{"id":7358,"date":"2020-02-03T11:36:10","date_gmt":"2020-02-03T09:36:10","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=7358"},"modified":"2020-02-03T11:36:10","modified_gmt":"2020-02-03T09:36:10","slug":"who-the-fk-is-alice-kviecia-isokti-i-baltojo-triusio-urva","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2020\/02\/03\/who-the-fk-is-alice-kviecia-isokti-i-baltojo-triusio-urva\/","title":{"rendered":"\u201eWho the F**k is Alice\u201c kvie\u010dia \u012f\u0161okti \u012f Baltojo triu\u0161io urv\u0105"},"content":{"rendered":"

Vakar\u0117lis prasideda \u2013 tereikia atsipalaiduoti, paleisti save, atsikratyti emocinio balasto \u2013 \u0161auks maniaki\u0161kai energingas \u0161varku i\u0161 veidrod\u017eio \u0161uki\u0173 pasipuo\u0161\u0119s triu\u0161is. Aplink j\u012f raitysis blizgan\u010diais r\u016bbais apsireng\u0119 \u0161ok\u0117jai. Raudonai m\u0117lynoje d\u016bm\u0173 pilnoje patalpoje kartu su \u0161ok\u0117jais dr\u0105siau ir kukliau mind\u017eikuos \u012f nauj\u0105 \u0160eiko \u0161okio teatro spektakl\u012f \u201eWho the F**k is Alice\u201c susirink\u0119 \u017ei\u016brovai.\u00a0 Prie\u0161 sekdami ki\u0161kiu jie nusiaus batus. \u017dinos, kad eina \u012f kitok\u012f spektakl\u012f. Bet kas i\u0161 ties\u0173 gali nusp\u0117ti kiek giliai teks kristi stebuklingame triu\u0161io urve? <\/strong><\/p>\n

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\nKemel photography nuotraukos<\/p>\n

Lewis Carroll klasikos \u201eAlisa stebukl\u0173 \u0161alyje\u201c \u012fkv\u0117ptas spektaklis dalinasi pavadinimu su 80-aisiais populiaria \u201eSmokie\u201c daina. Ne\u012fprasta kaimynyst\u0117. Toks ir pats spektaklis \u2013 \u0161iuolaikinis \u0161okis ir teatras, \u0161iandienio pasaulio realijos ir siurrealistin\u0117 arbat\u0117l\u0117 pas kand\u0173j\u012f Skryb\u0117li\u0173.<\/p>\n

Pasaki\u0161ka kelion\u0117 suaugusiems<\/strong><\/p>\n

Klaip\u0117dos dramos teatre rodomas spektaklis yra stebuklinga kelion\u0117 suaugusiems. Stebuklinga, nes jos metu sutinkami kalbantys gyv\u016bnai ir kiti keisti persona\u017eai. Kelion\u0117, nes i\u0161 ties\u0173 reikia keliauti \u2013 eiti, lipti, gulti, s\u0117stis. Tos kelion\u0117s metu \u017eem\u0117 dumba po kojomis ir v\u0117l pakyla, \u0161vies\u0105 kei\u010dia tamsa, paslaptingai \u0161ypsosi juodas jausmingas \u010ce\u0161yro katinas ir tvarkingai po ve\u0161li\u0105 pievel\u0119 striksi vienodi triu\u0161iai. Stebuklin\u012f veiksm\u0105 kartais vis pertraukia ir \u012f\u017eemina tarpusavyje besigin\u010dijantys bei niekam pagarbos nejau\u010diantys scenos darbininkai.<\/p>\n

Spektaklio premjeroje \u012f publik\u0105 skriejo Vik\u0161ro klausimas, \u201eKas tu esi?\u201c. Kelis kartus pakartotas jis sulauk\u0117 atsakymo, \u201eDalia\u201c. L. Carroll Alisa \u012f t\u0105 pat\u012f klausim\u0105 negal\u0117jo taip konkre\u010diai atsakyti, \u201eA\u0161… a\u0161 gerbiamasis, n\u0117 ne\u017einau tikrai, kas dabar esu… \u017einau tik, kas a\u0161 buvau, kai \u0161iandien ryt\u0105 atsik\u0117liau, bet, man rodos, po to esu daug kart\u0173 pasikeitusi\u201c.<\/p>\n

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Provokuojantis spektaklio pavadinimas taip pat skamba kaip klausimas. Gali pasirodyti, kad atsakymas \u012f j\u012f pateikiamas nuo pat pirm\u0173j\u0173 veiksmo minu\u010di\u0173, kai susirinkusieji \u017eengia paskui ki\u0161k\u012f. Tai yra, Alisa yra kolektyvinis herojus, kurio vaidmen\u012f atlieka publika. Bet jei remsim\u0117s L. Carroll, atsakymas negali b\u016bti toks paprastas kaip \u201eDalia\u201c. Tokiu atveju, net jei publika supranta jai patik\u0117t\u0105 vaidmen\u012f \u2013 pasaka tik prasideda.<\/p>\n

Klausimas apie identitet\u0105<\/strong><\/p>\n

Spektaklio re\u017eisier\u0117 Monika Klimait\u0117 pasakojo, kad \u201eWho the F**k is Alice\u201c yra klausimas apie identitet\u0105, \u201ekartu su dramaturge Gabriele Labanauskaite gvildenome, kad spektaklis yra apie identiteto, sav\u0119s paie\u0161k\u0105. Mums svarbu kaip suvokiama, kas a\u0161 esu \u0161iandienos taisykli\u0173 kontekste. Kas a\u0161 esu kai man\u0119s pra\u0161o b\u016bti ka\u017ekuo kitu. Identiteto klausim\u0105 k\u0117l\u0117me ne per egzistencin\u0119 prizm\u0119. Mums r\u016bp\u0117jo klausti, kas a\u0161 esu \u0161iandien kai aplink daug \u012fvairiausi\u0173 \u012ftak\u0173 ir taisykli\u0173 ribojan\u010di\u0173 bei formuojan\u010di\u0173 asmenyb\u0119 \u2013 socialiniai tinklai, medijos. Spektaklis yra kaip sav\u0119s pa\u017einimo kelion\u0117\u201c.<\/p>\n

Spektakl\u012f ma\u010diusi ar, gal teisingiau sakyti, jame dalyvavusi Klaip\u0117dos koncert\u0173 sal\u0117s direktor\u0117 Danut\u0117 \u017di\u010dkuvien\u0117 pasakojo, kad jai didel\u012f \u012fsp\u016bd\u012f paliko puikiai i\u0161naudotos dramos teatro erdvi\u0173 technin\u0117s galimyb\u0117s, sukurta atmosfera, bet kartu \u012fstrigo ir id\u0117jin\u0117 \u201eWho the F**k is Alice\u201c \u017einut\u0117, \u201eManau, kad spektaklis atskleid\u0117 daug rei\u0161kini\u0173, kurie vyksta aplink mus \u2013 turime m\u0105styti kas ir kokioje aplinkoje esame. Ai\u0161ku, \u010dia apie tai kalb\u0117ta per tam tikrus kodus, teatralizuotai\u201c.<\/p>\n

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\u201e\u012edomios lokacijos yra mano arkliukas\u201c, \u2013 sak\u0117 ne pirm\u0105 kart\u0105 netradicin\u0117se erdv\u0117se, publik\u0105 keliauti kartu pakvie\u010dian\u010dius spektaklius kurianti choreograf\u0117 Agnija \u0160eiko, \u2013 \u201edramos teatro erdv\u0117s buvo patogios ie\u0161kant i\u0161rai\u0161k\u0173 \u012fvairiems \u012fvaizd\u017eiams, kuriant naujas paraleles, leido i\u0161laisvinti fantazij\u0105\u201c. Transformuojamos, modernios dramos teatro erdv\u0117s leido spektaklio k\u016br\u0117jams sukurti i\u0161skirtin\u012f spektaklio mar\u0161rut\u0105 at\u0117jusiems \u012f j\u012f.<\/p>\n

Publika spektaklio viduje<\/strong><\/p>\n

\u201eWho the F**k is Alice\u201c yra imersinio teatro atstovas. Tai rei\u0161kia, kad publika aktyviai \u012ftraukiama \u012f spektaklio vyksm\u0105. \u201eMoksli\u0161kai vienas i\u0161 imersinio teatro paai\u0161kinim\u0173 yra, kad tai spektaklis, kur\u012f \u017ei\u016brovas gali matyti i\u0161 vidaus, dalyvaudamas, b\u016bdamas jo viduje.\u201c, \u2013 ne\u012fprast\u0105 spektaklio form\u0105 ai\u0161kino jo re\u017eisier\u0117, \u2013 \u201eVienas i\u0161 pagrindini\u0173 tokio teatro princip\u0173 yra tai, kad \u017ei\u016brovas yra mobilus. Kitas svarbus bruo\u017eas \u2013 jo dalyvavimas spektaklyje, \u017ei\u016brovai yra siu\u017eeto dalis, kartais turi rol\u0119. To principo ir laik\u0117m\u0117s at\u0117jusiems suteikdami pagrindin\u012f vaidmen\u012f\u201c.<\/p>\n

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Rib\u0105 tarp \u017ei\u016brovo ir scenos i\u0161trinantis spektaklis i\u0161 jo k\u016br\u0117j\u0173 reikalauja didelio atidumo. Prie pasyvios steb\u0117tojo rol\u0117s \u012fpratusiam \u017ei\u016brovui imersinis spektaklis gali b\u016bti \u017eingsnis u\u017e komforto zonos rib\u0173, t\u0105 patvirtino ir vienas i\u0161 spektaklio \u017ei\u016brov\u0173 Laurynas Kapsutis, \u201eI\u0161 ties\u0173 ne\u017einojau, ko tik\u0117tis, kas ten be t\u0173 bat\u0173 vyks. I\u0161 prad\u017ei\u0173 viskas keistai atrod\u0117, jau i\u0161sigandau, kad bus ne kas. Reik\u0117jo prad\u017eioje \u0161iek tiek perlipti per save, bet greitai \u012ftrauk\u0117 buvo \u012fdomu. Da\u017enai \u012f teatr\u0105 nevaik\u0161tau, bet po toki\u0173 ger\u0173 spektakli\u0173 norisi eiti daugiau \u2013 labai patiko jo atmosfera\u201c.<\/p>\n

Kaip pasakojo M. Klimait\u0117, kuriant spektakl\u012f daug d\u0117mesio buvo skirta subtiliam ir atsargiam publikos \u012ftraukimui, \u2013 \u201em\u016bs\u0173 tikslas buvo, kad \u017emogus gal\u0117t\u0173 i\u0161jausti spektakl\u012f be papildom\u0173 trikd\u017ei\u0173. Band\u0117me subtiliai laviruoti, kad jiems neb\u016bt\u0173 nejauku, bet taip pat, kad jie dalyvaut\u0173.\u201c \u2013 vardijo re\u017eisier\u0117, \u2013 \u201eSpektaklyje n\u0117ra per daug provokuojan\u010di\u0173 kvietim\u0173 dalyvauti ir, k\u0105 reik\u0117t\u0173 pabr\u0117\u017eti, nepra\u0161ome ko nors i\u0161stoti ir pasirodyti prie\u0161 kitus. Visi yra lygiaver\u010diai dalyviai, tad tai nesukuria papildomo diskomforto, nejaukumo. Visi yra vienoje plotm\u0117je, viename sujungian\u010diame veiksme\u201c. <\/p>\n

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Spektaklio choreograf\u0117, kaip ir re\u017eisier\u0117, min\u0117jo, kad imersin\u0117, \u012ftraukianti, spektaklio forma buvo rimta u\u017eduotis, \u2013 \u201etokiame spektaklyje labai svarbus pirmasis susitikimas su \u017ei\u016brovu, kaip jam bus pateikta informacija. Tas pirmas momentas kai pakvie\u010diame juos nusiauti batus ir sekti paskui mus lemia, kiek jie pasitik\u0117s mumis. Per\u017eeng\u0119 t\u0105 pirm\u0105 slenkst\u012f jie v\u0117liau pakankamai greitai pagauna taisykles, gerai orientuojasi\u201c. Anot A. \u0160eiko, \u201eWho F**k is Alice\u201c pavyko sukurti nevar\u017ean\u010di\u0105, neformali\u0105 atmosfer\u0105, kurioje nebuvo sunku atsipalaiduoti, \u2013 \u201eta aplinka leido \u017emon\u0117ms patik\u0117ti spektakliu ir prad\u0117ti jame dalyvauti net s\u0105moningai apie tai nesusim\u0105stant. Atid\u017eiai rinkom\u0117s persona\u017eus, kurie diktavo taisykles \u2013 \u017emon\u0117s jau\u010diasi saugiai sekdami triu\u0161ius, nes \u017eino, kad bus nukreipti tinkama linkme, jiems bus pasakyta k\u0105 daryti. Ir visa tai be streso\u201c.<\/p>\n

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Skirting\u0173 pasauli\u0173 sintez\u0117<\/strong><\/p>\n

Pasak A. \u0160eiko \u201eWho the F**k is Alice\u201c buvo pirmas kartas kai \u0160eiko \u0161okio teatre dirbo dramos teatro re\u017eisier\u0117, \u2013 \u201eIr anks\u010diau esame jung\u0119 \u0161ok\u012f su teatro elementas, bet \u0161\u012fkart buvo kitaip. Tai formavo kitoki\u0105 spektaklio strukt\u016br\u0105, kitoki\u0105 logik\u0105\u201c. Choreograf\u0117 min\u0117jo, kad \u0161ok\u0117jams darbas su dramos teatro re\u017eisiere buvo i\u0161\u0161\u016bkis, \u2013 \u201ejie judes\u012f kuria kitokiais principais ir metodais, n\u0117ra daug teorin\u0117s analiz\u0117s, bet \u012f tem\u0105 gilinamasi per daug \u012fvairi\u0173 u\u017eduo\u010di\u0173, pati tema pasiekiama per fizin\u0119 i\u0161rai\u0161k\u0105. O \u0161iame spektaklyje reik\u0117jo gilintis \u012f dramaturgin\u0119 med\u017eiag\u0105. Daug diskutavome su re\u017eisiere kaip prieiti prie \u0161ok\u0117j\u0173, kaip rasti geriausi\u0105 metod\u0105\u201c. Greta \u0161ok\u0117j\u0173 spektaklio veiksm\u0105 kuria ir dramos teatro aktoriai Nijol\u0117 Sabulyt\u0117 ir Jonas Baranauskas. D\u0117l dramos ir \u0161okio sintez\u0117s A. \u0160eiko nauj\u0105j\u012f spektakl\u012f linkusi vadinti tarpdisciplininiu, \u2013 \u201eat\u0117j\u0119 i\u0161 skirting\u0173 sri\u010di\u0173 sud\u0117jome tai, k\u0105 turime geriausio\u201c.<\/p>\n

Spektaklis Klaip\u0117dos dramos teatre bus rodomas vasario 8 d., 20.30 val., 9 d., 17 val. ir 11 d. 18 ir 20 val.<\/p>\n","protected":false},"excerpt":{"rendered":"

Vakar\u0117lis prasideda \u2013 tereikia atsipalaiduoti, paleisti save, atsikratyti emocinio balasto \u2013 \u0161auks maniaki\u0161kai energingas \u0161varku i\u0161 veidrod\u017eio \u0161uki\u0173 pasipuo\u0161\u0119s triu\u0161is. …<\/p>\n","protected":false},"author":2,"featured_media":7360,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\n\u201eWho the F**k is Alice\u201c kvie\u010dia \u012f\u0161okti \u012f Baltojo triu\u0161io urv\u0105 - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2020\/02\/03\/who-the-fk-is-alice-kviecia-isokti-i-baltojo-triusio-urva\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201eWho the F**k is Alice\u201c kvie\u010dia \u012f\u0161okti \u012f Baltojo triu\u0161io urv\u0105 - 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