{"id":763,"date":"2018-05-11T10:39:31","date_gmt":"2018-05-11T07:39:31","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=763"},"modified":"2018-05-11T10:39:31","modified_gmt":"2018-05-11T07:39:31","slug":"nesusije-pasakojimai-siuolaikinio-sokio-klasika","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2018\/05\/11\/nesusije-pasakojimai-siuolaikinio-sokio-klasika\/","title":{"rendered":"\u201eNesusij\u0119 pasakojimai\u201c \u2013 \u0161iuolaikinio \u0161okio klasika"},"content":{"rendered":"<p>Lietuvos scenose jau senokai teko matyti \u0161okio spektakl\u012f, kuris b\u016bt\u0173 taip arti to, k\u0105 b\u016bt\u0173 galima pavadinti \u0161iuolaikinio \u0161okio klasika arba modernaus \u0161okio apog\u0117jumi. Tod\u0117l kvie\u010diu i\u0161 ar\u010diau pa\u017evelgti \u012f Claros Furey ir Peterio Ja\u0161ko spektakl\u012f \u201eNesusij\u0119 pasakojimai\u201c, rodyt\u0105 antradien\u012f Lietuvos nacionalinio dramos teatro Ma\u017eojoje sal\u0117je, ir apie \u0161iandienos \u0161iuolaikinio \u0161okio spektaklius pam\u0105styti i\u0161 XX-XXI am\u017eiaus sand\u016bros perspektyvos.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-764\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/1-710x473.jpg\" alt=\"\" width=\"710\" height=\"473\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/1-710x473.jpg 710w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/1-560x373.jpg 560w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/1-768x512.jpg 768w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/1.jpg 960w\" sizes=\"(max-width: 710px) 100vw, 710px\" \/><\/p>\n<p><em>Nuotrauk\u0173 autorius: Dmitrijus Matv<span id=\"body\" class=\"ctr-p\">e<\/span>j<span id=\"body\" class=\"ctr-p\">e<\/span>vas<\/em><\/p>\n<p>Atspirties ta\u0161ku Kandadoje dirbantys C. Furey ir P. Ja\u0161ko pasirinko dvi Louise Murphy knygoje \u201eTikroji Hanselio ir Gretel\u0117s istorija: apie kar\u0105 ir i\u0161likim\u0105\u201c sujungtas istorijas. Viena \u2013 tai visiems \u017einoma pasaka apie Jonuk\u0105 ir Grytut\u0119, kita \u2013 apie Antrojo pasaulinio karo Lenkij\u0105, kur du \u017eyd\u0173 vaikai tur\u0117jo sl\u0117ptis mi\u0161kuose, kad i\u0161gyvent\u0173. Scenoje \u0161ok\u0117jai tarsi papasakoja \u0161ias dvi istorijas. Pirmoje dalyje daugiau kalbama apie du \u017emones, kurie, kaip v\u0117liau diskusijos po spektaklio metu sak\u0117 k\u016br\u0117jai, gali b\u016bti brolis ir sesuo, geriausi draugai, dvi merginos arba du vaikinai. \u010cia svarbus santykis tarp t\u0173 dviej\u0173 \u017emoni\u0173, scenoje i\u0161rei\u0161kiamas atstumu ir jungtimis tarp dviej\u0173 atlik\u0117j\u0173 k\u016bnu, l\u0117tesniu ar greitesniu j\u0173 jud\u0117jimu.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-768\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/4-710x473.jpg\" alt=\"\" width=\"710\" height=\"473\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/4-710x473.jpg 710w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/4-560x373.jpg 560w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/4-768x512.jpg 768w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/4.jpg 960w\" sizes=\"(max-width: 710px) 100vw, 710px\" \/><\/p>\n<p>Antrojoje dalyje svarbesne tapo erdv\u0117, kurioje \u0161ie du k\u016bnai veikia: u\u017edara, saugi nam\u0173 erdv\u0117, kuri\u0105 scenos viduryje anglies spalvos kreida apibr\u0117\u017e\u0117 C. Furey ir pavojinga, nerim\u0105 kelianti i\u0161orin\u0117 erdv\u0117, kuri\u0105 P. Ja\u0161ko ant galin\u0117s scenos sienos pa\u017eym\u0117jo kartuves primenan\u010diu \u017eenklu. \u017di\u016brint spektakl\u012f polinkis k\u016bnu papasakoti istorij\u0105(-as) labai primin\u0117 spektaklius, Lietuvoje kuriamus iki \u201eContemporary?\u201c (k\u016br\u0117jai ir atlik\u0117jai Agn\u0117 Ramanauskait\u0117, Mantas Staba\u010dinskas, Paulius Tamol\u0117) eros, o Vakaruose \u017eymin\u010dio modernaus \u0161okio pabaig\u0105. Rodos tada choreografai galvojo, kad svarbiausia misija scenoje \u2013 papasakoti istorij\u0105. Tai labai artima klasikiniam teatro suvokimui.<\/p>\n<p>\u017dvelgiant \u012f du \u0161ok\u0117j\u0173 k\u016bnus, pasakojan\u010dius \u201eNesusijusius pasakojimus\u201c, stebino j\u0173 santykio su publika nebuvimas. Rodos, jie u\u017edari, istorij\u0105 pasakoja k\u016bnais, o j\u0173 veidai nereaguoja. Tai irgi primena beveid\u0119 (ang. <em>no face<\/em>) \u0161iuolaikinio \u0161okio klasik\u0105, toki\u0105 b\u016bding\u0105 1990-2010 metais. \u0160ok\u0117jai yra scenoje ir \u0161oka mums, ta\u010diau n\u0117ra jokio interaktyvumo, tarsi jie patys ignoruot\u0173 savo buvimo scenoje fakt\u0105. Ma\u010diusieji Ivo Dimchev \u201eSkulpt\u016bras\u201c ir Oonos Doherty \u201eVilties med\u017eiokl\u0119\u201c tikrai suprasite, apie k\u0105 a\u0161 kalbu. I. Dimchevas pokalb\u012f su publika ir savo trupe palaik\u0117 verbaliai, tuo pat metu neverbaliai bendraudamas ir su technine \u012franga, ir techniniu personalu. O. Doherty santyk\u012f su publika laik\u0117 \u017evilgsniais, fonetiniais ir verbaliniais kreipiniais, nuolat \u017eaisdama \u012ftampa tarp publikos ir atlik\u0117jo, kartais labiau, kartais ma\u017eiau \u017ei\u016brov\u0173 d\u0117mes\u012f kreipdama ten, kur reikia spektakliui. Tuo tarpu \u201eNesusijuose pasakojimuose\u201c tarsi buvo tikimasi, kad \u017ei\u016brovas \u017ei\u016br\u0117s pateikt\u0105 spektakl\u012f lyg \u017ei\u016br\u0117t\u0173 balet\u0105, oper\u0105 ar kit\u0105 klasikin\u012f k\u016brin\u012f, kuriame interaktyvum\u0105 kuria dramaturgin\u0117 pasakojimo strukt\u016bra \u2013 ekspozicija, intriga, peripetijos, konfliktas, atomazga ir t.t.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-765\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/2-493x710.jpg\" alt=\"\" width=\"493\" height=\"710\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/2-493x710.jpg 493w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/2-389x560.jpg 389w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/2.jpg 666w\" sizes=\"(max-width: 493px) 100vw, 493px\" \/><\/p>\n<p>\u017dvelgiant i\u0161 choreografin\u0117s dramaturgijos perspektyvos galima i\u0161skirti kelet\u0105 netikslum\u0173, kurie, mano manymu, taip pat buvo b\u016bdingi tai klasikinei \u0161iuolaikinio \u0161okio erai. Rodos, tais laikais \u012f scen\u0105 buvo \u017evelgiama kaip \u012f paveiksl\u0105, ignoruojant k\u016bno skleid\u017eiamus garsus. Nors, pana\u0161iai kaip ir O. Doherty \u201eVilties med\u017eiokl\u0117je\u201c, C. Furey panaudoja tokius garsus kaip \u201ek\u0161\u0161\u0161\u201c arba fonetin\u012f \u201eateik\u201c (<em>angl. come<\/em>) skambes\u012f, \u201eNesusijuose pasakojimuose\u201c visai neeksploatuojamas \u0161ok\u0117jo kv\u0117pavimas. \u017dinoma, didel\u0117je scenoje jo neb\u016bt\u0173 galima gird\u0117ti, ta\u010diau, regis, atlik\u0117jai, rodydami spektakl\u012f gan intymioje 100 viet\u0173 sal\u0117je, skambant interaktyviai, \u012fvairius garsus atsine\u0161usiai Tomo Furey\u2018aus muzikai (<a href=\"https:\/\/soundcloud.com\/tomasfurey\/untied-tales-extrait\">https:\/\/soundcloud.com\/tomasfurey\/untied-tales-extrait<\/a>), apie fizinius garsus pamir\u0161o. Tai ypa\u010d kliuvo spektaklio finale, kuomet jaukia \u0161ilta \u0161viesa ap\u0161viesti \u0161ok\u0117jai subtiliai traukiasi \u012fstri\u017eaine \u012f de\u0161in\u012f scenos kamp\u0105. I\u0161ry\u0161k\u0117jantis C. Furey kv\u0117pavimas daugiau kalba apie neramumo b\u016bsen\u0105, kuri gal\u0117t\u0173 b\u016bti kitoje scenoje, o ne apie \u0161veln\u0173 i\u0161\u0117jim\u0105 i\u0161 aktyvaus, baugaus veiksmo.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-766\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/5-710x473.jpg\" alt=\"\" width=\"710\" height=\"473\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/5-710x473.jpg 710w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/5-560x373.jpg 560w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/5-768x512.jpg 768w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/5.jpg 960w\" sizes=\"(max-width: 710px) 100vw, 710px\" \/><\/p>\n<p>Regis, \u201eNesusij\u0119 pasakojimai\u201c primena klasikinius \u0161iuolaikinio \u0161okio darbus ir erdv\u0117s tyrin\u0117jimus, k\u016bnu jud\u0117jim\u0105 po vis\u0105 aplink\u0105. Kad tai yra \u0161iuolaikinis darbas, gal\u0117jome pajusti i\u0161 to, kaip gyvai ir performatyviai atlik\u0117jai spektakliui pajungia scenos aplink\u0105 \u2013 sien\u0173 \u012flinkius, \u0161onuose esan\u010dias sien\u0173 konstrukcijas. Ta\u010diau tam, kad sektume \u0161ok\u0117j\u0173 pasakojim\u0105, pritr\u016bko pasakojimo konkretumo, problemos aktualumo, \u017ei\u016brovams buvo sunku ir daugelis kalbint\u0173j\u0173 po spektaklio lyg susitar\u0119 pasteb\u0117jo, kad \u0161okio dalis \u201ebuvo nuobodi\u201c. Tai problemos, b\u016bdingos XX-XXI am\u017eiaus sand\u016bros spektakliams. \u201eNesusiuose pasakojimuose\u201c taip pat nepajutome ir stipriai \u0161iuolaikinius spektaklius pagyvinan\u010dios saviironijos.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-767\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/3-710x428.jpg\" alt=\"\" width=\"710\" height=\"428\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/3-710x428.jpg 710w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/3-560x338.jpg 560w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/3-768x463.jpg 768w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/3.jpg 960w\" sizes=\"(max-width: 710px) 100vw, 710px\" \/><\/p>\n<p>Nepaisant to, kad \u0161okio dalis spektaklyje pasirod\u0117 silpna, jai tr\u016bko judesi\u0173 artikuliavimo, rai\u0161kos tikslumo, spektaklis suteik\u0117 gra\u017ei\u0173 moment\u0173. Vienas j\u0173 \u2013 pas David\u0105 Zambrano \u0161okusio P. Ja\u0161ko solo ant sienos \u2013 i\u0161siskyr\u0117 ir savo energija, ir k\u016bno valdymu. Nuo pat spektaklio prad\u017eios, pakeisdamos spektaklio erdv\u0119, didel\u012f \u012fsp\u016bd\u012f paliko Alexandre\u2018o Pilono Guay\u2018aus sukurtos \u0161viesos. Ypa\u010d antrojoje dalyje jos tiksliai ir subtiliai transformavo ne tik spektaklio erdves, bet ir keit\u0117 k\u016brinio nuotaik\u0105. Labai \u012fdomus pasirod\u0117 ir choreograf\u0117s brolio T. Furay\u2018aus sukurtas garso takelis, ry\u0161kiai i\u0161vystytas pirmoje spektaklio dalyje. \u010cia netr\u016bko labai skirting\u0173 erdv\u0119 apibr\u0117\u017eian\u010di\u0173 arba asociacijas kelian\u010di\u0173 gars\u0173, kaip d\u017eer\u017egimas, bild\u0117jimas, sprogin\u0117jimas, traukinio dundesys, \u0161veln\u016bs styginiai, vargonai, fortepionas, moteri\u0161ko vokalo partija, ba\u017enytinis choras&#8230; Vieni i\u0161 kit\u0173 pereinantys garsai per trump\u0105 laik\u0105 i\u0161vystomi ir juos pakei\u010dia kiti \u2013 lyg tai b\u016bt\u0173 trumpi vaik\u0173 mi\u0161ke nuotyki\u0173 epizodai.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-769\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/6-710x473.jpg\" alt=\"\" width=\"710\" height=\"473\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/6-710x473.jpg 710w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/6-560x373.jpg 560w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/6-768x512.jpg 768w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2018\/05\/6.jpg 960w\" sizes=\"(max-width: 710px) 100vw, 710px\" \/><\/p>\n<p>\u201eNesusij\u0119 pasakojimai\u201c yra 2015 metais sukurtas spektaklis, tad \u017evelgiant i\u0161 \u0161i\u0173 laik\u0173 perspektyvos \u2013 jau gana senas. Galb\u016bt tai ir paai\u0161kint\u0173 jo pana\u0161um\u0105 \u012f klasikinius \u0161iuolaikinio \u0161okio k\u016brinius. Kad gal\u0117tume tai \u012fvertinti, b\u016bt\u0173 \u012fdomu pa\u017ei\u016br\u0117ti nauj\u0105 trijul\u0117s \u2013 C. Furey, P. Ja\u0161ko ir C. Furey\u2018aus \u2013 k\u016brin\u012f \u201eCosmic love\u201c, kuris jau pasirod\u0117 Kanadoje, o \u012f Europ\u0105 tur\u0117t\u0173 atvykti 2019 metais.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lietuvos scenose jau senokai teko matyti \u0161okio spektakl\u012f, kuris b\u016bt\u0173 taip arti to, k\u0105 b\u016bt\u0173 galima pavadinti \u0161iuolaikinio \u0161okio klasika &#8230;<\/p>\n","protected":false},"author":2,"featured_media":766,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u201eNesusij\u0119 pasakojimai\u201c \u2013 \u0161iuolaikinio \u0161okio klasika - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2018\/05\/11\/nesusije-pasakojimai-siuolaikinio-sokio-klasika\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201eNesusij\u0119 pasakojimai\u201c \u2013 \u0161iuolaikinio \u0161okio klasika - 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