{"id":7568,"date":"2020-03-05T20:39:07","date_gmt":"2020-03-05T18:39:07","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=7568"},"modified":"2021-01-27T13:38:14","modified_gmt":"2021-01-27T11:38:14","slug":"kai-ateisi-busiu","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2020\/03\/05\/kai-ateisi-busiu\/","title":{"rendered":"Kai ateisi, b\u016bsiu"},"content":{"rendered":"

\u0160i\u0173 met\u0173 \u0161okio tyrin\u0117jimo platforma \u201eBit\u0117s\u201c inspiravo ne tik pamatyt\u0173 k\u016brybos pristatym\u0173, bet ir pa\u010di\u0173 k\u016brybini\u0173 proces\u0173 \u2013 kaip k\u016brybos esm\u0117s \u2013 apm\u0105stym\u0105.<\/p>\n

\"\"<\/p>\n

Ko nori \u017ei\u016brovai? Drugelio. Kitaip tariant, spektaklio, turin\u010dio a\u0161 jau baigtas<\/em> po\u017eymius. Tyrimo stadija, kurioje vyksta esmin\u0117s menin\u0117s transformacijos, n\u0117ra teatro rinkos objektas. Ta\u010diau menininkui, sakau tai i\u0161 patirties, galutinio k\u016brinio vaizdas ima ry\u0161k\u0117ti tik paskutin\u0119 savait\u0119 ar net likus kelioms dienoms iki premjeros. Vis\u0105 kit\u0105 laik\u0105 jis praleid\u017eia vadinamojoje l\u0117liuk\u0117je, kada labiau eina, negu \u012fsivaizduoja, kur nueis.<\/p>\n

Ko gero, daugelis teatro meninink\u0173 pritart\u0173, kad b\u016btent repeticij\u0173, tyrim\u0173, paie\u0161k\u0173 metu patiriami did\u017eiausi atradimai, i\u0161 kuri\u0173 v\u0117liau kuriamas laiku ir tam tikromis taisykl\u0117mis apribotas meninis koncentratas. Tod\u0117l did\u017eioji dalis tyrimo med\u017eiagos ir b\u016bsen\u0173 lieka neatskleisti. Be to, susitelkimas \u012f rezultat\u0105 ver\u010dia i\u0161keltam k\u016brybiniam klausimui grei\u010diau ie\u0161koti sprendimo, u\u017euot esmingai, giliai analizavus pat\u012f klausim\u0105.<\/p>\n

B\u016btent procesui, analizei ir paie\u0161koms kvie\u010dia \u0161okio tyrin\u0117jimo platforma \u201eBit\u0117s\u201c. I\u0161 kit\u0173 jauniesiems k\u016br\u0117jams skirt\u0173 platform\u0173 programa \u201eBit\u0117s\u201c i\u0161siskiria tuo, kad n\u0117ra orientuota \u012f rezultat\u0105. Reng\u0117jai Giedrius ir Giedr\u0117 Kalinauskai reziduojan\u010di\u0173 \u0161okio k\u016br\u0117j\u0173 darbus vadina tyrin\u0117jim\u0173 pasekm\u0117mis. Tai \u2013 ypatinga galimyb\u0117 kurti: be \u012fkalinan\u010dios atsakomyb\u0117s, vaizduot\u0119 ribojan\u010dios kontrol\u0117s, kylan\u010dios m\u0105stant apie \u017ei\u016brov\u0173 poreikius, pom\u0117gius ir reikalavimus.<\/p>\n

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\n\u0160okio tyrin\u0117jimo platformos \u201eBit\u0117s\u201c nuotrauk\u0173 archyvas<\/em><\/p>\n

Toks formatas drauge priver\u010dia atsipalaiduoti ir auditorij\u0105: po instinktyvaus klausimo kas \u010dia vyksta?<\/em>, tiesiog leisti sau b\u016bti, suvokti erdv\u0119, laik\u0105 ir prie\u0161aky judant\u012f \/ kalbant\u012f \/ b\u016bnant\u012f k\u016bn\u0105. Mums, vakarie\u010diams, rezultatyvumo maniakams, tai n\u0117ra lengva. Tod\u0117l platformoje \u201eBit\u0117s\u201c \u012f\u017evelgiu ne tik k\u016br\u0117j\u0173, bet ir \u017ei\u016brov\u0173 ugdym\u0105.<\/p>\n

\u201eBit\u0117s\u201920\u201c met\u0173 prad\u017eioje pristat\u0117 tris k\u016brybinius procesus: Aust\u0117jos Vilkaityt\u0117s darb\u0105 \u201eAtvanga\u201c, Aist\u0117s Kriukelyt\u0117s \u201e\u017dmogus. Impulsas. Judesys\u201c ir Marijos Baranauskait\u0117s \u201ePerforming for Objects\u201c.<\/p>\n

\u0160iame tekste, nori nenori, savoti\u0161kas rezultato jausmas kartkart\u0117mis \u0161e\u0161\u0117liuos. Ra\u0161ydama i\u0161gyvenau retorin\u0119 dilem\u0105: jeigu nebuvo intencijos ka\u017ek\u0105 parodyti (\u010dia tik vyksta tyrimas!), vadinasi, negali b\u016bti ir intencijos ka\u017ek\u0105 pamatyti. O jei… pama\u010diau?<\/p>\n

A\u0161 \u010dia esu<\/strong><\/p>\n

Aust\u0117ja Vilkaityt\u0117 savo tyrime remiasi Vlados Banilyt\u0117s-Kvedarien\u0117s poezija, grupi\u0173 \u201eDinamika\u201c ir \u201eViktorija\u201c de\u0161imtojo de\u0161imtme\u010dio dainomis, senais \u201eVilniaus dienos\u201c egzemplioriais. I\u0161 pasirinkt\u0173 praeities artefakt\u0173 k\u016br\u0117ja konstruoja i\u0161kreipt\u0105 prisiminimo realyb\u0119, kurios esminis bruo\u017eas \u2013 pa\u017eeid\u017eiamumas. \u201eAtvanga\u201c kuria, sakytum, meditacij\u0105 \u2013 i\u0161t\u0119sto laiko ir klampaus buvimo vienumoje su savo sienomis, linoleumais, rankinuku, laidais, gyvenimu, grindimis. Justi tapatyb\u0117s, \u012fstrigusios ka\u017ekur tarp \u010dia ir ten<\/em>, tada ir dabar, <\/em>paie\u0161ka. K\u016br\u0117ja akcentuoja ir skirt\u012f tarp proceso ir rezultato, tiesiog darymo <\/em>ir darymo d\u0117l apdovanojimo <\/em>(ironi\u0161kai nuvainikuodama the prize about gold and Christ<\/em>). Matyti k\u016br\u0117jos sceninis m\u0105stymas \u2013 kalbu ne apie m\u0105stym\u0105, \u012fvykus\u012f iki at\u0117jimo \u012f scen\u0105, bet m\u0105stym\u0105 kaip k\u016brybin\u0119 \u010dia ir dabar b\u016bsen\u0105.<\/p>\n

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\nGlasses’n Beard Photography nuotrauka<\/em><\/p>\n

\u017davi tai, jog meninink\u0117 ir kuria savo pasaulio \u0161itose grindyse ir sienose taisykles, ir \u010dia pat pereina \u012f metaprot\u0105, kuris tas taisykles kvestionuoja ir nuasmenina: kas tai padar\u0117?<\/em> Klaid\u017eiojanti po pabir\u0173 frazi\u0173, fragmenti\u0161k\u0173 judesi\u0173, praeities objekt\u0173 ir paauglyst\u0117s muzikos deformacij\u0173 \u012fvaizd\u017eius, ji sukuria \u012ftikinam\u0105 ribin\u0119 jausen\u0105. Ta\u010diau neatrodo, kad ji t\u0105 jausen\u0105 reprezentuoja: atrodo, kad ji pati yra jausmas, klaid\u017eiojimas, m\u0105stymas. Aust\u0117jos rai\u0161ka \u012ftraukia ne tiek \u012f tai, kas vyksta scenoje, kiek \u012f tai, kas vyksta joje: justi meninink\u0117s absoliutus \u012fsiliejimas \u012f k\u016brybin\u012f kontinent\u0105, organi\u0161kas ir autenti\u0161kas a\u0161 \u010dia esu<\/em> liudijimas. Kalb\u0117dama apie pat\u012f tyrim\u0105 kaip pakankam\u0105 menininko ekspresij\u0105, Aust\u0117ja vis d\u0117lto sukuria gana ap\u010diuopiam\u0105 tyrimo pasekm\u0119 \u2013 sakytum, spektakl\u012f, sakytum, laik\u0105.<\/p>\n

\"\"
\nGlasses’n Beard Photography nuotrauka<\/em><\/p>\n

Su\u0161okti kit\u0105<\/em><\/strong><\/p>\n

Aist\u0117 Kriukelyt\u0117, drauge su Rasa Biriete pristatydama \u201e\u017dmogus. Impulsas. Judesys\u201c, d\u0117mes\u012f sutelkia \u012f \u0161okio steb\u0117jim\u0105 be vertinimo ir \u0161okio proces\u0105, inspiruojam\u0105 k\u016bne gimstan\u010di\u0173 impuls\u0173. Nesu tikra, kiek steb\u0117jimas be vertinimo gali b\u016bti susij\u0119s su meno vartojimu \u2013 \u0161is pri\u0117mimo b\u016bdas b\u016bdingas \u012fvairioms k\u016bno ir psichologin\u0117ms terapijoms, bet ne menin\u0117ms patirtims.<\/p>\n

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\n\u0160okio tyrin\u0117jimo platformos \u201eBit\u0117s\u201c nuotrauk\u0173 archyvas<\/em><\/p>\n

Nuo meno atsieti savo vertinan\u010dio proto nesinori. Ta\u010diau galb\u016bt \u201e\u017dmogus. Impulsas. Judesys\u201c ir n\u0117ra menas: meno \u010dia yra tiek, kiek vieni rodo, kiti \u017ei\u016bri<\/em>. Kur kas svarbesn\u0117 \u0161io proceso funkcija \u2013 patyrimas: k\u016br\u0117jos, viena po kitos, pasirinktam \u017ei\u016brovui \u0161oka asmenin\u012f \u0161ok\u012f. Regime galb\u016bt ne tiek \u0161ok\u012f, kiek k\u016bno impuls\u0173 choreografij\u0105, kuri\u0105 inspiruoja \u017ei\u016brovo reakcija, laikysena, asmenyb\u0117s atmosfera. Meninis proceso dvelksmas kyla d\u0117l to, kad kiekvien\u0105 a\u0161 tau<\/em> jud\u0117jim\u0105 stebi visi, tyrin\u0117dami jau ne tik \u0161okant\u012fj\u012f, bet ir \u0161okam\u0105 stebint\u012fj\u012f<\/em>. Gav\u0119s \u0161ok\u012f sau, i\u0161gyveni i\u0161ties intym\u0173 ir realyb\u0117je ret\u0105 poj\u016bt\u012f \u2013 tame, kuris \u0161oka tave, imi ie\u0161koti sav\u0119s. Vyksta ka\u017ekas pana\u0161aus \u012f susirinkusi\u0173 \u017ei\u016brov\u0173 psichologin\u0119 konsteliacij\u0105: \u017ei\u016brovai stebi save i\u0161 \u0161alies, tyloje.<\/p>\n

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\n\u0160okio tyrin\u0117jimo platformos \u201eBit\u0117s\u201c nuotrauk\u0173 archyvas<\/em><\/p>\n

\u012e\u017eemintas ir choreografi\u0161kai i\u0161rai\u0161kingas Rasos Biriet\u0117s, judesio ir k\u016bno terapeut\u0117s, judesys kontrastuoja su minimalistiniu judesiu paremtomis, nemaniering\u0105 \u017emogaus jud\u0117jim\u0105 kartojan\u010diomis Aist\u0117 Kriukelyt\u0117s \u0161okio schemomis. \u201e\u017dmogus. Impulsas. Judesys\u201c paveikia kaip grupin\u0117 terapija, po kurios apima \u0161varos ir d\u0117kingumo jausmas, bet ne meninis i\u0161gyvenimas.<\/p>\n

Atspind\u017eiai ir jud\u0117jimas<\/em><\/strong><\/p>\n

Marijos Baranauskait\u0117s \u201ePerforming for Objects\u201c projekte, ko gero, da\u017enas pasigedo pa\u010dios Marijos Baranauskait\u0117s. Dirbdama su keturiais menininkais \u2013 Denisu Kolomyckiu, Barbora \u0160iaulyte, Greta Grinevi\u010di\u016bte ir Kaisa Ling, teatro, skirto ne human being<\/em> \u017ei\u016brovams, vystytoja suk\u016br\u0117 s\u0105lygas santyk\u012f su objektu tyrin\u0117ti kitiems. Proceso pristatyme buvo galima i\u0161girsti tai, kas jau gird\u0117ta i\u0161 pa\u010dios Marijos gyvenimo su sofomis, bei patirti kelet\u0105 jos kolegi\u0173 ie\u0161kojim\u0173.<\/p>\n

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\n\u0160okio tyrin\u0117jimo platformos \u201eBit\u0117s\u201c nuotrauk\u0173 archyvas<\/em><\/p>\n

Greta Grinevi\u010di\u016bt\u0117 pasirinko su savo objektu \u2013 skalbimo ma\u0161ina \u2013 pab\u016bti viena, o po to tai aptarti su \u017ei\u016brovais. \u012edomu Gretai, li\u016bdna \u017ei\u016brovui. Kaisa Ling i\u0161gyveno a\u0161 \u0161alia vonios<\/em> ir a\u0161 vonioje<\/em> b\u016bsenas: gul\u0117dama ant grind\u0173, tyrin\u0117jo vonios akustik\u0105 dainuodama i\u0161t\u0119stais lygiais tonais, v\u0117liau \u012f voni\u0105 sliuog\u0117 ir j\u0105 \u010diuop\u0117, sakytum, visu k\u016bnu.<\/p>\n

Savi\u010diausi\u0105 mint\u012f vysto Barbora \u0160iaulyt\u0117: jos objektas \u2013 veidrod\u017eiai \u2013 tampa \u012frankiu patirti savo atvaizd\u0105 ypatingu b\u016bdu. \u0160tai vienas \u017ei\u016brovas virsta judan\u010diu veidrod\u017eiu, o kitas \u2013 \u012f t\u0105 veidrod\u012f \u017ei\u016brin\u010diuoju ir patirian\u010diuoju save. Procese \u012fdomu ne tik dalyvauti, bet ir j\u012f steb\u0117ti: vakaro metu \u012fvyko keletas galing\u0173 \u017emogaus ir veidrod\u017eio susitikim\u0173, kuriuose \u017emogus i\u0161gyveno savo b\u016bt\u012f akistatoje su veidrod\u017eiu, reaguojan\u010diu ne tik \u012f jo buvim\u0105, bet ir \u012f jo jud\u0117jim\u0105, art\u0117jim\u0105, nutolim\u0105.<\/p>\n

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\n\u0160okio tyrin\u0117jimo platformos \u201eBit\u0117s\u201c nuotrauk\u0173 archyvas<\/em><\/p>\n

Tai \u2013 itin savitas dviej\u0173 nepa\u017e\u012fstam\u0173 \u017emoni\u0173 susitikimas, kuriantis be galo \u012fdom\u0173 tarpusavio santyk\u012f. Vienas tampa, sakytum, terpe, materija, erdve b\u016bti kitam. Atviras b\u016bdas b\u016bti vienas kito poveikyje sukuria netik\u0117t\u0105, labai jautri\u0105, ta\u010diau drauge ir meni\u0161kai paveiki\u0105 atmosfer\u0105: \u017ei\u016brovas vaik\u0161to tarp judan\u010di\u0173 veidrod\u017ei\u0173, lyg vie\u0161\u0117t\u0173 pro\u0161al praeinan\u010di\u0173 atspind\u017ei\u0173 pasaulyje. Patyrimo savitum\u0105 sustiprina tai, jog veidrodis \u2013 itin intymus objektas, \u012f kur\u012f i\u0161samiai \u017ei\u016brime tik lik\u0119 vieni. O kai esi su kitais, \u017evelgti \u012f savo atvaizd\u0105 reikia dr\u0105sos. \u010cia ne tik esi tarp kit\u0173 \u2013 kiti dalyvauja ir koreguoja tavo \u017evilgsnio \u012f save i\u0161gyvenim\u0105.<\/p>\n

***
\nNesinori vertinti menin\u0117s \u201eBit\u0117s\u201920\u201c kokyb\u0117s \u2013 tai neatitikt\u0173 programos id\u0117jos. Daug svarbesnis yra suvokimas, kad matyti \u012fsib\u0117g\u0117jus\u012f tyrim\u0105, patirti paie\u0161kos jausm\u0105, dalyvauti l\u0117liuk\u0117je ir negalvoti apie drugel\u012f \u2013 visa tai savoti\u0161ka prabanga tiek \u017ei\u016brovui, kuris paskiria tam laiko, tiek menininkui, kuris turi galimyb\u0119 i\u0161girsti i\u0161ankstines auditorijos nuomones. Vis d\u0117lto visuose \u0161i\u0173 met\u0173 darbuose buvo justi ne veiksmo, o b\u016bsenos gro\u017eis. B\u016bsen\u0173 k\u016bryboje i\u0161nyksta jausmas \u201enoriu tau ka\u017ek\u0105 pasakyti\u201c ir atsiranda \u201ea\u0161 b\u016bnu, b\u016bsiu ir kai ateisi\u201c. Tereikia, kad ka\u017ekas leist\u0173 ka\u017ekam b\u016bti. B\u016bti ir tiek.<\/p>\n

_____<\/p>\n

Projekt\u0105 \u201e\u0160okio, cirko aktualijos: analiz\u0117, naujienos, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0160i\u0173 met\u0173 \u0161okio tyrin\u0117jimo platforma \u201eBit\u0117s\u201c inspiravo ne tik pamatyt\u0173 k\u016brybos pristatym\u0173, bet ir pa\u010di\u0173 k\u016brybini\u0173 proces\u0173 \u2013 kaip k\u016brybos …<\/p>\n","protected":false},"author":2,"featured_media":7581,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nKai ateisi, b\u016bsiu - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2020\/03\/05\/kai-ateisi-busiu\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kai ateisi, b\u016bsiu - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"\u0160i\u0173 met\u0173 \u0161okio tyrin\u0117jimo platforma \u201eBit\u0117s\u201c inspiravo ne tik pamatyt\u0173 k\u016brybos pristatym\u0173, bet ir pa\u010di\u0173 k\u016brybini\u0173 proces\u0173 \u2013 kaip k\u016brybos ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2020\/03\/05\/kai-ateisi-busiu\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2020-03-05T18:39:07+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-01-27T11:38:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2020\/03\/Aust-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"734\" \/>\n\t<meta property=\"og:image:height\" content=\"472\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2020\/03\/05\/kai-ateisi-busiu\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2020\/03\/Aust-1.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2020\/03\/Aust-1.jpg\",\"width\":734,\"height\":472},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2020\/03\/05\/kai-ateisi-busiu\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2020\/03\/05\/kai-ateisi-busiu\/\",\"name\":\"Kai ateisi, b\\u016bsiu - 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