{"id":9138,"date":"2020-09-03T10:29:32","date_gmt":"2020-09-03T07:29:32","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=9138"},"modified":"2020-09-03T19:11:41","modified_gmt":"2020-09-03T16:11:41","slug":"isvalytosios","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2020\/09\/03\/isvalytosios\/","title":{"rendered":"I\u0161valytosios"},"content":{"rendered":"

Pokalbis su \u0161okio k\u016br\u0117jomis Dovile Petk\u016bnaite ir R\u016bta Butkus<\/p>\n

\u0160iuo metu, kai ra\u0161au \u0161\u012f tekst\u0105, ka\u017ekur po Tenerif\u0117s salos akmeninius kalnus braido naujo \u0161okio filmo \u201eArtificial\u201c k\u016br\u0117jai. Ir visi jie \u2013 i\u0161 Lietuvos, nors ne visi joje \u0161iuo metu gyvena. Prie\u0161 a\u0161tuonerius metus \u012f Ispanijai priklausan\u010dias \u017eemes gyventi i\u0161sikraust\u0117 \u0161ok\u0117ja ir choreograf\u0117 Dovil\u0117 Petk\u016bnait\u0117. Baigusi studijas Lietuvos muzikos ir teatro akademijoje, Airos Naginevi\u010di\u016bt\u0117s vadovaujamame kurse, debiutiniuose darbuose k\u016br\u0117ja rinkosi itin tamsius, moteri\u0161kos vienatv\u0117s i\u0161gyvenimus atskleid\u017eian\u010dius \u012fvaizd\u017eius. \u0160iandien, kurdama po itin ilgos pertraukos, ji prisipa\u017e\u012fsta, jog priimti daugel\u012f sprendim\u0173 tapo lengviau, patirti proces\u0105 \u2013 maloniau, o pandemijos situacija neleid\u017eia nurimti, nes visi planai gali pasikeisti per minut\u0119.<\/p>\n

\"\"<\/a>
\nArtificial\/Kadras i\u0161 b\u016bsimo \u0161okio filmo<\/em><\/p>\n

Dovil\u0117: \u201eI\u0161vykdama ir jau prad\u0117jusi gyventi \u010dia, tiesiog ie\u0161kojau normalaus gyvenimo. Stabili\u0173 pajam\u0173 ir ramyb\u0117s. Dirbdama restorano vadybininke, tur\u0117jau daug laiko steb\u0117ti \u017emones. J\u0173 \u2013 turist\u0173 \u2013 Tenerif\u0117je yra daugyb\u0117 ir visi jie atvyksta i\u0161 labai skirting\u0173 \u0161ali\u0173. B\u0117gant laikui imi atskirti tautybes i\u0161 veido, atpa\u017einti d\u0117sningus elgesio modelius. Tokia steb\u0117jimo b\u016bsena ir \u201e\u017eemi\u0161kas\u201c darbas tave, kaip meninink\u0105, kei\u010dia. Vis\u0173 pirma supranti, jog niekam tokie tavo \u201ehobiai\u201c n\u0117ra \u012fdom\u016bs. \u012evertini fakt\u0105, jog nesi auk\u0161\u010diau, nesi geresnis. Ir, svarbiausia, tam, kad b\u016btum suprastas, turi kalb\u0117ti ta pa\u010dia, suprantama kalba.\u201c<\/p>\n

Ne paslaptis, jog Dovil\u0117s gyvenim\u0105 ir jo vertybes taip pat smarkiai supurt\u0117 s\u016bnaus gimimas. Kaip supras visi t\u0117vai, – naujo \u017emogaus at\u0117jimas \u012f pasaul\u012f ir jo auginimas tampa ne tik fiziniu, bet ir emociniu \u017emogaus i\u0161\u0161\u016bkiu, gerokai aplamdan\u010diu ir performuojan\u010diu jo ego. T\u0105 jau senokai \u017eino Dovil\u0117s bendrakurs\u0117 R\u016bta Butkus, Lietuvoje matyta ilgiau ir da\u017eniau. Paskutiniaisiais veiklos gimtin\u0117je metais nuo \u012fvairialypio atlik\u0117jos ir choreograf\u0117s darbo ji per\u0117jo ir \u012f kitas rai\u0161kos formas, – sp\u0117jo sukurti misti\u0161k\u0105 ir \u012ftraukiant\u012f \u0161okio film\u0105 \u201eB. triu\u0161\u012f besivejant\u201c bei man asmeni\u0161kai itin imponavusius \u0161okio dienora\u0161\u010dius (atsiradusius youtube kanale before it was cool<\/em>). Paskutin\u0117s \u017einios apie R\u016bt\u0105 nuskamb\u0117jo, jai i\u0161vykstant d\u0117styti \u0161okio \u012f Kinij\u0105, v\u0117liau Instagrame <\/em>buvo matyti #Paris<\/em>, o \u012f \u201eArtificial\u201c filmavimus ji atvyko i\u0161 Londono. Tad… kaip?<\/p>\n

R\u016bta: \u201eLondone atsid\u016briau vienos nakties sprendimu. Kai mano s\u016bnus \u00a0\u012fstojo \u00a0ten mokytis, jis dar buvo nepilnametis, tad tur\u0117jau su juo likti, kol jis oficialiai taps savaranki\u0161kas. . Dabar jau gal\u0117\u010diau palikti London\u0105, bet man labai patinka j\u012f tyrin\u0117ti, o visa pandemijos situacija fone tapo tikru i\u0161gyvenimo i\u0161\u0161\u016bkiu. Tokiu sud\u0117tingu metu mes i\u0161vydome, kaip toli nuo kasdieni\u0173 \u017emogaus poreiki\u0173 yra menas. Jis n\u0117ra b\u016btinyb\u0117 i\u0161gyvenimui, o prabangos dalykas, prid\u0117tin\u0117 vert\u0117. \u0116miausi valytojos darbo. \u0160iandien manau, jog tapusi turtinga (dar turiu tam laiko!), b\u016b\u010diau meninink\u0173 mecenate. Bet pirmenyb\u0119 teik\u010diau tiems, kurie \u00a0nor\u0117dami i\u0161gyventi kada nors tur\u0117jo dirbti t\u0105 vadinam\u0105 juod\u0105 darb\u0105 ir po to vis dar nori kurti. Man valymas tapo ne tik dar vienu aplinkos ir \u017emoni\u0173 steb\u0117senos \u012frankiu, bet vis\u0173 pirma \u2013 sav\u0119s valymu. I\u0161sivalymu nuo nereikaling\u0173 ego, nepasvert\u0173 ambicij\u0173. Taip susprogdinau savosios aplinkos burbul\u0105 ir perkra\u010diau vertybes.\u201c<\/p>\n

R\u016bta taip pat tvirtina, jog nuolankumo j\u0105 i\u0161mok\u0117 ir d\u0117stytojos darbas. \u010cia, kaip sako ji, negali pasiekti norimo rezultato, jei i\u0161kilsi auk\u0161\u010diau student\u0173: \u201eTuri kalb\u0117tis ir dalyvauti kartu, tik taip galima tobul\u0117ti. Skirtingai nuo m\u016bs\u0173 patirties akademijoje, kuomet d\u0117l itin grie\u017etos ir da\u017enai ai\u0161kiai neartikuliuotos kritikos tu, kaip studentas, tiesiog pasimeti. Nematydamas sav\u0119s, o ir visos situacijos i\u0161 \u0161alies, negauni reikiamo atsako, nors, atrodyt\u0173, \u012f atlikim\u0105 sudedi vis\u0105 save.\u201c<\/p>\n

\"\"<\/a>
\nArtificial\/Kadras i\u0161 b\u016bsimo \u0161okio filmo<\/em><\/p>\n

Atsitraukimas, apsivalymas ir atsiribojimas nuo gimtosios aplinkos \u2013 esminiai dviej\u0173 choreografi\u0173 k\u016brybin\u0117s pauz\u0117s \u012fsp\u016bd\u017eiai. \u201eDabar filmavimuose viskas vyksta \u017eymiai papras\u010diau, nei anks\u010diau, kai kurdavome spektaklius. Tai, k\u0105 darydavai savait\u0117mis, kankindavaisi, m\u0117gindavai j\u0117ga i\u0161spausti ir dvejodavai d\u0117l aplinkini\u0173 pri\u0117mimo, \u0161iandien gali padaryti ir nufilmuoti vos per kelias dienas. Atsirado \u017eymiai daugiau laisv\u0117s, o kartu ir tam tikros prabangos, – gali kurti tik su tais \u017emon\u0117mis, kurie tave palaiko. Tokia atranka \u012fvyksta savaime ir d\u0117l logistikos klausim\u0173, ir d\u0117l daugelio kit\u0173 aplinkybi\u0173. \u017dinoma, \u201eArtificial\u201c proces\u0105 labai pakoregavo ir pandemija, nes a\u0161 pati i\u0161 viso netur\u0117jau pasirodyti prie\u0161ais kamer\u0105, o komandoje buvo dar daugiau \u0161ok\u0117j\u0173. Bet yra taip, kaip yra ir mes turime su tuo dirbti. Net negal\u0117\u010diau pasakyti, kad yra blogiau, – kartu su puikiu operatoriumi Miku Zabulioniu trise sudarome puiki\u0105 komand\u0105 ir viskas vyksta labai organi\u0161kai ir skland\u017eiai\u201c, – d\u017eiaug\u0117si Dovil\u0117.<\/p>\n

R\u016bta: \u201eAtsimenu, kiek anks\u010diau su Dovile diskutuodavom ir pykdavom\u0117s d\u0117l vis\u0173 detali\u0173. Dabar ji man pasako \u201eb\u0117k ten\u201c ir a\u0161 b\u0117gu. Paprastai. (juokiasi) I\u0161 prad\u017ei\u0173 specialiai ne\u017ei\u016br\u0117jau rezultato kadre \u2013 nor\u0117jau i\u0161laikyti \u0161vie\u017ei\u0105 \u017evilgsn\u012f, kai jo prireiks ir neprid\u0117ti savo interpretacij\u0173. Ir kai i\u0161kilo b\u016btinyb\u0117, Dovil\u0117 man\u0119s papra\u0161\u0117 pasakyti nuomon\u0119.\u201c<\/p>\n

Dovil\u0117: \u201eReikia pamin\u0117ti ir Miko profesionalum\u0105. Nors jis anks\u010diau ir n\u0117ra filmav\u0119s \u0161okio, bet tikrai puikiai j\u012f jau\u010dia. Negaliu patik\u0117ti, kiek puiki\u0173, gra\u017ei\u0173 scen\u0173 tenka atsisakyti, nes tiesiog yra per daug. O Mikas labai padeda ir ai\u0161kiai artikuliuodamas techninius dalykus, leisdamas man suvokti, kod\u0117l ne viskas gali gautis taip, kaip a\u0161 \u012fsivaizduoju.\u201c<\/p>\n

Ne veltui prie \u201eArtificial\u201c temos priart\u0117jome b\u016btent per atsitraukim\u0105. Kaip pasakoja Dovil\u0117, id\u0117ja projektui gim\u0117 per ilg\u0105, Tenerif\u0117je net tris m\u0117nesius trukus\u012f karantin\u0105. I\u0161 ties\u0173, – daug laiko pam\u0105styti. Vis d\u0117lto atramin\u0117 gamtos ir j\u0105 ter\u0161ian\u010dio \u017emogaus tema k\u016br\u0117jos gyvenime atsirado daug anks\u010diau: \u201eGyvendama \u010dia, ekologijos, tar\u0161os, klimato kaitos problemas pastebiu \u017eymiai ai\u0161kiau. Pradedant nuo to, jog net per mano a\u0161tuonerius metus saloje, klimatas kinta drasti\u0161kai. Niekuomet neb\u016bdavo toki\u0173 da\u017en\u0173 sm\u0117lio audr\u0173, ugnikalni\u0173 dreb\u0117jim\u0173 ir nuolatini\u0173 gaisr\u0173. Bet blogiausia tai, jog \u017emon\u0117ms ner\u016bpi, – pinigai visuomet ima vir\u0161\u0173. Tenerif\u0117je ir toliau vienas po kito kyla vie\u0161bu\u010diai, kurie pila atliekas tiesiai \u012f vandenyn\u0105. Be joki\u0173 filtr\u0173. \u017dinoma, jie gauna baudas i\u0161 Europos s\u0105jungos, bet jas susimok\u0117j\u0119 savo po\u017ei\u016brio nekei\u010dia. Mane stebina ir pati pirkimo kult\u016bra, manija. Juk \u0161i sala \u2013 kaimas, kuriame tau u\u017etenka t\u0173 pa\u010di\u0173 \u0161lepe\u010di\u0173, \u0161ort\u0173 ir mar\u0161kin\u0117li\u0173, bet tas pirkimas nesustoja. \u017dinoma, did\u017eioji problema yra \u0161iuk\u0161linantys turistai, bet i\u0161 j\u0173 i\u0161gyvena visi.\u201c, – pasakoja Dovil\u0117.<\/p>\n

\"\"<\/a>
\nArtificial\/Kadras i\u0161 b\u016bsimo \u0161okio filmo<\/em><\/p>\n

Gamt\u0105 naikinantis \u017emogus ir jo paties dirbtinumas, – ne vieno \u0161iandienos k\u016br\u0117jo akiratyje atsidurian\u010dios temos. Visgi po pasaul\u012f i\u0161sibars\u010diusi\u0173 lietuvi\u0173 k\u016brybinis darbas atokioje saloje kelia susidom\u0117jim\u0105. O kokios choreografin\u0117s formos \u0161iandien aktualios tokioms, atrodyt\u0173, ekspresyvioms meninink\u0117ms?<\/p>\n

Dovil\u0117: \u201eDaugiau judesio, buvimo, movement<\/em>.\u201c<\/p>\n

R\u016bta: \u201eA\u0161 manau, mums visuomet buvo artimesn\u0117s judesio paie\u0161kos, tik mus nuolat mok\u0117 ir spaud\u0117 \u0161okti. Kurti kombinacijas.\u201c<\/p>\n

Kalbi su jomis, tokiomis pa\u010diomis, kaip ir prie\u0161 beveik de\u0161imtmet\u012f \u0160MC kavin\u0117je, apie kurios naujienas po valandos pokalbio, prane\u0161u. Ir vis neapleid\u017eia jausmas, kad ka\u017ek\u0105 praleidai, atitr\u016bkai.<\/p>\n

Dovil\u0117: \u201eBuvo metas, kai beveik nebendravome. Bet i\u0161tikimiausi bendra\u017eygiai gr\u012f\u017eta. Man patinka tokia \u0161iandienos b\u016bsena, kuomet nejauti spaudimo, nebereikalingos visos dramos. \u017dinoma, pa\u017ei\u016br\u0117sim, kaip bus, kai kursime Lietuvoje. Baig\u0119 filmuoti Tenerif\u0117je keliausime dirbti prie kito projekto Vilniuje. Reik\u0117s karantinuotis, tod\u0117l tikim\u0117s per t\u0105 laik\u0105 sumontuoti med\u017eiag\u0105 i\u0161 Tenerif\u0117s, tuomet viskas b\u016bt\u0173 baigta iki spalio.<\/p>\n

O kitas projektas \u2013 \u201e\u0160iltnamis\u201c \u2013 bus apie pat\u012f karantin\u0105 ir jo b\u016bsenas. B\u016bdama \u010dia, ma\u010diau ir gird\u0117jau begal\u0119 istorij\u0173. Ka\u017ekas i\u0161 kaimyn\u0173 band\u0117 \u017eudytis, \u0161alyje buvo ypatingai suaktyv\u0117jusi smurto namuose banga. Tiek, jog net at\u0117jusi \u012f vaistin\u0119, moteris gal\u0117jo pasakyti slapta\u017eod\u012f vaistininkui, ir jis b\u016bt\u0173 i\u0161kviet\u0119s policij\u0105 jos vyrui. Atlaisv\u0117jus ribojimams, gal\u0117jai matyti kaip \u017emon\u0117s arba i\u0161 karto susikrov\u0117 daiktus ir paliko sal\u0105, arba visi\u0161koje ne\u017einioje \u0117m\u0117 kurti gyvenim\u0105 i\u0161 naujo… Yra daug dalyk\u0173, apie kuriuos galima kalb\u0117ti, kuriuos reikia analizuoti ir jie aktual\u016bs ne tik \u010dia.\u201c<\/p>\n

\"\"<\/a>
\nArtificial\/Kadras i\u0161 b\u016bsimo \u0161okio filmo<\/em><\/p>\n

O kaip R\u016bta, ar ji gr\u012f\u0161 \u012f Kinij\u0105 ? \u201eSi\u016bl\u0117, bet nesutikau. Politika.\u201c, – trumpai ir ai\u0161kiai atsako ji. Jos planuose \u2013 tolimesnis, kaip j\u012f pavadinau \u201eprabangus\u201c tyrimas: \u201eMan patinka steb\u0117ti \u017emones, j\u0173 judes\u012f gatv\u0117je. T\u0105 dariau Pary\u017eiuje, dabar \u2013 Londone. Nenoriu prisiri\u0161ti, kurti d\u0117l ataskait\u0173. Galiu dirbti bet kok\u012f darb\u0105, kuris man leis steb\u0117ti Europos miestus, kelis kuri\u0173 dar noriu aplankyti ir panagrin\u0117ti.\u201c<\/p>\n

Visos trys sutariame, jog ir pa\u010dioje Lietuvoje, o ne tik atskir\u0173 lietuvi\u0173 m\u0105stymuose reikt\u0173 i\u0161naikinti \u012fsitikinim\u0105, kad u\u017esidirbti i\u0161 \u201eeilinio juodo darbo\u201c yra ka\u017ekoks \u017eeminantis dalykas. Kaip ir suprasti, jog norint i\u0161gyventi i\u0161 k\u016brybos, privalu susitelkti ne tik \u012f menin\u0119 jos vert\u0119, bet ir komercin\u0119 pus\u0119. \u017dinoma, su i\u0161imtimis kiekvienu variantu. Steb\u0117dama bei klausydama Dovil\u0117s ir R\u016btos, supratau kelis dalykus. Vienas i\u0161 j\u0173, jog gra\u017eu, kai \u0161iais laikais dar yra negalin\u010di\u0173 nekurti, bet daran\u010di\u0173 tai tik i\u0161 didelio poreikio. Antras \u2013 mes jau susigyvenome su pandemija. Karantino, kelioni\u0173 tvarkos, grafik\u0173 d\u0117liojimo ir naujojo planavimo schemos tampa prakti\u0161kai normalia pokalbio dalimi. Tikriausiai po bet kokios pauz\u0117s visi galime versti naujos k\u016brybos puslap\u012f.<\/p>\n

______<\/p>\n

Projekt\u0105 \u201e\u0160okio, cirko aktualijos: analiz\u0117, naujienos, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Pokalbis su \u0161okio k\u016br\u0117jomis Dovile Petk\u016bnaite ir R\u016bta Butkus \u0160iuo metu, kai ra\u0161au \u0161\u012f tekst\u0105, ka\u017ekur po Tenerif\u0117s salos akmeninius …<\/p>\n","protected":false},"author":2,"featured_media":9141,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nI\u0161valytosios - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2020\/09\/03\/isvalytosios\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"I\u0161valytosios - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Pokalbis su \u0161okio k\u016br\u0117jomis Dovile Petk\u016bnaite ir R\u016bta Butkus \u0160iuo metu, kai ra\u0161au \u0161\u012f tekst\u0105, ka\u017ekur po Tenerif\u0117s salos akmeninius ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2020\/09\/03\/isvalytosios\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2020-09-03T07:29:32+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-09-03T16:11:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2020\/09\/Artificial-2_Arttificial_stop-kadras-is-busimo-sokio-filmo.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t<meta property=\"og:image:height\" content=\"1280\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2020\/09\/03\/isvalytosios\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2020\/09\/Artificial-2_Arttificial_stop-kadras-is-busimo-sokio-filmo.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2020\/09\/Artificial-2_Arttificial_stop-kadras-is-busimo-sokio-filmo.jpg\",\"width\":2048,\"height\":1280},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2020\/09\/03\/isvalytosios\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2020\/09\/03\/isvalytosios\/\",\"name\":\"I\\u0161valytosios - 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