{"id":7610,"date":"2020-03-11T12:28:49","date_gmt":"2020-03-11T10:28:49","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=7610"},"modified":"2021-01-27T13:37:20","modified_gmt":"2021-01-27T11:37:20","slug":"prabanga-siekti-prasmes","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2020\/03\/11\/prabanga-siekti-prasmes\/","title":{"rendered":"Prabanga siekti prasm\u0117s"},"content":{"rendered":"

Festivalis \u201eBi\u010di\u0173 s\u0105skrydis\u201c ilg\u0105 laik\u0105 pristatin\u0117jo \u0161okio k\u016br\u0117j\u0173 miniati\u016bras, o prie\u0161 pora met\u0173 tapo tyrin\u0117jimo platforma \u201eBit\u0117s\u201c, atverdamas k\u016br\u0117jams galimyb\u0119 susikoncentruoti \u012f temos analiz\u0117s proces\u0105 ir nedarydamas spaudimo d\u0117l meninio rezultato. Greit\u0105 ir skai\u010diais apibr\u0117\u017eiam\u0105 rezultat\u0105 vertinan\u010dioje visuomen\u0117je tokios k\u016brybos aplinkyb\u0117s yra prabanga, ta\u010diau paradoksaliai drauge tai b\u016btina s\u0105lyga prasmingam ir kokybi\u0161kam rezultatui pasiekti.<\/p>\n

Vienas i\u0161 ankstesni\u0173 met\u0173 \u201eBit\u0117se\u201c atlikt\u0173 tyrim\u0173 \u2013 Erikos Vizbarait\u0117s \u0161okio spektaklis \u2013 tiriamasis darbas \u201eTransparent\u201c. Jo i\u0161takos siekia 2013-aisiais kurt\u0105 miniati\u016br\u0105, o \u0161\u012fmet choreograf\u0117 \u012ftvirtino keleri\u0173 met\u0173 ie\u0161kojim\u0173 proces\u0105 tiriamuoju \u0161okio spektakliu \u201eApnea\u201c. Tai, kad tyrimo s\u0105voka naudojama \u012fvardinant spektaklio pob\u016bd\u012f, n\u0117ra geras \u017eenklas Lietuvos kontekstui \u2013 \u0161iandien tyrimas tur\u0117t\u0173 b\u016bti neatsiejama kiekvieno scenos pastatymo dalis, o ne pa\u017eym\u0117jimo verta i\u0161imtis. \u201eApnea\u201c k\u016br\u0117jai, tik\u0117tina, tokiu apib\u016bdinimu pabr\u0117\u017e\u0117 mokslin\u0119 spektaklio prigimt\u012f ir pateisino kai kuriuos sceninius sprendimus. O i\u0161 ties\u0173 tiesiog nurod\u0117 s\u0105lygas, reikalingas brand\u017eiam ir prasmingam darbui sukurti.<\/p>\n

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\nLauros Vansevi\u010dien\u0117s nuotraukos<\/em><\/p>\n

Apn\u0117ja \u2013 tai trumpalaikis ar ilgalaikis kv\u0117pavimo nutr\u016bkimas, priklausomai nuo situacijos galintis reik\u0161ti sutrikim\u0105 arba mirt\u012f. Bet kurioje visuomen\u0117je kv\u0117pavimas nei\u0161vengiamai tapatinamas su gyvybingumu \u2013 ne tik gyvenimu a priori<\/em>, bet ir reakcijomis \u012f bet koki\u0105 veikl\u0105 ar dirgiklius. I\u0161girdus kritik\u0105, kv\u0117pavimas tank\u0117ja, i\u0161sigand\u0119 j\u012f sulaikome, ramyb\u0117s b\u016bsenoje kv\u0117puojame l\u0117tai ir ritmingai \u2013 tai \u012frodymai, kad gyvename ir jau\u010diame. Scenoje esantiems \u017emon\u0117ms geb\u0117jimas i\u0161laikyti lyg\u0173 kv\u0117pavim\u0105 u\u017etikrina didesn\u0119 i\u0161tverm\u0119 ir stipresn\u0119 atlikimo technik\u0105. Tai \u2013 papras\u010diausi, kasdienin\u0117je veikloje pastebimi rei\u0161kiniai, atpa\u017e\u012fstami net t\u0173, kurie nesuvokia, i\u0161 ko sudarytas kv\u0117pavimo procesas.<\/p>\n

Spektaklio \u201eApnea\u201c apra\u0161yme teigiama, kad k\u016br\u0117jai prisilie\u010dia prie keturi\u0173 apn\u0117j\u0173: vandens, sausumos, miego ir mirties. Negal\u0117\u010diau i\u0161skirti, kuri\u0105 r\u016b\u0161\u012f iliustruoja kiekvienas epizodas, ta\u010diau scenoje ir ekrane akivaizd\u016bs skirtumai tarp sausumos ir vandens erdvi\u0173 bei gyvyb\u0119 tik pertraukian\u010di\u0173 ir j\u0105 visi\u0161kai nutraukti rizikuojan\u010di\u0173 i\u0161\u0161\u016bki\u0173. Taip pat i\u0161skir\u010diau du spektaklio veiksm\u0173 pob\u016bd\u017eius: i\u0161ori\u0161kai dinami\u0161k\u0105 minios jud\u0117jim\u0105, bandant prisitaikyti prie bendruomen\u0117s, ir individo koncentracij\u0105 \u012f vidinius procesus, ugdant savo paties geb\u0117jimus. Be jokios abejon\u0117s, bandymas pa\u017eaboti mirt\u012f, mokantis s\u0105moningai kontroliuoti apn\u0117j\u0105, priklauso pastarajam \u2013 nes mirties akivaizdoje \u017emogus lieka vienas.<\/p>\n

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Erikos Vizbarait\u0117s komandoje \u2013 Lina Puod\u017eiukait\u0117-Lanauskien\u0117, Sigita Jura\u0161kait\u0117 ir Mykolas Jocys. Nepaisant matom\u0173 skirtum\u0173 tarp kiekvieno atlik\u0117jo jud\u0117jimo (amplitud\u017ei\u0173, staigumo, judesi\u0173 jungimo, etc.) ir emocij\u0173, did\u017ei\u0105j\u0105 spektaklio dal\u012f jie veikia kaip vieni kitus papildanti, palaikanti, legitimuojanti mas\u0117. Netgi ekranuose matant atskirai transliuojamas kiekvieno j\u0173, bandan\u010di\u0173 nekv\u0117puoti po vandeniu, galvas, tris atlik\u0117jus lengviau suvokti kaip nedalom\u0105 visum\u0105 \u2013 po vieno b\u016btinai seks kitas, kiekvienas susidurs su tomis pa\u010diomis aplinkyb\u0117mis, nors reaguos \u012f jas skirtingai. Vis d\u0117lto \u0161ie \u017emon\u0117s palaiko bendr\u0105 kv\u0117pavim\u0105, sukuriant\u012f stipr\u0173 veiksmo varikl\u012f \u2013 nepaisant to, kad komandos k\u016bnai treniruoti s\u0105moningai sukelti, pajusti ir nutraukti apn\u0117jos (t.y. kv\u0117pavimo sustojimo) poveik\u012f, j\u0173 stipryb\u0117 yra b\u016btent gyvyb\u0119 scenoje generuojantis kv\u0117pavimas.<\/p>\n

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D\u0117l grup\u0117s kuriamos dinamikos stipr\u0117ja joms kontrastuojan\u010di\u0173 solini\u0173 Erikos Vizbarait\u0117s scen\u0173 poveikis. Nutr\u016bkus choreografijos apibr\u0117\u017etam jud\u0117jimui ir muzikai, publikos d\u0117mesys ap\u0161vietimu nukreipiamas \u012f nuo grup\u0117s atsiskyrusi\u0105 moter\u012f, i\u0161 prad\u017ei\u0173 pasirinkusi\u0105 ant auk\u0161tos k\u0117d\u0117s s\u0117din\u010dios teis\u0117jos \u012fvaizd\u012f, o tuomet suniveliuojan\u010dios j\u012f iki \u017emogaus kaip konservuoto tyrim\u0173 objekto vaizdo. Tai galima suvokti kaip per ilg\u0105 laik\u0105 besikei\u010dian\u010dios sampratos simbol\u012f: i\u0161 prad\u017ei\u0173 \u017emogus suvokia save kaip diev\u0105, valdov\u0105, galint\u012f suprasti ir suvaldyti daugyb\u0119 proces\u0173 \u2013 ypatingai vykstan\u010dius su juo pa\u010diu. Ilgainiui spektaklyje analizuojant \u017emogaus procesus, prieinama ir prie jo santykio su aplinka, \u012fvairiomis terp\u0117mis bei materija. Tuomet \u017emogus tampa papras\u010diausiu tyrimo objektu \u2013 k\u0105 ir iliustruoja \u012f poros metr\u0173 auk\u0161\u010dio vandens pripildyt\u0105 kolb\u0105 papildomai u\u017esid\u0117t\u0173 svori\u0173 nune\u0161ta Vizbarait\u0117. Tiesa, galima ir romanti\u0161kesn\u0117 \u0161ios spektaklio metaforos samprata: kuo ma\u017eiau \u017einai, tuo auk\u0161\u010diau save keli, o patyrus gilesn\u012f suvokim\u0105 pa\u010diam tenka leistis \u012f gyl\u012f \u2013 perkeltine ir tiesiogine prasm\u0117mis.<\/p>\n

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S\u0105moningo kv\u0117pavimo sulaikymo pavyzd\u017ei\u0173 \u201eApnea\u201c matome daug, ta\u010diau ypatingai d\u0117mes\u012f traukia scenos, kuriose sulaikymas pozicionuojamas kaip pagrindinis d\u0117mesio traukos objektas. Tai \u2013 min\u0117tos E. Vizbarait\u0117s scenos, kuriose ji ruo\u0161iasi kelias minutes (tiksliai skai\u010diuoti neteko, o pati k\u016br\u0117ja interviu teig\u0117, kad sulaikyti kv\u0117pavim\u0105 po vandeniu gali keturias su puse minut\u0117s) truksian\u010diam nekv\u0117pavimui, o tada \u2013 likdama auk\u0161tai ant k\u0117d\u0117s arba nugrimzdama \u012f vanden\u012f \u2013 panardina \u017ei\u016brovus \u012f bedeguon\u0119 pauz\u0119. Turb\u016bt nema\u017eai daliai stebin\u010di\u0173j\u0173 ka\u017ekuriuo metu tur\u0117t\u0173 u\u017egniau\u017eti kvap\u0105, atkartojant prie\u0161 save matom\u0105 fizin\u012f k\u016bno veiksm\u0105. Ta\u010diau net jei taip neatsitinka (arba atsitinka, bet apsipratus nuslopsta), scenoje pauz\u0117 nelieka tu\u0161\u010dia \u2013 choreograf\u0117s ramyb\u0117 j\u0105 pripildo patogiu poj\u016b\u010diu, kad nekv\u0117puojan\u010diam \u017emogui negresia nieko bloga, o atsipalaidav\u0119s stebintysis atsiduria realioje tu\u0161tumoje, steb\u0117damas organizm\u0105, kuris kelet\u0105 minu\u010di\u0173 nieko i\u0161 aplinkos neima ir nieko jai neduoda. Kod\u0117l tai prasminga? Nes spektaklio k\u016br\u0117jai sugeb\u0117jo sudaryti s\u0105lygas \u017ei\u016brovui patekti \u012f b\u016bsen\u0105, kurios patir\u010diai s\u0105lyg\u0173 realyb\u0117 gali ir nesuteikti.<\/p>\n

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Pirm\u0105 kart\u0105 stebint kv\u0117pavim\u0105 sulaikiusi\u0105 E. Vizbarait\u0119, ant \u017eem\u0117s dar veikia ir trys jos scenos partneriai \u2013 sugul\u0119 vienas greta kito ir u\u017espaud\u0119 nosis spaustukais, jie judina pakaitom k\u016bnus ar j\u0173 dalis, tarsi \u012f krant\u0105 i\u0161mestos \u017euvys. Ka\u017ekod\u0117l atrodo, kad jos tuoj pat u\u017edust\u0173, jei viena kitos nepalaikyt\u0173 savo jud\u0117jimu \u2013 darkart prisimename, kad bendruomenei i\u0161likti lengviau nei individui. Ta\u010diau taip galima apib\u016bdinti tik fizin\u012f i\u0161likim\u0105 \u2013 vertybin\u0119 ir moralin\u0119 savast\u012f kur kas lengviau auginti ir pristatyti, kai esi atsakingas vien u\u017e save. Taip ir Vizbarait\u0117s mono scenos pasi\u017eymi unikalumu, o trejeto judesiai atrodo daug kart\u0173 matyti, apeliuojantys \u012f tai, k\u0105 \u012fprasta steb\u0117ti \u0161iuolaikiniame Lietuvos (ir ne tik, \u017einoma) \u0161okyje.<\/p>\n

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Vis d\u0117lto id\u0117ja pa\u017eaboti kv\u0117pavim\u0105 ir mirt\u012f nepaprastai keista. Tai \u2013 vienas tiksl\u0173, kurie niekada nebus \u012fgyvendinti iki galo, ta\u010diau kuri\u0173 siekimas kei\u010dia \u017emoni\u0173 samprat\u0105 apie j\u0173 pa\u010di\u0173 b\u016bv\u012f \u017dem\u0117je. Ilgai po vandeniu galintis i\u0161b\u016bti \u017emogus to negeban\u010diam neabejotinai atrodo prana\u0161esnis, geriau prisitaik\u0119s gyventi \u0161iame pasaulyje. Ar galintis ilgesn\u012f laik\u0105 i\u0161b\u016bti be oro pats jau\u010dia savo prana\u0161um\u0105 likusios visuomen\u0117s at\u017evilgiu? Ir ar tos kelios papildomos minut\u0117s i\u0161ties j\u012f suteikia?<\/p>\n

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\u0160iame spektaklyje ir tyrime, tikrinan\u010diuose ir ple\u010dian\u010diuose \u017emogaus ribas, galios klausimas n\u0117ra ironizuojamas. Ta\u010diau pati negaliu be ironijos \u017evelgti \u012f toki\u0105 tem\u0105 (ne pat\u012f spektakl\u012f). Net jei ai\u0161kiai savo menkum\u0105 suvokiantys \u017emon\u0117s bando ma\u017eais \u017eingsneliais ir savo k\u016bno, o ne technologij\u0173 bei kit\u0173 i\u0161radim\u0173 pagalba apvaldyti mirties nei\u0161vengiamyb\u0119, pernelyg akivaizdu, kad kai kurie procesai n\u0117ra m\u016bs\u0173 galioje ir su jais naudingiau tiesiog susitaikyti.<\/p>\n

\u201eApnea\u201c, regis, ir nesi\u016blo nei nauj\u0173 atsakym\u0173, nei stebukling\u0173 k\u016bno galimybi\u0173 atradim\u0173, leid\u017eian\u010di\u0173 pasiekti koki\u0105 nors vir\u0161\u016bn\u0119. U\u017etat pasi\u016blo poj\u016b\u010dius, kuriuos \u017ei\u016brovuose gali su\u017eadinti prie\u0161ais juos matom\u0173 tam tikrus rei\u0161kinius patyrusi\u0173 k\u016bn\u0173 galimyb\u0117s. Neb\u016btinai fizin\u0117s \u2013 dauguma \u010dia joms keliam\u0173 i\u0161\u0161\u016bki\u0173 nedideli. Veikiau prasmin\u0117s. Tos, kurioms atsirasti reikia did\u017eiausios m\u016bs\u0173 dien\u0173 prabangos \u2013 laiko.<\/p>\n

_____<\/p>\n

Projekt\u0105 \u201e\u0160okio, cirko aktualijos: analiz\u0117, naujienos, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n

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Festivalis \u201eBi\u010di\u0173 s\u0105skrydis\u201c ilg\u0105 laik\u0105 pristatin\u0117jo \u0161okio k\u016br\u0117j\u0173 miniati\u016bras, o prie\u0161 pora met\u0173 tapo tyrin\u0117jimo platforma \u201eBit\u0117s\u201c, atverdamas k\u016br\u0117jams galimyb\u0119 …<\/p>\n","protected":false},"author":2,"featured_media":7616,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nPrabanga siekti prasm\u0117s - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2020\/03\/11\/prabanga-siekti-prasmes\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Prabanga siekti prasm\u0117s - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Festivalis \u201eBi\u010di\u0173 s\u0105skrydis\u201c ilg\u0105 laik\u0105 pristatin\u0117jo \u0161okio k\u016br\u0117j\u0173 miniati\u016bras, o prie\u0161 pora met\u0173 tapo tyrin\u0117jimo platforma \u201eBit\u0117s\u201c, atverdamas k\u016br\u0117jams galimyb\u0119 ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2020\/03\/11\/prabanga-siekti-prasmes\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2020-03-11T10:28:49+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-01-27T11:37:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2020\/03\/C_LauraVanseviciene-206-1100x733.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1100\" \/>\n\t<meta property=\"og:image:height\" content=\"733\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2020\/03\/11\/prabanga-siekti-prasmes\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2020\/03\/C_LauraVanseviciene-206.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2020\/03\/C_LauraVanseviciene-206.jpg\",\"width\":4500,\"height\":3000},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2020\/03\/11\/prabanga-siekti-prasmes\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2020\/03\/11\/prabanga-siekti-prasmes\/\",\"name\":\"Prabanga siekti prasm\\u0117s - 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