{"id":7414,"date":"2020-02-11T14:37:31","date_gmt":"2020-02-11T12:37:31","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=7414"},"modified":"2021-01-27T13:39:14","modified_gmt":"2021-01-27T11:39:14","slug":"jei-ne-tu-ir-as-ne","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2020\/02\/11\/jei-ne-tu-ir-as-ne\/","title":{"rendered":"Jei ne tu, ir a\u0161 ne"},"content":{"rendered":"

Stebint NUEPIKO \u0161okio spektakl\u012f \u201ePerdegimas\u201c, atminty \u0161e\u0161\u0117liuoja norveg\u0173 psichiatro Finno Sk\u00e5rderudo \u201epami\u0161\u0117li\u0161ki k\u016bnai\u201c. Tai \u2013 asmenyb\u0117s, kurios bando \u012fveikti skausmo ir fizini\u0173 galimybi\u0173 ribas, pavyzd\u017eiui, vaik\u0161to per stiklus, \u017earijas ir pan. Spektaklio metu kyla mintis, kad stikl\u0173 mums nebereikia: \u0161iandienos realyb\u0117je, kuriai b\u016bdingas online forever<\/em> re\u017eimas, nuolatos balansuojame ka\u017ekur ties k\u016bno galimybi\u0173 riba. Drauge plinta kraustymasis \u012f galvas, o su juo \u2013 k\u016bn\u0173 ignoravimas ir i\u0161naudojimas: k\u016bnai mus erzina, nes d\u0117l ribot\u0173 galimybi\u0173 neleid\u017eia pasiekti \u0161imto procent\u0173 efektyvumo. Mes gyvename-dirbame-siekiame galvose, o m\u016bs\u0173 k\u016bnai velkasi-kratosi-tamposi i\u0161 paskos, nes, deja deja, yra prie galv\u0173 priri\u0161ti. Ir \u0161tai \u2013 staigmena: anks\u010diau u\u017e m\u016bs\u0173 produktyvias galvas b\u016btent k\u016bnai tampa pami\u0161\u0117li\u0161ki.<\/p>\n

\"\"
\nLauros Vansevi\u010dien\u0117s nuotraukos<\/em><\/p>\n

Trys choreografai ir \u0161ok\u0117jai Marius Pinigis, Marius Paplauskas ir Andrius Stakel\u0117 naujausiame savo darbe tyrin\u0117ja \u0161iandienini\u0173 k\u016bn\u0173 dienotvark\u0119. Rytais jau pavarg\u0119 u\u017e vis\u0105 gyvenim\u0105, prie\u0161piet \u012fsitemp\u0119 nuo naujos \u0161iandienos, popiet \u012ftraukti \u012f k\u016bn\u0173 sukim\u0105si ir negalintys sustoti, vakarais norintys baigti, bet nebeturintys pabaigos \u012fg\u016bd\u017ei\u0173. <\/em>\u0160okyje nuolat balansuojama tarp asmeninio ir visuomeninio k\u016bno: ne mes patys pasirenkame jud\u0117jimo ritm\u0105 \u2013 \u012f savo ritm\u0105 mus \u012ftraukia aplinka. Scenos atmosfera sostin\u0117s \u017ei\u016brovams puikiai atpa\u017e\u012fstama \u2013 didmies\u010dio jausmas, ma\u017ea kvadrat\u016bra, dirbtin\u0117s \u0161viesos, \u0161alia visada yra koki\u0173 nors k\u016bn\u0173. Bet k\u016bnai \u2013 ne \u017emoni\u0173, o konkurent\u0173, kurie gali daugiau, grei\u010diau ir \u012fsp\u016bdingiau. Tod\u0117l reikia stengtis. Geriausia \u2013 kiekvien\u0105 sekund\u0119.<\/p>\n

Spektaklyje \u201ePerdegimas\u201c d\u0117mes\u012f traukia bendras choreografijos planas, trij\u0173 \u0161ok\u0117j\u0173 tarpusavio s\u0105veika: jie nuolatos yra bes\u0105lygi\u0161kame ry\u0161yje, lyg erdv\u0117je tvyrot\u0173 k\u016bn\u0173 trauka. Jie vienas kitam perdavin\u0117ja inercij\u0105, nes po vien\u0105 yra nepaj\u0117g\u016bs. Po vien\u0105 netveria savy, tod\u0117l sutelkia d\u0117mes\u012f \u012f kit\u0105 \u2013 \u012fsuka, ragina, ver\u010dia, stumia, gaudo, kad i\u0161tvert\u0173 patys save. Net \u0161okdami solo, \u0161ok\u0117jai transliuoja savoti\u0161k\u0105 tarpusavio priklausomyb\u0119: jei ne tu, ir a\u0161 ne<\/em>.<\/p>\n

\"\"<\/p>\n

Spektaklyje justi cikli\u0161kumas: jo prad\u017eios ir pabaigos ta\u0161kai yra tokie patys. Kai baigiasi spektaklis ir suvoki v\u0117l atvestas \u012f tai, nuo ko viskas prasid\u0117jo, kyla noras i\u0161kart sukti juost\u0105 dar kart\u0105. Pasakos be galo efektas nat\u016braliai sufleruoja klausim\u0105, ar taip gyvendami vis dar judame spiral\u0117s principu (atsiduriame vis tame pa\u010diame ta\u0161ke, tik auk\u0161\u010diau), ar sukam\u0117s vienoje ties\u0117je (atsiduriame visada tame pa\u010diame ta\u0161ke, nes nebeturime j\u0117g\u0173 jokiems auk\u0161\u010diau<\/em>). Pana\u0161u, kad an\u0173 laik\u0173 auk\u0161\u010diau<\/em> kei\u010dia \u0161iuolaikinis grei\u010diau<\/em>.<\/p>\n

Grei\u010dio kitimas \u201ePerdegime\u201c reik\u0161mingas dramaturgi\u0161kai: k\u016bn\u0173 dienotvark\u0117je prad\u017eia \u2013 l\u0117ta, atpalaiduotais raumenimis, sunkiai pakeliamais, lengvai krintan\u010diais, stipriai \u017eem\u0117s traukos veikiamais k\u016bnais. Pad\u0117ti \u010dia gali tik kitas<\/em> \u2013 jau atsibud\u0119s, o gal niekad taip ir neu\u017emig\u0119s.<\/p>\n

\"\"<\/p>\n

Pama\u017eu visus tris \u0161ok\u0117jus pagauna pagreitis \u2013 jie tampa savaranki\u0161ki ir juda nebepalaikomi i\u0161 i\u0161or\u0117s. Choreografija pereina \u012f sporto klubo re\u017eim\u0105, muzikoje \u2013 \u012fkv\u0117pti neduodantis kasdienyb\u0117s beatas <\/em>(muzika \u2013 Andriaus Stakel\u0117s). Intensyviam ritmui pakl\u016bsta maksimaliai \u012ftempti raumenys ir be saiko kartojami schemati\u0161ki, kapoti judesiai. Kas \u010dia vyksta?<\/em> \u2013 lyg klaust\u0173 k\u016bnai. Labai paprasta,<\/em> \u2013 lyg atsakyt\u0173 galvos: gyvenimas<\/em>.<\/p>\n

Kitoje k\u016bn\u0173 dienotvark\u0117s dalyje ypa\u010d justi k\u016br\u0117j\u0173 min\u0117tas tapytojas Hieronymus Bosch: i\u0161sek\u0119 pusnuogiai \u0161ok\u0117jai galyn\u0117jasi patys su savimi, primindami apsunkusius, pavargusius, \u017eeme slenkan\u010dius Boscho pasaulio siluetus. Jie \u2013 su pir\u0161tin\u0117mis ir batais, kad i\u0161 nuovargio nenuslyst\u0173 \u012f mieg\u0105. Arba kad i\u0161likt\u0173 \u017emon\u0117mis tada, kai \u012f juos nebebus pana\u0161\u016bs. Pabaigos atmosfera primena Boscho apokaliptines vizijas, kuriose nakties ko\u0161marai ir dienos chaosas susilieja. Tampa nebeai\u0161ku, kur baigiasi sapnai.<\/p>\n

\"\"<\/p>\n

NUEPIKO \u0161ok\u0117j\u0173 ir choreograf\u0173 trijul\u0117 spektaklyje \u201ePerdegimas\u201c atrodo nedaloma: regis, vaikinams pavyko sukurti efekt\u0105, kada du plius du lygu penki. Skirting\u0173 mokykl\u0173 \u012fg\u016bd\u017eiai \u0161i\u0105 sinergij\u0105 dar sustiprina: judesio manier\u0173 \u012fvairov\u0117 kuria \u012ftikinam\u0105 ma\u017eut\u0117s \u0161iandienin\u0117s visuomen\u0117s model\u012f, kuriame veikia skirtingos ir savaip unikalios fig\u016bros.<\/p>\n

Nauju darbu trijul\u0117 tam tikra prasme t\u0119sia \u201e(G)round zero\u201c analizuot\u0105 heroj\u0173 tem\u0105. \u201ePerdegimas\u201c \u2013 realyb\u0117s aik\u0161tel\u0117 vaikyst\u0117s rokiams. \u0160tai taip atrodo \u0161iandienos herojai: i\u0161sek\u0119, bet vis dar efektyv\u016bs. Po panikos atak\u0173, bet vis dar supermenai. Visada pasiruo\u0161\u0119, visada pasiekiami. \u017dod\u017eiu, terminator forever<\/em>.<\/p>\n

_____<\/p>\n

\"\"
\nProjekt\u0105 \u201e\u0160okio, cirko aktualijos: analiz\u0117, naujienos, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n","protected":false},"excerpt":{"rendered":"

Stebint NUEPIKO \u0161okio spektakl\u012f \u201ePerdegimas\u201c, atminty \u0161e\u0161\u0117liuoja norveg\u0173 psichiatro Finno Sk\u00e5rderudo \u201epami\u0161\u0117li\u0161ki k\u016bnai\u201c. Tai \u2013 asmenyb\u0117s, kurios bando \u012fveikti skausmo …<\/p>\n","protected":false},"author":2,"featured_media":7416,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nJei ne tu, ir a\u0161 ne - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2020\/02\/11\/jei-ne-tu-ir-as-ne\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jei ne tu, ir a\u0161 ne - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Stebint NUEPIKO \u0161okio spektakl\u012f \u201ePerdegimas\u201c, atminty \u0161e\u0161\u0117liuoja norveg\u0173 psichiatro Finno Sk\u00e5rderudo \u201epami\u0161\u0117li\u0161ki k\u016bnai\u201c. 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