{"id":8777,"date":"2020-08-05T17:23:43","date_gmt":"2020-08-05T14:23:43","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=8777"},"modified":"2020-08-05T17:25:14","modified_gmt":"2020-08-05T14:25:14","slug":"sokio-teatro-aura-pasirodymas-siluvos-teatro-bienaleje-ir-zmonija-jungiancios-saknys","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2020\/08\/05\/sokio-teatro-aura-pasirodymas-siluvos-teatro-bienaleje-ir-zmonija-jungiancios-saknys\/","title":{"rendered":"\u0160okio teatro \u201eAura\u201c pasirodymas \u0160iluvos teatro bienal\u0117je ir \u017emonij\u0105 jungian\u010dios \u0161aknys"},"content":{"rendered":"

Skubant progreso link, ne visada prisimenama, koks buvo pirmasis \u017eingsnis, arba, \u0161iuo metu itin tinkamas palyginimas, kas gi buvo tas nulinis pacientas. Dabar, kuomet m\u016bzos i\u0161gyvena tarsi po revoliucin\u012f laikotarp\u012f revoliucijai net ne\u012fvykus, vis dar svarstoma, kuriose pozicijose tur\u0117t\u0173 atsidurti kult\u016bra pandemijos laikotarpiu – \u0160iluvoje t\u0119siasi gilumini\u0173 ie\u0161kojim\u0173 ir pa\u017einim\u0173 laikas. Tod\u0117l, teatro bienalei prabilus apie tuos, kuri\u0173 p\u0117dos i\u0161lieka m\u016bs\u0173 keliuose, apie tuos, kurie it savoti\u0161kas avangardas \u0117jo pirmieji tam, kad takai b\u016bt\u0173 praminti, kult\u016bros laukas skleid\u017eia \u0161vies\u0105. It tas pandemijos metu \u012f\u017eiebtas \u201e\u0160viesos \u017dem\u0117lapis\u201c, kuris tapo atsvara tamsiuoju COVID-19 laikotarpiu. <\/p>\n

\u0160iandien, kuomet turime saugoti save ir vieni kitus, atsakingai \u017evelgdami ir suvokdami, jog ateities negalime kurti be istorijos pa\u017einimo, po bienal\u0117s prad\u017eios, kurioje \u012f teatro pasaul\u012f pa\u017evelg\u0117me per Eimunto Nekro\u0161iaus k\u016brybin\u0119 prizm\u0119, rugpj\u016b\u010dio 7 d. kviesime atrasi kit\u0105 svarbi\u0105 kult\u016brinio laukio dedam\u0105j\u0105 \u2013 \u0161iuolaikinio \u0161okio gro\u017e\u012f. <\/p>\n

\"\"<\/a>
\nLauros Vansevi\u010dien\u0117s nuotr.<\/em><\/p>\n

\u0160iuolaikinis \u0161okio teatras \u201eAura\u201c \u2013 pirmasis profesionalus \u0161okio teatras Lietuvoje. K\u016brybinis kelias, kuris buvo prad\u0117tas vedant tvirtais \u012fsitikinimais, meile \u0161okiui ir begaliniu atsidavimu, dirbant drauge su srities profesionalais visame pasaulyje, suk\u016br\u0117 jau i\u0161tis\u0105 \u201eAuros\u201c legend\u0105. Pirmieji \u017eingsniai kaip m\u0117g\u0117j\u0173 teatro, \u012fsitvirtinimas ir, gal\u0173 gale, tarptautinis pripa\u017einimas. Vis\u0105 tai kelion\u0117, kuri\u0105 teatras, su charizmati\u0161k\u0105ja vadove Birute Letukaite prie\u0161aky eina jau gerus trisde\u0161imt met\u0173. <\/p>\n

\u0160iluvos teatro bienal\u0117je i\u0161ie\u0161kota k\u016brini\u0173, kurie prisid\u0117t\u0173 prie m\u016bs\u0173 ateities suvokimo per praeities perspektyvas. Kitaip tariant, matytume, k\u0105 turime dabar ir i\u0161 kur tai atsirado. Suvokiant, jog m\u016bs\u0173 matomi k\u016briniai – kaip med\u017ei\u0173 lapija, kuri ne egzistuot\u0173 be tvirtai \u017eem\u0117je esan\u010di\u0173 \u0161akn\u0173. Tod\u0117l \u0160iluvoje matysime pasirodym\u0105 \u0161okio teatro, kurio vadov\u0117 n\u0117ra linkusi \u012f drungnus pasirinkimus. B. Letukait\u0117 pripa\u017e\u012fsta, jog jai n\u0117ra priimtinas ka\u017eko darymas nepilnai ir ne i\u0161 \u0161irdies: \u201eman nepriimtinas \u201edrungnas\u201c santykis. Reikia daryti tai, k\u0105 tuo metu gali daryti geriausiai, arba visai nieko nedaryti. Jeigu pasirenki \u0161it\u0105 keli\u0105, turi absoliu\u010diai atsiduoti \u0161okiui, atsiverti, i\u0161lieti savo jausmus. K\u0105 rei\u0161kia b\u016bti scenoje? Pats judesys yra tik forma. Nors ji, \u017einoma, labai svarbi. \u0160ok\u0117jo instrumentas yra jo k\u016bnas, kur\u012f reikia taip parengti, kad b\u016bt\u0173 \u012fmanoma juo i\u0161reik\u0161ti visk\u0105. Bet i\u0161lavinus k\u016bn\u0105, reikia jud\u0117ti toliau. Ne technika, ne plastika, ne judesys yra svarbiausia, o emocijos, \u012fd\u0117jos ir atsiv\u0117rimas. Labai svarbu gyventi \u012fd\u0117jimos, jausti vidin\u012f kr\u016bv\u012f. Tik tiems, kurie tai patiria, verta eiti \u012f scen\u0105.\u201c<\/p>\n

Vedini tokios visumin\u0117s patirties, taip pat siekiant atskleisti \u0161okio pasaulio tarptauti\u0161kum\u0105, \u0161okio kalbos unikalum\u0105, kaip savoti\u0161k\u0105 esperanto bei \u012fsi\u0161aknijimo, tarpusavio ry\u0161i\u0173 svarb\u0105, \u0160iluvos teatro bienal\u0117je rugpj\u016b\u010dio 7 d. 16 val. Turgaus aik\u0161t\u0117je rodomas k\u016brinys \u201eNor\u0117\u010diau b\u016bti papar\u010dio \u017eiedu\u201c. Tai spektaklis apie tarpusavio ry\u0161\u012f, apie \u012fsi\u0161aknijim\u0105, apie s\u0105sajas tarp praeities ir ateities, apie buvim\u0105. Kantriai \u012fsikib\u0119 \u012f \u017eem\u0119 \u0161aknimis auga med\u017eiai. Pa\u017eaboti gamtos stichijas reikia laiko, prisitaikymas prie aplinkos l\u0117tas ir meditatyvus. \u0160is gamtos \u012fkv\u0117ptas spektaklis \u2013 apie med\u017eius, arba apie \u017emones, kurie gyvybi\u0161kai reikalingi vieni kitiems tam, kad bendraut\u0173, kv\u0117puot\u0173, veikt\u0173, i\u0161likt\u0173 ir nepailsdami ie\u0161kot\u0173 savo papar\u010dio \u017eiedo.<\/p>\n

\u0160OKIO SPEKTAKLIS \u201eNor\u0117\u010diau b\u016bti papar\u010dio \u017eiedu\u201c. <\/strong>
\nChoreografija Bea Debrabant (Pranc\u016bzija).
\n\u0160vies\u0173 dailininkas Vladimiras \u0160erstabojevas.
\nKostium\u0173 dailininkai Kristina \u010cy\u017ei\u016bt\u0117, Bea Debrabant.
\nMuzika. Dhafer Youssef \u201eSoupir Eternal\u201c, Hessien \u201ePlacing Shells\u201c.
\nVIETA: Turgaus aik\u0161t\u0117 \u0160iluvoje.
\nLAIKAS: rugpj\u016b\u010dio 7 d. 16:00 val.
\nRenginio organizatorius: Raseini\u0173 rajono kult\u016bros centras.
\nProjekt\u0105 remia: Lietuvos kult\u016bros taryba.
\nProjekt\u0105 globoja: Raseini\u0173 rajono savivaldyb\u0117.<\/p>\n","protected":false},"excerpt":{"rendered":"

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