{"id":9144,"date":"2020-09-03T11:39:34","date_gmt":"2020-09-03T08:39:34","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=9144"},"modified":"2020-09-03T11:45:46","modified_gmt":"2020-09-03T08:45:46","slug":"zaiginyje-dirbtini-intelekta-ir-judesi-jungianti-instaliacija","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2020\/09\/03\/zaiginyje-dirbtini-intelekta-ir-judesi-jungianti-instaliacija\/","title":{"rendered":"\u017daiginyje \u2013 dirbtin\u012f intelekt\u0105 ir judes\u012f jungianti instaliacija"},"content":{"rendered":"

Rugs\u0117jo 5-6 dienomis \u012f \u017daiginio miestel\u012f Raseini\u0173 rajone atvyksta \u0160eiko \u0161okio teatras, parodysiantis vien\u0105 naujausi\u0173 savo darb\u0173 \u2013 instaliacij\u0105 \u201eIn-contact\u201c. \u0160\u012fmet \u012fvykusiai k\u016brinio premjerai paj\u016bryje pasirinktas Nidos \u0161vyturys. \u0160iluvos apylinkes apva\u017eiav\u0119 \u0160eiko \u0161okio teatro komandos nariai instaliacijai i\u0161rinko vien\u0105 i\u0161 dviej\u0173 nebenaudojam\u0173 \u017daiginio mokyklos patalp\u0173, kurias ketinama atiduoti bendruomenei. \u201eNeabejoju, kad m\u016bs\u0173 pasirodymas gyventojams \u012frodys, jog meno pristatymui tinka \u012fvairiausios erdv\u0117s, o kai kurios netgi suteikia k\u016briniams stipresn\u012f poveik\u012f\u201c, sako instaliacijos choreograf\u0117 ir re\u017eisier\u0117 Agnija \u0160eiko, pasakodama apie erdvi\u0173 poveikius spektakliams, \u201eIn-contact\u201c k\u016brim\u0105 bei instaliacijoje naudojam\u0105 program\u0105, leid\u017eian\u010di\u0105 kurti muzik\u0105 pagal \u017ei\u016brov\u0173 judesius.<\/p>\n

\"\"<\/a>
\nMariaus Luko\u0161iaus nuotr.<\/em><\/p>\n

– Kaip susiklost\u0117, kad instaliacij\u0105 \u201eIn-contact\u201c ve\u017eate b\u016btent \u012f \u0160iluvos apylinkes?<\/strong><\/p>\n

Dalyvauti mus pakviet\u0117 Silvija \u010ci\u017eait\u0117-Rudokien\u0117, organizuojanti \u0160iluvos teatro bienal\u0119. Nuostabu, kad renginys turi tokio plataus akira\u010dio organziator\u0119, norin\u010di\u0105 atve\u017eti \u012f region\u0105 ka\u017ek\u0105 nematyta ir \u012fveiklinti erdves, apie kuri\u0173 tinkamum\u0105 meno k\u016briniams net nepagalvotum. \u0160tai taip mums patiems netik\u0117tai gastroli\u0173 \u017eem\u0117lapyje atsirado prie \u0160iluvos esantis \u017daiginys.<\/p>\n

– Kod\u0117l \u201eIn-contact\u201c rodymui pasirinkote nebeveikian\u010dios mokyklos patalpas?<\/strong><\/p>\n

Organizatoriai si\u016bl\u0117 kelet\u0105 erdvi\u0173, patys va\u017eiavome rinktis tinkamiausios. Visk\u0105 apva\u017eiavus pasirod\u0117 visapusi\u0161kai svarbu \u012fveiklinti buvusios mokyklos \u017daiginyje patalpas. Pirma \u2013 bendruomen\u0117 pamatys, kad jos puikiai tinka meno k\u016brini\u0173 pristatymui. Antra \u2013 tai labai \u012fdomi erdv\u0117, joje radome \u012fvairi\u0173 mokyklini\u0173 daikt\u0173, u\u017esilikusi\u0173 dar nuo tarybini\u0173 laik\u0173. Tre\u010dia \u2013 tokiose patalpose m\u016bs\u0173 k\u016brinio temos gali suskamb\u0117ti dar garsiau ar netgi naujai. Rodysim\u0117s Lietuvos viduryje esan\u010dioje apleistoje, nykstan\u010dioje erdv\u0117je, kurioje lik\u0119 visai nedaug \u017emoni\u0173 \u2013 vadinasi, jie neb\u0117ra erdv\u0117s \u0161eimininkai. Tokioje aplinkoje \u201eIn-contact\u201c veikiantys padarai lengvai taps naujais \u0161eimininkais, \u012f kuri\u0173 valdas ateis \u017ei\u016brovai. Antrame auk\u0161te, buvusiose klas\u0117se, ketiname \u012fkurti t\u0173 padar\u0173 namus, \u0161alia kuri\u0173 sustatysime \u017ei\u016brov\u0173 judesius fiksuojan\u010dias kameras. Instaliacijoje naudojame speciali\u0105 program\u0105, kurian\u010di\u0105 spektaklio garso takel\u012f pagal kameros u\u017efiksuotus judesius.<\/p>\n

– Vadinasi, muzika kursis tik \u017ei\u016brovams aktyviai judant?<\/strong><\/p>\n

Tam tikro j\u0173 aktyvumo reik\u0117t\u0173 \u2013 d\u0117l to spektaklis tikrai taps \u012fdomesnis ir publikai, ir atlik\u0117jams. \u017dinom tai, nes esame tur\u0117j\u0119 visoki\u0173 patir\u010di\u0173. Kartais susirenka gyva, laisva publika, greitai pagaunanti \u017eaidimo taisykles ir judesiais daranti s\u0105moning\u0105 \u012ftak\u0105 muzikai. B\u016bna ir toki\u0173, kurie nesupranta kamer\u0173 funkcijos \u2013 jie stovi ir stebi, tad niekas nesikei\u010dia. Nat\u016bralu \u2013 \u017emon\u0117s ateina su skirtingomis patirtimis, kai kurie \u2013 tiesiog nedr\u0105s\u016bs. Tod\u0117l spektaklio prad\u017eioje visuomet parodome \u017ei\u016brovams, kad jie tur\u0117t\u0173 jaustis instaliacijos dalimi, ir kad j\u0173 aktyvumas svarbus.<\/p>\n

Beje, gali b\u016bti, kad \u017daiginyje \u0161iek tiek eksperimentuosime. Paprastai kameros fiksuoja tik publikos judesius. Kai rod\u0117me instaliacij\u0105 Nidos \u0161vyturyje, fiksuoti atlik\u0117j\u0173 jud\u0117jimo negal\u0117jome d\u0117l riboto ploto. Mokyklos erdv\u0117 atvers kitokias galimybes, tad gali b\u016bti, kad nuspr\u0119sime fiksuoti ir \u017ei\u016brov\u0173, ir atlik\u0117j\u0173 jud\u0117jim\u0105.<\/p>\n

\"\"<\/a><\/p>\n

– \u201eIn-contact\u201c apra\u0161yme daugiau informacijos ne apie pat\u012f darb\u0105, bet apie erdv\u0119, kurioje rodyta premjera. Ar k\u016brin\u012f taip sunku apib\u016bdinti?<\/strong><\/p>\n

Tikrai n\u0117ra sunku! Spektaklio i\u0161eities ta\u0161kas buvo mano susitikimas su bulgar\u0173 menininke Albena Baeva, nuolat ie\u0161kan\u010dia galimybi\u0173 garsui, judesiui ir ap\u0161vietimui komunikuoti su dirbtiniu intelektu. Dirbtinio intelekto, o dabar \u2013 ir pandemijos padarini\u0173 temos padiktavo \u201eIn-contact\u201c id\u0117jas: kalbame apie savo aplinkos, gamtos situacij\u0105. Be abejo, Nida, kurios \u0161vyturyje reng\u0117me premjer\u0105, k\u0117l\u0117 savo kontekstus: atsid\u016br\u0117me unikalioje vietoje, kuri\u0105 sistemingai naikina kr\u016bvos poilsiautoj\u0173, turizmas. Tod\u0117l instaliacijoje atsirado \u017ev\u0117rys, mutav\u0119 padarai, ka\u017ekuriuo metu per\u0117m\u0119 kontrol\u0119 \u012f savo rankas.<\/p>\n

\u201eIn-contact\u201c svarbi galios pasisavinimo tema. Mes, \u017emon\u0117s, jau\u010diam\u0117s visagaliai, ta\u010diau pati gamta \u2013 kad ir pandemijos pavidalu \u2013 mums nuolat parodo, kad tokie nesame. Siekdami naudos sau galime pridaryti \u017ealos aplinkai, ta\u010diau v\u0117liau patys springsime to pasekm\u0117mis. Instaliacijoje norime apversti trupmen\u0105, parodyti, kad \u017emogus neb\u016btinai yra vir\u0161uje.<\/p>\n

– Pastaruoju metu \u0160eiko \u0161okio teatre pastatyta daug \u012fvietint\u0173 darb\u0173 (tarp j\u0173 ir \u201eIn-contact\u201c), kuriuose erdv\u0117 atrodo neatsiejama nuo pasirodymo. Tokius k\u016brinius ypatingai sunku ve\u017eti \u012f gastroles, nes kaskart reikia perkurti i\u0161 naujo. Ar prisimeni koki\u0173 juoking\u0173 arba nemaloni\u0173 istorij\u0173, nutikusi\u0173 bandant pritaikyti spektaklius naujoms erdv\u0117ms?<\/strong><\/p>\n

Kurioz\u0173 ar dideli\u0173 problem\u0173, kuri\u0173 negal\u0117\u010diau i\u0161spr\u0119sti, kol kas nepasitaik\u0117 \u2013 regis, jau sugebu \u017evelgti \u012f rei\u0161kinius i\u0161 \u012fvairi\u0173 kamp\u0173, tad i\u0161eitis visuomet atrandu.<\/p>\n

U\u017etat pamenu \u017dagar\u0117je rodyt\u0105 \u201eKaralien\u0119 Luiz\u0119\u201c. Mums buvo si\u016blomos dvaro apylink\u0117s, ta\u010diau pati bevaik\u0161\u010diodama pama\u010diau nuostab\u0173 \u017eirgyn\u0105. Buvome patikinti, kad juo naudotis leidimo negausime, ta\u010diau su savininku pavyko susitarti. Taigi spektaklis vyko tarp \u017eirg\u0173, kuri\u0173 vienas pasirod\u0117 es\u0105s artistas \u2013 ruo\u0161tas dalyvauti parodomosiose programose. Kai spektaklio metu atlik\u0117jos prad\u0117jo \u0161alia jo \u0161okti, \u017eirgas, regis, nutar\u0117, kad at\u0117jo laikas jo programai. Taip gyv\u016bnas savaranki\u0161ku sprendimu tapo improvizuota spektaklio dalimi. Taip pat prisimenu nuostab\u0173 ir juoking\u0105 moment\u0105, kai merginos ka\u017ekuriuo momentu stov\u0117jo prie \u0161io \u017eirgo, o jis prasmingu \u017evilgsniu \u017evelg\u0117 \u012f tol\u012f.<\/p>\n

\"\"<\/a><\/p>\n

– \u017dirgynas, mokykla, \u0161vyturys, ba\u017eny\u010dios… Regis, kaskart pritaikant spektakl\u012f naujai erdvei reikia atlikti did\u017eiul\u012f darb\u0105.<\/strong><\/p>\n

Taip ir yra. Ta\u010diau man tai vienas maloniausi\u0173 dalyk\u0173, nes galiu kitaip pa\u017ei\u016br\u0117ti \u012f \u017einomas funkcijas ar istorijas turin\u010dias erdves. Tod\u0117l kai organizatoriai pasi\u0161ven\u010dia surasti man spektaklio viet\u0105, visuomet labai pad\u0117koju ir papra\u0161au sau visi\u0161kos sprendimo laisv\u0117s.<\/p>\n

– Kalb\u0117jome apie darb\u0173 formas, o kaip yra su turiniu? Gana da\u017enai \u0161iuolaikinio \u0161okio spektakli\u0173 bijoma, nes tikima, kad jie reikalauja didelio apsiskaitymo ir sud\u0117tingo gilinimosi \u012f k\u016brinio filosofij\u0105. Kaip pati nor\u0117tum veikti \u017ei\u016brovus, kokius poj\u016b\u010dius jiems sukelti?<\/strong><\/p>\n

\u0160iuo at\u017evilgiu esu pra\u0117jusi \u012fvairias stadijas. Studijuojant ir pa\u010dioje karjeros prad\u017eioje man buvo labai svarbu neatsilikti nuo europieti\u0161k\u0173 tendencij\u0173, eiti tuo metu populiariu ir pripa\u017eintu \u0161okio keliu, nepasirodyti nevykusia ar atsilikusia. \u017dinoma, tokiais atvejais menininkui kyla pavojus prarasti savast\u012f. Ta\u010diau tada man atrod\u0117, kad svarbiausia ne tai, k\u0105 \u017ei\u016brovas pajus, bet kad spektaklyje b\u016bt\u0173 suformuluota intelektuali mintis. Atrod\u0117, kad blogiausia, kas tuo metu gal\u0117jo nutikti, tai banalus, pavir\u0161utini\u0161kas ar \u2013 o siaube! \u2013 jausmingas spektaklis.<\/p>\n

Ta\u010diau ka\u017ekada \u012fvyko l\u016b\u017eis ir prad\u0117jau galvoti: koks tada spektaklio tikslas, jeigu nesiekiu paveikti \u017emog\u0173? Kod\u0117l ver\u010diu j\u012f perskaityti, bet ne pajusti tas intelektualias prasmes? \u0160okis yra menas, kuriame daug kas suvokiama pas\u0105moningai, per poj\u016b\u010dius, pamatini\u0173 \u017ei\u016brovo patir\u010di\u0173 sujudinim\u0105. Kad \u017emogus sutikt\u0173 eiti kartu su spektakliu, reikia j\u012f pakviesti \u012f \u0161i\u0105 kelion\u0119 jo kalba. Ta\u010diau k\u016br\u0117jai kartais pasiklysta filosofijose ir nebegali kalb\u0117ti paprastai, ne auk\u0161t\u0105ja meno kalba. Nesupraskit neteisingai \u2013 auk\u0161tasis, intelektualus menas yra puiku. Ta\u010diau jo harmonija su \u017eemi\u0161kais, \u017emon\u0117ms artimais rei\u0161kiniais yra dar geriau.<\/p>\n

\u0160iandien manau, kad niekas kitas taip nesujaudins \u017emogaus, kaip kito \u017emogaus buvimas \u0161alia.<\/p>\n

– O kaip apibendrintum lietuvi\u0173 publikos po\u017ei\u016br\u012f \u012f \u0161iuolaikin\u012f \u0161ok\u012f 2020-<\/strong>aisiais metais?<\/strong><\/p>\n

Apibendrinti visos Lietuvos \u017ei\u016brovus b\u016bt\u0173 sud\u0117tinga. Didmies\u010di\u0173 publika, \u017einoma, jau ma\u010diusi \u012fvairiausio \u0161okio i\u0161 skirting\u0173 \u0161ali\u0173, tad j\u0173 nebestebina forma, jie ie\u0161ko turinio, kokyb\u0117s. Manau, kad \u0161i\u0173 \u017ei\u016brov\u0173 s\u0105mon\u0117je \u0161okis yra gana arti teatro.<\/p>\n

Region\u0173 situacija kitokia, ta\u010diau daug gastroliuodama pastebiu gyventoj\u0173 nuojautas, kad \u0161iuolaikinis \u0161okis gali juos sujungti su tuo, kas i\u0161 tikr\u0173j\u0173 svarbu \u0161iandienos \u017emogui, neleisti nuo visko nutolti nepaisant geografin\u0117s pad\u0117ties. Region\u0173 \u017ei\u016brovai \u0161ok\u012f pasitinka vis atviriau. Ta\u010diau tam pirmiausiai b\u016btinas pa\u010di\u0173 meninink\u0173 atvirumas \u2013 kaip pateikiame savo darbus, kaip pasiruo\u0161iame susitikimui su konkre\u010diomis publikomis. Nuo to priklauso, ar \u017emon\u0117s mus \u012fsileis. Nes jei tiesiog \u012fmesime \u017emones \u012f abstrak\u010di\u0105 k\u016bryb\u0105, tik\u0117damiesi susilaukti j\u0173 d\u0117mesio neinvestuodami savojo, paliksime juos likimo valiai. O juk kur kas tikslingiau pasikviesti juos eiti kartu.<\/p>\n

Garso, \u0161vies\u0173, judesio aplinkos laboratorija – spektaklis \u201eIn-Contact\u201c \u017daiginyje rugs\u0117jo 5 d.<\/strong> 18:00 val. Ir rugs\u0117jo 6 d.<\/strong> 17:00 val. B\u016btina registracija el. pa\u0161tu silvijacizaite@gmail.com<\/a>.<\/p>\n

\u0160iluvos teatro bienal\u0117s organizatorius \u2013 Raseini\u0173 rajono kult\u016bros centras<\/p>\n

Projekt\u0105 remia Lietuvos kult\u016bros taryba<\/p>\n

Bienal\u0117s glob\u0117jas \u2013 Raseini\u0173 rajono savivaldyb\u0117<\/p>\n","protected":false},"excerpt":{"rendered":"

Rugs\u0117jo 5-6 dienomis \u012f \u017daiginio miestel\u012f Raseini\u0173 rajone atvyksta \u0160eiko \u0161okio teatras, parodysiantis vien\u0105 naujausi\u0173 savo darb\u0173 \u2013 instaliacij\u0105 \u201eIn-contact\u201c. …<\/p>\n","protected":false},"author":2,"featured_media":9146,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\n\u017daiginyje \u2013 dirbtin\u012f intelekt\u0105 ir judes\u012f jungianti instaliacija - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2020\/09\/03\/zaiginyje-dirbtini-intelekta-ir-judesi-jungianti-instaliacija\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u017daiginyje \u2013 dirbtin\u012f intelekt\u0105 ir judes\u012f jungianti instaliacija - 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