiu? Galb\u016bt tiesiog buvim\u0105 pa\u010diu savimi?<\/p>\n

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\u0160okio aik\u0161tel\u0117je atpa\u017e\u012fstami \u012fvaizd\u017eiai \u012fgauna netik\u0117t\u0173 intensyvi\u0173 atspalvi\u0173, j\u0173 reik\u0161m\u0117s tarsi i\u0161skaidomos po ma\u017e\u0105 gabal\u0117l\u012f ir kita tvarka v\u0117l surenkamos i\u0161 naujo. I\u0161 naujo pa\u017einta kasdien\u0117 aplinka \u0161okan\u010dios me\u0161kos visatoje. Me\u0161kos \u0161okis kvie\u010dia i\u0161eiti i\u0161 komforto zonos ir \u012f visk\u0105 pa\u017evelgti kur kas laisviau ir k\u016brybi\u0161kiau. Kvie\u010dia sugr\u012f\u017eus namo patiems j\u012f pa\u0161okti, o b\u016btent toks noras kyla. Juolab, kad kai kuriuos \u0161ok\u0117jo judesius atkartoti yra nesud\u0117tinga. Kaip ir nesud\u0117tinga savyje identifikuoti \u0161\u012f gauruot\u0105, \u017ev\u0117ri\u0161k\u0105 j\u0117g\u0105 turint\u012f padar\u0105. Pasirodo, me\u0161kos \u0161ok\u012f \u0161okame kasdien, net to ir nepasteb\u0117dami. Pasirodo, \u0161okis n\u0117ra ka\u017ekokia abstrakcija, tolima planeta, saul\u0117s ap\u0161vie\u010diama tik sutartu laiku. \u0160okis yra pats gyvenimas, pati b\u016btis.<\/p>\n

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Me\u0161ka… Ka\u017ekod\u0117l \u0161\u012f \u017ev\u0117r\u012f labai m\u0117go senieji pasak\u0173 k\u016br\u0117jai, kaip ir vokie\u010diai pasakoriai broliai Grimai, da\u017enai nyk\u0161tukus priversdami princus paversti me\u0161komis. Siekiant pabr\u0117\u017eti opozicij\u0105 tarp dvasingosios \u017emogaus prigimties ir \u017ev\u0117ri\u0161kosios gyv\u016bno, dail\u016bs ir galanti\u0161ki princai virsta laukini\u0173 instinkt\u0173 valdomais ir nuolat gr\u0117smingai urzgian\u010diais lokiais. Pana\u0161i metamorfoz\u0117 \u012fvyksta ir M. Kleinschnittgerio atveju. Jo vidiniame dialoge, tapusiame i\u0161ori\u0161kai matomu, taip pat dominuoja ambivalenti\u0161kumas. Atlik\u0117jas romanti\u0161kai ir juokingai susodina tris didelius ilgakojus pliu\u0161inius me\u0161kinus ir pats atsis\u0117da tarp j\u0173. V\u0117liau juos apsikabin\u0119s gul\u0117damas ant grind\u0173 \u0161ok\u0117jas \u0161oka ratu \u0161ok\u012f, it kokiame fovistiniame, t. y. \u201elaukini\u0173 \u017ev\u0117ri\u0173 meno\u201c, H. Matisse\u2019o paveiksle \u201e\u0160okis\u201c. Esteti\u0161kai patrauklus, \u0161maik\u0161tus ir itin mink\u0161tas \u0161okis. Ta\u010diau jis pavirsta kova, pasigirsta urzg\u0117jimas, peraugantis \u012f gars\u0173 riaumojim\u0105, virstant\u012f visa \u201eme\u0161ki\u0161ka\u201c opera.<\/p>\n

\"\"<\/p>\n

\u0160ok\u0117jas neslepia, kaip yra kuriama scenin\u0117 fikcija. \u017di\u016brov\u0173 akivaizdoje jis persirengin\u0117ja, pats kompiuteryje kei\u010dia muzikin\u012f fon\u0105, tarp atskir\u0173 scen\u0173 \u017ei\u016brovams pasakoja apie savo kuriam\u0105 \u0161ok\u012f, gurk\u0161teli vandens. \u010cia n\u0117ra tikr\u0173 u\u017ekulisi\u0173, tik \u012fsivaizduojami. Atrodo, kad kartu i\u0161tirpsta ir bet kokia skirtyb\u0117 tarp to, kas yra realu ir kas apgaul\u0117. Kas anks\u010diau vienur atrod\u0117 netinkama, dabar virsta tinkamiausia forma.<\/p>\n

\"\"<\/p>\n

\u201eHrrr, a\u0161 \u0161oku\u201c pas\u0117ja \u017eaismo s\u0117kl\u0105 pilkoje kasdienyb\u0117je, pa\u017eadindamas k\u016brybi\u0161kumo potencial\u0105. \u010cia n\u0117ra si\u016blomos konkre\u010dios ideologijos, judesys netampa diktat\u016briniu \u012frankiu, prie\u0161ingai, jis leid\u017eia patirti gryn\u0105 abstrakt\u0173 \u0161okio gro\u017e\u012f. O ar tai i\u0161 ties\u0173 yra gra\u017eu, paliekama nuspr\u0119sti kiekvienam individualiai. Turb\u016bt kiek yra sal\u0117je s\u0117din\u010di\u0173 \u017ei\u016brov\u0173, tiek egzistuoja ir \u0161okan\u010dios me\u0161kos visat\u0173 su vienodai teisingomis interpretacijomis.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Startav\u0119s Lietuvos \u0161okio informacijos centro ir \u201eVilniaus festivali\u0173\u201c rengiamas tarptautinis \u0161iuolaikinio \u0161okio festivalis \u201eNaujasis Baltijos \u0161okis\u201918\u201c gegu\u017e\u0117s 2 dien\u0105 pakviet\u0117 …<\/p>\n","protected":false},"author":2,"featured_media":732,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\n\u0160okio dekonstrukcija pagal me\u0161k\u0105 - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2018\/05\/07\/sokio-dekonstrukcija-pagal-meska\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0160okio dekonstrukcija pagal me\u0161k\u0105 - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Startav\u0119s Lietuvos \u0161okio informacijos centro ir \u201eVilniaus festivali\u0173\u201c rengiamas tarptautinis \u0161iuolaikinio \u0161okio festivalis \u201eNaujasis Baltijos \u0161okis\u201918\u201c gegu\u017e\u0117s 2 dien\u0105 pakviet\u0117 ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2018\/05\/07\/sokio-dekonstrukcija-pagal-meska\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2018-05-07T08:37:43+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-05-07T14:33:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/2018-05-06-48-photo-D.Matvejev\u00a9-1100x734.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1100\" \/>\n\t<meta property=\"og:image:height\" content=\"734\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2018\/05\/07\/sokio-dekonstrukcija-pagal-meska\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/2018-05-06-48-photo-D.Matvejev\\u00a9.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/2018-05-06-48-photo-D.Matvejev\\u00a9.jpg\",\"width\":7360,\"height\":4912},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2018\/05\/07\/sokio-dekonstrukcija-pagal-meska\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2018\/05\/07\/sokio-dekonstrukcija-pagal-meska\/\",\"name\":\"\\u0160okio dekonstrukcija pagal me\\u0161k\\u0105 - 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